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How an Israeli TikToker’s little-known song became the soundtrack to emotional wartime reunions
(JTA) — An Israeli reservist on leave from the war in Gaza sneaks back into his house in the middle of the night to surprise his wife and sons. Another opens the door of his daughter’s preschool classroom and steps inside. Another stands behind his mother’s desk at work, waiting for her to turn and see him.
In each video, and hundreds of others just like them, a Hebrew song with the lyrics “Good days will come…” builds to its crescendo as the soldier’s family falls upon him.
The song seems tailor-made as an anthem for the emotional reunions that are providing Israelis a rare spark of hope at a grim time. “Even in the darkest hours of the night, there will always be a small star that will shine for you, for yourself and the way home,” the singer croons. “It’s always darkest before the sunrise.”
Yet the singer, Yagel Oshri, didn’t write the song for the war that the soldiers have been called to fight, which began Oct. 7 when Hamas attacked southern Israel, killing 1,200 and taking hundreds of hostages. “Two years ago I wrote the first version — not even from my personal perspective,” says Oshri, 23. His friend was depressed because her boyfriend dumped her, so he was trying to tell her, “Just smile, it’s all OK.”
היה געגוע
Few people heard the song since, even as Oshri became one of Israel’s rising stars on TikTok. As the driving force behind the Oshri Family account, Oshri accumulated followers with his made-for-social-media humor, often involving his two younger brothers and mother in videos made in the family home in Moshav Elikhin in central Israel. But behind the scenes, he was struggling in a way that changed the way he thought about his song.
“When I went through a depression, I realized you can’t just smile and get over it,” he said. So six months ago, he went to hit-making musician Offir Cohen’s studio and played him the first four lines of the revised song: “The family, friends, maybe going out/deep profound conversations late at night/dealing with change, old habits/the soul is at war with karma…”
Cohen told him to drop everything and the two went to the studio with a guitar and within “seven minutes” finished the song — lyrics, melody and all. “It flowed like a river,” Oshri recalls. They released the song on Aug. 15.
Galgalatz, the premier pop radio station in Israel, rejected it for their weekly playlist. “Maybe they just didn’t get it, they didn’t understand the heaviness,” Oshri says, with no bitterness. He uploaded the song to Apple Music, Spotify and, of course, TikTok instead.
There, “Getting over Depression” gained a small following. In late August, a clip Oshri posted on TikTok of himself playing on a keyboard with his brother at his side garnered dozens of supportive comments. By the end of September, he posted a duet in tribute to what he said was being tagged 1,000 times on the platform.
But nothing could have prepared him for what happened after Oct. 7. Like so many other Israelis, he was personally affected by the attack when his brother’s partner, 22-year-old Kim Dukarker, was killed along with hundreds of others at the Nova music festival. And like so many others, he sprang into action, giving back however he could — by performing for families evacuated from danger zones and soldiers called up as part of the biggest mobilization in Israel’s history.
Between the live shows and the ability of users on Instagram and TikTok to add favorite songs as soundtracks to their clips, “Getting over Depression” soon became ubiquitous — particularly when soldiers used it as a soundtrack to their surprise visits home.
Now, Israelis can’t get away from the song. It’s looping endlessly on the radio, including on Galgalatz — “I’m happy they get it now,” Oshri said — and in countless social media videos. Entire army units have sung along to the song. There’s even a spoof of a reservist trying to escape it, and TikTok videos of American Jewish musicians, like Orthodox singer Aryeh Kuntzler, performing it.
מקדישים לכם את השיר בתוך לב עזה! צה״ל חזק #צהל #עזה #israel
The song has streamed more than 3.5 million times on Spotify, making Oshri the second-most listened-to Israeli artist, and has been used on 17,000 TikTok videos, mostly of reunions. A prominent TV presenter shared the music set against clips of just-freed hostages, including 9-year-old Ohad Munder running through a hospital corridor to hug his family. That video got over 1 million views.
“I feel like God gave me a mission, to make people happy with this song,” Oshri says. “It’s a happy song. I think that Israel, in its DNA, is a happy nation. We like to say ‘Am Yisrael Chai,’” or the Jewish people live, a traditional phrase that itself has been renewed in a wartime song released Oct. 19, by Eyal Golan. “We like to say, ‘There will be good days to come.’”
Oshri’s song joins in a long tradition of Israeli songs giving hope at tenuous moments, including the classic “Yihiye Tov,” or “Things Will Get Better,” which a 22-year-old David Broza wrote with poet Yonatan Geffen in 1977 on the eve of peace negotiations with Egypt.
With every war, a few songs capture the public’s imagination. In 1967, “We Shall Pass,” by Yehiel Mohar and Moshe Wilensky, was written to raise the morale of the country. Even more iconic was Naomi Shemer’s “Jerusalem of Gold,” written only three weeks before the war — and to which she added a new verse when Israel took control of East Jerusalem.
Sometimes singers become synonymous with wars. Yehoram Gaon, who sang “The Last War” in 1973 for the troops during the Yom Kippur War (“I promise you little girl, this will be the last war…”) is now back with a new version of his 1984 patriotic battle cry, “You Won’t Beat Us,” whose video features flag-waving soldiers and rumbling tanks.
“Music can produce shared allegiances and feelings of unity. In times of extreme crisis, people turn to the music that they most need as an attempt to stabilize their emotions [so they can] continue and persist,” says Murray Forman, professor of Media & Screen Studies at Northeastern University in Boston. After 9/11 he wrote the analysis “Soundtrack to a Crisis: Music Context, Discourse,” in the journal Television and New Media.
“Music has acquired new significance in relation to the atrocities of the terrorist actions,” he wrote then. But what he didn’t consider 20 years ago was that “along with the music of peace and healing and mourning and patriotically infused anger and nationalistic chauvinism (which each proliferated in the U.S. after 9-11 and probably does in other such circumstances), there might also be music of fear and dread and even celebration, depending on what communities we’re talking about,” he said.
Yagel Oshri meets and sings with the family of Raz Ben Ami, bottom right, who was released the day before as part of deal between Hamas and Israel. Her husband Husband Ohad remains captive in Gaza. (Courtesy Yagel Oshri)
“Maybe one thing is for all sides to try to listen closely to the music each other is creating and listening to.”
A number of English-language songs have also been adopted to epitomize the war. Skylar Grey’s “I’m Coming Home,” which has been used as a soundtrack for many American soldiers’ homecomings, was recently adapted in honor of the hostages still held in Gaza. Shiri Maimon sings it in a video featuring a display in Jerusalem of 240 beams of light, each representing a hostage. On Nov. 6, hundreds of the hostages’ family members gathered at Tel Aviv’s Cameri Theatre to record a version of Madonna’s “Like a Prayer,” in an event produced by Ben Yefet, who conducts Israel’s popular Koolulam singalongs.
Yet for many American Jews, Israeli anthems are a way for them to connect to the country. Yael Weinman, a lawyer from Washington, D.C., started creating shareable Spotify playlists that she called “Do Not Despair” when the war started. It included pop songs like “Out of the Depths” by Idan Reichl, “Chai” by Ofra Haza and “Hurts but Less” by Yehuda Poliker.
“For me, being in America and being so far away physically from Israel right now, it’s a way to feel closer to Israel at a time when being so disconnected is so painful,” said Weinman. She said it’s hard for many people like her not to be there. “Listening to the music is a way to feel more connected,” she says. “It’s comforting for me to listen to songs in Hebrew — it’s a way to feel comforted and not to despair.”
Oshri has been busy since the war pushed his song into the spotlight. In addition to working on new music that he hopes will bring comfort to his nation at war, he has played over 90 performances since the war started — at army bases, for wounded soldiers, for evacuated families, at funerals.
“I just sang for a kidnapped woman that was released,” Oshri says in the car from Israel, referring to Raz Ben Ami, who was released by Hamas on Nov. 29. Her husband Ohad remains captive in Gaza.
On Sunday, Oshri announced that he would begin selling jewelry with lines from his now-iconic song etched in his handwriting, with the proceeds to benefit the Israeli army.
Oshroi told JTA that every time he sings the song, in his heart he dedicates it to Dukarker. But he says he knows “Getting Over Depression” doesn’t belong to him any more. “It’s Israel’s song,” he said. “It’s the song our nation has chosen to listen to.”
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The post How an Israeli TikToker’s little-known song became the soundtrack to emotional wartime reunions appeared first on Jewish Telegraphic Agency.
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IDF Releases Investigation into Discovery of 6 Hostages’ Bodies
i24 News – The IDF released on Tuesday the investigation into the murder of six abductees at the end of August: Carmel Gat, Eden Yerushalmi,
Goldberg-Polin, Alexander Lubnov, Almog Sarusi, and Sergeant Ori Danino.
According to the findings of the investigation, when the IDF operation began in the area of the tunnel, Major General Nitzan Alon did not believe abductees would be in the area. As the operation continued, the military assessment said the probability was even lower.
The abductee who was extricated, Qaid Farhan Alkadi, was found alone, as neither he nor additional terrorists taken from the area provided indications to the additional abductees.
In the absence of new information, the operation continued in the area, the investigation said. Only then did the forces locate the bodies of the six abductees. In addition, forensic findings were found indicating that Hamas leader Yahya Sinwar had been there. It remains unclear whether he gave the order to murder the abductees himself. No signs of struggle during the murder were found in autopsies.
IDF Spokesperson Daniel Hagri visited the tunnel and described the harsh conditions in which the six abductees endured. “They were heroes who were cold-bloodedly murdered by terrorists who build tunnels under children’s rooms,” he said. “We will hunt them down and know exactly who they are, we will find the one who murdered them. The teams here collect all the evidence from the scene.”
“We didn’t know the exact location of the hostages in the tunnel. They were killed before we could reach them. We are investigating the incident of their names being leaked prior to their rescue. This is a very serious event that is harmful to the families and the security of the forces on the ground.”
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Actress Emmanuelle Chriqui Talks About Jewish Pride, Growing Up in Modern Orthodox Family
Emmanuelle Chriqui attending the Creative Coalition Celebrate Election Night with a Star-Studded Dinner & Watch Party Held in Beverly Hills, California, Nov. 6, 2024. Photo: Faye’s Vision/Cover Images via Reuters Connect
Jewish actress Emmanuelle Chriqui opened up in a podcast interview on Tuesday about being raised in a Modern Orthodox household in Canada, being proud to be Jewish and how pro-Israel activists in Hollywood inspire her.
Chriqui, 49, was born to Moroccan Jewish immigrants in Montreal, Canada. Her late mother, Liliane, was born in Casablanca, while her late father, Albert, was born in Rabat and moved to Casablanca as a child. Growing up herself in Canada, Chriqui kept kosher at home and celebrated Shabbat every week with her family.
“I was raised in a small town outside of Toronto and we were two Jewish families but I lived in, I would consider, a Modern Orthodox home,” the former “Entourage” star told Jewish comedian Elon Gold during a guest appearance on his podcast “Stars of David with Elon Gold.”
“We did Shabbat dinner every Friday [and] Shabbat lunch Saturday. Dad went to temple,” she said. “All our biggest fights were [about] going out on Friday night. And my mom was an extraordinary cook. In Canada in the winter time, I would race home from school [on Fridays] so I could plug in the water, light the candles, cuz I’d be the first one home, turn the oven on low, all the things. We had milk and meat separate at home.”
The “You Don’t Mess with the Zohan” star added that she still lights Shabbat candles every week in her home. She also noted that her favorite Jewish holiday is Rosh Hashanah. Explaining why, she said: “I love new beginnings; renewal. I love the symbolism, the food, [and] as much as I dread that it means Yom Kippur is around the corner, I love this time and I love how I feel after Yom Kippur.” She said in a previous interview that she includes a clause in her acting contracts, stating that she will not work on Rosh Hashanah or Yom Kippur.
Chriqui has been an avid supporter of Israel for many years. After the Oct. 7 Hamas-led terrorist attack in Israel last year, she expressed solidarity with Israel and its right to defend itself against Hamas. She signed an open letter condemning the US-designated terrorist organization, has advocated for the release of the hostages still held by Hamas in the Gaza Strip, and shared posts on social media about the need to bring the hostages home. She has also supported efforts to counteract boycotts of Israel, including efforts to have Israel banned from the 2024 Eurovision Song Contest. Since 2020, Chriqui has been in a relationship with American actor Sam Trammell, who in early 2024 condemned antisemitism.
“Obviously this past year has been incredibly confronting on so many levels and things have come up that I’ve never lived through before,” Chriqui said during her podcast interview this week, referring to the global experiencing a rise in antisemitism since the Oct. 7 attack. She also said she thinks the “silver lining” of this past year has been seeing how Jews in Hollywood are embracing their Judaism in different ways than perhaps before the Oct. 7 massacre.
“Like in my 20-plus years of being in Los Angeles, it’s never been like this. Like I can’t keep up with the invitations,” she said. “It’s never been that way. Jews, fellow Jews that were like Jew-ish, suddenly it means something different. And I think that’s the thing – being Jewish in this moment has taken on a different meaning.”
She said “very much so,” Jews are starting to express pride and unity in their Jewish heritage that she has not seen before. She also told Gold that Jewish friends and pro-Israel advocates in the Hollywood community inspire her, including Hen Mazzig, Noa Tishby, Mandana Dayani and Montana Tucker. “I’m very inspired by all of them,” she explained.
Chriqui was also asked about the backlash that some Jewish celebrities receive for not speaking out publicly either enough or at all in support of Israel.
“In the beginning, I think the sentiment was that we felt so alone so who are the Jews who have millions of followers that can affect change,” she said in response. “But it’s also about releasing expectations; releasing judgments. What I might do works for me, might not work for you. And I think really we need to be more tolerate with each other, especially within the community. That’s something that breaks my heart a little bit.”
“I think that speaking out against antisemitism on my platform, for me, is about standing tall in who I am. So it’s much less about what happened but really embracing who we are,” she noted.
The post Actress Emmanuelle Chriqui Talks About Jewish Pride, Growing Up in Modern Orthodox Family first appeared on Algemeiner.com.
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A History of Hanukkah and Jewish Survival
A Hanukkah menorah. Photo: Pixabay
We like to think that Hanukkah was the great victory of Judah, the son of Mattiyahu the Priest (who initiated the resistance) against the mighty Syrian or Seleucid Greeks over 2,000 years ago. The Seleucid campaign against Judea began when Antiochus the 4th invaded in 167 BCE). He believed his culture was far superior to that of the Jews. Jewish merchants were beginning to rival the Greeks in the Eastern Mediterranean, so commercial rivalry was a factor too.
Judah (the name Maccabee is not mentioned in Talmudic sources) did indeed defeat some Seleucid armies and retook the Temple and purified it in 164 BCE. But in fact, the fighting went on for some five years.
Although in between, the Temple did indeed function the way it did before Antiochus, nevertheless it was not a clear-cut victory. The in-fighting in the court of the Syrian Greeks, the assassination of kings and rival generals, all contributed to stalemate with Syrians still holding on to their fortress in Jerusalem.
Judah was killed in the battle of Elasa in 160 BCE. Judah’s brother Jonathan was killed in 143 BCE. Only with the last brother Simon, who was recognized officially as Judea’s high priest and the head of the Judean state in 142 CE, did Judea become independent, for a while.
Judah did not establish the annual eight-day festival we have today. He did replicate the Eight Days of King Solomon’s original dedication of the first Temple when he re-took it. The late Talmudic rabbis established the ongoing eight days to commemorate the miracle of the oil not mentioned earlier. And their failure to mention Judah indicates their disapproval of the Hasmonean dynasty in general as it played out.
Was Hanukkah just a matter of military conquest — or just cultural disagreement with the Greeks? There were no Palestinians to be seen. In competing for markets, Greeks killed Jews and Jews killed Greeks back. John Hyrcanus, Simon’s successor ,was particularly effective at retaliating against those who attacked Jews even beyond his territory.
Within the Jewish community of Judea, there were huge divisions, which reflected the precise divisions that exist today within the Jewish communities in Israel and the Diaspora.
Succeeding generations could not even agree what the significance of Hanukkah was. For those who fought, it was a military victory that ultimately led to the establishment of regaining and re-opening the Temple and an autonomous state.
For the rabbis of the Talmudic era, who were scarred by the Roman conquests, it was a celebration of the spiritual flame kept burning by the few against the many. Judah the fighter was not mentioned. Some saw it as a response to the Diaspora festival of Purim, others as the interaction between the Diaspora and Israel, with both suffering from different pressures and antagonisms. What we now call antisemitism.
A lot has changed over the last 2,000 years — and a lot has not.
Empires have come and gone, rulers have risen and died, and Jews remain a people as Bilaam says (Numbers 23:9) “A nation that dwells alone and is not regarded (or valued) by the other peoples.” We have always been loners. Does this really matter? For some it does and that explains why so many Jews have always abandoned the confines of Jewish life to try to thrive in the non-Jewish world. It also explains why others have fought for their beliefs and freedom — and why some have become zealots.
We should not be surprised today to discover how many Jews are antagonistic to the Jewish people, and certainly not about how the non-Jewish world continues to be extremely ambivalent towards us. Both in the Middle East and in the West, communities are now no longer as monochromatic or as unified as they once were. Mass migrations have changed the complexity of many societies and divided them against themselves.
This is why the Hanukkah story is so important. It’s the only festival we have that records the military triumph of Israel against its opponents, and the survival of our tradition despite the continuous, repeated attempts to snuff us out.
We have thrived despite it all. In our prayers every single day of the year, we think of Jerusalem and returning to it in our minds if not in our bodies. This is something that the world just does not get — because they are not concerned with history or facts. This is our story, whichever the way the wind blows, and they will not snuff our lights out.
The author is a writer and rabbi, currently based in New York.
The post A History of Hanukkah and Jewish Survival first appeared on Algemeiner.com.
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