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How a Catholic university amassed a treasure trove of Jewish artifacts from the Bronx
(New York Jewish Week) – A Catholic university may be the unlikeliest place for what may be the largest depository dedicated to the Jewish history of the Bronx.
But at Fordham University — the private, Jesuit institution in the Bronx — decades worth of archival documents and artifacts from the local Jewish community have found a home, thanks to its Jewish studies department.
For the last three years, Fordham has been collecting and cataloging items that detail a once-thriving Jewish community in the Bronx: yearbooks full of Jewish last names, Bar Mitzvah invitations, phonebooks full of Jewish-owned businesses — all the simple transactions that define an era in history.
The archive at Fordham is one of the only physical collections of everyday material from Jewish residents of the borough, according to Magda Teter, the chair of the Center for Jewish Studies at the university, who spearheaded the project.
“It’s not only preserving a piece of New York Jewish history, but also a way of life,” Teter told the New York Jewish Week. “Bringing this voice to the dominant Christian identity of Fordham and teaching about Jews [as a minority] within the dominant cultures is very important.”
A song and dance book in the Fordham University collection features the lyrics for “Hatikvah” and “For He’s a Jolly Good Fellow,” and a “Jewish dictionary.” (Julia Gergely)
During the first half of the twentieth century, Jewish life thrived in the Bronx. There were 260 registered synagogues in 1940, and the borough produced some of the biggest Jewish names in show business, fashion, literature and more: designer Ralph Lauren, politician Bella Abzug, novelist E.L. Doctorow, filmmaker Stanley Kubrick, Miss America Bess Myerson, Nobel Prize-winning chemist Robert Lefkowitz.
At the community’s peak in 1930, the Bronx was approximately 49% Jewish, according to the borough’s official historian, Lloyd Ultan. South of Tremont Avenue, the number reached 80%. Most of the Jewish Bronx was of Eastern European descent; many were first generation Americans whose parents had immigrated and lived on the Lower East Side, but who could now afford to live in less cramped neighborhoods with more trees and wider streets.
Though there is a strong Jewish community in the neighborhood of Riverdale, most of the Jewish community moved out of the Bronx for the suburbs after World War II when mortgages for white would-be homeowners were being subsidized by the government and Blacks and Latinos were steered to Bronx neighborhoods they couldn’t afford or that the city had chosen to neglect. The Jewish population of the Bronx dropped from 650,000 in 1948 to 45,000 in 2003. Many of the synagogues have been converted for other uses, and the physical legacy of the Jewish community there has begun to erode over time, making an archive all the more necessary.
While Teter was always interested in collecting items from the Jewish Bronx, the archive got an unexpected boost from a member of the public. In the spring of 2020, at the height of the pandemic, Fordham hosted a virtual event, “Remnants: Photographs of the Jewish Bronx,” which featured evidence of the area’s faded Jewish history gathered by writer and photographer Julian Voloj. (Voloj is the husband of the New York Jewish Week’s managing editor, Lisa Keys.)
An invitation for the bar mitzvah of Freddie Rothberg, which took place on Oct. 6, 1951 at Beth Hamedrash Hagadol. (Julia Gergely)
In the audience was Ellen Meshnick, who had grown up in New York and now lives in Georgia. Inspired, she offered Fordham a trove of material her parents, Frank and Martha Meshnick, had kept throughout their lives in the Bronx. The boxes included donated yearbooks from Morris High School and Walton High School, songbooks, bar mitzvah invitations, a marriage certificate, receipts for a flower delivery — even a document from the hospital from when she was born — mostly from the 1930s through the 1960s.
The donation significantly bolstered what materials Fordham already had on hand, which included less personal but still unique items like matchbooks from kosher restaurants. Now, Teter is growing the archive through other private donations and occasionally by purchasing materials online — personal family archives, books about Bronx Jewish history, songsheets and the like.
The marriage certificate, or ketubah, recognizing the marriage between Frank Meshnick and Martha Farber on Aug. 23, 1942. The certificate was part of an archive donated to Fordham University by the couple’s daughter Ellen. (Julia Gergely)
“They may not be the most beautiful things, but we are interested in what people actually used and lived with,” Teter said.
Teter said that while the American Jewish Historical Society in Manhattan does collect the types of quotidian and personal items that American Jews kept with them in the last few centuries, they don’t have much that uniquely focuses on Jewish life in the Bronx.
The entire collection is part of a greater effort by Teter, the Jewish studies department and the librarians at Fordham to increase awareness about Judaism and Jewish people. “I will not hide that I think it’s an important way to fight antisemitism — to teach Jewish history and Jewish culture in all its colors and in all its experiences,” she said. “It enriches the students’ appreciation and understanding of Jewish life beyond how Jews are usually portrayed.”
The Jewish studies department at Fordham is relatively new: The college began offering a Jewish studies minor in 2016, and opened the department in 2017. At the time, the highlight of the library’s archives was the Rosenblatt Holocaust collection, which was funded by an alumnus. Since 1992, the library has amassed over 11,000 titles, videos and artifacts on the Holocaust, according to librarian Linda Loschiavo.
When Teter arrived, Loschiavo worked with her to bring in historical Passover haggadahs from all over the world. Fordham now possesses two Italian haggadahs from the 1660s, as well as Jewish artifacts from unexpected places, like playbills from Jewish Bollywood.
Last month the university opened the Henry S. Miller Judaica Research Room on the fourth floor of the campus’ main library — named for Fordham’s first Jewish student, who graduated in 1968. Miller, a leader of a financial restructuring firm, is now a trustee of the college.
Fordham President Tania Tetlow described herself jokingly as “a wannabe Jew” at the room’s unveiling. “I’ve understood how deeply intertwined Judaism and Catholicism are,” she said, “and the connections we have of the deep intellectualism of both faiths, of the desire to study text and the interpretation of text going back for thousands of years, of the love of ritual — and the central place of food and guilt!”
The former Jacob Schiff Center on Valentine Avenue. (Julian Voloj)
“At the moment, we envision that the research room will be a space for exhibitions that would foster the curatorial skills of our students and that will bring Jewish art and artists to campus,” Teter said. “We would now be able to display their art and combine the exhibitions with some items from the Judaica collection.”
The research room is currently displaying Voloj’s Bronx photographs, along with some of the recently acquired local archival materials, curated by sophomore Reyna Stovall, who is interning in Fordham’s Jewish studies department this semester.
“It is really, really rewarding,” said Stovall, who is Jewish. Stovall became involved in the Jewish studies department because of her interest in Holocaust studies, but as she began her internship, she was excited to work on the archives cataloging the once thriving Jewish history of the Bronx.
The yearbook photo of Frank Meshnick (bottom right), who graduated from Morris High School in Morrisania in 1931. (Julia Gergely)
“It’s pretty amazing that they have the collection to begin with,” she added. “It really shows Fordham’s commitment to diversity and inclusivity that they’re willing to take on this massive collection of Judaica, even though that’s not the religion that the school was founded on.”
Teter estimates there are about 300 Jews among the school’s 15,000 undergrads. As a result, the Center for Jewish Studies and the research room offers students from all backgrounds the opportunity to learn more about Judaism — as well as marginalized communities in general, and connect their stories to their own lives.
“Our identity grew to showcase Jewish studies at the intersection and in conversation with other fields and areas of study,” Teter explained.
The Center’s goal, she added, is “to make students, faculty and the public realize that studying Jews is not just for Jews, and that they can learn so much about the areas of their own concern and interest by studying Jews.”
“Something magical happens when you give students the opportunity to work with historical artifacts, and really touch history,” Teter said. “That’s what I think inspired the director of the library to devote that space to that kind of research and to that kind of student experience.”
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The post How a Catholic university amassed a treasure trove of Jewish artifacts from the Bronx appeared first on Jewish Telegraphic Agency.
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Hungarian Filmmaker Says ‘Orgy of Antisemitism Overtaking the West,’ Feels ‘Ostracized’ by Film Industry
Hungarian film director László Nemes attends the photocall of “Moulin” at the 79th Cannes Film Festival in Cannes, France. Photo: Marco Barada / SOPA Images via Reuters Connect
Hungarian Jewish filmmaker László Nemes talked about antisemitism, the “politicization of cinema” regarding Jewish subject matters, and what he believes is an unhealthy “obsession with Jews” in a new interview with The Guardian published on Monday.
Nemes’s latest film, “Moulin,” which is about French resistance leader Jean Moulin, debuted at the Cannes Film Festival on Sunday.
His 2025 film “Orphan” is about a teenage Jewish boy who survived the Holocaust by being hidden in an orphanage. While he searches for his missing father, he discovers the truth about how his mother survived the Holocaust. The film has so far not secured a US distribution deal, and Nemes believes it is because of the film’s Jewish subject matter at a time when tensions are high around the world.
“You should be able to talk about these things without being ostracized,” the filmmaker told The Guardian, adding that he feels “a little bit” ostracized by the industry.
“Even some response [to ‘Orphan’] from the media smells of an ideological standpoint,” he noted, explaining that he thinks the film was “ignored” at last year’s Venice Film Festival.
“There’s an orgy of antisemitism, an absolute, shameless orgy of antisemitism, overtaking the West,” added the director, whose grandmother is a Holocaust survivor. He also described a “race obsession” and a “puritan, moralizing, self-righteousness” ideology that he believes has taken over the cultural world and online.
Nemes won an Oscar in 2016 for his debut feature film “Son of Saul,” which follows a day and a half in the life of an Auschwitz concentration camp prisoner who is forced to clear out the corpses of fellow Jews from the gas chambers and place the bodies in ovens to be incinerated. The film won an array of awards, including the Oscar for best foreign language film. When asked how he thinks “Son of Saul” would be accepted if it was released today, Nemes told The Guardian: “I don’t even think it would make the [Oscar] shortlist today. Because of the politicization of cinema, because anything that’s Jewish is now considered … Nobody would touch it with a 10-feet pole.”
He also said he thinks boycotting Israeli film institutions, which thousands of Hollywood figures have pledged to do, is “anti-humanist regression.”
“And because it’s not identified as this, I think it’s very effective at spreading,” the filmmaker said. “And one of its very potent vectors has been antisemitism … The Jew has always been [cast as] the sort of internal enemy, and I think now [the idea of] the Jew as the internal enemy of the West has reached the dimensions of European antisemitism before the takeover by the National Socialist [Nazi] party.”
He further criticized the thousands of film industry professionals who support cultural boycotts of Israel or protest Israel’s military actions in the Gaza Strip, which target Hamas terrorists in the enclave who orchestrated the massacre in Israel on Oct. 7, 2023.
“Obviously, they prefer to attach themselves to an ideology that’s been around for a long time and that pretends to be humanitarian, but it’s actually not what it purports to be,” Nemes said. “Had they really cared about the people in this region, they would have revolted against these people being ruled by a totalitarian death cult that’s actually killing its own population and at unprecedented levels.”
He believes there is an “obsession with Jews,” and when referring to the difficulty in finding a US distributor for “Orphan,” he said: “People [would] ask me about Gaza, instead of, you know, asking about the movie. [They ask] if I signed this or that petition.”
“It’s tiring to hear the overclass of Hollywood lecture us morally,” Nemes added. “Not only in Hollywood, but in the world. There’s definitely an overclass of people cut from reality, and they are eager to preach to us … Sometimes I think it’s better if actors don’t, you know, speak up that much, because I don’t think they’re very much qualified to talk about anything. They should try to be actors, the best they can, and not become activists. It’s not really their role.”
While speaking to The Guardian, the Hungarian director also criticized fellow Jewish filmmaker Jonathan Glazer for the speech he made at the 2024 Academy Awards. When the British director went on stage to accept his Oscar for the Holocaust-focused historical drama “The Zone of Interest,” Glazer said he and the film’s producer James Wilson “stand here as men who refute their Jewishness and the Holocaust being hijacked by an occupation which has led to conflict for so many innocent people, whether the victims of Oct. 7 in Israel or the ongoing attack on Gaza.”
Nemes told The Guardian that making a film about the Holocaust “imposes on its maker a need for responsibility.”
“I didn’t feel that he was responsible at all,” Nemes said, referring to the Glazer. “I thought he wanted to please that overclass of Hollywood with the line of good, righteous thought … I don’t believe that he understands anything about the reality of the region, yet he feels the need to do it. And I think it’s very presumptuous, very condescending.”
Nemes is a graduate of the Sam Spiegel International Film Lab, which is part of the Jerusalem Sam Spiegel Film & Television School.
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UN Special Rapporteur Francesca Albanese Urges Germany to Get Over Holocaust Guilt in Antisemitic Tirade
Francesa Albanese, the United Nations special rapporteur on the situation of human rights in the Palestinian territories, speaks at a conference, “A Cartography of Genocide: Israel’s Conduct in Gaza,” at the Roma Tre University, in Rome, Italy, Oct. 6, 2025. Photo: REUTERS/Remo Casilli
Francesca Albanese, the United Nations’ special rapporteur on the human rights situation in the Palestinian territories, has published a bizarre social media post mixing antisemitic rhetoric with Holocaust revisionism, appearing to urge Germany to move beyond its historical guilt while casting Jews as arrogant and viewing themselves as morally superior to Europeans.
In a Facebook post published on Sunday, Albanese — who has an extensive history of using her role to denigrate Israel and seemingly rationalize the Palestinian terrorist group Hamas’s attacks against the Jewish state — called on Germans to absolve themselves of responsibility for the Nazi regime’s crimes and the historical burden of guilt tied to them.
The anti-Israel UN official argued that modern Germany’s efforts to come to terms with its past through strong support for the Jewish state do not reflect genuine remorse.
Instead, she claimed this stance reflects a “historical superiority syndrome” that has never been addressed and serves as a “convenient mask” for Germany’s return to the international community.
“The Western club accepted them because they proved themselves capable of tolerating certain members of the group that were previously ‘undesirable,’ and so they accepted the Jews, but not all of them,” Albanese wrote. “They learned that to survive in this world they must be superior. No longer a fragile minority. No longer a people in exile. No longer the people of the book. But the chosen people. ‘Chosen to rule?’ One might wonder when looking at what Israel has become.”
She then went on to claim that Germany does not respect Jews unless they are Zionist and behaves like a “socially deranged” state that enacts discriminatory laws, while calling on its citizens to free themselves from what she described as an obligation to Israel.
“I know Germans can do better,” Albanese concluded. “I have seen them. But they are called upon emancipating themselves. This is their chance.”
This latest controversy is far from the first involving Albanese, who has a mandate from the UN to advise the international body on the Israeli-Palestinian conflict. In her position, which she has held since 2022, Albanese has faced consistent criticism over a pattern of incendiary anti-Israel remarks, with officials accusing her of inciting violence and hatred.
Earlier this year, top diplomats from Austria, Germany, Italy, the Czech Republic, and France called for Albanese’s resignation after she delivered yet another inflammatory tirade against Israel.
During an Al Jazeera forum in Doha, Albanese described the state of Israel as “the common enemy of humanity” and accused the country of “planning and carrying out a genocide” during its defensive war against Hamas.
“It’s also true that never before has the global community seen the challenges that we all face, we who do not control large amounts of financial, algorithms, and weapons,” Albanese said at the time, appearing to invoke a long-standing antisemitic conspiracy that Jews control wealth and technology.
She also accused Western nations of being complicit in the so-called “genocide” by supplying arms and financing Israel, while claiming that Western media helps defend the Jewish state by “amplifying the pro-apartheid, genocidal narrative.”
Albanese has previously referred to a “Jewish lobby” controlling the US and Europe, compared Israel to Nazi Germany, and stated that Hamas’s violence against Israelis — including rape, murder, and kidnapping — needs to be “put in context.”
Despite her history of antisemitic statements, the UN has consistently refused to fire Albanese, citing her status as one of its “independent experts.”
Since taking on her UN role, Albanese has been at the center of controversy due to what critics, including US and European lawmakers, have described as antisemitic and anti-Israel public remarks.
Last year, the UN Human Rights Council (UNHRC) faced intense pressure to block Albanese’s reappointment for another three-year term, with several countries and NGOs urging UN members to oppose the move due to her controversial remarks and alleged pro-Hamas stance.
Despite significant pressure and opposition, her mandate was confirmed to extend until 2028.
Last year, the UN launched a probe into Albanese for allegedly accepting a trip to Australia funded by pro-Hamas organizations.
In the past, she has also celebrated the anti-Israel protesters rampaging across US college campuses during the 2023-2024 academic year, saying they represent a “revolution” and give her “hope.”
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Kuwaiti Jiu-Jitsu Gold Medalist Refuses Handshake With Israeli Athlete: ‘We Do Not Respect Them At All’
An aerial view shows Kuwait City, Kuwait, March 16, 2020. Photo: Reuters / Stephanie McGehee.
Kuwaiti jiu-jitsu gold medalist Jassim Alhatem refused to shake hands with Israeli bronze medalist Yoav Manor at the Abu Dhabi Grand Slam Jiu-Jitsu World Tour on Friday, saying later in a video posted on social media that he has no respect for an athlete from Israel.
Alhatem won all four of his bouts in the men’s blue belt amateur under-77-kilogram category at the competition and took home the gold, while Manor earned the bronze for winning three of his four matches. At the medal ceremony, Alhatem refused to shake Manor’s hand and also declined to pose with him for the traditional photo of all the winners.
Alhatem later defended his actions in an Arabic-language video posted on Instagram. He described Israel as a “Zionist entity” and claimed he told Manor before the award ceremony, “I don’t want to know you and I don’t want to greet you. Stay on your side and I on my side, so no problem happens,” according to an English translation of the video. He further claimed that “as a Muslim,” he will not respect athletes from Israel and does not believe in separating politics from sports.
“These types we do not respect,” Alhatem said. “As Kuwaitis, we do not respect them at all … as a Muslim man, [you] must have principle. It is not right for me to play with them or respect them. It is not right. You as a Muslim must have a principle, even if you told me sport is separate from politics. No, no. There is no [separation]. If that were true, Russia wouldn’t be banned right now from participating in the Olympics.”
The International Olympic Committee has allowed eligible Russian athletes to compete as neutrals and not under the Russian flag.
The Israeli delegation at the Abu Dhabi Grand Slam Jiu-Jitsu World Tour said in a statement to the Israeli publication Ynet that “despite the tension, the organizers and Emirati hosts tried to calm the situation and persuade the Kuwaiti competitor to take part in the medal ceremony, but he chose to leave the podium area. Manor, for his part, remained focused on the sporting achievement: a bronze medal at a prestigious international competition, after an impressive day of bouts against opponents from around the world.”
Members of the Israeli delegation added that Alhatem said to Manor, “You Israelis kill children,” and “If you had reached the final, I would not have competed against you.”
Amir Boaron, the coach of Israel’s national jiu-jitsu team, also told Ynet that Alhatem called Manor a “child murderer.”
“Yoav continued trying to shake his hand and behave like an athlete. It is important for me to stress that the Emirati hosts welcomed us wonderfully and even apologized for the incident,” Boaron added.
The Abu Dhabi Grand Slam Jiu-Jitsu World Tour is organized by the United Arab Emirates, which normalized diplomatic relations with Israel when it signed the 2020 Abraham Accords, while Kuwait does not have diplomatic ties with Israel. Senior Kuwaiti officials have said the country “will be the last to normalize ties” with the Jewish state.