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Weinstein approached me ‘Jew to Jew’: Jodi Kantor opens up on the ‘She Said’ movie’s Jewish moments
(JTA) — When the New York Times journalist Jodi Kantor was reporting the 2017 Harvey Weinstein sexual assault story that earned her a Pulitzer prize, the powerful Hollywood producer and his team tried to influence her by using something they had in common: They are both Jewish.
“Weinstein put [Jewishness] on the table and seemed to expect that I was going to have some sort of tribal loyalty to him,” Kantor told the Jewish Telegraphic Agency on a video call from the New York Times newsroom. “And that was just not going to be the case.”
Now, that exchange has been immortalized in “She Said,” a new film adaptation of the nonfiction book of the same name by Kantor and her collaborator Megan Twohey that details their investigation into Weinstein’s conduct, which helped launch the #MeToo movement.
The film, directed by Maria Schrader with stars Zoe Kazan as Kantor and Carey Mulligan as Twohey, is an understated thriller that has drawn comparisons to “All the President’s Men” — and multiple subtle but powerful Jewish-themed subplots reveal the way Kantor’s Jewishness arose during and at times intersected with the investigation.
In one scene, the Kantor character notes that a Jewish member of Weinstein’s team tried to appeal to her “Jew to Jew.” In another, Kantor shares a moving moment with Weinstein’s longtime accountant, the child of Holocaust survivors, as they discuss the importance of speaking up about wrongdoing.
Kantor, 47, grew up between New York and New Jersey, the first grandchild of Holocaust survivors — born “almost 30 years to the day after my grandparents were liberated,” she notes. She calls her grandmother Hana Kantor, a 99-year-old Holocaust survivor, her “lodestar.” Kantor — who doesn’t often speak publicly about her personal life, including her Jewish background, which involved some education in Jewish schools — led a segment for CBS in May 2021 on her grandmother and their relationship. Before her journalism career, she spent a year in Israel on a Dorot Fellowship, working with Israeli and Palestinian organizations. She’s now a “proud member” of a Reform synagogue in Brooklyn.
Kantor spoke with JTA about the film’s Jewish threads, the portrayal of the New York Times newsroom and what Zoe Kazan’s performance captures about journalism.
This interview has been edited and condensed for clarity and length.
JTA: How did you feel having Zoe Kazan, who is not Jewish, play you? Kazan has played some notably Jewish characters before, for example in the HBO miniseries “The Plot Against America.”
JK: I feel Zoe’s performance is so sensitive and so layered. What I really appreciate about her performance is that she captures so many of the emotions I was feeling under the surface in the investigation. You know, when you’re a reporter and especially a reporter handling that sensitive a story, it’s your responsibility to present a really smooth professional exterior to the world. At the end of the investigation, I had the job of reading Harvey Weinstein some of the allegations and really confronting him. And in dealing with the victims, I wanted to be a rock for them and it was my job to get them to believe in the investigation. And so on the one hand, you have that smooth, professional exterior, but then below that, of course you’re feeling all the feelings. You’re feeling the power of the material, you’re feeling the urgency of getting the story, you’re feeling the fear that Weinstein could hurt somebody else. You’re feeling the loss that these women are expressing, including over their careers. And so I think Zoe’s performance just communicates that so beautifully.
What Zoe says about the character is that there are elements of me, there are elements of herself, and then there are elements of pure invention because she’s an artist, and that’s what she does.
I think the screenplay gets at a small but significant line of Jewish sub-drama that ran through the investigation. It went like this: Harvey Weinstein and his representatives were constantly trying to approach me as a Jew. And they’ve done this more recently, as well. There have been times when Harvey Weinstein was trying to approach me “Jew to Jew,” like almost in a tone of “you and I are the same, we understand each other.” We found dossiers later that they had compiled on me and it was clear that they knew that I was the grandchild of Holocaust survivors, and they tried to sort of deploy that. So speaking of keeping things under the surface, I privately thought that was offensive, that he was citing that. But your job as a reporter is to be completely professional. And I wasn’t looking to get into a fight with Weinstein. I just wanted to find out the truth and I actually wanted to be fair to the guy. Anyway, even as he was approaching me “Jew to Jew” in private, he was hiring Black Cube — sort of Israeli private intelligence agents — to try to dupe me. And they actually sent an agent to me, and she posed as a women’s rights advocate. And she was intimating that they were going to pay me a lot of money to appear at a conference in London. Luckily I shooed her away.
To some degree I can’t explain why private Israeli intelligence agents were hired to try to dupe the Hebrew speaking, yeshiva-educated, granddaughter of Holocaust survivors. But it’s not my job to explain that! It’s their job to explain why they did that.
Then the theme reappeared with Irwin Reiter, Weinstein’s accountant of 30 years, who kind of became the Deep Throat of the investigation. I quickly figured out that Irwin and I were from the same small world. He was the child of survivors, and had also spent his summers at bungalow colonies in the Catskills just down the road from mine. I don’t bring up the Holocaust a lot. It’s a sacred matter for me, and I didn’t do it lightly. But once I discovered that we did in fact have this really powerful connection in our backgrounds, I did gently sound it with him – I felt that was sincere and real. Because he was making such a critical decision: Weinstein’s accountant of 30 years is still working for the guy by day and he’s meeting with me at night. And I felt like I did need to go to that place with him, saying, “Okay, Irwin, we both know that there are people who talk and there are people who don’t. And we both grew up around that mix of people and what do we think is the difference? And also if you know if you have the chance to act and intervene in a bad situation, are you going to take it?”
We didn’t talk a lot about it, because I raised it and he didn’t want to fully engage. But I always felt like that was under the surface of our conversations, and he made a very brave decision to help us.
That was a very powerful scene in the film, and it felt like a turning point in the movie that kind of got at the ethical core of what was motivating your character. Was that a scene that was important to you personally to include in the film?
What Megan and I want people to know overall is that a small number of brave sources can make an extraordinary difference. When you really look at the number of people who gave us the essential information about Weinstein, it’s a small conference room’s worth of people. Most of them are incredibly brave women, some of whom are depicted, I think, quite beautifully in the film. But there was also Irwin, Weinstein’s accountant of all these years, among them. It’s Megan and my job to build people’s confidence in telling the truth. And as we become custodians of this story for the long term, one of the things we really want people to know is that a tiny group of brave sources, sometimes one source, can make a massive difference. Look at the impact that these people had all around the world.
Did you feel the film captured the New York Times newsroom? There’s a kind of great reverence to the toughness and professionalism in the newspaper business that really came through.
Megan and I are so grateful for the sincerity and professionalism with which the journalism is displayed. There are a lot of on screen depictions of journalists in which we’re depicted as manipulative or doing things for the wrong reasons or sleeping with our sources!
We [as journalists] feel incredible drama in what we do every day. And we’re so grateful to the filmmakers for finding it and sharing it with people. And I know the New York Times can look intimidating or remote as an institution. I hope people really consider this an invitation into the building and into our meetings, and into our way of working and our value system.
And we’re also proud that it’s a vision of a really female New York Times, which was not traditionally the case at this institution for a long time. This is a book and a movie about women as narrators.
“Harvey Weinstein and his representatives were constantly trying to approach me as a Jew,” Kantor said. (The New York Times)
There have been comparisons made between this movie and “All the President’s Men.” One of the striking differences is that those journalists are two male bachelors running around D.C. And this film has scenes of motherhood, of the Shabbat table, of making lunches. What was it like seeing your personal lives reflected on screen?
It’s really true that the Weinstein investigation was kind of born in the crucible of motherhood and Megan and my attempt to combine work with parenting. On the one hand, it’s the most everyday thing in the world, but on the other hand, you don’t see it actually portrayed on screen that much. We’re really honored by the way that throughout the film you see motherhood and work mixing, I think in a way that is so natural despite our obviously pretty stressful circumstances.
I started out alone on the Weinstein investigation, and I called Megan because movie stars were telling me their secrets but they were very reluctant to go on the record. So I had gone some way in persuading and engaging them, but I was looking to make the absolute strongest case for them. So I called Megan. We had both done years of reporting on women and children. Mine involved the workplace more and hers involved sex crimes more, which is part of why everything melded together so well eventually. I wanted to talk to her about what she had said to female victims in the past. But when I reached her, I could hear that something was wrong. And she had just had a baby, and I had had postpartum depression myself. So we talked about it and I gave her the name of my doctor, who I had seen. Then she got treatment. And she not only gave very good advice on that [initial] phone call, but she joined me in the investigation.
I think the theme is responsibility. Our relationship was forged in a sense of shared responsibility, primarily for the work – once we began to understand the truths about Weinstein, we couldn’t allow ourselves to fail. But also Megan was learning to shoulder the responsibility of being a parent, and I had two kids. And so we started this joint dialogue that was mostly about work, but also about motherhood. And I think throughout the film and throughout the real investigation, we felt those themes melding. It’s totally true that my daughter Tali was asking me about what I was doing. It’s very hard to keep secrets from your kid in a New York City apartment, even though I didn’t tell her everything. And Megan and I would go from discussing really critical matters with the investigation to talking about her daughter’s evolving nap schedule. It really felt like we had to get the story and get home to the kids.
And also, we were reporting on our own cohort. A lot of Weinstein victims were and are women in their 40s. And so even though we were very professional with this and we tried to be very professional with the sources, there was an aspect of looking in the mirror. For example, with Laura Madden, who was so brave about going on the record, it was conversations with her own teenage daughters that helped her make her decision.
We didn’t write about this in our book because it was hard to mix the motherhood stuff with this sort of serious reporter-detective story and all the important facts. And we didn’t want to talk about ourselves too much in the book. But the filmmakers captured something that I think is very true. It feels particular to us but also universal. When Zoe [Kazan] is pushing a stroller and taking a phone call at the same time, I suspect lots of people will identify with that. And what I also really like is the grace and dignity with which that’s portrayed.
It must have been surreal, seeing a Hollywood movie about your investigation of Hollywood.
I think part of the power of the film is that it returns the Weinstein investigation to the producer’s medium, but on vastly different terms, with the women in charge. Megan and I are particularly moved by the portrayals of Zelda Perkins, Laura Madden and Rowena Chiu — these former Weinstein assistants are in many ways at the core of the story. They’re everyday people who made the incredibly brave decision to help us, in spite of everything from breast cancer to legal barriers.
Working with the filmmakers was really interesting. They were really committed to the integrity of the story, and they asked a ton of questions, both large and small. Ranging from the really big things about the investigation to these tiny details. Like in the scene where we go to Gwyneth Paltrow’s house and Megan and I discover we’re practically wearing the same dress — those were the actual white dresses that we wore that day. We had to send them in an envelope to the costume department, and they copied the dresses in Zoe and Carey’s sizes and that’s what they’re wearing. There was a strand of extreme fidelity, but they needed some artistic license because it’s a movie. And the movie plays out in the key of emotion.
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Antisemitism tensions rise as NYC Young Republicans host white nationalists, conspiracy theorists at annual gala
(JTA) — The guest list at the New York Young Republican Club’s annual gala on Saturday included white nationalists, antisemitic conspiracy theorists and a Jewish City Councilwoman, who ultimately decided not to attend.
Inna Vernikov, a Jewish City Council member who represents a south Brooklyn district with a large Russian Jewish population, did not attend despite being promoted as an “honored guest.” Vernikov, who was one of a few politicians to back out, later suggested on social media that her absence was connected to antisemitism on the right.
Those who did attend the gala included a NYYRC member and former George Santos staffer who had posted a video depicting Jews as cockroaches, costing him his job on Matt Gaetz’s news show; politicians from Germany’s far-right party which the country officially labeled an extremist group; Jared Taylor, the editor of a white supremacist website called American Renaissance; and Sneako, the streamer who posts antisemitic content and has said “people are sick of hearing about the Holocaust.”
Meanwhile, avowed antisemite Nick Fuentes said he received an invite and made the trip to New York — even though the New York Young Republican Club said by email on Monday that he “was never formally invited.”
Fuentes was seen lingering outside Cipriani, the upscale restaurant where the gala took place, Politico reported, but did not attend the event itself. He recorded a stream with Sneako following the black-tie affair, saying his invite had been rescinded at the last minute to avoid a potential “revolt.”
Saturday’s gala was held during a moment of growing debate about antisemitism on the right, and as Fuentes’ seemingly ascendant role within the Republican Party has emerged as a source of anxiety among more mainstream Republicans.
The New York Young Republicans Club has generated some of the angst. Just weeks ago, the club’s statewide counterpart disbanded in the wake of leaked group chats in which officials joked about gas chambers, praised Adolf Hitler and used racist, antisemitic and homophobic slurs. (Attendees seemingly referenced those texts on Saturday, according to Talking Points Memo, joking with each other that they were “neo-Nazis.”)
The debate on the right has centered largely around how to deal with figures like Fuentes, who calls Hitler “cool” and has been interviewed by major personalities like Tucker Carlson and Piers Morgan.
Republican politicians, including non-Jewish ones such as Ted Cruz and Lindsey Graham, have scorched Carlson for his friendly interview with Fuentes. Vice President JD Vance, meanwhile, has drawn scrutiny for not condemning Carlson or Fuentes, and for previous instances of not pushing back against antisemitic conspiracies. Vance also downplayed the leaked texts as “jokes” and said critics should “grow up.” Trump, meanwhile, defended Carlson, saying, “You can’t tell him who to interview.” (He also dined with Fuentes and rapper Kanye West in 2022, but later said he didn’t know who Fuentes was.)
On Sunday, the day after the gala, Vernikov took to X to post about the Republicans’ growing antisemitism problem, saying, “I will DISASSOCIATE myself from any event, individual, or organization whether Democrat or Republican, that welcomes these vile bigots into their mist, defends them or amplifies their voices,” referring to figures like Fuentes, Carlson and Candace Owens.
Antisemitic rhetoric “has fully infiltrated the Democratic Party,” Vernikov wrote on X, adding, “Unfortunately today the same venom has entered corners of the conservative movement and the hard RIGHT WING of the Republican Party.”
Then she named names, writing, “Lunatics like Nick Fuentes, Candace Owens and Tucker Carlson, who spew bigoted, racist and antisemitic rhetoric, should be condemned and excommunicated from the Republican Party never to be welcomed again.”
Vernikov declined to comment further on the event.
The gala was hosted by Matan Even, an 18-year-old Israeli-American YouTuber known for his pranks, such as crashing a 2022 Game Awards speech to thank his “Reform Orthodox rabbi, Bill Clinton.” Even’s humor, which involved singing the “Spongebob Squarepants” theme song onstage, seemingly did not land. Even is Jewish but has recorded streams with Sneako despite the latter’s use of antisemitic conspiracy theories.
Right-wing pundit and activist Jack Posobiec was the event’s keynote speaker, and delivered a fiery speech in which he spoke about Charlie Kirk’s death while holding a rosary.
The far-right Alternative for Germany party, or AfD, was represented at the gala by about 20 lawmakers at the state, federal and EU levels. The AfD has drawn criticism for using slogans similar to the Nazi party’s and was classified this year as a right-wing extremist organization by Germany’s domestic intelligence agency.
Rep. Dan Goldman, the Democratic congressman whose district includes Lower Manhattan, where the gala was held, wrote earlier on Saturday that the NYYRC was “rolling out the red carpet for leaders of Germany’s Nazi-cosplaying AfD party.”
“I condemn it in the strongest of terms, as should my New York Republican colleagues,” he wrote. “The AfD and their bigotry is not welcome in NY-10.”
At the gala, a protester wearing a Nazi armband was removed after popping up from his seat and reportedly yelling “I guess we’re all Nazis!” In a video recorded outside after his removal, the protester, who later said he was Jewish, pointed to the Nazi symbol and said, “This is what this event represents,” naming specifically the invitations of Vish Burra — the man who posted a video depicting Jews as roaches — and of AfD officials.
The NYYRC’s Twitter account countered accusations of being “Nazis” by writing that “the only swastika in the room was held by a left-wing freak protester who we forcefully booted from the premises.”
The protester was told to “go back to Israel” by an attendee, who then accepted the swastika banner from the protester and left with it.
Stefano Forte, the club’s president, spoke defiantly about the NYYRC’s partnership with the AfD.
“You want us to denounce the AfD? You want us to denounce our allies? You want us to denounce those that stand with us?” he asked.
“Well here’s a denunciation. We unequivocally denounce the fake news media that distorts the truth to put us in danger,” he said, referring to right-wingers being labelled “Nazis” as leading to assassination attempts on Trump and Charlie Kirk.
Forte also declared that the club was “prepared to endorse” Trump for a third presidential term in 2028, drawing loud applause.
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Jewish donors help raise $1.3M for Ahmed al Ahmed, the Muslim man who disarmed a Bondi Beach attacker
(JTA) — A crowdfunding campaign to support Ahmed al Ahmed, the Muslim fruit seller shot after disarming one of the men who was attacking a Hanukkah event in Sydney, generated $1.3 in its first day — with the largest donation coming from the American Jewish billionaire Bill Ackman.
Ackman gave $66,000 to the GoFundMe for al Ahmed and promoted the campaign to his followers, tweeting, “This is the verified link for the Bondi hero.”
In a viral video on Sunday, shortly after the attack on Bondi Beach that left 15 killed and over 40 injured, al Ahmed, 43, can be seen crouching behind a car before jumping into action as one of the terrorists shoots a firearm at the Jewish celebration. Al Ahmed, a Syrian-born father of two who was unarmed, then jumped on the attacker from behind, wresting the firearm from his hands.
“In a moment of chaos and danger, he stepped forward without hesitation,” the sponsors of the GoFundMe, Car Hub Australia, wrote on the page. “His actions were selfless, instinctive, and undeniably heroic, taken without regard for his own safety. Early reports indicate he was shot twice in the process while protecting others.”
As al Ahmed’s heroic actions were shared widely on social media on Sunday, he garnered praise from Israeli Prime Minister Benjamin Netanyahu and Australian Prime Minister Anthony Albanese.
As al Ahmed recovered from his injuries in a hospital on Monday, he was visited by Chris Minns, the premier of New South Wales, the Australian state that includes Sydney.
“Ahmed is a real-life hero,” wrote Minns in a post on X alongside a photo of him visiting al Ahmed in the hospital. “Last night, his incredible bravery no doubt saved countless lives when he disarmed a terrorist at enormous personal risk.”
Praise also poured in on social media from Jewish leaders in the United States, including the United States Holocaust Memorial Museum and Vermont Independent Sen. Bernie Sanders.
“Ahmed al Ahmed, a Muslim father of two, risked his life to disarm a murderer who was shooting down Jews celebrating Hanukkah in Sydney,” wrote Sanders in a post on X. “Religion must not divide our common humanity. We must stand together and end antisemitism, Islamophobia and all hate — no exceptions.”
For others, al Ahmed’s act of bravery during the massacre appeared to be divine intervention — coming as it did at a time when many Jews feel isolated and abandoned by their non-Jewish allies.
“I’ve been thinking about this man Ahmed and his selfless act of courage, and I can’t help but feel that it as an act of God,” wrote Jewish social media influencer Alana Zeitchik in a post on Instagram. “It is a message that could only have been written by something higher than all of us. Like all actions it has a ripple effect. In this moment of immense grief and fear, his actions repair a painful tear in the collective Jewish soul that so badly needed to be tended to.”
She continued, “He will be cherished and spoken about by our people for generations.”
Among the 34,000 donors to the GoFundMe campaign so far are several who said in notes that they were Jewish and explained why they donated unusual sums, in multiples of $18.
“Ahmed, you are a true hero. As a Jewish supporter, I donated $180 USD because 18 (“chai”) represents life. Your courage embodied that meaning in the most profound way,” wrote Craig Gross. “Thank you for what you did, and may you heal fully and quickly.”
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4 members of pro-Palestinian group arrested for planning bombings across Los Angeles
(JTA) — Federal authorities have arrested four people in connection to an alleged plot to bomb locations across Southern California on New Year’s Eve.
The four suspects — Audrey Ilene Carroll, 30, Dante Garfield, 24, Zachary Aaron Page, 32, and Tina Lai, 41 — are members of the Turtle Island Liberation Front, an offshoot of a pro-Palestinian far-left extremist group, according to the Department of Justice and FBI.
Attorney General Pam Bondi announced the arrests in a post on X on Monday, writing that the arrests had foiled what “would have been a massive and horrific terror plot in the Central District of California.”
“The Turtle Island Liberation Front—a far-left, pro-Palestine, anti-government, and anti-capitalist group—was preparing to conduct a series of bombings against multiple targets in California beginning on New Year’s Eve. The group also planned to target ICE agents and vehicles,” wrote Bondi.
The group’s name is an Indigenous reference to the American continent, and the group promotes aggressive actions in support of decolonization.
“Peaceful protest will never be enough,” wrote the group in a recent social media post. “Free occupied Turtle Island from the illegal American empire. Free Palestine. Free Hawaii. Free Puerto Rico.”
Earlier this month, the group posted the address of the Wilshire Boulevard Temple, inviting followers to “join us in a protest against these genocidal monsters” while the synagogue was hosting Israeli speakers. Two people were arrested during the pro-Palestinian protest at the synagogue, which was called “abhorrent” by Los Angeles Mayor Karen Bass.
The arrests in the alleged New Year’s plot took place last week in the Mojave Desert where the suspects were allegedly planning to test improvised explosive devices. The group now faces charges including conspiracy and possession of an unregistered destructive device, according to a complaint filed in the U.S. District Court for the Central District of California.
Patel said that the FBI had also arrested a “FIFTH individual believed to be linked to this radical TILF subgroup – also allegedly planning a separate violent attack.”
On Monday, a post on what appeared to be the group’s instagram account of a “Palestine Pop Up” market was flooded with comments about the arrest: “Have fun in jail,” many of the comments said.
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