The British band Massive Attack announced on Thursday an alliance for musicians who are facing alleged “intimidations from within” the music industry and legal profession as well as “organized censorship” for accusing Israel of committing genocide during its war against the Hamas terror group in Gaza.

“We write as artists who’ve chosen to use our public platforms to speak out against the genocide occurring [in Gaza] & the role of the UK government in facilitating it,” the band, who are ardent critics of Israel, wrote in a statement posted on Instagram. “Because of our expression of conscience, we’ve been subject to various intimidations from within our industry (live & recorded) and legally.”

The English trip hop collective said it is aware of “aggressive, vexatious campaigns” by the group UK Lawyers for Israel (UKLFI) and “multiple individual incidences of intimidation within the music industry itself; designed solely to censor & silence artists from speaking their hearts & minds.”

“We won’t standby & allow other artists … to be threatened into silence or career cancellation,” the band added.

Similar versions of the statement were shared on Instagram Stories by the Irish bands Kneecap and Fontaines DC. Musician and producer Brian Eno shared the statement in a post on his Instagram page and the British duo Bob Vylan voiced support for the statement in a comment on Massive Attack’s Instagram post. British singer Paloma Faith expressed solidarity with the new alliance in a comment on Kneecap’s Instagram page. “I’ve been shadow banned for some time !!!” she wrote. “Keep going everyone it’s going to eventually change! Hang in there.”

The musicians in the newly formed alliance encouraged other artists who wish to speak up in support of “Palestine” but are “concerned about industrial or legal repercussions” to contact them. The post announcing the creation of the alliance also called for the “immediate, unfettered access” of international aid to Gaza; a ceasefire to end the Israel-Hamas war; the end of UK arms sales and licenses to Israel; and a “free Palestine.”

Massive Attack additionally highlighted a documentary film about the actions of UKLFI screened on Wednesday night by the British activist group Led By Donkeys.

Massive Attack said in a statement on Friday that the new alliance offers solidarity to artists who “are living day after day in a screen-time genocide, but are worried about using their platforms to express their horror at that” because of censorship in the industry or from legal bodies “terrifying them & their management teams with aggressive legal actions.”

UKLFI responded to Massive’ Attacks accusations against the organization, and detailed its history with the band, in a statement shared with The Algemeiner on Friday.

“Massive Attack has launched an attack on our organization, which helps to protect victims of anti-Jewish and anti-Israel racism,” said Caroline Turner, director of UKLFI. “Unfortunately, antisemitism has become an everyday part of life in the UK,  and those trying to protect its victims are now subject to vicious attacks by the perpetrators.”

During Massive Attack’s performance at the Lido Festival in London on June 6, they invited an anti-Israel activist on stage who accused Israel of genocide, apartheid, and a “brutal occupation.” He also compared Israel’s military actions in Gaza to the atrocities Jews faced in the Holocaust. During their set, Massive Attack additionally called  for the release of Palestinian terrorist Marwan Barghouti and projected images of Yahyah Sinwar, the late Hamas leader who masterminded the deadly terrorist in Israel on Oct. 7, 2023. Massive Attack later denied support for Sinwar.

UKLFI was contacted by several Jewish and Israeli audience members at the Lido festival “who were deeply distressed and traumatized by what they saw,” Turner told The Algemeiner on Friday.

“Several of the Israelis attending the performance had friends and relatives who were murdered by Hamas on Oct. 7,b2023, at the Nova festival and were extremely upset by what they saw at the concert,” Turner added. “The band exploited the vulnerability of concertgoers who had come seeking musical unity, instead delivering divisive political theatre. The scenes were reminiscent of history’s darkest chapters — like a Nazi era rally, with crowds chanting in unison, manipulated by carefully crafted messaging. We wrote to Massive Attack to convey this, and requested that future performances do not repeat these actions. We believe in free speech and artistic expression; however we felt this performance crossed a line and made audience members feel deeply traumatized.”

Kneecap shared on Thursday that police in the UK will not pursue legal charges and have dropped their criminal investigation into the group’s controversial Glastonbury Festival performance in late June, where they lead the crowd in several chants of “f–k Keir Starmer” against the UK’s prime minister, as well as “free Palestine.” A member of Kneecap was charged with a terrorism offense in June for allegedly expressing support for the US and UK-designated terrorist group Hezbollah. He is due in court on Friday.

Police also launched a formal investigation into Bob Vylan’s performance at Glastonbury, during which lead singer Pascal Robinson-Foster led the crowd in chants of “Death, death, to the IDF,” referring to the Israel Defense Forces. UKLFI said it reported Robinson-Foser to Avon and Somerset Police in the UK for a possible breach of Section 5 of the Public Order Act 1986, which prohibits threatening and abusive words and behavior within the hearing or sight of a person likely to be caused harassment, alarm, or distress. UKLFI also reported the British Broadcasting Corporation to police for live streaming Bob Vylan’s Glastonbury set.

The US State Department has revoked Bob Vylan’s US visa because of their controversial comments at Glastonbury.

Many Jewish bands and musicians who have visited Israel are being boycotted by venues and festivals, having their concerts canceled, or facing intimidation and threats from supporters of the boycott, divestment, and sanctions (BDS) movement against Israel.

The post British Band Forms Alliance for Musicians Facing ‘Intimidations’ for Accusing Israel of ‘Genocide’ in Gaza first appeared on Algemeiner.com.

In late March 1144, in the English town of Norwich, the body of a young boy named William was discovered in a wooded area just outside the city. He had been missing for several days when a group of nuns stumbled upon his corpse, hanging from a tree. 

There was no sign of who had killed him. It might have been a group of bandits, or perhaps a passing vagrant, or – as some have suggested – possibly suicide. At the time, there was no investigation and no drama. Just a tragic, unexplained death. And life moved on.

William’s unexplained death might have faded into obscurity were it not for a man named Thomas of Monmouth – a zealous Benedictine monk with a cause, and, unfortunately, a flair for storytelling.

In his book, The Life and Miracles of St. William of Norwich, Thomas claimed that William hadn’t been the victim of some random act of violence. Instead, he insisted the boy had been ritually murdered by the Jews of Norwich, in a gruesome reenactment of the crucifixion, as part of a sinister Jewish plot. 

Thomas offered no evidence and no witness testimony, nor even a remotely plausible theory as to how or why the Jews of Norwich – who were by all accounts well integrated into local society – would have committed such a crime. But Thomas was persuasive, and his tale found eager listeners. And so, William became the first ever “victim” of a Jewish ritual murder –the prototype for every blood libel that followed.

Six years later, in 1150, the blood libel turned lethal. A local knight, Sir Simon of Novers, murdered a Jew, Eleazar of Norwich, to whom he owed a considerable sum of money. In a calculated attempt to cover up both the killing and the debt, Sir Simon accused Eleazar – again, with no evidence whatsoever – of being part of a Jewish conspiracy to murder Christian children. 

The accusation ignited a fuse. Soon after, a rabbi traveling from England back to Cologne was set upon and killed by a mob. One baseless claim led to another, and what began as a fabricated tale became a campaign of incitement and violence.

And so it went on, with one fabricated blood libel after another. Eventually, in 1255, there was the infamous case of “Little Saint Hugh” of Lincoln — an eight-year-old boy who went missing, and whose death was swiftly blamed on the local Jews. 

But this time, the accusation wasn’t just gossip – it was endorsed by the Crown. King Henry III personally intervened, ordering the arrest of ninety Jews and the execution of eighteen. There was no trial and no evidence, just frenzy and fury – all dressed up in religious zealotry and moral posturing.

But here’s an interesting fact that rarely gets mentioned – going all the way back to that very first blood libel, the case of William of Norwich. The local Christians — the ones who actually knew the Jews, lived alongside them, worked with them, and traded with them — never believed a word of it. 

They didn’t revere William as a saint or martyr, and they certainly didn’t riot or attack their Jewish neighbors. They simply rolled their eyes and got on with their lives. Because they knew the Jewish community. Critically, they also knew Thomas of Monmouth, and that he was spinning a self-serving tale — one part fantasy, two parts ambition.

They understood, as people close to the facts often do, that truth is almost always far less dramatic than myth and legend.

Fast forward nearly 900 years. Once again, Jews are being accused of ritual murder. Not literally, perhaps, but the accusations are eerily similar in form and function. Israel defends itself against an unprovoked massacre on October 7th – and tries to root out those who murdered them, and openly threaten to do it again. 

But instead of sympathy, Israel is subjected to a torrent of accusations. Israel, we are told, is committing “genocide.” The IDF is “targeting babies.” Food, water, and medical aid are being deliberately withheld from innocent civilians so that children will die – because, apparently, Jews are cruel by nature. 

The rhetoric is breathless and furious. It is also unmistakably familiar. We are told that Jews are killing with calculated malice, as part of some twisted Jewish plot.

Just like the blood libels of medieval England, these accusations have no basis in fact. They ignore every detail that doesn’t fit the script. Hamas’ culture of martyrdom — its glorification of death, its deliberate use of human shields, its strategy of weaponizing suffering – is waved away as irrelevant. The story is simple: The Jews are guilty. The Jews are evil. The Jews must be stopped.

And just like in Norwich, the loudest voices are not the locals. The blood libel wasn’t born in a Norwich tavern. It was concocted by a Welsh monk who wanted to make a name for himself, then picked up by powerful outsiders with axes to grind. Similarly, today’s most impassioned anti-Israel narratives are not coming from people in the region. 

The Saudis – who, if anyone has cause to stoke the flames, it’s them – are not buying into the hysteria. They’re watching and waiting – preparing to join the Abraham Accords when the dust settles. 

The voices calling for boycotts, sanctions, and diplomatic “punishment” of Israel are coming from thousands of miles away – college campuses in America, city councils in Europe, and self-appointed “truth-tellers” on social media. 

But they don’t know the facts. Because they don’t want to know the facts. Like Sir Simon of Novers inventing a conspiracy to erase a debt, or King Henry III scapegoating Jews to consolidate power, these voices have pre-written their script and are just looking for a way to act it out.

And, just like in 13th-century England, once officials get involved, the damage multiplies. French President Emmanuel Macron recently declared that France would unilaterally recognize a Palestinian state. There’s no plan, no borders for this “state,” no Palestinian leadership, and no peace partner. But none of that matters, because this isn’t about building a future. It’s about punishing the Jews – sorry, Israel – for its “crimes.”

But here’s the hopeful part. The people closest to the situation – those who actually live in the region — know the truth. They may not be cheering for Israel, but they see what’s really happening. They know that Hamas is a terrorist organization, hellbent on death and destruction, with no interest in peace or progress. They know that Israel isn’t waging war for conquest or cruelty. They want Hamas gone, and they want the hatefest to end. And, most of all, they want to move on.

Which brings us to the prophet Jeremiah, whose words open the Haftorah for the first Shabbat of the period we call the Three Weeks, when Jews around the world mourn the destruction of Jerusalem, and the Temple that once stood at the center of Jewish life. 

Jeremiah lived in a time of chaos and collapse – foreign empires were rising, Jerusalem was under siege, and truth had become an endangered species. And yet, in Jeremiah’s very first prophecy, God reassures him: “They will fight against you, but they will not overcome you – for I am with you to save you” (Jer. 1:19). 

Not just you, Jeremiah. But you, Israel. Yes, you will suffer. Yes, you will be vilified. But the nations that rise against you won’t last. Time and again, Jeremiah returns to the same message: the nations that rise against Israel will eventually disappear, but Israel itself will endure.

Israel’s enemies – loud, arrogant, fiery outsiders – are passing actors in a much longer story. They make a lot of noise, and they may cause harm – but they are not the authors of history. As Jeremiah says, power doesn’t mean permanence, and popularity doesn’t mean truth. When the dust settles, those who are grounded in reality are the ones who remain standing. The others fade away. 

Today’s blood libelists may sound powerful. But in the end, they are just the Sir Simon of Novers of today. And just as the Jews of Norwich survived that storm, so too will the Jews of Israel survive this one. Because the people of Israel are home, and that’s not negotiable – no matter how loudly the libelists shriek. 

Both history and prophecy agree: The shriekers come and go, but Israel always remains.

The author is a rabbi in Beverly Hills, California. 

The post The Blood Libels Come and Go, But We Will — and Must — Survive first appeared on Algemeiner.com.

When it comes to Israel, the BBC can’t seem to stop generating controversy.

As HonestReporting highlighted following last month’s controversy surrounding the airing of a violent anti-IDF chant at the Glastonbury music festival, the British public broadcaster has a long history of bias and misinformation in its coverage of the Jewish state.

This latest controversy (courtesy of the BBC’s CEO of news, Deborah Turness) is actually an offshoot of a separate controversy that rattled the media organization earlier this year.

In February 2025, the BBC removed the documentary Gaza: How to Survive a Warzone from its streaming platform after investigative reporter David Collier revealed that the teen narrator of the film was the son of a Hamas minister and that his mother had been remunerated by the production company responsible for filming.

The documentary was also found to have engaged in several instances of mistranslation, sanitizing the interviewee’s language by translating the Arabic word for “Jews” as “Israelis” or “Israeli forces” and representing the word “Jihad” as “battle” or “resistance.”

After the embarrassment of having to pull the documentary, the BBC apologized for the “serious flaws” it contained.

An @BBC news thread – for those who do not understand JUST HOW BAD the BBC Hamas propaganda documentary was. There have been several key scoops – and I thought I would bring the issues together.

Thread 

— David Collier (@mishtal) February 21, 2025

In mid-July, the BBC issued a report admitting that the documentary had breached the broadcasting corporation’s editorial standards, and that it should never have been signed off on the film.

In response to the BBC report, HonestReporting’s Editorial Director, Simon Plosker, released a statement that read in part:

Apologies are not enough. It’s time for the BBC to start reporting impartially and to address those parts of its newsroom that are clearly incapable of doing so.

And now it seems that one of the parts of the newsroom that is “clearly incapable” of reporting impartially is the CEO of news herself, Deborah Turness.

This is Deborah Turness, the CEO of BBC News, on a staff call about the Gaza documentary which broke impartiality rules.
Incredibly, she doesn’t seem to know that BOTH the armed wing and the political wing are deemed terrorist organisations by our government. pic.twitter.com/jGuup6x0if

— Nicole Lampert (@nicolelampert) July 16, 2025

A 30-second clip was recently leaked online and shared on social media showing Turness on a Zoom call with BBC employees, stating:

I think it’s really important that we are clear that Abdullah’s father was a deputy agricultural minister and therefore, you know, was a member of the Hamas-run government, which is different to being part of the military wing of Hamas. And I think externally, it’s often simplified that, you know, he was in Hamas. And I think it’s — it’s an important point of detail that we need to continually remind people of the difference and of that connection.

So, not only is a BBC executive trying to downplay the gravity of the serious breach of editorial guidelines that the British broadcaster admitted to in releasing the controversial documentary, but she is also creating a false division within Hamas that is not recognized by the British government.

Since 2021, the entirety of Hamas has been proscribed as a terror organization by the UK government. At the time of this designation, a Home Office statement declared that any distinction between a “military” and “political” wing is “artificial, with Hamas as an organisation involved in committing, participating, preparing for, and encouraging acts of terrorism.”

Perhaps this attempt to whitewash Hamas shouldn’t be so surprising, as the BBC itself has a policy of refusing to refer to the organization and its members as “terrorists.”

However, it should alarm every British taxpayer that one of the executives in charge of news at the British public broadcaster sought to revise reality to exculpate the BBC of any wrongdoing.

What does this say about the BBC’s impartiality? How can the average viewer trust any item that emerges from a newsroom run under the oversight of Deborah Turness?

The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.

The post Surprise: Head of BBC News Caught Pushing Hamas Narrative in Leaked Zoom Call first appeared on Algemeiner.com.