Connect with us
The Residences advertisement

Local News

Winnipeg Playwright Gilles Messier Brings Atomic Age Tragedy to the Fringe

Playwright Gilles Messier

By MARTIN ZEILIG Winnipeg playwright Gilles Messier is turning his lifelong fascination with the Manhattan Project into a new stage production for next summer’s Fringe Festival.

His latest work focuses on Louis Slotin, the Winnipeg-born physicist whose fatal accident at Los Alamos in 1946 made him both a cautionary tale and a reluctant hero of the atomic age. Slotin was conducting a criticality experiment with the notorious plutonium “demon core” when his screwdriver slipped, unleashing a burst of radiation.

The core itself was a 6-kilogram plutonium sphere intended for an atomic bomb of the same type as the Trinity “Gadget” detonated at Alamogordo on July 16, 1945 and “Fat Man” detonated over Nagasaki on August 9. It only became known as the “demon core” after Slotin’s death, because it had already killed physicist Harry Daghlian under similar circumstances eight months earlier.

Slotin absorbed a lethal dose while shielding his colleagues from the worst of the blast. In Winnipeg and beyond, he was celebrated for his sacrifice. Among fellow scientists, however, he was remembered as a brilliant but sometimes audacious experimenter. Messier says it is precisely this contradiction—heroism at home, recklessness among peers —that drew him to Slotin’s story.

“That tension between brilliance and recklessness is what inspired me to write this play,” Messier explained in an email interview.

Told Through Alvin Graves
The play unfolds through the eyes of Alvin Graves, the physicist Slotin was training at the time of the accident. Graves received the second-highest dose of radiation and survived, though his life was forever altered.

The frame story is set in a Los Alamos hospital, where Slotin lies dying and Graves recovers from his injuries. Slotin’s parents, Israel and Sonia, arrive from Winnipeg to be at their son’s bedside and press Graves for answers. Through flashbacks, audiences see two versions of Slotin: the dutiful son his parents knew and the risk-taking scientist his colleagues remembered.

Messier says he became increasingly intrigued by Graves during his research. Despite experiencing radiation sickness firsthand, Graves later denied the long-term effects suffered by survivors of Hiroshima and Nagasaki. He went on to direct the Nevada Test Site, assuring the public that nuclear testing posed no danger.

“Graves is a fascinatingly contradictory figure,” Messier noted. “In some ways, even more than Slotin.”

Support and Sponsorship
Producing a Fringe play is never simple, and Messier’s latest project presents unique challenges. Period costumes, authentic props, and the recreation of Slotin’s fatal experiment all add to the expense. If the production does not win the venue lottery, it will need to “Bring Your Own Venue,” further increasing costs.

Messier is seeking sponsorship from the general community and, in particular, the Jewish community. Financial support would help cover costumes, props, and venue rental. He also welcomes offers of rehearsal space, auditions from community members, and consultation on cultural or historical aspects of the show. Sponsoring organizations will be promoted in programs and posters.

Cast and Characters
The play features a cast of eight:
· Louis Slotin
· Alvin Graves (portrayed by two actors, one in the hospital frame story and another in flashbacks)
· Harry Daghlian, another physicist killed by the same plutonium core
· Israel and Sonia Slotin
· A Nurse and a Doctor
Several roles double as prominent physicists, including Leo Szilard, Enrico Fermi, and Otto Frisch.

Writing and Refinement
Messier drafted the script in about three weeks, a pace he describes as typical for his Fringe productions. But the work continues to evolve.

“I don’t consider a play truly finished until opening night,” he said.

His last show, If Day, saw half its jokes devised by the cast during rehearsals.

Looking Ahead
For now, the play is slated for next summer’s Winnipeg Fringe Festival. But Messier is open to other opportunities.

“If venues or companies elsewhere are interested in hosting performances—or even taking over production entirely—I’m willing to explore those possibilities,” he said.

Authenticity remains central to his vision. Messier is already building period-accurate props, including replicas of the critical mass experiments that killed Slotin and Daghlian, as well as a full-size replica of the Trinity “Gadget,” the world’s first atomic bomb.

About Gilles Messier
Messier brings both technical expertise and creative experience to the project. A graduate of Carleton University with a degree in aerospace engineering, he worked as a tool design engineer before turning to writing and research. He is chief writer for the Today I Found Out YouTube channel and the sole writer, presenter, and editor for Our Own Devices. He also leads the Miami Bunker Project in Manitoba.

His previous Fringe productions include The First Pillar (2017), The Sport of the Engineer (2018), The Mercury 13 (2019), Murmurs of Earth (2022), Countdown to Babylon (2023), Nuclear Family (2024), and If Day (2025). He is also the author of Calling All Stations (2020).

Messier’s upcoming play promises to shine a spotlight on one ofWinnipeg’s most unlikely connections to the atomic age. By exploring the contradictions of Louis Slotin and Alvin Graves, the production asks audiences to grapple with the paradoxes of science, responsibility, and memory.

As Messier put it: “Slotin’s story is not simply about one man’s fatal mistake. It’s about the contradictions at the heart of the atomic age—brilliance and recklessness, courage and denial, heroism and tragedy.”

To contact Gilles Messier for sponsorship, etc.: maxqproductionswpg@gmail.com

Gilles Messier

Sidebar: A Story Worth Supporting
As someone long fascinated by the life of Louis Slotin, I feel compelled to add a personal note.
My first feature story about Slotin, “Dr. Louis Slotin and ‘The Invisible Killer’” (The Beaver, Volume 75, Number 4, August–September 1995), gave me an early opportunity to explore his remarkable and tragic life.
A few years later, in 1998, I worked as a researcher, writer, and associate producer on the documentary Tickling the Dragon’s Tail: The Story of Louis Slotin, directed by Tom Radford and co-produced by Great North Productions of Edmonton and CanWest Global. The film was broadcast in April 1999.
These projects, along with earlier works such as Dexter Masters’ The Accident (1955) and the fictionalized Slotin character portrayed in the film Fat Man and Little Boy (1989), deepened my appreciation for Slotin’s complex legacy and the importance of sharing his story.
Building on that experience, I believe Gilles Messier’s new play, Fission, deserves strong community support. He revisits Slotin’s life in a novel and compelling way, using theatre to explore the contradictions of brilliance and audacity, heroism and tragedy.
This is not only an important Winnipeg story, but one that resonates far beyond the city. Among fellow scientists, Slotin was remembered as brilliant yet audacious—qualities that tragically led to his death.
Messier’s production would be a perfect undertaking for institutions such as the Winnipeg Jewish Theatre, which could provide a platform for a work both historically significant and artistically ambitious. His play offers audiences a chance to reflect on the human side of the atomic age.
It is not just theatre—it is a vital act of remembrance.

Continue Reading

Local News

Marty Green expands his protest against extremist Jewish settlers to two more venues – and continues to be arrested – despite the Crown having dropped all charges

(Monday, November 9) In earlier posts we wrote about Marty Green having been arrested several times after continuing to protest Israeli settler attacks against Palestinians on the West Bank.

Here is an update to what has been happening to Marty:

The Rady JCC was quick to call police on the weekend to have Marty Green arrested for the third time since September. Released after his original arrest on September 23, and again, after his subsequent arrest on October 14 – even after Green’s agreeing to an undertaking not to return to the campus, police charged Green yet again – this time on November 7. The charge this time was breaching his release conditions. His placard, which proclaims the IDF to be complicit in outrages carried out by settlers in the West Bank, was confiscated by the Major Crimes unit, which is investigating him for hate crimes.

However, Green suggests the Campus ought not to celebrate prematurely. He disputes the Breach charges, saying that the Crown Prosecutor had already decided not to proceed with the earlier charges that were filed last month and, as a result, the restraining order that had been imposed upon him was, therefore, null and void at the time he was arrested on November 7.

Green says that the police eventually realized that was a problem, which is why they decided to add a new charge of “Disturbing the Peace.” Green describes this new charge – based as it was on conduct identical to the earlier conduct which the Crown investigated and decided not to prosecute – as a “shallow pretext for once again interfering with (his) hard-fought right to Freedom of Expression.” He further claims the confiscation of his placard prevents him from communicating its message “even in places where (he) still has every legal right to protest.”

The final word, according to Green? The campus may not have seen the last of him, his placard, his accordion… and his little dog, too.

(Ed. note:If you’d like to read an informative article about how dual Israeli-Canadian citizens’s tax treatment works, go to “Two Homes, Two Tax Systems.”)

(Tuesday, October 27) We received the following press release about Marty Green being arrested again, both at the University of Manitoba and at Shaarey Zedek Synagogue:

Both sides came to blows on Saturday, October 24, at the Shaarey Zedek Synagogue as security personnel sought to prevent Marty Green from interfering with synagogue traffic as he protested just outside synagogue grounds against the actions of religious settlers in Israel’s occupied West Bank territory. Synagogue Executive Director Rena Secter Elbaze quickly intervened to prevent further escalation. Police arrived shorty thereafter and detained Green for 45 minutes before driving him home and releasing him. It is not clear whether their decision not to lay charges was the result of their own onsite investigation or whether it was at the request of the synagogue executive.

Green has now been arrested four times in the last month and faces multiple charges for disturbing the peace, including two episodes at the Asper Campus and one more this past Friday (Oct. 23) at the University of Manitoba. While Green says initially he was merely handing out leaflets (at the Asper Campus), since his first arrest on September 23, he has returned to the campus with a large placard and an acccordion, accompanying himself while singing songs with lyrics that include such phrases as “The Jews Are Bananas….B-A-N-A-N-A-S”. In addition to listing actions of the religious settlers as including arson, vandalism, and theft, he pointedly alleges that the IDF has been backing up the settlers in their actions.

Green had earlier notified the Shaarey Zedek that he was contemplating bringing his protest to the synagogue. He was told that if he attempted to enter the grounds he would be prevented from doing so. At that time, Secter Elbaze told Green that his intentions were inappropriate, declaring the synagogue to be “a house of worship dedicated to prayer, learning, community, and spiritual engagement.” Green responded that if the synagogue were willing to contact the Crown and inform them that “that there was never any legal basis for their claims that I was conducting myself inappropriately at the Asper Campus” (with regard to his earlier arrests) that he would “voluntarily refrain from carrying his informational campaign to the synagogue(s).”

Green further argues that the recent “psak” (religious ruling) by leading Israeli rabbi Rov Dov Lior, in which Lior declares that it is not merely permissible but praiseworthy for Jews to steal olives from Arab orchards….that this ruling brings his protest within the proper realm of religious discourse. He says further that if the local rabbis were willing to speak out to their congregations against the aforesaid psak, that he might have refrained from taking his campaign to their grounds.

Although Green was released on Saturday without charges, police confiscated his placard. They explained that it was being held as evidence pending an investigation by Major Crimes as to whether it constituted hate literature.

There was no further information given as to what happened at the University of Manitoba.

Continue Reading

Local News

Former Winnipegger Adam Druxman living the Hollywood  dream

By MYRON LOVE A dwindling number of Post readers may still remember the song “You Ought to be in Pictures.”  Adam Druxman may not be in “pictures,” but his life’ s work is the next best thing.  For almost 40 years, the former Winnipegger has had the privilege of being behind the camera helping to make magic happen.
“I always loved the movies,” says the son of the late George Druxman and the recently deceased Joan Druxman. But, growing up in Winnipeg (Old Tuxedo largely),” he recalls, “the prospect of actually having a career in movies in the ‘80s was quite a reach.”
As a young adult, the closest Druxman came to the movie business was working for Adi’s Video Shoppe (which most of us of an older generation will no doubt remember).  Ultimately, it was a chance exposure to the Winnipeg Film Group that turned out to be his entry into film production.
The young, aspiring filmmaker signed up in 1988 to take a course in filmmaking – through the WFG – with acclaimed Winnpeg-based filmmaker John Paisz.
“From John, I learned to write, shoot and edit a film,” Druxman recalls.  “At that moment, I knew this is what I wanted to do.”
With a grant from the National Film Board of Canada and the WFG, the young filmmaker created a five-minute film called “The Guinea Pig Age,” a satirical look at how humans have become test subjects for products and the environment.
The next evolution in Druxman’s pursuit came in 1989 with a move to Toronto where he hoped to enrol in Ryerson’s film program.  “I decided in August that I wanted to go to film school, but it was way too late for enrolment,” he recounts.  “I wasn’t able to get into the program until the following year, but I decided to move to Toronto anyway.  That was my first time living away from home. I enrolled in some night courses and and also began looking for a job.”
He was, he says, encouraged to seek work in the industry as a production assistant – essentially a “gofer”, he points out. “I didn’t know that was a thing I could do. So I send out 1,000 resumés –with nothing on them because  I didn’t have any experience.”
His break came when he got a call at 2:00 A.M. from a production company looking for a production assistant.  “My roommate, Shanno Zaslov, answered the phone,” he recounts.  “She was so excited that I had received a call that she told them not to contact anyone else while she tried to find me at a surprise birthday party.  After that first job, I never looked back.”
Over the past nearly 40 years, Druxman has never  been out of work for long.
His first credited role – as third assistant director – was in a 1992 production called “Stay Tuned, shot” in Vancouver. It starred Pam Dawber (of “Mork and Mindy” fame) and the late John Ritter.  Druxman’s responsibilities included organizing the extras,   maintaining quiet on the set, blocking out pedestrians and outside traffic during a take, helping to ferry actors between their trailers and the set, and alerting the performers.
After that movie, Druxman moved to Los Angeles.  He was soon promoted to second assistant director and – four years later – was promoted to first assistant director  – a role he has performed with distinction ever since.
“ As first assistant director,” he continues, “in prep, you manage scheduling, logistics, day-to-day operations and locations. During the shoot, you run the set, give cast and crew their call times, deal with issues such as weather delays, safety on the set, and manage the time of the shooting day.”
Among the better known movies that Druxman has been involved with  have been: Adam Sandler’s “The Waterboy,” “50 First Dates,” “Boogie Nights,” “Transformers,” “Magnolia,” and two of the “Super Trooper” films.
Some of the TV series that he has worked on have included: “Weeds,” “Prison Break,”  “Fargo,, Dark Matters,” “Las Vegas,” and “Cosmos: Possible Worlds” – a remake of the popular series first created by Carl Sagan 45 years ago.
 “The crazy  thing about living in LA,” Druxman observes, “is that I could drop in at any random Starbucks for a cup of coffee and run into a writer or director who might ask if I am available for a movie or TV show.”
It was a tough decision for Druxman to leave LA behind and move his family to Seattle about 14 years ago.  “”We moved to Seattle to be closer to my wife’s family while our son was in his formative years,” he says.
Druxman admits that it was scary leaving LA.  “At first, I was didn’t tell anyone I had left LA,” he recalls.  “I was afraid that some producers wouldn’t consider using me because I wasn’t in LA anymore.”
Nonetheless, he felt confident that he was well-established in the industry and that – with movie and TV production largely moving out of what used to be described as “the movie capital,” -he would still be in demand.  His assumption turned out to be correct.
Seven years ago he and his family moved again – this time to Chicago – after working on the movie “Candyman.”
“Housing was far more affordable in Chicago as compared to Seattle,” he says.  “I had shot in Chicago four times before. I love Chicago. It’s a beautiful city.   And I love the people here. It’s like a giant Winnipeg.”
“I’ve been lucky to  have had a good career and met a lot of great people over the years,” Druxman says. 
Currently, Druxman notes, he is in between projects.  It is always a concern, he concedes – either feast or famine – especially since the industry is going through a lot of changes between the Covid lockdowns, multiple union strikes, the streaming services reducing their content, and more production going overseas.  But, he remains confident that something will turn up sooner or later.
 “This business is cyclical,” he observes.  “There is always a ying to the yang.”

Continue Reading

Local News

Young entrepreneur Jonah Shapiro balances business pursuits with university studies

By MYRON LOVE While most of us may not know what we wanted to do for a living when we “grew up,” Jonah Shapiro is an exception. The son of Sean and Kera Shapiro has been in business for himself since he was 14. Currently, he is balancing the responsibilities of running two businesses while taking commerce courses at Huron University in London, Ontario.
 The entrepreneur’s business career began six years ago while in Grade 9 at St. John’s-Ravenscourt – evolving out of  a business class he was taking  at the school.  “My project,” he recounts, “was marketing a golf shirt brand.  After six months, the business was so successful that I expanded my product line to include team and club apparel.”
His first customers, Shapiro recalls, were students in his class.  He then took over providing BBYO apparel.  (He served as BBYO treasurer for two years.)  He was soon providing apparel for local high school teams, businesses and specific events. 
“It was rather challenging at first getting my foot in the door, he concedes.  “Here I was, 14 years old, showing up and having had to have my father drive me to the appointments.”
 
Nonetheless, he made enough of an impression that he was soon receiving a lot of referrals.
Last September (in 2025), Shapiro began classes at Huron University with  Advanced Entry to the Ivey School of Business at Western University in London, Ontario.
At the same time, he officially incorporated “Student Merch”- and expanded his reach nationally.  The online Student Merch provides custom apparel and other merchandise for Canadian university groups.
Shapiro reports that he currently has contracts with student groups at Western, Queens, UBC, McMaster, McGill and York.  “There are more than 300 universities across Canada,” he says.  “We will soon have ambassadors at all of them.” 
This past summer, the enterprising young man started a second business venture in his home town.  “Benny’s Home Services” cleans windows.  Shapiro reports that Benny’s provided its services over the summer to 325 customers in and around Winnipeg.  This past summer, he says, the Benny’s team also provided its service to BB Camp – where Shapiro was a camper for many years as well as a counselor – free of charge.
He notes that the Winnipeg company has a crew of 14.  With Student Merch, Shapiro handles all the managerial work by himself.
 
This fall, the young entrepreneur received some prestigious recognition. He was one of 12 students to participate in the Morrissette Institute for Entrepreneurship’ s Founders Program, which recognizes Western’s top student entrepreneurs and community builders and pairs them with alumni mentors, along with an opportunity for leadership roles within the Morrissette Institute. The inclusion in the program comes with a  $20,000 scholarship.
The newest feather in Shapiro’s cap is his being invited to be a part of Tangerine Bank’s brand new Tangerine Business – a mobile-first digital banking platform for Canadian entrepreneurs and small businesses. Tangerine is Canada’s original digital bank.
“Tangerine asked entrepreneurs across Canada to help develop its new banking program,” he says. “I was invited to provide a young entrepreneur’s perspective.”
No doubt about it, to use an old phrase: “The world is currently Jonah Shapiro’s oyster,” and his potential would seem to be unlimited.  I am sure readers will be interested to follow his career achievements over the coming years.

Continue Reading

Copyright © 2017 - 2023 Jewish Post & News