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Free Press coming under criticism for supposed “anti-Israel” bias

Free Press opinion columnist Jen Zoratti and Free Press faith writer John Longhurst

By BERNIE BELLAN

“The attack on Oct. 7, it was vicious (and) really brutal. But it happened in a certain context of this region of years and years of dehumanizing people from both sides.

Do you know who said that? Not a Free Press columnist. It was Yonatan Zeigen – one of former Winnipegger Vivian Silver’s two sons. Zeigen was quoted in an October 29 Canadian Press article – prior to the discovery that his mother had actually been killed on Kibbutz Be’eri during the October 7 massacre, and was not taken hostage to Gaza – which is what was first suspected.

That same story also said that Zeigen “noted that his perspective has prompted backlash inside Israel, which he chalks up to people rejecting projects his mother helped run that call for a fundamental shift in how Israelis relate to Palestinians.

” ‘I don’t really talk … to the Israeli press because I see a lot of poison being directed at her because of her activities,’ he said.”

Compare that with what Free Press columnist Jen Zoratti wrote in an opinion piece that was published January 26, two days after an event focusing on the brutality that had been inflicted on Israeli (and other non-Israeli women) during the Hamas massacre of October 7: “Everyone who took the mic on Wednesday kept saying, ‘all women matter’ and ‘women everywhere matter,’ but I couldn’t help but wonder — which women? There wasn’t even a cursory pass at solidarity or even an acknowledgment of the gender- based harms currently being experienced by Palestinian women, who also feel abandoned by global feminism.”

Zoratti’s column did describe the horrors that had been unleashed on Israeli women on October 7 and she did refer in some depth to remarks made by Israeli lawyer and women’s rights expert Ayelet Razin Bet Or during that January 24 event at the Human Rights Museum, but she tried to place what happened on October 7 within a larger context of the ongoing degradation of women in war situations.

That one single comment in Zoratti’s column about “harms currently being experienced by Palestinian women” has apparently unleashed a torrent of criticism, which has been leveled not only at Zoratti and the Free Press for having the nerve to print her column, the backlash has even extended to Free Press Faith reporter John Longhurst, who has been caught up totally unsuspectingly in a blistering attack written by the publisher of a Jewish Winnipeg website.

Apparently Longhurst had written just two words on “X” (previously Twitter), with reference to Zoratti’s column: “good column.”

In response, Rhonda Spivak, publisher of Winnipeg Jewish Review, wrote:

“Did he not understand that in raving (emphasis ours) about Zoratti’s column that painted a picture of Israel as an apartheid state, accusing the Israeli speaker of spouting propaganda (emphasis ours), and calling for a ceasefire without even mentioning the necessary release of Israeli women, children and men held hostage in Gaza, he would not be bridge building but damaging his relationship with the Jewish community.

With his little tweet, Longhurst has set back interfaith relations .What makes things worse, is that Longhurst actually interviewed the Israeli speaker, sex crimes prosecutor Ayelet Razin Bet Or and the program’s moderator Gail Asper for the Winnipeg Free Press and also for the Canadian Jewish News in advance of the program held at the CMHR. If Longhurst harbored these views, would it not have been fair to present his views, and give Razin Bet Or the opportunity to respond?

 “Longhurst is a freelance writer who writes regularly in the Canadian Jewish News, but I do wonder what the latter’s readership would think of his insensitivity displayed towards the Jewish/Zionist community (emphasis ours).


”How does Longhurst propose to repair that which he has damaged (emphasis ours)?”

In defense of Longhurst, it should be pointed out that he written extensively about the local Jewish community. He was also the only local reporter to attend the major conference on anti-Semitism held in Ottawa in October. He also interviewed both Ayelet Razin Bet Or and Gail Asper for a story that was published prior to the event at the Human Rights Museum on January 24.

However, reaction to Zoratti’s column has been heated and calls have grown on social media to organize campaigns against the Free Press. We have been made aware of pressure being exerted on Free Press co-owner Bob Silver to influence the editorial position of the paper. We have also been told (although admittedly anecdotally, without being able to verify to what extent it has happened) of individuals cancelling (or threatening to cancel) their subscriptions to the Free Press.

But, it’s not only Zoratti’s column that has raised the ire of many individuals toward the Free Press. As with any large daily newspaper, the Free Press receives many letters to the editor. In recent weeks the paper has printed letters from Jeff Lieberman (CEO of the Jewish Federation) and Paula Parks (President of the Federation), along with an opinion piece by Gustavo Zentner (the newly appointed CIJA representative for Manitoba and Saskatchewan), all of which made the case for Israel in various respects.

Yet, the Free Press has also printed many letters highly critical of Israel’s actions in Gaza. On Tuesday, February 6, while there was one letter written in defense of Israel, there were also three letters highly critical of Israel. We have been contacted by individuals complaining that their own letters written in defense of Israel have not been printed.

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Talented Winnipeg composer Sara Kreindler teams up with her mother Reena Kreindler to create new satirical show to premiere here in May

Sara Kreindler

By BERNIE BELLAN It’s been many years since I’ve heard from Sara Kreindler. Sara’s name first appeared in The Jewish Post & News in 2002 when a satirical musical titled “A Touch of Class” was reviewed by the late Arnold Ross. That particular production featured songs from popular Broadway shows that touched upon themes such as “greed, poverty, oppression, and social unrest.”
When she appeared in that show, Ross noted, Kreindler had just recently returned to Winnipeg from England, where she had obtained a doctorate in Social Psychology from Oxford University.
While at Oxford, Kreindler found time to compose a satirical musical titled “Charity,” which played to rave reviews there, and was performed five times.
Continuing in the theme of writing satirical musicals, Sara has now teamed up with her mother, Reena, to write a new musical titled “A Perfect Man,” which is set to run at the Gargoyle Theatre from May 6-17.
According to a press release we received, “A Perfect Man” is “a satirical musical, set on a fictional analogue of ‘The Bachelor’.
“The story follows an anthropologist who arrives to research TV’s hottest reality-dating show — only to discover she’s been made a contestant, and the bachelor is her high school crush. Past and present collide against an exuberant pastiche score that uses vintage musical styles to highlight modern absurdities.”
“Praised as ‘a musician [who] can make biofuels funny’ (CBC), Sara is known for whip-smart satire on a panoply of topics. Her digital musical, ‘Larry Saves the Canadian Healthcare System, created during her former life as an academic, has garnered over 84,000 YouTube views. Naturally, she had a field day with the subject of reality dating.
“The topic just begs for campy zaniness, which I think we all need in these times — but also for a more cerebral critique of what these shows say about the culture that spawned them,” says Kreindler. And thanks to the romance context, the satire is woven into a deeper, more personal story. “It’s satire with a heart.”

Here is some more information about Sara Kreindler, taken from a 2009 article I wrote about her:
“Born in Israel, Sara’s precocious talent was nurtured by her mother, Reena, whose own particular talent is literary, not musical. According to Reena, however, Sara was singing from the time she was a baby, and she began to study piano at the age of four.
“As a young girl, Sara began writing her own songs and poems, along with the “occasional musical”, notes Reena. Yet, Sara’s rare talent put her at odds with the typical interests of other children her own age, on top of which she attended a school to which she was exposed to a fair degree of antisemtism.
“As a result, Sara says, being bullied was a common aspect of her childhood. On one occasion, when she was nine, she notes, Sara fought back against one particular bully by reciting the following little ditty:
“I write so many epigrams to you that all the people laugh.
I’m tired of writing epigrams.
I want to write your epitaph!”
“Sara went on to compose a musical titled ‘Flutesong’ while she was a student at Vincent Massey Collegiate, she says. After doing her undergraduate work at the University of Manitoba, majoring in Psychology, Sara won a Rhodes Scholarship to attend Oxford University.
“Sara eventually earned a doctorate in Social Psychology and returned to Winnipeg, where she began teaching at the University of Manitoba, but she said she didn’t enjoy the “mass production” style of teaching upwards of 300 students at a time, so she switched careers and began doing health research for the Winnipeg Regional Health Authority.”

All the while Sara has been continuing to compose and perform her own songs, often teaming up with her mother, as she has for “A Perfect Man.”

Showtimes and ticket information for The Perfect Man are available at:
http://www.thegargoyletheatre.com/upcoming-events/the-perfect-man

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Rabbi Kliel Rose to leave Congregation Etz Chayim for new post in Ottawa

The following email from Congregation Etz Chayim Executive Director Morissa Granove was sent to members of the congregation on Friday, April 10:

“Dear Members and Friends,

“As we know, Rabbi Kliel recently spent a weekend with Kehilllat Beth Israel  where he has since been offered a position. After much thought and consideration, he has made the decision to sign a contract in Ottawa. He will continue to lead our congregation through Yom Kippur.

“This news marks a significant ending for our Etz Chayim community, and at the same time with change comes opportunity. Congregation Etz Chayim will soon embark on our own Rabbinical search with excitement as we look for our perfect candidates and explore the new possibilities that will help us to continue to shape a strong future for our synagogue and members.”

Kliel Rose took up the position of rabbi at Etz Chayim in August, 2018. 

In an article announcing his appointment to the position in the June 6, 2018 issue of The Jewish Post & News, Myron Love wrote:

The congregation has been without a permanent rabbi since last summer when Rabbi Larry Lander chose to retire – after ten years here – and relocate to Toronto.

Kliel Rose is already a well-seasoned rabbi. He was ordained in 2004 by the Jewish Theological Seminary in New York. 

He previously served as spiritual leader at the West End Synagogue in Nashville and Temple Enamu-El in Miami Beach. His current posting is Beth Shalom Synagogue in Edmonton.

Following the example of his parents, Kliel Rose has been active in interfaith dialogue and human rights work for which he was honoured in 2014 with the Human Rights Hero Award by Truah: The Rabbibic Call for Human Rights.

He has also participated in the Kellogg Management Education for Jewish Leaders program at Northwestern University and was most recently chosen to be among 20 rabbis from different denominations chosen to train in the Clergy leadership Incubator – a two-year program, under the leadership of Ranni Sidney Schwarz, intended to educate younger rabbis in innovative thinking, change management and institutional transformation.

In Edmonton, Rose also served as Jewish chaplain at the University of Alberta and took the lead on a program called “Faith and Inclusion”, whose mandate was to support individuals with cognitive and physical learning challenges to feel more welcome within various faith communities.

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