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The Yiddish Philharmonic Chorus celebrates its 100th anniversary with a rare Yiddish rendition of ‘Hatikvah’

(New York Jewish Week) — Last fall, when Binyumen Shaechter started putting together the 2023 repertoire for the Yiddish Philharmonic Chorus, he thought an apt theme and title would be “Chutzpah! Yiddish Songs of Defiance” to celebrate the 80th anniversary of the Warsaw Ghetto Uprising as well as the 75th birthday of the State of Israel. 

He had no idea that, nearly a year later, when the chorus was gearing up for an encore performance of its June concert celebrating their 100th anniversary, Hamas would invade Israel and slaughter 1,400 Israelis — and that Jews might need to turn to these historical songs of defiance once again. 

“If anything, what’s happening in Israel, in that region and to the innocent Gaza civilians is more of an inspiration and an incentive for us to sing with more passion, emotion and determination and defiance,” Schaechter, the director and conductor of the chorus, told the New York Jewish Week. “These songs made the people who sang them feel good about the things that they were feeling bad about.”

The concert, this coming Sunday at the Upper West Side’s Merkin Hall at Kaufman Music Center, includes three songs about the Jewish people’s relationship to the land of Israel at different points in Jewish history: a setting of Psalm 137, the “Partisans’ Anthem” sung by Jewish fighters in the 1940s and, perhaps most notably of all, “Di Hofenung,” a version of “Hatikvah,” Israel’s national anthem, that was translated into Yiddish in 1943 by Hillel Meitin. 

The Yiddish Philharmonic Chorus perform in 2019. Binyumen Schaechter conducts, while alumni join the chorus onstage. (Courtesy Binyumen Schaechter)

Schaechter believes the Yiddish version of “Hatikvah” is relatively unknown and, to his knowledge, has not been performed since his chorus picked it up. “I happened to find it in a collection of Yiddish war songs written in 1943,”he said. “I would be shocked if anybody has performed it in Yiddish. We’ve made that poem come to life after 80 years.”

“Because everything that’s going on in Israel, we just feel our hearts so full to be singing these songs like ‘Hatikvah’ and the partisans’ song in Yiddish,” Lynne Cassouto, a soprano who has been in the chorus for nine years, told the New York Jewish Week. “It’s just so poignant and so powerful right now to be singing together right now.”

Founded in 1923 on the Lower East Side as the Freiheit Gezang Farein (“Freedom Chorus”) by conductor and composer Lazar Weiner, the chorus was an extension of the Morgen Freiheit, a daily Yiddish communist newspaper. The singers “were native Yiddish speakers and were staunch lefties,” Schaechter said. For the first 15 or so years, the chorus would begin every concert with a Yiddish translation of the French communist anthem “The Internationale.”

In the decades after its founding, the chorus continued to grow as its leaders wrote new choral and solo works. The group performed all over the city, including at Carnegie Hall. In 1948, during the anti-communist backlash of the McCarthy Era, the chorus changed its name to the Jewish People’s Philharmonic Chorus. 

Binyumen Schaechter has conducted, directed and done the choral arrangements for the chorus for the last 28 years. (Courtesy Binyumen Schaechter)

By the 1980s, the chorus’ popularity had waned, and it became more of a community choir — anyone who wanted to join could, regardless of whether they could sing, Schaechter said. 

Schaechter, 60, became the chorus’ conductor and the director in 1995. Born in East New York, Brooklyn, he grew up in the Bronx in a prominent Yiddish-speaking family: His father, Mordkhe Schaechter, was a Yiddish linguist and professor at Columbia, the Jewish Theological Seminary, Yeshiva University and YIVO, the Yiddish research institute. His aunt, Beyle Schaechter-Gottesman, was a Yiddish poet and songwriter. Binyumen and his three sisters all pursued careers in Yiddish: Rukhl is the editor of Forverts, the Yiddish Forward; Gitl is a Yiddish poet and Eydl teaches Yiddish classes for women in her haredi community in Tzfat, Israel. 

Despite his upbringing, Schaechter said he never planned a career in Yiddish music — he thought he’d become a composer for musical theater. “My dream was to win a Tony Award for Best Score and to give my thank you speech in Yiddish,” he said. He wrote a few shows that weren’t produced, and worked as a substitute conductor at another chorus that shared some members with the Jewish People’s Philharmonic Chorus, who asked him if he’d like to take over as the conductor full time. 

Now, said Schaechter, who also works as a Yiddish translator and lecturer, “I can’t imagine doing anything else.” 

In 2021, the chorus officially changed its name to the Yiddish Philharmonic Chorus. “Our raison d’etre for many years has been singing in Yiddish, keeping Yiddish alive and doing it in a way that enlightens the audience about the treasures that Yiddish poetry, song and even choral arrangements can have,” he said, adding that singers need not be Jewish to join.

In his nearly 30-year tenure, Schaechter has expanded the range and ability of the chorus. The 36 members, ranging from 30-somethings to those in their 90s, had to audition. They hold a weekly practice session on Monday nights and perform anywhere from from three to 12 times a year around the city. 

While knowing Yiddish is not a prerequisite — Schaechter estimates only about a fifth of the cohort could hold a conversation in the language — singers learn how to pronounce and perform the music with gusto while also learning the translation and meanings behind the songs. 

“One of the things I love about the way Binyumen specifically presents a piece of music to us is that he will give us historical context — he will tell us about the composer, the author if it was originally a poem, the dialect, what the part of the world it was from, the context of when it was written,” said Cassouto, who, like Schaechter, hails from a musical, Yiddish-speaking family. 

“I feel very strongly about Jewish continuity through all these art forms,” she added. “So that all, for me, is a piece of keeping that spirit alive and being true to where we come from, and not having it just become history, but really be retained as a part of my identity.”

“This was our culture. This was our language. This is our tradition going back for centuries,” Schaechter said. “There’s such wonderful literature and so many wonderful Yiddish songs that we don’t want to lose them. We want to pass them on to the next generation.”

Tickets for the Yiddish Philharmonic Chorus’ upcoming concert on Sunday, Oct. 29 at 1 p.m. can be found here, starting at $50. A recording of the concert can also be purchased.


The post The Yiddish Philharmonic Chorus celebrates its 100th anniversary with a rare Yiddish rendition of ‘Hatikvah’ appeared first on Jewish Telegraphic Agency.

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Mayor Olivia Chow’s city hall has yet to adequately address antisemitism in Toronto, based on Jewish community complaints

It’s been a rocky year for relations between Toronto’s Jewish community and city hall following the Oct. 7, 2023, assault on Israel—which led to an ongoing regional war in the […]

The post Mayor Olivia Chow’s city hall has yet to adequately address antisemitism in Toronto, based on Jewish community complaints appeared first on The Canadian Jewish News.

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Amsterdamned: The Shame of Femke Halsema

Mayor of Amsterdam Femke Halsema attends a press conference following the violence targeting fans of an Israeli soccer team, in Amsterdam, Netherlands, Nov. 8, 2024. Photo: Reuters/Piroschka Van De Wouw

JNS.orgIn the arsenal of the antisemite, denial is a key weapon. Six million Jews were exterminated during the Holocaust? Didn’t happen. The Soviet Union persecuted its Jewish population in the name of anti-Zionism? Zionist propaganda. Rape and mutilation were rampant during the massacre in Israel on Oct. 7, 2023? What a smear upon the noble resistance of Hamas. And so on.

No surprise, then, that the left-wing mayor of Amsterdam, Femke Halsema, is now publicly regretting her use of the word “pogrom” in her summation of the shocking antisemitic violence unleashed by Arab and Muslim gangs in the Dutch city in the wake of the soccer match between local giants Ajax and visitors Maccabi Tel Aviv two weeks ago.

One day after the violence, Halsema noted that “boys on scooters crisscrossed the city in search of Israeli football fans, it was a hit and run. I understand very well that this brings back the memory of pogroms.” She could have also mentioned (but didn’t) that the Dutch authorities ignored warnings from Israel that the violence was being stoked in advance in private threads on social-media platforms, resulting in a massive policing failure; that Ajax supporters were not involved in the attacks, undermining claims that what happened was merely another episode in the long history of inter-fan violence at soccer matches; and that the “boys” engaged in the assaults were overwhelmingly youths of Moroccan or other Middle Eastern or North African backgrounds, who gleefully told their victims that their actions were motivated by the desire to “free Palestine.” But at least Halsema grasped the nature of the violence. Or so we thought.

A few days later, she rolled back her initial comments. “I must say that in the following days, I saw how the word ‘pogrom’ became very political and actually became propaganda,” she stated in an interview with Dutch media. “The Israeli government, talking about a Palestinian pogrom in the streets of Amsterdam. In The Hague, the word pogrom is mainly used to discriminate against Moroccan Amsterdammers, Muslims. I didn’t mean it that way. And I didn’t want it that way.”

On the left, the enemy is “Jewish privilege,” and on the right, it is “Jewish supremacism.”

Halsema’s discomfort does not, of course, mean that what happened in Amsterdam was not a pogrom. Nor does she speak for the entirety of the Dutch political class. Both the center-right VVD Party and the further-right PVV Party, for example, continue to describe the violence as a pogrom and have suggested strong measures for countering further outrages targeting local Jews and visiting Israelis. Both parties have urged a clampdown on mosque funding from countries promoting Islamism, such as Turkey and Saudi Arabia, and have called on the Netherlands to follow Germany’s example in denying or removing citizenship from those convicted of antisemitism.

But the mayor’s 180-degree turn speaks volumes about how the left in Europe enables antisemitism by denying that it is a serious problem. To begin with, there is a refusal to situate each incident in its historical context, which makes it all the easier to portray violent explosions as an anomaly. Listening to Halsema, you would never know that the Amsterdam pogrom was preceded in March by a violent demonstration at the opening of the National Holocaust Museum, where pro-Hamas protestors masked with keffiyehs and brandishing Palestinian flags—this century’s equivalent of a brown shirt and a Nazi armband—lobbed fireworks and eggs in protest at the presence of Israeli President Isaac Herzog. What you will realize, however, is that Halsema is terrified of being labeled “Islamophobic.” That explains her pleas for understanding for a bunch of Moroccan thugs who express contempt not just for Israel but for the country that has provided them a sanctuary with housing, education and many other benefits.

Not only are Jews expected to take all this abuse lying down; they are then told by non-Jewish leftist politicians—often aided by Jewish “anti-Zionist” lackeys—that they have no right to situate the violence directed against them within the continuum of Jewish persecution over the centuries. What happened in Amsterdam, we are badgered into believing, was different because it wasn’t motivated by hatred of Jews but a righteous rejection of Israeli policy.

That’s why the behavior of some of the Maccabi fans is brought into the equation. Video showing fans descending into a subway as they chanted “F**k the Arabs” spread like wildfire on social-media platforms, along with reports that Palestinian flags adorning some private homes had been torn down. I am not going to endorse these actions, even if, as a Jew, I can understand and empathize with the feelings that motivated them, but I also consider them essentially irrelevant to this case. The advance planning of the pogrom, coupled with the wretched record of pro-Hamas demonstrations around the Netherlands in the previous year, proves that the Maccabi fans would have been hounded and attacked even if their behavior had been impeccable. Moreover, legally and morally, violent assaults are in a different league than acts of petty vandalism or the singing of distasteful songs. There can be no comparison, and nor should there be.

What the Amsterdam pogrom underlines is that the extremes of the left and the unreconstructed elements of the nationalist right are now at one in their attitudes towards Jews. On the left, the enemy is “Jewish privilege,” and on the right, it is “Jewish supremacism.” Both terms carry the same meaning, but are expressed in language designed to appeal the prejudices of their respective supporters. For the left, claims of antisemitism are dismissed as expressions of Jews exercising their “privilege,” dishonestly seeking victim status at the same time as the “colonial” state they identify with is persecuting the “indigenous” inhabitants. For the right, claims of antisemitism are a tactic to shield the contention that Jews are superior to everyone else. Translated, both communicate the same message: The violence you experience is violence you bring upon yourselves.

To her eternal shame, Halsema is now trafficking in this noxious idea while presiding over a city in which no Jew can now feel safe, less than a century after their ancestors were rounded up and deported by the German occupiers. She should resign.

The post Amsterdamned: The Shame of Femke Halsema first appeared on Algemeiner.com.

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On Academic Indoctrination in American Universities

DePaul University Law School. Photo: ajay_suresh/Wikimedia Commons.

JNS.orgOn a site named “Slow Factory,” which serves as a resource for college pro-Palestine activists, its FAQ page poses the question: “Is ‘Free Palestine’ Antisemitic?” The answer, of course, is no. Why is that supposed to be a correct response? As they explain,

“First, antisemitism is a distinctly European cultural trait that has no historical equivalent in the Levant. … The movement does not single out or attack Judaism as a religion or people. … It hopes to create a truly democratic state in which self-determination and human rights are available for everyone.”

Before treating the claptrap quoted, we need to note that Slow Factory defines itself as “an environmental and social justice nonprofit organization” that works “at the intersections of climate and culture” to “redesign socially & environmentally harmful systems.” This is accomplished through “narrative change and regenerative design.” In short, mind control is supported by progressive funding. Influence Watch makes it clear that they are extremely anti-Zionist.

To return to the above-quoted excerpt, it is patently apparent that Slow Factory is presenting a false narrative. There is antisemitism in the Levant. While some of it could be traced to the influence of Christian missionaries, much of it is rooted in the Quran and accompanying Islamic literature. There are attacks on Jews by Muslims chanting itbah al-Yahud (“slaughter the Jews”) from Baghdad’s Farhud in 1941 to the massacre by Hamas in the Western Negev in 2023. Moreover, 31 years following the signing of the Oslo Accords, no democracy has developed in the Palestinian Authority; instead, it is a continuation and deepening of an authoritarian societal rule.

The “movement” indeed singles out Jews. It prevents them from crossing encampment lines. It attacks Jewish objects—whether people, institutions, places of business or customers at cafes. It seeks out the doors of Jewish students in dormitories. It lays siege to synagogues, hospitals named “Jewish” and Jewish schools. As for their vision of a democratic state, it is a movement that heralds the most undemocratic societies, whether in Gaza or Ramallah, Hebron or Shechem.

*    *    *

As explained by Austrian-born essayist Jean Améry, already in 1969, the left on campuses has been captured by pro-Palestine rhetoric and framework referencing that aligned itself with, first extreme left-wing and then, in its eventual progressive mutation, melding with Islamist antisemitism. Améry (born Hanns Chaim Mayer) realized that Israel would be demonized since nothing could ultimately satisfy the eliminationist demands of anti-Zionists. Anti-Zionism was fashioned to be the new “honorable antisemitism.”

For those opposed to Zionism, Israel is a symbol of capitalism, imperialism and colonialism—the core evils leftists exist to oppose. This is the underlying layer of today’s debasement of anything pro-Israel, its pillars sunk into a feeling of intense and even depraved degradation of Jews and all things Jewish, especially an independent and successful Jewish state.

What has evolved is epitomized at Villanova University outside Philadelphia, where a director of counseling services can present antisemitic views at an international conference, describing Zionism as a “disease” that requires psychotherapy. FBI-style “Wanted” posters targeted Jewish faculty and staff members at the University of Rochester. The sheriff’s office in Walla Walla, Wash., was required to respond to a pro-Palestine student protest outside a Whitman Board of Trustees dinner at a winery forcing the college to relocate its dinner venue.

At De Paul University, supporting Israel landed one Jewish student in the hospital while a second student was lightly injured. At Virginia Tech in Blacksburg, the campus flagpole had a Hamas flag hoisted.

The deeper invasive connection between academia and anti-Zionism, however, is not in protests but in the educational content, or rather the indoctrination, that a student undergoes. For example, the University of California, Berkeley has announced that it is offering a course this coming spring semester describing Hamas as a “revolutionary resistance force fighting settler colonialism.” More invidious, the course description reads as if a primer for a revolutionary underground:

“With the U.S.-backed and -funded genocide being carried out against Indigenous Palestinians by the Israeli Occupying Force, many have found it difficult to envision a reality beyond the one we are living in today.”

A second example is the Massachusetts Institute of Technology seminar taught by linguistics professor Michel DeGraff. The course deals with “language and linguistics for decolonization and liberation and for peace and community-building.”

His position is that Jews have no connection to Israel and that Israeli textbooks “weaponize trauma of the Holocaust.” Israeli youth, he further asserts, grow up “with this trauma that made them fear that their existence is in threat.” That may be a fair observation, but he adds that the threat comes from “anyone who doesn’t believe in the superior position of the Jewish people in Israel.”

If you perceive some racism and black supremacist theory in this explanation, you are probably correct.

This is but one sphere of influence crushing on a student. In too many cases, his/her lecturers and advisors are those who sign pro-Palestine petitions, marshal the demonstrations and sit-ins, and provide support for campus groups when they are disciplined—or more correctly, when administrations attempt to do so.

The Capital Research Center has published a study titled “Marching Towards Violence” that investigated militant left-wing antisemitism on the campuses of U.S. colleges and universities. It has identified more than 150 campus groups that explicitly support terrorism or, at the least, emphasize violent anti-Israel rhetoric.

David Bernstein, founder of the Jewish Institute for Liberal Values and author of Woke Antisemitism: How a Progressive Ideology Harms Jews, sums up the situation:

“Anti-Israel forces focused on U.S. college campuses have transformed the American university into a vector for their activist agenda … playing the long game—what activists call “the long march through institutions”—in inculcating a stark ideological worldview that portrays anyone with power or success … as oppressors.”

Is there an antidote? One is the Deborah Project, which defends the civil rights of Jews facing discrimination in educational settings. Its aim is “to use legal skills and tools to uncover, publicize and dismantle antisemitic abuses in educational systems.” Other groups and individuals work on many levels of engagement; still, if the monied Jewish establishment institutions do not get behind this, then the anarchy, irrationality and hate will at some point come to overwhelm Diaspora Jewry.

The post On Academic Indoctrination in American Universities first appeared on Algemeiner.com.

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