Connect with us

Local News

Winnipeg Playwright Gilles Messier Brings Atomic Age Tragedy to the Fringe

Playwright Gilles Messier

By MARTIN ZEILIG Winnipeg playwright Gilles Messier is turning his lifelong fascination with the Manhattan Project into a new stage production for next summer’s Fringe Festival.

His latest work focuses on Louis Slotin, the Winnipeg-born physicist whose fatal accident at Los Alamos in 1946 made him both a cautionary tale and a reluctant hero of the atomic age. Slotin was conducting a criticality experiment with the notorious plutonium “demon core” when his screwdriver slipped, unleashing a burst of radiation.

The core itself was a 6-kilogram plutonium sphere intended for an atomic bomb of the same type as the Trinity “Gadget” detonated at Alamogordo on July 16, 1945 and “Fat Man” detonated over Nagasaki on August 9. It only became known as the “demon core” after Slotin’s death, because it had already killed physicist Harry Daghlian under similar circumstances eight months earlier.

Slotin absorbed a lethal dose while shielding his colleagues from the worst of the blast. In Winnipeg and beyond, he was celebrated for his sacrifice. Among fellow scientists, however, he was remembered as a brilliant but sometimes audacious experimenter. Messier says it is precisely this contradiction—heroism at home, recklessness among peers —that drew him to Slotin’s story.

“That tension between brilliance and recklessness is what inspired me to write this play,” Messier explained in an email interview.

Told Through Alvin Graves
The play unfolds through the eyes of Alvin Graves, the physicist Slotin was training at the time of the accident. Graves received the second-highest dose of radiation and survived, though his life was forever altered.

The frame story is set in a Los Alamos hospital, where Slotin lies dying and Graves recovers from his injuries. Slotin’s parents, Israel and Sonia, arrive from Winnipeg to be at their son’s bedside and press Graves for answers. Through flashbacks, audiences see two versions of Slotin: the dutiful son his parents knew and the risk-taking scientist his colleagues remembered.

Messier says he became increasingly intrigued by Graves during his research. Despite experiencing radiation sickness firsthand, Graves later denied the long-term effects suffered by survivors of Hiroshima and Nagasaki. He went on to direct the Nevada Test Site, assuring the public that nuclear testing posed no danger.

“Graves is a fascinatingly contradictory figure,” Messier noted. “In some ways, even more than Slotin.”

Support and Sponsorship
Producing a Fringe play is never simple, and Messier’s latest project presents unique challenges. Period costumes, authentic props, and the recreation of Slotin’s fatal experiment all add to the expense. If the production does not win the venue lottery, it will need to “Bring Your Own Venue,” further increasing costs.

Messier is seeking sponsorship from the general community and, in particular, the Jewish community. Financial support would help cover costumes, props, and venue rental. He also welcomes offers of rehearsal space, auditions from community members, and consultation on cultural or historical aspects of the show. Sponsoring organizations will be promoted in programs and posters.

Cast and Characters
The play features a cast of eight:
· Louis Slotin
· Alvin Graves (portrayed by two actors, one in the hospital frame story and another in flashbacks)
· Harry Daghlian, another physicist killed by the same plutonium core
· Israel and Sonia Slotin
· A Nurse and a Doctor
Several roles double as prominent physicists, including Leo Szilard, Enrico Fermi, and Otto Frisch.

Writing and Refinement
Messier drafted the script in about three weeks, a pace he describes as typical for his Fringe productions. But the work continues to evolve.

“I don’t consider a play truly finished until opening night,” he said.

His last show, If Day, saw half its jokes devised by the cast during rehearsals.

Looking Ahead
For now, the play is slated for next summer’s Winnipeg Fringe Festival. But Messier is open to other opportunities.

“If venues or companies elsewhere are interested in hosting performances—or even taking over production entirely—I’m willing to explore those possibilities,” he said.

Authenticity remains central to his vision. Messier is already building period-accurate props, including replicas of the critical mass experiments that killed Slotin and Daghlian, as well as a full-size replica of the Trinity “Gadget,” the world’s first atomic bomb.

About Gilles Messier
Messier brings both technical expertise and creative experience to the project. A graduate of Carleton University with a degree in aerospace engineering, he worked as a tool design engineer before turning to writing and research. He is chief writer for the Today I Found Out YouTube channel and the sole writer, presenter, and editor for Our Own Devices. He also leads the Miami Bunker Project in Manitoba.

His previous Fringe productions include The First Pillar (2017), The Sport of the Engineer (2018), The Mercury 13 (2019), Murmurs of Earth (2022), Countdown to Babylon (2023), Nuclear Family (2024), and If Day (2025). He is also the author of Calling All Stations (2020).

Messier’s upcoming play promises to shine a spotlight on one ofWinnipeg’s most unlikely connections to the atomic age. By exploring the contradictions of Louis Slotin and Alvin Graves, the production asks audiences to grapple with the paradoxes of science, responsibility, and memory.

As Messier put it: “Slotin’s story is not simply about one man’s fatal mistake. It’s about the contradictions at the heart of the atomic age—brilliance and recklessness, courage and denial, heroism and tragedy.”

To contact Gilles Messier for sponsorship, etc.: maxqproductionswpg@gmail.com

Gilles Messier

Sidebar: A Story Worth Supporting
As someone long fascinated by the life of Louis Slotin, I feel compelled to add a personal note.
My first feature story about Slotin, “Dr. Louis Slotin and ‘The Invisible Killer’” (The Beaver, Volume 75, Number 4, August–September 1995), gave me an early opportunity to explore his remarkable and tragic life.
A few years later, in 1998, I worked as a researcher, writer, and associate producer on the documentary Tickling the Dragon’s Tail: The Story of Louis Slotin, directed by Tom Radford and co-produced by Great North Productions of Edmonton and CanWest Global. The film was broadcast in April 1999.
These projects, along with earlier works such as Dexter Masters’ The Accident (1955) and the fictionalized Slotin character portrayed in the film Fat Man and Little Boy (1989), deepened my appreciation for Slotin’s complex legacy and the importance of sharing his story.
Building on that experience, I believe Gilles Messier’s new play, Fission, deserves strong community support. He revisits Slotin’s life in a novel and compelling way, using theatre to explore the contradictions of brilliance and audacity, heroism and tragedy.
This is not only an important Winnipeg story, but one that resonates far beyond the city. Among fellow scientists, Slotin was remembered as brilliant yet audacious—qualities that tragically led to his death.
Messier’s production would be a perfect undertaking for institutions such as the Winnipeg Jewish Theatre, which could provide a platform for a work both historically significant and artistically ambitious. His play offers audiences a chance to reflect on the human side of the atomic age.
It is not just theatre—it is a vital act of remembrance.

Continue Reading

Local News

Shalom Residences Foundation to host third annual donor appreciation evening

Shalom Residences treasurer Elaine Paul

By MYRON LOVE On Tuesday, June 16, Shalom Residences  Foundation Inc (SRFI) will be hosting its third annual Donor Appreciation evening.  Donors and other Shalom Residences  supporters can look forward to chilling to the music of local singer/songwriter David Grenon (aka Soul Bear), who will be performing songs by Billy Joel, Elton John and other well-known artists.
For readers who are not yet familiar with Shalom Residences, the organization was originally created to care for intellectually challenged Jewish young adults.  The vision was to provide them with a Jewish environment – strictly kosher group homes where all the Jewish holidays are observed and celebrated.
One of Shalom Residences’ objectives has always been to develop a community in which individuals with intellectual disabilities are fully included, self-actualized, and valued in all aspects of life.
The concept has been a remarkable success.
Shalom Residences was founded in 1980 by six far-sighted couples, including Thelma and Ernie Bronstein, Dolly and Zivey Chudnow, Min and Joe Fromkin, Roberta and Larry Hurtig, Elaine and Bobby Paul,
and Sybil and Frank Steele. The original Shalom Home was a converted house on Cathedral Avenue.

“Thelma Bronstein’s determination and dynamism contributed to making it happen,” says Elaine Paul, currently Shalom Residences’ treasurer (and for the past 20 years, the organization’s leading fundraiser).
I remember the home’s official opening.  This was shortly after I started writing for the Jewish Post.  Rabbi Charles Grysman affixed the mezzuzah  to the door frame.
Today, the organization operates six group homes housing 19 residents as well as 12 residents in supported independent living arrangements.
While the operations today are largely funded by the provincial government – which means that the residences have to be open to accepting non-Jewish clients as well (just over half of the residents are Jewish) – the Shalom Residences Foundation funding supplements the  government contribution – providing financial support for increasing staffing levels when needed, as well as extraordinary expenditures and contingencies. The Foundation has also provided the down payment for the purchase  of new housing when necessary. .
The necessity of fundraising was evident right from the beginning.   Elaine Paul recalls that the first Manitoba Marathon –  in which all the founding parents were involved –  provided the funding for the mortgage at 175 Cathedral Ave.
“We worked with Helen Steinkopf and John Robertson to develop the marathon,” Paul remembers. ”For several years,  Hy Kravetsky and I worked handing out water to the runners.”
Paul relates that it was Zivey Chudnow who was instrumental in starting up Shalom Residences’ annual fundraising. “Three of Zivey’s friends,:Norman Tatleman, Sam Ostrove, and Gary Levinson, asked how they could help,” she recalls.  “Their idea was to have a fundraising dinner.  We combined the dinner with a lottery. We sold 60 tickets at $1,000 a piece and paid out $15,000 to the winning ticket and lesser amounts to other lucky winners.”
The organization also held annual well attended fundraising teas.   
 
Paul reports that, for years, Chudnow was Shalom Residences’ best fundraiser – with honourable mention to Avrum Katz, Frank Steele, and the late Joe Elfenbaum.  Paul took over the role 10 years ago – again with honourable mention to SRFI board members, Dr. Allen Kraut, Peter Leipsic, Donna Chudnow, Jon Feldman, and Mickey Rosenberg. 
  
In addition, the goal was, and remains empowering adults with intellectual disabilities to live meaningful, dignified lives in community-based homes in Winnipeg, enriched by Jewish values.
Charles Tax, the SRFI’s long time president, notes that in 2017, the organization created an endowment fund with the Jewish Foundation of Manitoba. “At the time, we transferred more than half of our assets to the JFM,” he says.  “We continue to make contributions to our fund.”
 
He notes that the annual dinners came to an end with the 20230 Covid lockdowns.  The donor appreciation evenings were started in 2023. 
“One of our goals is to acquire one or two more houses in the south end,” Tax adds.
 
Readers who may be interested in attending the donor appreciation evening or otherwise supporting SRFI can contact the office at 204 582-7064 or via email (admin@shalomresidences.com).
 
 
 
 
 
 
 
\

Continue Reading

Local News

Debbie Maslowsky playing lead role in upcoming Dry Cold Productions musical

By MYRON LOVE For the past 40 years Debbie Maslowsky has been entertaining Winnipeg audiences – both Jewish and non-Jewish, with her acting and singing.  Arguably Winnipeg’s queen of musical theatre is returning to the stage on May 13 in a lead role in Dry Cold Productions’ upcoming “Kimberly Akimbo”.
Maslowsky is enthusiastic about the Tony-winning production, which debuted on Broadway in November 2022.  “It’s a gem of a musical,” she says of the production crafted by the musical team of  composer Jeanine Tesori and lyricist David Lindsay-Abaire.
 
The subject itself is not – on the surface – uplifting. As Maslowsky describes it,  “Kimberly Akimbo” is the story  of a teenager suffering from a very rare condition – progeria – also known as the aging disease.  The genetic condition causes children to age at an accelerated rate causing them to die of old age while still in their teens. For those readers who may recall Rabbi Harold Kushner’s book, “Why Bad Things Happen to Good People” – written years ago, Kushner was responding to the death of his own son from progeria.

In the hands of Tesori and Lindsay-Abaire though, Maslowsky notes, the show is about mindfulness and living day by day.  In the production, Maslowsky explains, “Kimberly is trying to live as normal a life as she can despite her illness. Her life is further complicated by a dysfunctional family. Her parents are dealing with their own issues. Then there is the madcap aunt who develops a complicated and hilarious plan to make money for a family road trip, raise funds for choir costumes – with some left over for herself.

“The play is very funny,” Maslowsky comments, “but also poignant.  Kimberly knows that she most likely won’t live much beyond 16.  Therefore, she wants to live every day to the fullest. She wants to live every day in the now.  At the same time, she doesn’t want to hide from reality. She doesn’t want special treatment. She also doesn’t want people – such as her parents – trying to pretend that everything will be okay.”

Maslowsky last appeared on stage in Winnipeg Jewish Theatre’s one-woman production of “A Pickle” in the spring of 2023. That was the true story of a Jewish pickle maker living in Minnesota who had to fight to get her pickles included in the state fair pickle competition, which tried to disqualify her because her pickles were made the Jewish way through a  brining process that the non-Jewish judges refused to accept. 
In the interim, Maslowsky has been focusing on her longstanding business as a trade show, conference  and event manage,r as well as picking up some singing gigs. She reports that she began winding down her business last fall.

She speaks highly of her younger cast mates. “They are an amazing group of young people,” she says. “For some of them, this is their first show.  I myself am still learning new things after all these years.”
Maslowsky will next be appearing in the joint Winnipeg Jewish Theatre-Rainbow Stage production of “Fiddler on the Roof” in September.  “I played one of the daughters years ago in an earlier Fiddler production,” she recalls.  “I feel like I am coming full circle.”
 
Dry Cold Productions was founded by Donna Fletcher and Reid Harrison (now retired) more than 25 years ago. The company stages a yearly musical theatre production – sometimes edgy – which has played on Broadway and is new to Winnipeg audiences.
The Dry Cold website cautions that “Kimberly Akimbo” contains “strong language (with frequent profanity), mature humour, and references to sexual activity”.
“Kimberly Akimbo” is scheduled to run May 13–17, 2026 at the Prairie Theatre Exchange. Tickets can be purchased by contacting  Dry Cold productions online.

Continue Reading

Local News

The second Bar Mitzvah: Better than the first

Gerry Posner and Ted Lyons

By GERRY POSNER As we pass down the corridor of life, there are certainly times we can identify as moments we will never forget. I had such a moment on April 11 at my second Bar Mitzvah, at the Shaarey Zedek Synagogue, shared with Dr. Ted Lyons, or E. A. as I called him over the years. We were celebrating this life cycle event at the very same synagogue as the first one, that is – the Shaarey Zede. For me, it was some 70 years ago or 25,557 days – from April 21, 1956 to April 11, 2026. The notion of returning to the original place of Bar Mitzvah 1.0 was too powerful a force, causing me to abandon my plan to do this in Toronto where my wife, Sherna and I have lived for the last 13 plus years.

It was quite the weekend. We started just before Erev Shabbat with photos of our two families on the bimah. Ted had his whole family there, including his daughter Mara, her husband Sheldon, and their two daughters, as well as his son Sami, his wife Rose, and their three kids, all of whom live In Calgary, not to forget his sister Ellen and her husband Howard Goldstein, from Toronto. Our three kids: Ari, Rami and Amira, all of whom live in Toronto, along with two of my grandchildren, as well as my brother Michael from Toronto were also present.

After the Shabbat service, we stayed on in the building for our Shabbat dinner. There were 23 of us, including Michael’s partner, Ruth Grubert, (formerly Mozersky), also a former Winnipegger, as well as Rabbi Mass,his son Ranan, Rabbi Carnie Rose and his wife Pauline. It was a warm group and the dinner was gobbled up and appreciated by all of us. We were all surprised when independently, the respective grandchildren of the Bar Mitzvah “bochers” presented both of us with a kind of tribute – funny and sincere in their affection for their Zaidas.

Then came the big day. It lived up to and even exceeded my expectations. It was a sell-out crowd. I was overwhelmed just at that fact. The only thing missing from the building was the electronic ark. The respective families all participated with aliyahs and indeed Torah readings by Sami Lyons and the 83-year-old Bar Mitzvah boy Ted Lyons. Now, “leyning” from the Torah was not something Ted had done at the first go-round 70 years ago. (In fact, almost all of us were deficient in that area).
One particular moment during the service was especially meaningful for Sherna and me. In the first part of the service, there is a prayer called “Mi Chamocha.” My son Ari had written music for that prayer several years ago and now he was at Shaarey Zedek, where he had his Bar Mitzvah long ago. This time though the clergy had arranged to use his music and to sing his melody. (It had been used many times previously, but without Ari. ) Not only that, he was invited to play his composition at the service as Cantor Leslie Emery sang it. Those few moments – as we watched and listened, at this – my second Bar Mitzvah, at a place where my parents had been members for years and whose names are on the memorial plaque in the chapel, well, that was powerful, to put it mildly.

Ted and his family had various honours as did my family. I was given the Haftorah to chant. Now, I have few talents, but I can chant a Haftroah (not the most marketable skill), so that was not that much of an obstacle for me. In fact, I rather enjoyed doing this part of the service. Rabbi Rose had also given me permission to deliver a D’var Torah on the portion of the week, “Shemini”, and to discuss the meaning of this, my second Bar Mitzvah. Once I had the mic and the stage, I was ready to go in spite of my wife’s protestations that it was too long. And, in fact, as I rolled along into my Haftorah, after about 10 minutes, my parter in the double Bar, Ted, came up from behind me where he was sitting, and nudged me gently, or to put it more accurately, gave me the hook, announcing that it was time to wrap up. It was kind of comical, in fact. I got a large charge from that sudden intervention. To top it off, as I had been speaking, I noticed a congregant on my left near the front who had apparently passed out. It was alarming to me at first, but the medics came and were able to revive this person. I was told later that other first words out of the mouth were “Has he finally finished?”

We concluded the day with a rather large kiddish luncheon highlighted at least for me by traditional party sandwiches, which were a staple of the kiddishes of my youth. I met with so many people of my past, which was a treat and a half for me. I was so into the moment that It was hard to get me out of the building.

As I reflect on the day and the service, I recognized that for all of us, we have times in our lives, whether it be an hour, a day or a week, that we will never forget. This day was for me one such moment. It is etched in my memory to be relived through the Youtube video now in my possession. The gift that keeps on giving, I say.
My first Bar Mitzvah was good, for sure. This one was far better. I knew what I was doing.

Post script (After Gerry had sent us his story, he sent us something else that he said should have been included in the story): True, Ted and I had the Bar Mitzvah no 2. But we only had it because there was one person who did the real work and yet received no credit. She made all the arrangements with the synagogue for both the Friday night Shabbat dinner and the kiddish lunch after the service. She dealt with various people in the synagogue and basically took charge of our simcha. I speak, of course, of Harriet Lyons. That I failed to mention her was due to my excess focus on the eating of the party sandwiches and not enough on the reason we had them in the first place. Harriet teaches the weaving of tallits, but she stands tall in the arranging of Bar Mitzvahs.

Continue Reading

Copyright © 2017 - 2023 Jewish Post & News