Features
New book looks at the fight by law-abiding Jews to rein in the New York Jewish underworld in early 20th century
The Incorruptibles: A True Story of Kingpins, Crime Busters, and the Birth of the American Underworld
Reviewed by BERNIE BELLAN For those readers who can remember the story of “The Untouchables,” the crime-fighting unit led by Elliot Ness, which was established by the Bureau of Prohibition in the US in the 1930s, tales of shoot-outs between courageous crime-fighting “good guys” and villainous underworld bootleggers and other assorted criminals would probably be thought of as something that wouldn’t have its origin in a Jewish-led crime-fighting unit established several years earlier.
But, would you believe that not too many years before the often bloody events that were depicted in “The Untouchables” came to pass there was another organization in New York City – led by Jewish crime fighters at that time, which had a somewhat tacit affiliation with the New York City Police Department, and whose purpose was to wage war on Jewish criminals on New York’s East Side? That organization was known as “The Incorruptibles” and the story how it came to be created is told in a fascinating new book, titled “The Incorruptibles: A True Story of Kingpins, Crime Busters, and the Birth of the American Underworld,” written by a New York crime reporter by the name of Dan Slater.
As someone who has long had a fascination with shady Jewish characters, I’ve come to realize over the years that a rollicking good story of a Jewish mobster, such as the close friendship a former Winnipegger by the name of Al Smiley had with the notorious Bugsy Siegel, about which Martin Zeilig wrote for The Jewish Post & News in March 2017, resonates with readers in ways that stories about more righteous Jews don’t.
While Martin’s story about Al Smiley was by no means the first story we’ve ever had about Jewish mobsters, a quick search of our online archive would lead you to numerous stories about Jewish gangsters and other assorted criminals.
In the summer of 2023 we ran two stories in relatively rapid succession that elicited a higher than usual amount of interest from readers. One was my review of a book called “Jukebox Empire,” about someone by the name of Wilf Rabin, who actually grew up in Morden, Manitoba. The other story was about bootlegger Bill Wolchock, written by Bill Redekopp, and which appeared in our 2023 Rosh Hashanah edition. Later, when I posted that story to our website it received so many views that I’ve returned it to our home page twice since. (You can now read that story if you missed it by reading it here: “Booze, Glorious Booze”
All this serves as a preamble to my review of “The Incorruptibles.” I have to couch what I’m about to write with an admission: As a youngster growing up in a sheltered environment, and attending the Talmud Torah, where all we were ever told about was Jewish “heroes,” and the only villains were Jews who didn’t lead properly observant lives, reading “The Incorruptibles” came as a real shock to my conception of how much Jews could be associated with the most sordid type of criminal activity.
It’s one thing to realize that many Jews were involved with bootlegging – something that has developed an almost romantic connotation over the years through books, movies and television programs, but to learn that in the latter part of the 19th century Jews in New York were in control of that city’s: prostitution (and most prostitutes were Jewish!); drugs (however, with the understanding that drugs, including heroin and cocaine, were legally available in the U.S. until 1907 and could be readily purchased in pharmacies); gambling; and protection rackets – does come as somewhat of a shock to a sheltered Winnipeg Jew.
Dan Slater’s depiction of life in New York City at the turn of the 20th century is unremittingly harrowing. For the first part of the 20th century the lower East Side of New York was the most densely populated area on Earth. Housing conditions were horrible and the hundreds of thousands of new immigrants arriving yearly – beginning in the 1870s, from what was known as the Pale of Settlement in Eastern Europe – fleeing persecution and pogroms, found themselves being shunted into unspeakably barbaric working conditions in lower East Side factories, predominantly garment factories – owned by fellow Jews. (The author actually spends a considerable amount of time explaining how exactly the Pale of Settlement came into being and how sudden and incredibly violent wholesale persecution of hundreds of thousands of Jews could happen almost overnight – with the death of a particular czar, for instance.)
It was amidst this churning cesspool of a city that Jewish criminal activity of all sorts ran rampant. Two images from “The Incorruptibles” in particular haunted me. One was Slater’s explanation how so many young Russian Jewish women – most in their early or mid-teens, and only recently arrived in New York, were forced into prostitution. Many of these young women would go to a dance – looking to find some relief from the slave-like conditions that permeated the factories in which they worked. While at the dance, they would be approached by a young Jewish man who would offer them a drink. These guys, known in the colloquial as “Alphonses,” or, in Yiddish, as “schimchas,” would lace the girls’ drinks with drugs (a common occurrence to this day) and take the girls home, where they would rape them. But – now defiled, the girl could not possibly return to her family home out of shame; thus, tens of thousands of young Jewish women were forced into prostitution.
The other image that haunts me was the widespread practice of “horse poisoning.” Protection rackets have probably been around from time immemorial, but in this particular incarnation, criminals would confront business owners with a choice: Pay for “protection” or see your means of transportation (and remember, this was at a time when a horse-drawn buggy or carriage was the principal means of transportation) poisoned.
(There is actually a photo in “The Incorruptibles” of a horse lying dead on a New York street after it had been poisoned. Apparently it happened on a regular basis to the point where it didn’t draw much attention.)
While the book chronicles one sordid story after another so that the reader can understand just how tough life was on the lower East Side – often with reference to the colourful names of some of the most famous Jewish thugs who terrorized their fellow Jews, such as “Bald Jack Rose” or “Big Jack Zelig” (no relation to Martin Zelig – I checked), the biggest mobster of them all was the legendary Arnold Rothstein.
Rothstein is undoubtedly most famous for reputedly having fixed the 1919 World Series by bribing eight members of the Chicago White Sox, the overwhelming favourite to defeat the Cincinnati Reds, to throw the series. (It has never been proven absolutely conclusively that Rothstein did that, but as “The Incorruptibles” explains, the evidence points overwhelmingly in his direction.)
Rothstein was the kind of gambler who could lose $350,000 in a single night of playing poker – and not worry about it.
Here is an example of Slater’s ability to describe a character, when he sums up Arnold Rothstein: “Picture in one individual a sentimental and tender lover, a genial and humorous companion, a charitable giver, a loyal friend—and—a wholesale drug dealer, a crooked sports fixer, a welching gambler, a stolen securities fence, a rum-ring mastermind, a corrupter of police, a grafter through politics, a gunman, a judge-briber, a jury-tamperer, a blackmailer, a pool shark, a swindler.”
But, up against the villains of “The Incorruptibles,” Slater also depicts the stories of two very talented – and brave, young Jewish men, who were willing to challenge the criminal class: A lawyer by the name of Harry Newburger and Abe Shoenfeld, the son of a well-known New York reformer by the name of Mayer Shoenfeld.
As Slater explains, it was only when members of New York’s largely German-Jewish upper class began to take note of the horrid conditions in which the vast majority of the Eastern European Jews who had recently immigrated to America were living did an impetus to try and change things develop. Two men, Jacob Schiff (who is described as the J.P. Morgan of his day in terms of his vast wealth), and Felix Warburg, together with the rabbi of the leading temple of its day, Rabbi Judah Magnes of Temple Immanu-El, organized a group known as the “Kehilah.”
The Kehilah mandated Newburger and Shoenfeld to do whatever they deemed necessary to begin cleaning up the lower East Side. Of course, given how corrupt New York officials were at the time – under the control of the notorious Tammany Hall, led by “Big Jim Sullivan,” most of the New York City Police Department was also thoroughly under the control of criminals, which made the challenge set out for Newburger and Shoenfeld all the more difficult.
The book describes, sometimes in painful detail, the difficulties faced by the group assembled by Newburger and Shoenfeld, known, naturally, as “The Incorruptibles.” They weren’t above busting heads themselves, it turns out.
Again, one of the more interesting aspects of history to emerge from this book is that men would often switch sides at the drop of a hat – to go from violently attacking one particular group – at the behest of this or that mobster, to attacking the same group they were supposed to be defending the next day.
As has already been noted, the garment trade played a pivotal role in the development of New York City into becoming not only a magnet for immigrants, it also also played a prominent role in New York’s becoming the vast economic powerhouse that it is today. Slater notes that, at one point, 80 percent of all garments produced in the U.S. came from the lower East Side.
As workers began to organize themselves into unions, garment factory owners hired thugs, known as “shtarkers” (strong men) to beat up workers, occasionally to kill union organizers. In time though, the tide began to turn and, as unions gathered strength, the same tactics of violence and intimidation that had been used against workers began to be employed by unions – with workers who dared to cross picket lines (known colloquially as “scabs”) often being on the receiving end of that violence, occasionally ending with them being killed.
Newburger and Shoenfeld were thrust into the midst of this turmoil, trying to bring some peace to the labour disputes. Ironically, Mayer Shoenfeld (Abe’s father) was a longtime advocate for workers’ rights, but he would not talk to his son, who tried to straddle both worlds – of employers and employees.
“The Incorruptibles” describes the many battles fought to rein in the gambling, prostitution, protection rackets, and what became the illegal drug trade that were part and parcel of life on New York’s East Side. As the years went by, the Jewish dominance of the New York underworld gave way to the ascendance of the Italian mob. (Slater also acknowledges the roles that other groups also played in New York criminal activity, including the Irish), but his main focus is on Jewish criminals.
“The Incorruptibles” is a long and detailed book, drawing upon a great many different sources, and at times, the proliferation of names entering the scene can be more than a little confusing. But, for anyone who has an interest in reading something that peels back the layers of a very disturbing aspect of Jewish history that might not fit all that well with the notion of Jewish righteousness, then “The Incorruptibles” might be of interest.
“The Incorruptibles: A True Story of Kingpins, Crime Busters, and the Birth of the American Underworld”
By Dan Slater
432 pages
Published by Little, Brown and Company, 2024
Features
The Dream of Zion: Judah Halevi’s Quest
By DAVID R. TOPPER Today the term Zionism is debased by otherwise liberal-thinking former-friends of Jews and Israel. This is a fact. Nonetheless, I don’t wish to pursue present-day politics and debates on the issues around this fact. Except to point out that the former-friends’ error stems from a lack of knowledge of the history of the region – by just focusing on recent events.
Accordingly, I wish to put Zionism into a deeper historical perspective by recalling that, ever since the Roman destruction of the Second Temple in 70 CE, the idea of returning to Zion was fundamental to the Jews of the Diaspora. Being indigenous to that region of the Middle East – hence going back thousands of years – Jews continued having a presence there – even after the Temple was razed.
Moreover, and in particular, my aim is to recall the story of one the major Zionists in Jewish history – Judah Halevi.
But perhaps it is best to start with this brief factoid. The Hebrew word צִיּוֹן (pronounced Tzee-yohn) has no unique meaning – ranging across fortress, desert, or monument – with its origin still being debated by scholars. One common use is for Mount Zion, a hill in Jerusalem. Close by is Mount Moriah, where King Solomon built the first Temple. In time, the term Zion came to be used for both hills together, and eventually for all of Jerusalem. Thus, the term Zionism refers to the idea of the exiled Jews (the Diaspora) returning to their indigenous homeland, centred at Jerusalem. Surely this was what Halevi believed, even though the word itself was not coined until 1890.
Judah Halevi (also Yahuda ha-Levi) was born in 1075 (alt 1080) probably in Toledo, Spain. This was during the so-called Golden Age of Jewish Culture there. The Jews in Islamic Spain were relatively free – unlike the Jews of central Europe, who suffered under the despotic rule of feudal lords. Highly educated, Judah became a physician, philosopher, mathematician, and poet. Today it is his poetry that has designated him as the greatest Hebrew poet. He died in 1141, probably at the age of 66.
He is often paired with Maimonides, considered the greatest Jewish thinker, who lived a generation later (born 1135). Both were physicians to the courts of the Caliphs in Spain.
Around the year 1120, probably about age 45, Halevi settled in Seville, married, and had one daughter. Another child also may have died. Much later, his wife died, probably after their daughter grew up and had children. With the loss of his wife, Judah grew restless. The Dream of Zion beckoned.
My heart is in the east, and I in the uttermost west—
How can I find savour in food? How shall it be sweet to me?
How shall I render my vows and my bonds, while yet
Zion lies beneath the fetter of Edom, and I in Arab chains?
A light thing would it seem to me to leave all the good things of Spain—
Seeing how precious in mine eyes to behold the dust of the desolate sanctuary.
This is one of a series of poems on this quest: called today The Songs of Zion, or the Zionides. His ultimate goal was to make aliyah to Jerusalem. To spend his final days there.
Zion! wilt thou not ask if peace be with thy captives
That seek thy peace—that are the remnants of thy flocks?
…
I would choose for my soul to pour itself out within that place
Where the spirit of God was outpoured upon your chosen.
…
I would fall, with my face upon the earth, and take delight
In thy stones and be tender to the dust.
…
Sweet would it be unto my soul to walk naked and barefoot
Upon the desolate ruins where the holiest dwellings were;
In the place of the Ark where it is hidden, and in the place
Of the cherubim which abode in the innermost recesses.
Sometime in 1140 he set out on his pilgrimage to Jerusalem. Taking a small ship through the Mediterranean, his mind was focused on the goal of being in Jerusalem.
Beautiful height! O joy! the whole world’s gladness!
O great King’s city, mountain blest!
My soul is yearning unto thee—is yearning
From the limits of the west.
…
And who shall grant me, on the wings of eagles,
To rise and seek thee through the years,
Until I mingle with the dust beloved,
The waters of my tears?
…
Shall I not to the very stones be tender?
Shall I not kiss them verily?
Shall not the earth upon my lips taste sweeter
Than honey unto me?
He, of course, also wrote poems about the sea voyage.
My God, break not the breakers of the sea,
Nor say Thou to the deep, ’Be dry’–
Until I thank Thy mercies, and I thank
The waves of the sea and the wind of the west;
Let them waft me to the place of the yoke of Thy love,
And bear far from me the Arab yoke.
There often were storms at sea.
Hath the flood come again and made the world a waste
So that one cannot see the face of the dry land,
And no man is there and no beast and no bird?
…
But only water and sky and ark,
And Leviathan making the abyss to boil,
So that one deems the deep to be hoary.
…
And the sea rages and my soul exults—
For the sanctuary of her God, she draws near.
It was a lonely trip. Thus, it’s not surprising to see him remember – and even dwell upon – the family that he left behind; especially, his daughter and her children.
Even so far that I can forsake her that went forth of my loins,
Sister of my soul—and she mine only one—
And I can forget her son, though it pierces my heart,
And I have nothing left but his memory for a symbol—
Fruit of my loins, child of my delight.
Yet, he remained focused on the goal – Zion.
But all this is a light thing when set against Thy love,
Since I may enter Thy gates with thanksgiving,
And sojourn there, and count my heart as
A burnt offering bound upon your altar;
And may make my grave in Thy land,
So that it be there a witness for me.
…
I cry to God with a melting heart and knees that smite together,
While anguish is in all loins,
On a day when the oarsmen are astonished at the deep,
When even the pilots find not their hands.
How shall I be otherwise, since I, on a ship’s deck,
Suspended between waters and heavens,
Am dancing and tossed about? —Yet this is but a light thing,
If I may but hold the festal dance in the midst of thee, O Jerusalem!
…
Truly the secret of my quest is in the hand of the Highest,
Who forms the mountain heights and created the wind.
The sea voyage ended in Alexandra, Egypt on Sept 8, 1140. He was welcomed by the large Jewish community there.
Praise, above all cities, be unto Egypt
Whither came first the word of God.
…
Fate has tossed me into the wilderness of Egypt:
Bid it carry me away and toss me yet again
Until I behold the wilderness of Judah.
Not surprisingly, while in Egypt he recalls Moses, whose name comes up in several poems. Here’s one.
My God, the wonder of Thee is astir from age to age:
And here is the Nile for witness, that Thou hast turned it into blood,
Not by magic …
But by Thy name, by the hand of Moses.
The Jews of Egypt begged him to stay. They must have been quite convincing – or, at least, they kept him occupied with things to do – because, despite his quest for Zion, he remained in Egypt until May 14, 1141, when he finally left – to resume his journey to Zion. (No matter how much I ponder this episode, I remain astonished that he stayed in Egypt over 8 months, especially since he was on the doorstep of Zion. It’s a fact that will ever bother me, and also remind me that no matter how much we may try – we can never really get into another’s mind.)
Can bodies of clay
Be prison-houses
For hearts bound fast
To eagles’ wings—
For a man life weary
Whose whole desire
Is to lay his face
In the chosen dust?
…
To cast Spain from him
And seek shores beyond;
…
To seek forgiveness
At the peaceful graves
Of the ark and the tablets
That are buried there.
It was an auspicious time to be in Palestine. From the fall of 1140 to the summer of 1141 was a period of relative peace and quiet. The land was governed as the Crusader Kingdom of Jerusalem, which encompassed much of what today is the state of Israel. But, of course, Judah was a Jew, and Christian Crusaders had a notorious record of the indiscriminate slaughter of Jews in their wake as they were crossing Europe in their journey to liberate the Holy Land from the Muslims.
As fate would have it: Judah Halevi never got to test the relative peace of the Crusader Kingdom. How close he came to Jerusalem is unknown. All we know for sure is that he died on the way in 1141– probably in July or August.
The historian in me, therefore, expects me to end this story – right here. Done.
However, recalling all Judah went through, leaving his family, the storms at sea – the many, many Zionist poems, only a fraction of which I have quoted here – the Romantic side of me pleads that I bring up the legend that arose sometime after his death.
The legend says that Judah got as far as approaching the gates of Jerusalem. Then, while reciting his poem Ode to Zion – an Arab ran him through with a sword. In another version he was trampled by an Arab horseman. Hence, in either case, he fulfilled his dream of reaching Zion. But just reaching it. That’s all.
Since I may enter Thy gates with thanksgiving,
And sojourn there, and count my heart as
A burnt offering bound upon Your altar;
And may make my grave in Thy land,
So that it be there a witness for me.
I wish it were so. I do. But, as with most legends – this one probably isn’t true. He may not even have come close to Jerusalem.
In the end – and interestingly enough – Judah’s plight seemed to be echoing what happened to Moses in his yearning to see the Promised Land. It was just a quest. Only an (unfulfilled) quest.
Truly the secret of my quest is in the hand of the Highest,
Who formed the mountain heights and created the wind.
* * *
For English translations of his poems, I used: Selected Poems of Jehudah Halevi, edited by Heinrich Brody, trans. from the Hebrew by Nina Salaman (Philadelphia: The Jewish Publications Society of America, 1974).
The biography that I have is: The Life and Time of Jehudah Halevi, by Rudolf Kayser, trans. from the German by Frank Gaynor (New York: Philosophical Library, 1949). Kayser, incidentally, is a son-in-law (by marriage) of Albert Einstein.
Features
Elizabeth Taylor’s Jewish connection
By HANNON BELL (Special to jewishpostandnews.ca. All photos from Hannon Bell’s personal collection) Elizabeth Taylor’s Jewish connection may not be well known by the general public, but it played a significant role in her personal life, as well as in her film career.
Mike Todd, Eddie Fisher and Liz’s conversion to Judaism
In 1957, Jewish producer and promotor Mike Todd (whose real name was Avrom Goldbogen) was captivated by a then-25-year-old actress, Elizabeth Taylor, who had already had a long film career, shooting to fame with her star role in “National Velvet” when she was only 12.
By the time Taylor met Todd she had already been married twice before – to hotel magnate Nicky Hilton and British actor Michael Wilding.
Todd though, swept Taylor, with his charm and they married in Mexico in February 1957.
The marriage was attended by Taylor’s parents, Francis and Sara, as well as Todd’s best friend, singer Eddie Fisher, along with Fisher’s wife, actress Debbie Reynolds.
Unfortunately, the union (of which Elizabeth Taylor has said that of all her eight marriages, the ones to Todd and Richard Burton were the most meaningful) didn’t last long as Mike Todd was killed in a plane crash only one month after they were married. He was en route to New York from Los Angeles to attend a Friars Club testimonial dinner in his honour when his plane crashed in New Mexico while it was trying to fly through a storm – killing all onboard.
Ironically, Elizabeth was spared as she had a bad cold and was advised against the trip and chose to stay home.
In her bereavement, she sought out Todd’s best friend, Eddie Fisher.
With both of them seeking understanding and love over the loss of his friend and her husband, feelings went from comfort to love for one another.
The tide had turned and the dutiful widow had now become known as a home wrecker, upsetting the boundaries of America’s perfect couple, Eddie Fisher and pert Debbie Reynolds.
Prior to this though, Elizabeth had begun exploring Judaism during her brief marriage to Mike Todd.
To navigate her through this journey of discovery, Elizabeth studied with Rabbi Max Nussbaum.
In 1959, Elizabeth Taylor and Eddie Fisher were married in a civil and a Jewish ceremony – thus cementing her conversion to Judaism. Here is a photo showing Elizabeth with the Katuba (Jewish marriage certificate).
Discussing her long standing dream of conversion and finally realizing it, Taylor said, “It has nothing to do with any marriage plans. This is something I’ve wanted to do for a long time,” she told reporters.
For her conversion Elizabeth adopted the Hebrew name Elisheba Rachel, thus beginning her long devotion to Jewish causes, education and charitable causes.
“Cleopatra”
In perhaps her most famous role, as Cleopatra – in the film of the same name, because of her strong support for Israel, Elizabeth Taylor was not allowed into Egypt in 1962, where the film was scheduled to be partially shot.
As well, Arab nations also banned the showing of any of her films as a result of her conversion to Judaism.
That didn’t matter to Taylor – she could’t have cared less.
Ironically, Egyptians themselves were not able to see the movie about perhaps the most famous Egyptian of all time!
Eventually though, all was forgiven when, in September 1979 – following the signing of a peace accord between Egypt and Israel earlier that year, actress Elizabeth Taylor and 11 Israelis were honoured guests at the Fourth Cairo international Film Festival, which also marked the ending of the cultural boycott of Israel by Egypt.
It was during the festival that Elizabeth Taylor had a sit down with Egyptian President Anwar Sadat – at the presidential rest house in the Suez Canal city of Ismailia.
Devotion to Israel and the Jewish people
In my Elizabeth Taylor collection of over 100 catalogued binders with over 20,000 photos I document many instances of her devotion to Israel and the Jewish people.
In August 1975 Elizabeth Taylor, along with her then husband Richard Burton visited Israel.
A very meaningful moment occurred when Taylor touched the Wailing Wall in silent meditation.
In June of 1976 Elizabeth Taylor was honoured by the American Jewish Congress as an artist and humanitarian for her work in founding The Israeli War Victims Fund after the 1973 Yom Kippur War.
She was presented with her citation by Israeli Ambassador Shimcha Dinitz. Also pictured in a photo at the event is the President of the Congress, Rabbi Arthur Hertzberg.
It was around the same time as that event when she attended a reception where she met with Israeli Prime Minister Menachem Begin at the Waldorf Astoria Hotel in New York.
Begin referred to Elizabeth Taylor as a “good friend.”
Was that on a personal level or as a strong supporter of Israel?
I tend to believe it was the latter.
In 1977 Elizabeth received the Women’s Division of B’nai Brith’s humanitarian award at a special luncheon held by the Antidefamation League at New York’s St. Regis Hotel.
In May of 1979 Elizabeth attended the Israeli Bonds Dinner in New York.
As of 1979, Elizabeth Taylor had visited the State of Israel five times.
Elizabeth Taylor in films that had Jewish connections
“Love is Better Than Ever”
During the making of 1952’s “Love is Better Than Ever,” Elizabeth Taylor had just annulled her first marriage to Hilton Hotel heir Nicky Hilton when she became involved with the Jewish director of the film, Stanley Donen.
Elizabeth’s mother Sara is reported to have been unhappy and objected to the alliance due to the fact that Donen was Jewish.
“Ivanhoe”
In the 1952 film “Ivanhoe,” Elizabeth played the Jewish character Rebecca. One of the themes the film documents is antisemitism among the Normans and Ivanhoe’s friendship with the wealthy Jew Isaac and his daughter Rebecca.
“Victory at Entebbe”
On December 13, 1976, the movie “Victory at Entebbe” was aired on television in the U.S. The movie was based on true events surrounding the hijacking of Air France Flight 139 by Palestinian terrorists. The flight had departed from Tel Aviv and was headed to Paris when hijackers forced it to divert to Entebbe Airport in Uganda.
The story was close to Elizabeth’s heart and she said she participated in her small role as Edra Vilnovsky in “Victory at Entebbe” for the sake of her fellow Jewish people.
In the film she and costar Kirk Douglas played the Jewish parents of a 16-year-old girl held hostage at Entebbe.
An interesting side note worth mentioning is that Kirk Douglas was supposed to be on the same plane as Mike Todd the night it crashed in 1958. Douglas’s wife Anne had a strange premonition Kirk shouldn’t go on that flight. Fortunately for Anne Douglas, she was right.
“Genocide”
“Genocide” was a 1981 film released by the Simon Wiesenthal Centre. Writing in the New York Times, reviewer Janet Maslin noted that “Miss Taylor, whose narration is particularly simple and affecting, reads letters from victims of the Nazis, farewell to friends and loved ones and horrifying accounts by first hand observers.”
A reviewer in Variety commented that “ Genocide gains its greatest force as a film via Elizabeth Taylor’s emotional voice over of personal testimony by witnesses to the Holocaust terrors.
“A moving performance by Taylor conveys in human terms about a sober rendering of mere facts and figures cannot”.
The Krupp Diamond
Here’s another irony to Elizabeth Taylor’s life: In 1968 Richard Burton bought the famous Krupp diamond as a gift for his then-wife, Elizabeth Taylor.
This 33.19 carat stone was owned by Vera Krupp, whose husband was a Nazi munitions magnate.
Taylor described the the acquisition thusly: “I think it fitting and charming that a nice little Jewish girl like me has ended up with the Baron’s rock.”
In closing
Elizabeth Taylor’s love and fierce dedication to Judaism is something to be admired as she put her heart and soul into the many Jewish causes she supported.
When Elizabeth Taylor passed away on March 23, 2011 she was buried as per Jewish ritual.
May her memory be a blessing
About the author:
Throughout his life Hannon Bell has had many interests and passions.
As an actor he has performed on stage, on film, and on radio.
As a singer and songwriter he has written over 26 songs and won two lyric awards from the American Song Festival.
As a model in his younger days he won a TV commercial award at the Modelling Association of America Convention and Competition in NYC. The award was given to him by Christie Brinkley.
But, more than anything Hannon Bell is probably best known as the owner of the world’s largest collection of Elizabeth Taylor memorabilia.
It all started when, as a teenager in 1963, Bell saw the film “Cleopatra.”
HIs passion turned into a lifelong dedication so much so that Bell is considered an expert on all things Elizabeth Taylor.
Having compiled and catalogued Taylor’s life and career in over 100 binders with over 20,000 photos and more, Bell has earned a reputation as not only a huge fan of Elizabeth Taylor, but also an expert on her life and career.
He has been consulted as a source by authors Kitty Kelly and C. David Heymann, both of whom have written biographies of Elizabeth Taylor.
Bell has been mentioned or featured in: People, Look, Scoop, the National Enquirer, Midnight Magazine, Toronto Star, Vancouver Sun, Winnipeg Tribune, Winnipeg Free Press and Winnipeg Sun.
He has written four songs about Elizabeth Taylor and, according to author C. David Heymann, was the inspiration for the naming of Passion Perfume in 1987. In a letter Taylor wrote to Bell in 1975, she asked him to send her two of his custom T Shirts that had on them the inscription: “HANNON’S PASSION – ELIZABETH TAYLOR.”
After working with Heymann on his biography of Taylor, titled “LIZ,” Hemanann sent Hannon a copy of the book with the signed inscription,”to Hannon, who has the finest Elizabeth Taylor collection in the world.”
Features
Previews of this year’s Fringe Festival shows that have some sort of Jewish connection (no matter how tenuous)
By BERNIE BELLAN (originally posted July 12, amended July 14 & 15) As has been our custom for many years now we try to find shows that have either Jewish performers, themes that would have particular appeal for Jewish audiences…or simply shows where someone contacted me and asked for a plug!
This year’s Fringe Festival runs from July 15-26. For show dates and venues go to winnipegfringe.com.
In no particular order here are blurbs about the shows we’ve found that fit our somewhat arbitrary criteria. (By they way, if we’ve omitted a show that should be included in our list there’s plenty of time to get added to this post. Just drop me a line at jewishp@mymts.net.)
One of the Fringe’s perennial favourites, Alli Perlov is back yet again making great fun of a very popular movie – in this case it’s “Toy Story.”
Here’s what the blurb in the progam says about her show:
Adam Schwartz first appeared at the Winnipeg Fringe Festival in 2013 – in a one-man show. Since then, Adam has gone on to appear in – and produce shows featuring other neurodiverse artists in succeeding years. Adam wrote us: “This summer I am shooting my comedy special. This is a project I’ve been working on for 16 years and I believe is the first Canadian autistic comedy special exploring life. It explores issues like early and late diagnosis, support workers as well as accommodation I have received.”
Another veteran performer on the Fringe circuit, Melanie Gall is returning for her 13th season at the Winnipeg Fringe Festival.
Randy Ross is also back this year. Here’s what Randy wrote us: “I’ll be back at the Winnipeg fringe in July with a new show, ‘How Much Can You Change for Someone You Love?’
Winnipegger Nicholas Rice is a veteran of the Winnipeg theatre scene. He has appeared in five Winnipeg Jewish Theatre productions over the years. This year will mark Nicholas’s second time appearing in a Winnipeg Fringe Festival show. His first appearance, two years ago, was in a show also called “A Side of Rice” but, in chatting with Nicholas he told me this new show,”Another Side of Rice,” will be completely different from that first show.
During the show, Nicholas said, he “will tell three different stories” from different parts of his life. The first story will relate an experience he had at Sir John Franklin School (which no longer exits). The second story will be about an experience Nicholas had while teaching in Toronto where, he says, one of his students, upon finding out Nicholas was Jewish, told him that he “would burn in hell.”
The third story will also be set in Toronto. The show will last 70 minutes, Nicholas added.
Rudi stands outside his father’s study in Paraguay, struggling to find the courage to go in. It’s been seven years since he left after uncovering the truth: that his father was a doctor at Auschwitz.
Haunted by a past he didn’t create but can’t escape, Rudi is forced to grapple with the legacy of his father’s crimes and search for a way to live with the weight of inherited guilt. Another tour-de-force script from acclaimed Canadian playwright Hannah Moscovitch, whose powerful and provocative work continues to captivate audiences worldwide.
On July 15 we received an email from someone by the name of Jillian Birdie Burke. Here’s part of what Burdie wrote: “My name is Birdie Burke, I am a Jewish artist and I’m one of the producers and performers of A Kid Napping, a new comedy is coming to the Winnipeg, Saskatoon, and Victoria Fringe Festivals this summer – from the same duo who brought you last year’s award-winning BRAIN.
“ Kid Napping follows two well-meaning but wildly incompetent ex-convicts whose kidnapping plan goes spectacularly wrong when they accidentally find themselves caring for a room full of kindergarteners.
“As part of the production, we’re also donating proceeds from our sales to local children’s organizations in each city we visit.
“For Winnipeg we’ll be focusing on Rossbrook Kids and the Rainbow Resources team.”
Okay – now here is where we start to get away from previewing Jewish performers, but I’ll explain in each case why I’ve included a particular show.
Safe Sex is a collection of three one-act plays written by Harvey Fierstein who is Jewish, but had said that “although he does not believe in God, he prays three or four times each day.”
“As one of the first openly gay celebrities in the United States, Fierstein helped turn gay and lesbian life into a viable subject for contemporary drama.”
Now, since Harvey Fierstein grew up in New York – a very Jewish city, when we were contacted by someone by the name of Charlie Hume who said he was an actor and producer with a company called Starr Street Productions – based in New York City, we had to ask him whether there was any Jewish connection?
Charlie replied: “Perhaps unfortunately, the show is written and performed by Catholics. I would say that our company’s greatest connection to Judaism is that we all studied together at The Lee Strasberg Theater and Film Institute. Lee Strasberg- if you’re not familiar- was a legendary Jewish acting coach who was instrumental in revolutionizing theater and the performing arts in New York City and beyond. We walk in the footsteps of Lee and many other Jewish cultural leaders, who have long been among the most steadfast supporters of the arts in America.”
Well, that’s good enough for me. Here’s a description of their play:
Finally – and this one really is a stretch – three days ago we were speaking to Reverend Don James, who is the National Development Director at Bridges for Peace (an organization that has close ties to our Jewish community) when Don happened to mention that his daughter, Hilary, is producing a Fringe show that has something to do with a Fleetwood Mac record album. (Apparently Don had never heard of “Rumors” because he didn’t know what the name of the album was. Oy!)
So I said to Don: “Have your daugher contact me and I’ll give her a blurb.” Well, she hasn’t contacted me yet, but I’m giving her a blurb – whether she wants one or not!
