Connect with us

Uncategorized

Bosnian Jews mourn Moris Albahari, one of Sarajevo’s last Ladino speakers

(JTA) — Moris Albahari, a Holocaust survivor, former partisan fighter and one of the last Ladino speakers in Bosnia and Herzegovina’s dwindling Jewish community, passed away at the age of 93 last month.

It is believed that he was one of four native Ladino speakers remaining in a country where the Judeo-Spanish language once flourished and was spoken by  luminaries like Flory Jagoda, the grande dame of Ladino song, and Laura Bohoretta, the founder of a uniquely Sephardic feminist movement in Bosnia.  

Bosnia’s small Jewish community — with barely 900 members throughout the country, 500 of whom live in Sarajevo — are mourning the loss of a living link to communal memory as well as a dear friend. 

From you, uncle Moco, I learned a lot about Judaism, about life, about nature and especially about people. About both the good and the evil,” Igor Kožemjakin, the cantor of the Sarajevo Jewish community, wrote in a memorial post on Facebook, referring to Moris as “Čika,” or uncle, a term of endearment in Bosnian. 

“It is a terrible loss, especially for Sarajevo. Our community is very small, especially after the Holocaust,” Eliezer Papo, a Sarajevo-born Jew and scholar of Ladino language and literature at Ben-Gurion University of the Negev, told the Jewish Telegraphic Agency. “We’re not speaking just in terms of prominent members of the community, we’re speaking in terms of family members. Everyone is like a family member.”

When Albahari was growing up in the 1930s, the Jewish community of his native Sarajevo numbered over 12,000. Jews made up more than a fifth of the city and it was one of the most important centers of Jewish life in the western Balkans.

In his youth, the city was part of what was then the Kingdom of Yugoslavia. Formed out of the borderlands between the Ottoman and Austro-Hungarian empires, it was a multiethnic state composed of Croats, Serbs, Bosniaks, Slovenians, Macedonians, Hungarians, Albanians and more. Among them were many Jewish communities both Ashkenazi and Sephardic.

The unique mix of of Muslim, Jewish, Catholic and Orthodox Christian communities, with their mosques, synagogues and churches defining Sarajevo’s skyline, earned the city the nickname “Little Jerusalem.”

Speaking in a 2015 documentary made by American researchers, “Saved by Language,” Albahari explained that his family traced their roots back to Cordoba before the Spanish Inquisition, and through Venice, before settling in what would become Bosnia when it was part of the Ottoman Empire.

We didn’t want to ‘just’ write an article about Moris or Sarajevo; we wanted [the audience] to see what we saw and hear what we heard,” Brian Kirschen, professor of Ladino at Binghamton University, who worked on the documentary with author Susanna Zaraysky, told JTA. “This resulted in a grassroots initiative to create the documentary.” 

In the film, Albahari takes the researchers and their viewers on a tour through what was Jewish Sarajevo, giving glimpses of the thriving Ladino speaking community in which he was raised and explaining how ithe language would save him many times, when the Nazis and their Croat allies, the Ustaša, came to shatter it. 

In sharing your story of survival during the Holocaust, you opened doors that remained closed for decades,” Kirschen said in a memorial post on Facebook. “Some of your stories were even new to members of your family, but each survivor has their own timeline. While you experienced great pain during your life, from your story, we also learn about moments of kindness and heroism. Through your story, you also taught us about the power of language.” 

Albahari wasn’t yet a teenager when, in 1941, Nazi Germany and Mussolini’s Italy invaded Yugoslavia. The Nazis occupied the eastern portion of the country, including what is now Serbia, while they raised up a Croat fascist party, known as the Ustaša, to administer the newly formed “Independent State of Croatia” — often known by its Serbo-Croatian initials, NDH — in the western regions that included the modern-day Bosnia and Herzegovina. 

The Ustaša collaborated in the Nazis’ genocidal plans for Europe’s Jewish and Roma comunities, and they had genocidal designs of their own for the Orthodox Serb communities living in the NDH.

To that end they established the Jasenovac concentration camp, which would become known as the Auschwitz of the Balkans. By the war’s end it had become the third largest concentration camp in Europe, and behind its walls the overwhelming majority of Sarajevo’s Jews — at least 10,000 — were massacred. Including Serbs, Jews, Roma and political dissidents of Croat or Muslim Bosniak background, as many as 100,000 people were killed in Jasenovac. 

Albahari was 11 years old when the Ustaša came to deport him and his large family to Jasenovac. A former teacher working as an Ustaša guard in the town of Drvar, where the train stopped, warned Albahari’s father, David, about their destination, and he was able to help his son escape from the train. 

The teacher helped guide the young Moris to an Italian soldier named Lino Marchione who was secretly helping Jews.

This was the first case when Albahari’s Ladino came in handy. Ladino is largely based on medieval Spanish, with a mixture of Hebrew, Aramaic, Turkish and other languages mixed in. For speakers of Serbo-Croatian, a Slavic language, it’s entirely incomprehensible. But for a speaker of another Romance language such as Italian, it’s not such a stretch to understand, and Moris was able to converse with his Italian savior.

With his family gone, he was taken in by a Serb family, and changed his name to Milan Adamovic to hide his Jewish identity. Still, by 1942, it became clear that neither as Adamovic nor Albahari would he be safe in the town. So he fled to the mountains. 

“If there was [a battle] I took clothes from a dead soldier to wear, I lived like a wolf in the mountains, you know. Visiting villages [asking for something] to give me for eating, it was a terrible time,” Albahari recalled in “Saved By Language.” 

He would only feel safe in villages under the control of partisan forces. Yugoslavia was the only country in Europe to be liberated from Nazi rule by its own grassroots resistance. 

During his time in the mountains, Albahari joined up with a partisan unit aligned with the movement of Josip Broz Tito, who would lead Communist Yugoslavia after the war. By the war’s end, Tito’s partisans numbered over 80,000 and included more than 6,000 Jews, many in prominent positions, such as Moša Pijade, who would go on to serve as vice president of the Yugoslav parliament after the war. 

Moris was out on patrol as a partisan when he came upon a group of American and British paratroopers. They raised their weapons at him, thinking he was an enemy. Moris tried to communicate, but he spoke no English. 

When he asked the soldiers if they spoke German or Italian, they shook their heads. When he asked about Spanish, one perked up: a Hispanic-American soldier by the name of David Garijo. 

In Ladino, Alabahari was able to explain that he was not an enemy but could lead them to a nearby partisan camp where they would be safe. 

“Ladino saved my life in the war,” Albahari recalled in the documentary. 

At the partisan camp, Morris received even bigger news: The family that he had assumed had all perished after he left the train were in fact alive. The former school teacher and Ustaša guard who had warned his father had met them at the next train junction to help them escape. Furthermore, around half of the Jews in the train car were able to escape using the same hole Moris used during his initial escape. 

Ultimately the family all survived the war, unlike so many other Jews of Sarajevo. 

“Where is Samuel, where is Dudo, where is Gedala? They never came back,” Albahari lamented, listing missing neighbors while walking through Sarajevo’s old Jewish neighborhood in the documentary. “Maybe we are happy because we are alive after the Second World War, but also unlikely because every day we must cry for these dead people.”

When Moris returned to Sarajevo, it was an entirely different place from the bustling Jewish community he had once known. 

Gone was the sound of Ladino in the streets and alleyways of Bascarsija, the market district where so many of Sarajevo’s Jews had once lived. Gone were the synagogues — only one of the many synagogues that had existed before WWII still functions. Gone was the robust Jewish life that was once a central part of Sarajevo

Moris was still only 14 by the war’s end, so he returned to school and ultimately graduated at the top of his class. He became a pilot and later director of the Sarajevo Airport. 

In this new world, Ladino was spoken, if at all, only in the home.

“Always, when I hear Spanish, I hear my father and mother, and all the synagogues, prayers in Ladino and rabbis who spoke Ladino. But that is in the past,” Albahari says in “Saved by Language.” 

Eliezer Papo, who is a generation younger than Albahari, recalled that in his youth Ladino had long been reduced to a language of secrets. 

“Mostly, Ladino was used when the elders didn’t want youngsters to understand,” Papo said.

Only later, in the 1980s, did community members realize what was being lost and begin to gather to maintain their language, recount what Jewish Sarajevo had been like and share their wartime stories of survival. 

“He never took his story to the places of revenge, but he took it and his life experience to a place of ‘Never again,’ not just ‘Never again for Jews’, but never again for anybody,” said Papo.

Like many Sarajevans, World War II would not be the last major conflict Albahari would see. Less than 40 years later, war would once again come to Sarajevo with the break-up of Yugoslavia. 

From 1992-1995 the city remained under constant siege by Bosnian Serb forces looking to break away from what would become Bosnia and Herzegovina. Moris joined with other Jews of Sarajevo in working to provide aid to their fellow Sarajevans during the harsh period.

Sarajevo’s synagogue was turned into a shelter and a soup kitchen. The community ran a network of underground pharmacies and a message service allowing Sarajevans to get word to family and friends outside of the city during what became the longest siege of a capital city in the history of modern warfare.

“Moris was an inspirational persona to many members of Jewish community and La Benevolencija,” Vlado Anderle, the current president of that local Jewish humanitarian organization told JTA. “He was a man with such inviting spirit and energy.”

When the dust settled on the breakup of Yugoslavia, and the new Bosnian state rose from its ashes, Moris found himself once again in a new role. 

During the communist era in Yugoslavia, religious activity was discouraged. Sarajevo’s Jews emphasized the ethnic character of Jewish culture rather than the religious one. In the new Bosnia and Herzegovina, that was no longer true. So the community worked to reconnect with their religious identity as well. 

“Everybody looked up to the people who had Jewish upbringing before the Second World War,” Papo recalled. “This doesn’t mean that they were rabbis. Just that they knew it better than anyone else.”

Moris, whose formal Jewish education ended in his preteen years, was appointed president of the community’s religious committee.

As such it often fell on him to represent Judaism to the Bosnian society at large, often in a very creative way, according to Papo, who in addition to being a scholar of Ladino is ordained as a rabbi and serves the Sarajevo community as a rabbi-at-large from Israel. 

In one case, while being interviewed on a major Bosnian television station, Moris was asked why Jews cover their head with a kippah or other hat during prayer. Moris’ response, or rather creative interpretation, as Papo called it, was made up on the spot. 

Moris’ interpretation began with the ancient temple in Jerusalem where Jews once had to fully immerse in a ritual bath before entering.

“Since the Temple in Jerusalem was destroyed it was reduced to washing the uncovered parts of the body only, before entering a synagogue, similarly to Muslims: the feet, the head, the hands…” Papo recalled him saying. But in Europe, as Moris’ answer went, they began to cover more and more of their body. “In Europe they started wearing shoes, so the feet were not uncovered anymore, and then they started wearing a hat, not to have to wash their head… you know it’s Europe, one could catch a cold if going out with wet hair…”

“A few months later, I came to Sarajevo, and found that everyone has heard this explanation and is talking about it, not just people in the community, but in the street,” Papo said. “And you know, I let it pass, I couldn’t correct them, it was just so beautiful. That was his genius.”

“Identity is all about telling stories. And Moris was one of the great storytellers of the community,” Papo added. And through his stories he expressed an identity which was “made of the same contradictions that Sephardic Judaism is made of, that Sarajevo is made of, that Bosnia and Herzegovina is made and that Yugoslavia was and is made of and that the Balkans are made of.”

Albahari is survived by his wife and a son.


The post Bosnian Jews mourn Moris Albahari, one of Sarajevo’s last Ladino speakers appeared first on Jewish Telegraphic Agency.

Continue Reading

Uncategorized

Hamas Wants Guarantees of Israeli Troop Withdrawal Before Disarmament talks, sources say

The damaged Al-Shifa Hospital during the war in Gaza City, March 31, 2026. Photo: REUTERS/Dawoud Abu Alkas

Palestinian terrorist group Hamas has told mediators it will not discuss giving up arms without guarantees that Israel will fully quit Gaza as laid out in a disarmament plan from US President Donald Trump’s “Board of Peace,” three sources told Reuters.

Hamas’ disarmament is a sticking point in talks to implement Trump’s plan for the Palestinian enclave and cement an October ceasefire that halted two years of full-blown war.

A Hamas delegation met with Egyptian, Qatari and Turkish mediators in Cairo on Wednesday and Thursday to give their initial response to a disarmament proposal presented to the group last month, two Egyptian sources and a Palestinian official said.

Hamas conveyed several demands and amendments to the board’s plan, including an end to Israeli violations, implementation of all provisions and Israel’s withdrawal from Gaza, the two Egyptian sources told Reuters.

Hamas accuses Israel of breaking the ceasefire with attacks that have killed hundreds in Gaza. Israel says its strikes are aimed at thwarting imminent attacks by militants.

The sources said Hamas also sought clarification about what it described as Israel’s continued expansion of areas under its control. Israel retained control of well over half of Gaza after the ceasefire.

The sources said Hamas does not want to discuss disarmament before those issues are addressed.

Two Hamas officials declined to comment on the content of the meetings. Israel’s government did not immediately respond to a request for comment. Representatives for the Board of Peace did not immediately respond to requests for comment.

BREAKTHROUGH UNLIKELY

Another source with direct knowledge of the Board of Peace’s thinking said that Hamas’ response meant that talks over the group laying down its arms were unlikely to immediately lead to a breakthrough. The source said Hamas was supposed to meet with mediators again next week.

The US may move forward with reconstruction absent Hamas disarmament, but only in areas under complete Israeli military control, the source said. Funding pledges important for reconstruction, many of which were from Gulf Arab states, were being held up during the Iran war, the source added.

The Palestinian official close to the talks said Hamas was unlikely to reject the plan out of hand but “it will not say yes until the remarks and demands of Palestinian factions are addressed.”

Israel says it will not agree ​to withdraw from Gaza unless Hamas is fully disarmed first.

Trump’s top Board of Peace envoy in the Middle East, Nickolay Mladenov, said in a social media post on Wednesday that all mediating parties had endorsed the plan.

“(The) international community has supported it, now is the time to agree to the framework for its implementation. For the sake of both Palestinians and Israelis, there is not time to lose,” Mladenov said in a post on X.

Continue Reading

Uncategorized

Leo, the First US Pope, Emerges as Pointed Trump Critic

FILE PHOTO: Pope Leo XIV speaks to the media as he leaves the papal residence to head back to the Vatican, in Castel Gandolfo, Italy, March 31, 2026. REUTERS/Remo Casilli/File Photo

Pope Leo last May became the first US leader of the global Catholic Church, but for the initial 10 months of his tenure he mostly avoided comment about his home country and never once mentioned President Donald Trump publicly.

That era has come to an end.

In recent weeks the pope has emerged as a sharp critic of the Iran war. He named Trump, for the first time publicly, on Tuesday in a direct appeal urging the president to end the expanding conflict.

It is a significant shift in tone and approach that experts said indicated that the pope wanted to serve as a counterweight on the world stage to Trump and his foreign policy aims.

“I don’t think he wants the Vatican to be accused of being soft on Trumpism because he’s an American,” said Massimo Faggioli, an Italian academic who follows the Vatican closely.

Leo, known for choosing his words carefully, urged Trump to find an “off-ramp” to end the war, using an American colloquialism the president and administration officials would understand.

“When (Leo) speaks, he’s always careful,” said Faggioli, a professor at Trinity College Dublin. “I don’t think that was an accident.”

Chicago Cardinal Blase Cupich, a close ally of Leo, told Reuters the pope was taking up the mantle of a long line of pontiffs who have urged world leaders to turn away from war.

“What is different… is the voice of the messenger, for now Americans and the entire English-speaking world are hearing the message in an idiom familiar to them,” said the cardinal.

POPE SAYS GOD REJECTS PRAYERS OF WAR LEADERS

Two days before appealing to Trump directly, Leo said God rejected the prayers of leaders who start wars and have “hands full of blood,” in unusually forceful remarks for a Catholic pontiff.

Those comments were interpreted by conservative Catholic commentators as aimed at US Defense Secretary Pete Hegseth, who has invoked ​Christian language to justify ⁠the joint US-Israeli strikes on Iran that initiated the war.

They also led to one of the Trump administration’s first direct responses to a comment by Leo.

“I don’t think there is anything wrong with our military leaders or with the president calling on the American people to pray for our service members,” White House spokesperson Karoline Leavitt said, when asked about the pope’s remarks.

Marie Dennis, a former leader of the international Catholic peace movement Pax Christi, said Leo’s most recent comments and his direct appeal to Trump “reflect a heart broken by unrelenting violence.

“He is reaching out to all who are exhausted by this unrelenting violence and are hungry for courageous leadership,” she said.

POPE RAMPING UP CRITICISM FOR WEEKS

Leo had previously taken aim at Trump’s hardline immigration policies, questioning whether they were in line with the Church’s pro-life teachings. In those comments, which drew backlash from conservative Catholics, he refrained from naming Trump or any administration official directly.

The pope also carried out a major shake-up of US Catholic leadership in December, removing Cardinal Timothy Dolan as archbishop of New York. Dolan, seen as a leading conservative among the US bishops, was replaced by a relatively unknown cleric from Illinois, Archbishop Ronald Hicks.

Leo has been ramping up his criticism of the Iran war for weeks.

He said on March 13 that Christian political leaders who start wars should go to ​confession and assess whether they are following the teachings ‌of Jesus. On March 23, Leo said military airstrikes were indiscriminate and should be banned.

Cardinal Michael Czerny, a senior Vatican official, said the pope’s voice would carry weight globally because “everyone can perceive that he speaks… for the common good, for all people and especially the vulnerable.”

“Pope Leo’s moral voice is credible, and the world wants desperately to believe that peace is possible,” said the cardinal.

Leo on Thursday began four days of Vatican events leading up to Easter Sunday when he will deliver a special blessing and message from the balcony of St. Peter’s Basilica.

One of the most closely watched appointments on the Vatican’s calendar, the Easter speech is usually a time when the pope makes a major international appeal.

Continue Reading

Uncategorized

In 1989, Harold Pinter and Jerry Schatzberg made the perfect Holocaust movie for 2026

The first hint that Reunion is an unusual kind of Holocaust film comes from a music cue.

An older man has traveled from New York City to Stuttgart, a trip that has clearly brought him immense psychological pain. His flashbacks to Nazi marches lead us to assume he lived in the German city during Adolf Hitler’s rise — but he doesn’t seem to know any German, opening every conversation by asking if the other party speaks English. Then he arrives at a warehouse, presumably to filter through belongings left to fester for decades after World War II, and begins a journey down a hallway that seems almost infinitely long.

As he walks the path back toward his past, the music marking his steps, composed by Philippe Sarde, is buoyant and lilting. The tune comes as a surprise. What’s this tripping sense of joy doing, following this man toward what we have every reason to assume is a museum of miseries?

Reunion, a 1989 film by director Jerry Schatzberg, with a screenplay by Harold Pinter based on a novel by Fred Uhlman, barely made a splash when it premiered in the United States, despite a largely positive European reception. Now, it’s being re-released, beginning with a two-week run at Manhattan’s Film Forum that opens this weekend. It’s almost a perfect Holocaust movie for our times — because it chronicles a moment much like our own, in which the gradual dissolution of society began to make itself known through the gradual dissolution of personal relationships. (Spoilers follow.)

The old man is Henry Strauss (Jason Robards) — who was once Hans (Christien Anholt), a lonely Jewish teenager at an elite all-boys Stuttgart school. The trip to Germany is his first since before the Holocaust. And the music, we quickly learn, is the soundtrack of what seems to have been the one great friendship of his life: it recurs at moments of particular meaning or joy during his brief, almost romantic engagement with an aristocratic boy called Count Konradin von Lohenburg (Samuel West).

The story of that adolescent friendship is the core of the film, an extended flashback to a time of great happiness as well as great peril, threaded through with that same uplifting melody.

Konradin is a bright, brave boy — ready to defend Hans to an antisemitic relative, or join his friend in striking back at Nazi youth who bully those without swastika armbands. But it’s also clear that he’s destined to get sucked into the Nazi machine: everything about his heritage, not to mention his prototypically Aryan looks, foreshadows that future. So from the first moment of his friendship with Hans, when the two connect over a shared love of collecting — with Konradin’s choice of companion clearly shocking a school in which Hans, as a Jew, resides somewhere far below the bottom of the social ladder — there’s a dominating sense of an invisible clock, counting down.

But oh, the halcyon days of this doomed duo.

They walk one another home from school, giggling in the age-old manner of teenagers for whom political upheavals are not yet real. They practice archery. They bicycle through the Black Forest, staying overnight at inns without the oppressive presence of their parents, whom both boys find embarrassing. (Konradin’s mother hates Jews, and Hans’ father is painfully enamored of Konradin’s elevated status.) When Konradin confesses that Hans is his first true friend, and Hans grins with quiet glee, it’s impossible not to hope that, somehow, they’ll stay this way — lovely, young and unchanged by the times in which they live.

For months, the Nazi threat only hovers around the edges of their relationship. Then it overtakes them. Rapid ruptures follow. And then it’s the 1980s, and Hans is back in Germany, seeking to figure out what happened to his old friend.

What prompts him to make the trip? There’s never a clear explanation. But it’s hinted that Hans has come to feel that he needs, at long last, some resolution to this passionate, formative relationship. He’s willing to risk his sense of self — the identity of the man who escaped to the U.S., and refused to ever speak a word of German again — to close that loop.

The sense that Hans’ whole life has turned on the events that marked his friendship with Konradin makes Reunion a profound watch, one that I suspect will be more effective for audiences in 2026 than it proved in 1989. Many of us have had once-close relationships begin to crack under the pressure of extreme polarization, and the insidious tensions of a political environment characterized by conspiratorial suspicion. Many of us love people we can no longer talk to, at least not freely.

It’s tempting to write these rifts off as personal. Reunion‘s terse message: don’t. A society doesn’t collapse all at once. It succumbs to hairline fractures; provoking a critical number of them is a strategy.

A Holocaust movie that spends so much of its runtime on a period of real contentment is an odd object. The break between its heroes comes late, meaning much of Reunion is a pleasure to watch. That is the point: under authoritarianism, life is still good until it’s not. Citizens have freedom, until they don’t. Friendship is trustworthy, until human weakness interferes. Liberal values are easy to hold onto, until you shake the demagogue’s hand.

But what makes Reunion most timely isn’t its somber portrayal of the connection between the minor tragedy of Hans and Konradin and the major one of World War II and the Holocaust. It’s that the film is hopeful.

To spoil the ending would be a shame. It is enough to know that Hans’ searching leads him to unexpected places, and while some are miserable and vicious, others are not. To let things stay broken, or assume that humans can’t change for good as well as for ill, is a choice. So is hearing and following the better music — the call to connect, and to resist being persuaded of something you know is wrong.

The post In 1989, Harold Pinter and Jerry Schatzberg made the perfect Holocaust movie for 2026 appeared first on The Forward.

Continue Reading

Copyright © 2017 - 2023 Jewish Post & News