RSS
A new musical spotlights the Nazi persecution of LGBTQ+ people
(New York Jewish Week) — Some 50,000 gay men and women were imprisoned by Nazis during the Holocaust. Of them, approximately 10,000 to 15,000 were held in concentration camps, and nearly all of those who were sent to the camps died there.
And yet, many stories of LGBTQ+ people who died in Nazi prisons are left untold. The numbers, while huge, shrink in comparison to the millions of Jewish people who died and were tortured at the hands of the Nazis.
This dynamic is why writer, director and actor Alan Palmer first learned about Nazi persecution of homosexuals completely by chance. In August 2016, Palmer — who is best known for his off-Broadway show “Fabulous Divas of Broadway” and his role on the “Mighty Morphin Power Rangers” — was performing at Edinburgh Fringe Festival when he stumbled upon an article about the specific targeting of gay men and women under Hitler. He found himself falling into a world of ever-deepening research, consumed by the idea that there were so many lost stories of LGBTQ+ people who died in concentration camps.
Inspired, Palmer decided to travel to Germany. There, he visited some concentration camps and saw pictures of the gay men who were imprisoned there. “I found these beautiful photos of these people who were Jewish and trans” and gay], Palmer said. “Being a writer of musicals by trade, the pictures started me on a journey of writing this new piece.”
This “new piece” is Palmer’s one-man play, “Chanteuse: A Survival Musical,” which he’s currently performing at Here Arts Center (145 Sixth Ave.). The play relates the story of Werner, a gay man in 1930s Berlin who assumes the identity of his landlady, a German woman who had died unexpectedly, in order to avoid persecution and imprisonment. A performer by trade, Werner reinvents himself as a chanteuse and begins singing for his supper, and survival, in the clubs of Berlin. “It’s fictional, in a way, because there’s no [single] person who had this experience,” Palmer told the New York Jewish Week. “However, each one of the pieces [in the play] is true.”
The play explores the precarity of survival and how intersecting identities complicate ideas about oppression and freedom. “There are heart-wrenching stories of Jewish families whose relatives were killed during these times. And some of those people were gay — but you don’t hear about them much,” Palmer said. “The reason is families didn’t talk about it back then. If Uncle So-and-so was sent away [before the round-ups of Jews intensified], no one talked about why. So all of these records of people who existed are just gone.”
Palmer plays Werner, a gay man in 1930s Berlin who assumes the identity of his landlady to escape Nazi persecution. (Russ Rowland)
Despite being raised in a Mormon community in Salt Lake City, Palmer said he’s long felt a kinship with Jews. “As soon as I left [home] I began to make lifelong friendships with Jewish people, mostly because of theater. You can’t have theater without Jewish people or gay people!” he said. “When I see the rise of antisemitism today I just think: ‘For gosh sakes, how can people keep attacking this group of people?’”
As “Chanteuse” unfolds, Werner, like so many gay men during that time, isn’t able to escape the long arm of the Nazi regime for long. He is eventually outed and imprisoned in a concentration camp, where he both experiences and witnesses brutal violence and dehumanization. “Even though the Jewish people are in another camp on the other side of the wall, there are still a small number of gay Jews on this side. On Friday evenings, the gay Jewish men pray,” he relates, in a touching monologue toward the end of the scene.
“Chanteuse,” written and performed by Palmer and directed by Dorothy Danner, is about memorializing those whose stories were lost. Throughout the play, Werner relates stories of LGBTQ+ prisoners as well as Romani people, people with mental and physical disabilities, and, of course, Jewish people he meets throughout his calamitous journey. It is also, however, about creating connections to the rise in anti-LGBTQ+ legislation and antisemitism in the current age.
To that end, Palmer curated a mini pop-up museum, displayed in the atrium outside the theater, that presents information about what happened to members of the LGBTQ+ community in Europe during World War II. “I envisioned people engaging before the performance and having the information sink in during the play,” Palmer said. “But it’s interesting to see how many people walk past all of these panels, and after the show they went out to the museum and actually spent time reading and viewing the history.”
According to the United States Holocaust Memorial Museum, gay men were “often subjected to physical and sexual abuse by camp guards and fellow inmates,” and some were “beaten and publicly humiliated.” Some of these prisoners were also subject to inhumane medical experiments or forced castration, according to the USHMM. These “pink triangle prisoners,” named for the badge they were forced to wear in the camps, were arrested for breaking an existing German law that made same-sex relations illegal in the country.
The exhibit draws direct connections between the use of the legal system and false medical science by the Nazis and the current rise in vitriol directed towards the LGBTQ+ community in America and around the world. While our government isn’t conducting forced castrations of gay men and women like the Nazis did, given the veritable flood of anti-LGBTQ+ (and particularly anti-trans) laws being passed by state governments across the United States, Palmer believes we should be paying very close attention to these legislative moves before it’s too late.
“History cannot repeat itself,” Palmer said. “People are being silenced. They’re being forced to hide. I’ve never lived in a closet, I’ve always been myself. My truth was always out there. The idea that people like me are being told they can’t live their whole truth is frightening to me.”
But bringing historical documentation into the experience isn’t the only way in which “Chanteuse” is a multimedia project — it’s also musical, with a score written by award-winning composer and arranger David Legg. “The music serves almost as a spoonful of sugar: It helps the information go down easier,” Palmer said.
Stylistically, the score implements melodic and harmonic elements of both early-‘30s-era jazz and traditional European Jewish music. The instrumentation (piano, tenor saxophone, percussion and upright bass) was chosen by Legg in order to facilitate this evocative musical landscape. “We ended up putting an underscore through the entire piece,” Palmer said. “It created a continuity, so you never feel it’s disjointed — dialogue, song, dialogue, song — the audience is never shocked out of the world we’re creating.”
And yet, Palmer insists that his created world is very relevant to the one we’re living in today. While it may seem unimaginable for something as horrifying as the Holocaust to repeat itself, Palmer said he and his co-creators want to remind audiences of the current trends towards authoritarianism around the world as they watch Werner navigate the terror of being gay in 1930s Berlin.
“Around the United States, we’re seeing more and more bans of drag performance, of gay media,” Palmer said. “And I think drag, like any other art form, is a way of storytelling. It isn’t anything people should be afraid of.”
“This is a moment in which it’s important to say, ‘We all need to work together,’” he added. “You know, if every persecuted group stood strong together, we’d be surprised at how quickly things would turn around in a positive way.”
“Chanteuse” is being performed at Here Arts Center (145 Sixth Ave.) on Tuesdays through Saturdays through July 30. For tickets and additional info, click here. In order to allow broader access to the musical, 10 tickets priced at $10 are available for each performance on a first come, first served basis.
—
The post A new musical spotlights the Nazi persecution of LGBTQ+ people appeared first on Jewish Telegraphic Agency.
RSS
‘Your Nazism Knows No Bounds’: Popular LA Restaurant Draws Backlash After Denying Service to Jewish Man
Protesters outside of Mauro’s Cafe in Los Angeles after a patron wearing a kippah said he was denied a cup of coffee. Photo: Screenshot
A popular restaurant in West Hollywood, California drew protests and widespread backlash online after it allegedly denied service to a Jewish man wearing a kippah.
Mauro Cafe is a small Italian restaurant and cafe in Los Angeles County often frequented by celebrities. On Sunday, a man wearing a kippah said he attempted to order a cup of coffee from the restaurant but was refused.
Video of the man walking into the restaurant before coming out and saying he was denied service because he looked Jewish went viral on social media this week.
West Hollywood cafe owner throws out Jewish customer and REFUSES to serve him after seeing he was wearing a kippah.
Mauro Cafe in Melrose refused to allow the man to buy coffee with one waitress telling him to “get off the property.”
@growthfactororg pic.twitter.com/BXDqPpSBYP
— Oli London (@OliLondonTV) July 2, 2024
“The owner, she says I cannot buy a coffee,” the man said in the video after walking out. When asked why he was refused service, he responded, “Because I look like I am Jewish.”
Although the owner of the restaurant, who has been identified as Evelyne Joan, appeared to turn the patron away, employees of the restaurant later bought him a coffee, according to the video.
The incident sparked backlash among Los Angels’ Jewish community, prompting some to protest against antisemitism and discrimination more broadly outside of Mauro Cafe.
Jewish Americans protest outside a cafe in West Hollywood after the owner REFUSED to serve a Jewish customer and threw him out because he was wearing a Kippah.
The owner of Mauro Cafe stood outside as Jews protested against her antisemitic business chanting “Shame.”
@idan_bg pic.twitter.com/6P0ExiWcVE
— Oli London (@OliLondonTV) July 2, 2024
“Your Nazism knows no bounds,” one protester yelled.
“The owner of Mauro Cafe, Evelyn [Joan], does not demonstrate for any of the atrocities committed within walking distance of Israel!” another demonstrator said, calling out Joan for only protesting against the Jewish state.
“Apologize!” the activists demanded.
Social media users quickly noted that Joan has a history of protesting against Israel and Jewish sites. The nonprofit organization Jew Hate Database revealed that she participated in the violent anti-Israel demonstration outside of Adas Torah synagogue in the heavily-Jewish Pico-Robertson area of Los Angeles late last month.
In video posted to social media, Joan can be seen holding a microphone while preventing Jews from accessing the synagogue and shouting “Free Palestine” and “Shame on you!”
Demonstrators swarmed the synagogue to protest the sale of Israeli real estate taking place inside the building. The protests quickly descended into violence as anti-Israel protesters were caught on video shoving, punching, and screaming at those attempting to defend the synagogue.
The violence received widespread condemnation. US President Joe Biden slammed the protests as “antisemitic and un-American.”
Outside of Mauro Cafe, activists chastised Joan for her participation in the protest. “When it comes to Jews she runs and blocks their place of worship!” they said, referring to the anti-Israel demonstrators who waved Palestine flags and donned keffiyehs while blocking entry into the Adas Torah synagogue.
Prominent figures on social media decried the restaurant’s apparent anti-Jewish discrimination this past weekend. “Imagine if a white business didn’t serve a black customer. Lead story of every single news program. Mauro Cafe. Run by racist dirtbags,” tweeted conservative political commentator Dave Rubin.
The incident came almost three months after the Anti-Defamation League (ADL) released a report showing antisemitic incidents in the US rose 140 percent last year, reaching a record high. Most of the outrages occurred after Hamas’ Oct. 7 atrocities in southern Israel, during the ensuing Israel-Hamas war in Gaza.
The post ‘Your Nazism Knows No Bounds’: Popular LA Restaurant Draws Backlash After Denying Service to Jewish Man first appeared on Algemeiner.com.
RSS
Jews Today Cannot Wait for Miracles
Pro-Hamas activists gather in Washington Square Park for a rally following a protest march held in response to an NYPD sweep of an anti-Israel encampment at New York University in Manhattan, May 3, 2024. Photo: Matthew Rodier/Sipa USA via Reuters Connect
One of the amazing features of the Torah is the way that it conveys human nature with all its greatness and pettiness, triumphs and failures.
This week, we look at the Korach rebellion, in which there are three different groups of protesters each with their own agenda.
Korach and the other Levites were fighting for a religious position and power. On Ben Pelet’s group represented the tribe of Ruben’s political fear of being replaced by the tribe of Judah. And Datan and Aviram were only concerned with their own physical and material interests.
This serious rebellion against the established authority of Moses and Aaron reflects precisely the sorts of conflicts of opinion and commitment that divide the Jewish people to this very day — those who do not identify with the nation, those animated by religious power and authority, and those whose values are the same material values as the secular Western world. Of course, my comparison is fanciful. But I hope it makes a valid point.
The children of Israel faced a crisis of self-image coming out of slavery and subjugation in Egypt. Nevertheless, they escaped from Egypt, arrived at Sinai, and had the national revelation. But almost immediately, they fall back into an idolatrous mindset. And when it came to proceeding to the land of Canaan and not relying on everything to be provided for them, the facade of unity collapsed.
It was clear that the nation was simply not ready to take upon itself the burden of responsibility of running their own affairs within a land of their own. The result was that they were sent back into the wilderness for another generation to prepare themselves psychologically and physically for what would happen 40 years later.
When Moses was faced with this rebellion, his first reaction was to “fall on his face” both in resignation and in supplication to God. God’s response was to give him the confidence to stand up to them.
Moses tries first to reason with them. When this fails, the miracles of the earth opening up — the fire that consumed the Levites who brought the censors, and the staffs that flowered and produced almonds — finally ended the revolt and restored order.
In those days, miracles were visible — and solved the problem. But now both in the Diaspora and in Israel, we are faced as never before with our internal divisions and the increasing tsunami of hatred and denial of our rights (and lives) across the world.
The picture looks so bleak from almost every point of view, so it is not surprising that more and more of us are looking for miracles. And because we can see no rational and logical fair resolution, we turn to prayer.
Prayer is a wonderful tool both of self-validation and connecting with spiritual energy beyond the physical world. But it’s not a tool that can guarantee anything. Similarly, the dream of a Messiah may give us a sense of hope, but we have no guarantees. Besides as the Talmud says, “Ein Somchin Al HaNes” — we cannot and should not rely on miracles
It is up to us to be proactive in our lives ,and take the steps necessary for our self-defense and well-being.
Not everyone is suited or equipped to deal with every threat, whether it is physical, political, or cyber. But we must all be prepared to rise to the challenge and do whatever we can to play our part, no matter how small. We never know how things are going to work out, and we may be surprised by turns of events that we didn’t expect.
Yes, I hope for miracles — but I know one cannot rely on them.
The author is a writer and rabbi, currently based in New York.
The post Jews Today Cannot Wait for Miracles first appeared on Algemeiner.com.
RSS
Why Will The New Republic Not Take Action Against Inciteful New Hire?
A scene from the anti-Israel protest that took place outside the exhibit “Nova: Oct. 7 6:29 AM, The Moment Music Stood Still” in New York City on June 10, 2024. Photo: Screenshot
Some journalists report what they see and hear on the ground, while others report what they want to see or hear. It’s unfortunate when that happens, and it is especially prevalent in today’s media.
Talia Jane (or Talia Ben-Ora) belongs in the latter category.
Jane (who identifies with the pronouns they/them) is an associate writer for The New Republic; their work for the publication is labeled as “breaking news.”
Only much of this content is not necessarily breaking news, and it’s not written as such. With headlines that are sarcastic and distorted from the truth, Jane probably manages to grab eyes, but irresponsibly misleads readers.
Jane continuously steps out of bounds as a journalist, backing vile anti-Israel activity (and behavior towards Jews), and passing it off as valid resistance to the Israeli “occupation.”
Earlier in June, Jewish Insider’s Gabby Deutch published an in-depth article on Jane — exposing that The New Republic’s latest hire is a raging anti-Zionist. It appears that Jane also has Jewish heritage.
Deutch’s article centered around this heinous piece Jane wrote for The New Republic on June 14, which defended the recent anti-Israel protest outside the Nova Exhibit in New York. The “breaking news” writer claimed that the protest was not antisemitic in nature.
Here are some clips from said protest.
Appalling antisemitism in NYC — protesting an exhibit commemorating the victims of the massacre at the Nova music festival. The only logical conclusion one can make when you show up to protest against people who were murdered by Hamas, is that you support Hamas and the murder of… pic.twitter.com/c3eyZwRXvV
— Adam Milstein (@AdamMilstein) June 12, 2024
Today the almost daily anti-Israel protests that have besieged NYC since Oct 7th converged on the Nova Exhibit. Those who went to commemorate the slaughter of 100s of innocent Israelis at a music festival were met with chants of “intifada revolution” pic.twitter.com/6mT8FpLfp5
— daniela (@daniela127) June 11, 2024
The TNR journalist also refuses to accept the actual definition of Zionism as the right to self-determination of the Jewish people in their ancestral homeland. Jane has defended this since-expelled Columbia student, who led anti-Israel protests on its campus:
In April, Jane called it ‘insane’ for the White House to criticize a Columbia student who said on social media that Zionists deserve to die, because ‘Zionism is synonymous with ethnonationalist supremacy and *not* Judaism.’
Since Deutch’s article was published on June 20, Jane’s behavior has not changed; this “journalist” and activist continues to share despicable comments and reposts on X (formerly Twitter). This, despite TNR magazine editor Michael Tomasky’s assurance, quoted in the article, that the publication is “working to address the situation.”
Jane took to X to defend anti-Israel protesters, while there is a clear presence of a Hamas flag in the frame:
Just a reminder that NYPD fully and illegally kettled the anti-genocide demo outside a Biden campaign event in Manhattan, then made arrests because the group they prevented from moving…didn’t move. https://t.co/FhcPtXzof0
— Talia Jane (@taliaotg) June 29, 2024
Jane also reposted a donation link from the Hamas-run Gaza Municipality’s X account.
Our damages amount to approximately 1 billion dollars. Please help us raise the first million. Your support is crucial for us to continue our efforts in #Gaza City.
Donation link: https://t.co/DR0P9iVohK
— بلدية غزة – Municipality of Gaza (@munigaza) June 26, 2024
It is a wonder, that after intense backlash over Jane’s piece more than two weeks ago, TNR’s chief editors have allowed this journalist to remain on their staff. The most they appeared to muster up was a disclaimer at the top of said piece.
Although Jane’s articles are currently more US politics-focused in recent weeks, that does not detract from still occurring behavior online. Does TNR approve of this kind of rhetoric and biased, unprofessional behavior to define their reputation?
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.
The post Why Will The New Republic Not Take Action Against Inciteful New Hire? first appeared on Algemeiner.com.