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Motion Picture Academy Museum Fixes Its Problem of Excluding Jews By Demonizing Them
Outside the Academy Museum of Motion Pictures. Photo: Josh White, JWPictures/©Academy Museum Foundation.
On September 30, 2021, The Academy of Motion Picture Arts And Sciences (the organization best known for its annual Oscars ceremony) finally opened their long-awaited museum, aptly named the Academy Museum of Motion Pictures.
The museum’s website describes it as “the largest museum in the United States devoted to the arts, sciences and artists of moviemaking,” which “offers exceptional exhibitions and programs that illuminate the world of cinema … through a variety of diverse and engaging voices.”
But there was one voice that was conspicuously absent: that of the Jewish immigrants who founded, and some would say created, Hollywood.
This glaring omission was widely noticed at the time of the museum’s opening. John Goldwyn, the grandson of Hollywood founding father Samuel Goldwyn (the “G” in “MGM”) declined to attend the opening. He was quoted at the time in a Hollywood Reporter article saying, “If you’re going to have a museum in Los Angeles tied to the Academy that celebrates arguably the most significant art form of the 20th century, how is it possible not to acknowledge the Jewish men who started it all? … It’s an egregious oversight.”
ADL CEO Jonathan Greenblatt, who did attend the opening, told Rolling Stone, “As I walked through, I literally turned to the person I was there with and said to him, ‘Where are the Jews?’”
To its credit, the Museum sought to remedy this oversight. That is the charitable interpretation.
The less charitable version is that they were pressured into doing something they had purposefully chosen not to do. Either way, on May 19th of this year, the Museum opened a new permanent exhibit titled “Hollywoodland: Jewish Founders and the Making of a Movie Capital.” Sounds great, right?
The somewhat small exhibit (the smallest of any exhibit in the museum) includes a brief documentary film, a hi-tech relief map of Hollywood, and a series of panels with biographical information about the Jewish men who built Hollywood and the studios they created.
Here is a sampling of that biographical information. Jack Warner was a “womanizer” and was “frugal.” Carl Laemmle was known for “nepotism.” Harry Cohen was “a tyrant and a predator.” The studio system created by these Jewish founders represented “a period of oppressive control” and these Jewish men were responsible for “the prejudices” of their studios and their movies.
I assume, because the exhibit provides no context, details, or examples, that words like “oppressive” and “tyrant” refer to the very controlling, top-down management style employed by these Jewish moguls.
Such a management style may be unpleasant for some to work under; it may be either effective or ineffective from a business standpoint (and given the studios’ success, I would argue it was very effective). But it is not inherently immoral, as the use of the words “oppressive” and “tyrant” would seek to imply.
The panel featuring Warner Bros. includes a paragraph describing one of the studio’s films, The Jazz Singer. It is the only film featured in this manner in any of these studio descriptions. The brief paragraph ends with the claim that The Jazz Singer invoked “a popular symbol of racial oppression [i.e. blackface] that further harms another marginalized group.”
The documentary that is part of the exhibit builds upon this theme of discrimination: “Hollywood films of [the era of these Jewish moguls] generally excluded, stereotyped or vilified people of color and LGBT+ characters and perpetuated ableism and sexism with rare exceptions. In Hollywood, to become American was to adopt and reflect oppressive beliefs and representations.”
It is true that the United States of the 1920s, 1930s, and 1940s was a very different place, in terms of equality, inclusion and representation, than it is today. But was this really the fault of Jewish movie moguls? Why pound this point home in the one section of the museum supposedly dedicated to their accomplishments and contributions? After all, the movie The Jazz Singer did not invent Al Jolson’s blackface character; he had been performing it on stages across the country for many years and to great acclaim.
An exploration of the history of racism and sexism in Hollywood could be a perfectly valid topic for the museum to explore. Was it necessary to make it part of the exhibit on Jewish contributions?
The exhibit’s display includes a section describing the origins of United Artists, a studio formed in defiance of the Jewish-run studios. It mentions DW Griffith among its non-Jewish founders, but does not mention Griffith’s film Birth of A Nation (originally titled “The Clansman”), arguably the most racist film in the history of American cinema.
Why does Warner’s The Jazz Singer receive an entire paragraph but not Griffith’s Birth of A Nation? Because The Jazz Singer was produced by Jews?
The Museum’s mission statement, published on its website, includes the following goal: “The Academy Museum tells complete stories of moviemaking — celebratory, educational, and sometimes critical or uncomfortable.”
The “Jewish Founders” exhibit definitely falls under the heading of “sometimes critical or uncomfortable.” I was curious to find what other displays or exhibits could similarly be described. It was very difficult to find any. There are numerous exhibits that celebrate the work of Hollywood actors, writers, directors, and producers. All of the subjects of these exhibits are praised in glowing terms and hailed for their artistry and accomplishments.
I found a picture celebrating an actor which did not include the fact that the actor had pled guilty to sexual assault. I found a panel praising a director that said nothing about the sexual harassment allegations that the director has faced. The museum has decided not to mention these facts, while calling Jack Warner a “womanizer” and Harry Cohn a “predator.”
Maybe I just missed it, but I found no place in the museum, other than the “Jewish Founders” exhibit, in which the biographies of those honored included personal details about their lives or characters that were negative or defamatory.
Where there were details in an exhibit that could be considered “critical or uncomfortable,” outside of the “Jewish Founders” exhibit, the person being celebrated by the museum was the victim, not the perpetrator.
There is, for example, an empty display case paying tribute to Hattie McDaniel, the first Black person to win an Academy Award. The plaque discusses the racism she faced and the fact that she did not receive a statuette. Hence the empty display case.
There was a panel celebrating Black Lives Matter and The Black Panther Party, praising documentary films that “capture the determination of activists and their pursuit of universal human rights.”
A similar panel celebrates “the global #MeToo movement” and its exposing the “conditions that enable sexual exploitation in the workplace.”
So there are a few mentions, throughout the museum, of racism and sexism in the context of acknowledging those who have suffered from it and praising those who have combated it. But the only people the museum specifically charges with perpetrating racism and sexism are the Jews of the “Jewish Founders” exhibit.
To be clear, I do not claim that the Jewish moguls were without sin or above reproach. What I object to is the double standard that the museum employs in singling out Jews as the only ones called out for their sins.
Sadly, a common feature of modern antisemitism is the application of a different set of rules and standards to Jews from that which applies to everyone else.
We see this double standard in college hate-speech codes that don’t apply when Jews are harassed and threatened. We see it in criticism of Israel, the only nation accused of war crimes for unintended civilian deaths in a war it did not start. And now we can see it every day but Tuesday from 10am-6pm at the Academy Museum.
Michael Kaplan is a TV writer-producer, playwright, and children’s book author. For his TV work, he has been nominated for four Emmy Awards, winning one.
The post Motion Picture Academy Museum Fixes Its Problem of Excluding Jews By Demonizing Them first appeared on Algemeiner.com.
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Sen. Rick Scott Donates Salary to US Holocaust Memorial Museum

US Sen. Rick Scott (R-FL) on Capitol Hill in Washington, US, Dec. 7, 2022. Photo: REUTERS/Evelyn Hockstein
US Sen. Rick Scott (R-FL) announced on Wednesday that he will donate a portion of his Senate salary to the United States Holocaust Memorial Museum, underscoring what he called the urgent need to combat antisemitism at home and abroad as threats to Jewish communities escalate.
Scott, who has given part of his congressional salary since joining the Senate in 2019, said his gift was motivated by the growing dangers facing Jewish people and the importance of ensuring younger generations understand the Holocaust.
“Ann and I are proud to support the United States Holocaust Memorial Museum. Years ago, Ann and I brought our daughters to the Auschwitz memorial and museum in Poland because it was so important to us that they learned about the Holocaust and understood the horrors that occurred,” he said in a statement.
“It’s so important that every generation understands the atrocities of the Holocaust, and the museum does an incredible job teaching those lessons to millions of people every year. By sharing the stories of those who survived and those who were murdered, providing critical resources to educators, and reminding each of us what it means when we say ‘Never Again,’ it is a vital institution,” he added.
Scott also recounted taking his daughters years ago to Auschwitz in Poland, describing the visit as an effort to show them the catastrophic consequences of unchecked hatred against Jews.
The senator tied his donation to the approaching second anniversary of the Hamas-led Oct. 7, 2023, invasion of southern Israel, the deadliest single-day massacre of Jews since the Holocaust. Palestinian terrorists killed 1,200 people and kidnapped 251 hostages during the onslaught.
“As we approach the second anniversary of Oct. 7, Ann and I are proud to support the United States Holocaust Memorial Museum’s meaningful work defending the truth of the Holocaust and their important efforts to teach its relevance for today,” Scott said.
Scott’s office did not disclose the specific amount of the donation.
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Texas State University Silent on Status of Professor Who Incited Violent Attack on Jews at Public Library

West Asheville Library in North Carolina. Photo: Screenshot/buncombecounty.org.
Texas State University is refusing to disclose whether it still currently employs a far-left professor who was filmed inciting a riotous assault on three pro-Israel individuals who peacefully spectated an anti-Israel presentation that was held in June 2024 at the West Asheville Library in North Carolina.
As previously reported by The Algemeiner, two of the victims, David Moritz and Monica Buckley, are Jewish, and one is cancer patient Bob Campbell, an 80-year-old military veteran. Their assailants kicked, punched, and dragged them out of the event, titled “Strategic Lessons From the Palestinian Resistance,” after Texas State University assistant professor of philosophy Idris Atsu Robinson spotted them in the audience and invited the 60-80 anti-Israel partisans in attendance to decide their fates.
At one point during harrowing footage taken of the incident, Robinson suggested that the encounter could lead to “murder.” At no point did he deescalate the situation and even seemed to find humor in igniting the passions of a mob.
Responding to an Algemeiner inquiry on Thursday, a Texas State media relations official declined to comment on Robinson’s employment status, saying the university “does not discuss personnel matters.”
The university has been asked before to account for its handling of Robinson.
In June, the StandWithUs Saidoff Legal Department, a pro-Israel nonprofit that seeks to combat antisemitism, notified the school of Robinson’s conduct and rhetoric. According to StandWithUs, “university sources” confirmed that he will not be teaching during the fall semester of the 2025-2026 academic year. However, the university would not comment on the matter “due to the confidential nature of personnel matters,” making it unclear whether Robinson is still employed by Texas State and will teach there in the future.
StandWithUs says Texas State should state Robinson’s employment status, share findings amassed during an internal investigation of him, and produce any previous complaints which accused him of wrongdoing.
“It is critical that universities protect Jewish and Zionist students by refusing to provide a classroom platform to faculty members unlawfully promoting antisemitic hate and violence,” Michael Scheinman, Saidoff Legal Department assistant director of campus and community affairs, told The Algemeiner on Wednesday. “Schools that do not act and fail to implement strong safeguards risk exposing their students to the same hatred and violence suffered by the victims of this attack.”
He added, “StandWithUS Saidoff Legal continues to support the victims of this horrendous hate incident by coordinating with law enforcement, helping to identify masked perpetrators, and urging Texas State University to condemn the antisemitic conduct that contributed to this violence.”
By his own words, Robinson took immense pride in what transpired in Asheville, North Carolina last year. Commenting on the matter the next day while being interviewed on a podcast produced by the organizers of the event, he argued for “popular riots” and “divine violence,” saying explicitly that “terrorists” reserve the right to “take the life of the oppressor.”
“My arms are chewed up,” Campbell, a Navy veteran, told The Algemeiner during an interview which followed the assault. He added that medical staff at a local US Veterans Affairs facility identified “severe contusions” on his body.
“What really upset me — I was [lying] on the floor, and this big guy was on top of me,” Campbell recalled. “The librarian came to the door, looked me right in the eye, turned around and walked back and didn’t do a damn thing. Didn’t call the police.”
The activists proved equally merciless to the other victims, putting Moritz in a headlock and heaving Buckley outside and ordering her not to free herself from their grip.
Expressions of anti-Zionism are escalating to violence more frequently, as previously reported by The Algemeiner.
Earlier this month, Eden Deckerhoff — a female student at Florida State University (FSU) — allegedly assaulted a Jewish male classmate at the Leach Student Recreation Center after noticing his wearing apparel issued by the Israel Defense Forces (IDF).
“F—k Israel, Free Palestine. Put it [the video] on Barstool FSU. I really don’t give a f—k,” the woman said before shoving the man, according to video taken by the victim. “You’re an ignorant son of a b—h.” Deckerhoff has since been charged with misdemeanor battery.
According to the Tallahassee Democrat, Deckerhoff has denied assaulting the student when questioned by investigators, telling them, “No I did not shove him at all; I never put my hands on him.” However, law enforcement charged her with misdemeanor battery and described the incident in court documents as seen in viral footage of the incident, acknowledging that Deckerhoff “appears to touch [the man’s] left shoulder.” Despite her denial, the Democrat noted, she has offered to apologize.
In June, a gunman murdered two Israeli embassy staffers in Washington, DC, while they exited an event at the Capital Jewish Museum hosted by a major Jewish organization. The suspect charged for the double murder, 31-year-old Elias Rodriguez from Chicago, yelled “Free Palestine” while being arrested by police after the shooting, according to video of the incident. The FBI affidavit supporting the criminal charges against Rodriguez stated that he told law enforcement he “did it for Gaza.”
Less than two weeks later, a man firebombed a crowd of people who were participating in a demonstration to raise awareness of the Israeli hostages who remain imprisoned by Hamas in Gaza. A victim of the attack, Karen Diamond, 82, later died, having sustained severe, fatal injuries.
Another antisemitic incident motivated by anti-Zionism occurred in San Francisco, where an assailant identified by law enforcement as Juan Diaz-Rivas and others allegedly beat up a Jewish victim in the middle of the night. Diaz-Rivas and his friends approached the victim while shouting “F—k the Jews, Free Palestine,” according to local prosecutors.
“[O]ne of them punched the victim, who fell to the ground, hit his head and lost consciousness,” the San Francisco district attorney’s office said in a statement. “Allegedly, Mr. Diaz-Rivas and others in the group continued to punch and kick the victim while he was down. A worker at a nearby business heard the altercation and antisemitic language and attempted to intervene. While trying to help the victim, he was kicked and punched.”
According to the latest data released by the FBI, antisemitic hate crimes in the US have been tallying to break all previous statistical records. In 2024, even as hate crimes decreased overall, those perpetrated against Jews increased by 5.8 percent in 2024 to 1,938, the largest total recorded in over 30 years of the FBI’s counting them. Jewish American groups have noted that this surge, which included 178 assaults, is being experienced by a demographic group which constitutes just 2 percent of the US population.
A striking 69 percent of all religion-based hate crimes that were reported to the FBI in 2024 targeted Jews, with 2,041 out of 2,942 total such incidents being antisemitic in nature. Muslims were targeted the next highest amount as the victims of 256 offenses, or about 9 percent of the total.
Follow Dion J. Pierre @DionJPierre.
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Europeans Launch UN Sanctions Process Against Iran, Drawing Tehran’s Ire

Satellite image shows buildings at Isfahan Nuclear Technology Center, before Israel launched an attack on Iran targeting nuclear facilities, in Isfahan, Iran, May 17, 2025. Photo: Planet Labs PBC via REUTERS
Britain, France, and Germany on Thursday launched a 30-day process to reimpose UN sanctions on Iran over its disputed nuclear program, a step likely to stoke tensions two months after Israel and the United States bombed Iran.
A senior Iranian official quickly accused the three European powers of harming diplomacy and vowed that Tehran would not bow to pressure over the move by the E3 to launch the so-called “snapback mechanism.”
The three powers feared they would otherwise lose the prerogative in mid-October to restore sanctions on Tehran that were lifted under a 2015 nuclear accord with world powers.
French Foreign Minister Jean-Noel Barrot said the decision did not signal the end of diplomacy. His German counterpart Johann Wadephul urged Iran to now fully cooperate with the UN nuclear watchdog agency and commit to direct talks with the United States over the next month.
A senior Iranian official told Reuters the decision was “illegal and regrettable” but left the door open for engagement.
“The move is an action against diplomacy, not a chance for it. Diplomacy with Europe will continue,” the official said, adding: “Iran will not concede under pressure.”
The UN Security Council is due to meet behind closed doors on Friday at the request of the E3 to discuss the snapback move against the Islamic Republic, diplomats said.
Iran and the E3 have held several rounds of talks since Israel and the US bombed its nuclear installations in mid-June, aiming to agree to defer the snapback mechanism. But the E3 deemed that talks in Geneva on Tuesday did not yield sufficient signals of readiness for a new deal from Iran.
The E3 acted on Thursday over accusations that Iran has violated the 2015 deal that aimed to prevent it developing a nuclear weapons capability in return for a lifting of international sanctions. The E3, along with Russia, China, and the United States, were party to that accord.
US President Donald Trump pulled Washington out of that accord in 2018 during his first term, calling the deal one-sided in Iran‘s favor, and it unraveled in ensuing years as Iran abandoned limits set on its enrichment of uranium.
Trump’s second administration held fruitless indirect negotiations earlier this year with Tehran.
US Secretary of State Marco Rubio welcomed the E3 move and said Washington remained available for direct engagement with Iran “in furtherance of a peaceful, enduring resolution to the Iran nuclear issue.”
An Iranian source said Tehran would do so only “if Washington guarantees there will be no [military] strikes during the talks.”
The E3 said they hoped Iran would engage by the end of September to allay concerns about its nuclear agenda sufficiently for them to defer concrete action.
“The E3 are committed to using every diplomatic tool available to ensure Iran never develops a nuclear weapon,” including the snapback mechanism, they said in a letter sent to the UN Security Council and seen by Reuters.
“The E3’s commitment to a diplomatic solution nonetheless remains steadfast.”
Iran has previously warned of a “harsh response” if sanctions are reinstated, and the Iranian official said it was reviewing its options, including withdrawing from the nuclear Non-Proliferation Treaty.
The E3 had offered to extend the snapback for as much as six months to enable serious negotiations if Iran restored access for UN nuclear inspectors – who would also seek to account for Iran‘s large stock of enriched uranium whose status has been unknown since the June war – and engages in talks with the U.S.
Calling the E3 decision inevitable, Israeli Foreign Minister Gideon Saar said it was an “important step in the diplomatic campaign to counter the Iranian regime’s nuclear ambitions.”
GROWING FRUSTRATION IN IRAN
The UN process takes 30 days before sanctions that would hit Iran‘s financial, banking, hydrocarbons, and defense sectors are restored.
Russia and China, strategic partners of Iran, finalized a draft Security Council resolution on Thursday that would extend the 2015 nuclear deal for six months and urge all parties to immediately resume negotiations.
But they have not yet asked for a vote.
“The world is at crossroads,” Russia’s deputy UN Ambassador Dmitry Polyanskiy told reporters. “One option is peace, diplomacy, goodwill … Another option is a kind of diplomacy at the barrel of the gun.”
The specter of renewed sanctions is stirring frustration in Iran, where economic anxiety is rising and political divisions are deepening, three insiders close to the government said.
Iranian leaders are split over how to respond — with anti-Western hardliners urging defiance and confrontation, while moderates advocate diplomacy.
Iran has been enriching uranium to up to 60 percent fissile purity, a short step from the roughly 90 percent of bomb-grade, and had enough material enriched to that level, if refined further, for six nuclear weapons, before the airstrikes by Israel started on June 13, according to the IAEA, the UN nuclear watchdog.
Actually manufacturing a weapon would take more time, however, and the IAEA has said that while it cannot guarantee Tehran‘s nuclear program is entirely peaceful, it has no credible indication of a coordinated weapons project.
The West says the advancement of Iran‘s nuclear program goes beyond civilian needs, while Tehran says it wants nuclear energy only for peaceful purposes.