Uncategorized
Was Teddy Roosevelt’s favorite play the original ‘Nobody Wants This’?
The Emmy-nominated Netflix show Nobody Wants This, a series about the challenges of an interfaith romance between a “hot rabbi” and his non-Jewish girlfriend, is now back for a sophomore season. When it debuted last fall, Nobody Wants This sparked heated criticism for trafficking in negative stereotypes about Jewish women. A writer for Glamour called her own mother to lament of the series: “I can’t imagine any guy who watches this show who would then say, ‘I really want to date a Jewish girl!’”
The commentary on Nobody Wants This is just as noteworthy for what it does not emphasize: the possible implications of interfaith marriage for the perpetuity of the Jewish people. That silence is all the more notable given the Jewish reaction more than a century ago to another dramatization of Jewish-Christian romance: The Melting-Pot, by the British Jewish playwright Israel Zangwill.
Whereas the early 20th-century play provoked outrage for seeming to endorse Jewish self-erasure, the modern TV program has not stoked such existential angst. Comparing Jewish reactions to these two tales of interfaith love reveals how much the landscape of Jewish life has shifted to accept blended families.
Noah Roklov, the hot rabbi in question played by Adam Brody, confronts professional and familial pressure to leave Joanne Williams (Kristen Bell) in favor of a Jewish substitute; Joanne—memorably described by Noah’s senior rabbi and boss as a “nice blonde crabcake”—struggles to confront the reality that she might have no place in his future.
When Nobody Wants This debuted, there was practically instantaneous pushback to its portrayal of Jewish women, all of whom were depicted as either materialistic, nagging or controlling—or some combination thereof. There’s Noah’s ex-girlfriend, Rebecca, who cares far more about achieving the milestone of marriage than about who she would be marrying. Even worse is Esther, Noah’s sister-in-law, whose principal purpose in life is to berate her daffy husband into obeisance.
The apex of Nobody Wants This’ deeply flawed Jewish female representation is that of Noah’s mother Bina, who tries to puppeteer her son out of his relationship with Joanne through both cajoling and sabotage. (Would it even be a hackneyed Jewish trope without the archetype of the overbearing Jewish mother?)
In contrast to the portrayal of Jewish women, the communal response to a rabbi in an interfaith relationship was notably muted. The show itself was very much alive to those stakes—Noah’s boss cautions that his path with Joanne, absent her conversion, would lead to a world in which every Jew “marries a goy, then there are no more Jewish children, and then our people become extinct.” Yet critiques of the series overwhelmingly focused on its unflattering portrayal of Jewish women.
This relative silence from critics about Jewish continuity would have stunned Jewish audiences of Theodore Roosevelt’s era, who railed against the celebration of Jewish-Christian romance in The Melting-Pot. That play tells the tale of David and Vera, both emigrants from Russia who found their way to New York. David is a Jewish survivor of the notorious Kishinev pogrom, a real-life massacre in what is now Moldova that took place in 1903. Vera is the Christian daughter of a Russian military official.
Their improbable romance takes root in the assimilative soil of the New World. The young couple is even able to overcome the morbid revelation that Vera’s father had ordered troops to shoot innocent Jews during the Kishinev pogrom. Yet in Zangwill’s idealized version of the United States, newcomers like David and Vera could free themselves from the tired identities and bitter tragedies of the Old Country and smelt their ethnicities into an unadulterated American identity.
In the play’s closing scene, David watches the sun set over the Western horizon and reflects in awe, “There she lies, the great Melting Pot. … Celt and Latin, Slav and Teuton, Greek and Syrian, black and yellow.” Vera warmly presses into David and adds, “Jew and Gentile.” He goes on, “Yes, East and West, and North and South, the palm and the pine, the pole and the equator, the crescent and the cross—how the great Alchemist melts and fuses them with his purging flame!”
The Melting-Pot premiered in October 1908 at the Columbia Theatre, mere blocks from the White House. Then-president Theodore Roosevelt himself was in attendance on opening night. After the final curtain, the president called down to Zangwill from his box, “A great play! A great play!” Roosevelt’s Jewish constituents did not share his enthusiasm.
Across the country, Jews denounced The Melting-Pot for ostensibly making a virtue of self-annihilation through interfaith marriage. A throng flooded into the Free Synagogue on the Upper West Side to hear Rabbi Leon Harrison condemn Zangwill’s production. The rabbi warned that “the little Jewish race would be diluted to extinction” if life imitated Zangwill’s art. Harrison excoriated the playwright for “sacrificing the ancient sanctities of his people’s faith on the altar of sentimental claptrap.”
The repudiation was no less pointed on the other side of Central Park, where Rabbi Judas Magnes of Temple Beth-El seethed against Zangwill’s “pernicious” play. “The melting process glorifies disloyalty to one’s inheritance,” Magnes griped. He saw in The Melting-Pot the alarming prospect of voluntary eradication, insisting, “We cannot be thankful to anyone for preaching suicide to us.”
Even as Zangwill’s fantasy of mass assimilation into the American Dream applied to all subgroups, Rabbi Magnes argued that intermarriage posed a particular menace to the Jewish people. After all, the new immigrant from Ireland or Germany could marry outside their heritage while resting assured that back home, their people would endure from generation to generation. But the Jew had no homeland where fellow coreligionists would ensure Jewish survival. “America spells his great hope for the preservation of Judaism,” Magnes pleaded.
The divergent reactions to Nobody Wants This and The Melting-Pot are striking. Perhaps one reason that the TV show has prompted a muted response regarding Jewish perpetuity might be that multi-faith matches have become normalized. When Zangwill’s play first ran, interreligious unions for Jews were exceedingly rare; his idealization of Jewish-Gentile love shocked the Jewish conscience.
But nuptials between a Jew and non-Jew are now more common than not, especially outside the Orthodox community. A 2020 study from Pew found that 72% of non-Orthodox Jews who had married in the preceding decade were wedded to non-Jews. Another possible explanation why Nobody Wants This did not elicit angst about Jewish self-erasure is that the children of Jewish-Gentile couples are increasingly likely to identify as Jewish. That same Pew study determined that among children resulting from interfaith marriages, those under 50 were more than twice as likely to identify as Jewish as their older peers.
This trend might preempt worries that intermarriage inevitably marks the end of Jewish tradition for that family line. Still another factor is Israel: no longer do Jews lack a homeland designed to safeguard their peoplehood.
The Jewish responses to Nobody Wants This and The Melting-Pot are in a sense mirror images of each other—the former effectively criticizes Jewish characters for being too insular, the latter for not maintaining enough distance. After all, the Jewish women of Nobody Wants This are at their worst in their rage-laden rejection of Joanne. Critics’ consternation about the show’s gender stereotyping can be understood, then, as a kind of plea: “America, don’t believe this show. Jews are actually warm and welcoming, not gratingly clannish.”
It is telling that the most favorably depicted Jewish female character, Noah’s former Jewish camp counselor, is also the one most favorably disposed toward his Gentile girlfriend. The Jewish reaction to The Melting-Pot was, of course, just the opposite, inveighing against any embrace of interfaith romance.
But in another sense, critics then and now have really wrestled with the same question: how should Jews navigate the fraught relationship between belonging and survival? To win the acceptance of Gentiles is to ensure Jewish security. Yet when acceptance becomes so complete that Gentiles are willing to marry Jews and raise children together, then Jews risk dissolving into the broader society. Belonging could well spell the end of survival.
Such is the tightrope walk of the Jew. Too little inclusion can threaten your safety; too much might result in your self-induced disappearance. Whether to shift your weight more to one side or the other in order to maintain equilibrium will depend on the contingencies of the day.
With season two of Nobody Wants This finally here, our own critical reaction—even more than the show’s plot—will suggest much about how Jews think they can best maintain an always precarious balance in our own uncertain moment. To stick to the tribe at all costs, or melt into the culture around you? No matter the decade, the same Jewish questions persist.
The post Was Teddy Roosevelt’s favorite play the original ‘Nobody Wants This’? appeared first on The Forward.
Uncategorized
Remains of Jewish American WWII Pilot Return to US for Burial 82 Years After Death in Combat Mission Over China
US Army honor guard members begin to settle a casket into a grave at a cemetery in Greenville, South Carolina, Dec. 14, 2025, of 1st Lt. Morton Sher served with the 76th Fighter Squadron. Photo: Air Force Senior Airman Savannah Carpenter
The remains of a Jewish American fighter pilot in the US Army Air Force, who was shot down over China and killed in World War II, have been identified more than 80 years after his death and now buried in South Carolina, the US Department of War announced this week.
Army Air Forces 1st Lt. Morton Sher was killed in action on Aug. 20, 1943, when his P-40 Warhawk fighter-bomber aircraft crashed and burned in a rice paddy in the Xin Bai Village during a combat mission over Hunan, China, during World War II. He was 22 years old. Sher’s remains were accounted for this summer and have since been buried at a cemetery in his native town of Greenville, South Carolina. A memorial was held for him that included remarks by his nephew and a flyover conducted by the Air Force’s 476th Fighter Group, according to the Department of War.
Sher escorted bombers and flew dangerous combat missions in the 76th Fighter Squadron, 23rd Fighter Group, 14th Air Force. His unit was part of the famed Flying Tigers, a name given to a small group of American pilots who flew combat missions in China during World War II to help Allied forces.
“We never knew Morton, but he was larger than life in the stories our family told us, his photos, and his writings,” said Bruce Fine, Sher’s nephew. “He was certainly a man who filled his pages of life with meaning, and he lived every day to its fullest. In fact, the day before he died, on Aug. 19, 1943, he wrote a letter home telling his parents, ‘I let another pilot take that instructing job, for I find things too exciting here to leave right now,’ and the very next day, he was gone.”
Sher as a “real hero,” Fine added, “the kind you read about and see on the big screen, except he was real. We hope his bravery and his courage will inspire the family members who follow us to believe anything you can dream can be truly possible if you’re willing to commit to it and work hard to achieve it.”
During a mission in October 1942, Sher’s aircraft was forced to go down in a Chinese village because of engine damage. Grateful for American protection from Japanese forces, villagers embraced Sher as a hero and welcomed him with food and a celebration. He “entertained 15,000 with songs and a story, received a silk banner for his missions and was warmly escorted through nearby mountain villages back to his base,” according to the Department of War.
“Lt. Sher was shot down on Oct. 25, 1942, and returned to the 76th Fighter Squadron to fly, fight and win another day,” said Mark Godwin, a historian of the Air Force’s 23rd Wing. “He had an opportunity to return home and become an instructor pilot but chose to stay and continue the fight. He personified the last two core values: service before self and excellence in all we do.”
“[He] spent just over a year in China during World War II,” Godwin said. “He racked up three aerial victories before his untimely death. … He gave his life to protect his fellow Flying Tigers. He should forever be remembered for his courage and sacrifice.”
Following Sher’s death, local Chinese villagers placed a memorial stone at his crash site. He was posthumously awarded the Purple Heart in September 1943, which was presented to his mother in Greenville. The US conducted post-war search and recovery efforts, but a board of review concluded on Sept. 8, 1947, that Sher’s remains had been destroyed in the crash. They officially declared that he was killed in action and his body was unrecoverable, the Department of War explained.
After a private citizen contacted the US government’s Defense POW/MIA Accounting Agency (DPAA) in 2012 with a photo of Sher’s memorial site in China, the government agency visited the site in 2019. They initially found nothing but, following a more extensive search in 2024, recovered the plane wreckage and Sher’s remains, which were transferred to a lab in Hawaii. The remains were positively identified using DNA samples from Sher’s nephew and more than eight decades after his death, Sher’s remains were returned to his family.
“This was through team effort,” said Air Force Col. Brett Waring, 476th Fighter Group commander. “The teams that continue to scour the earth for our missing and KIA are beyond impressive. They’re part of that American commitment to individuals that endures across generations … when he was shot down, the local populace protected him when he survived the first [crash], and then prevented the enemy from taking his aircraft and body when he was killed in action. That speaks to the humanity that connects us all, even when other circumstances point towards adversarial actions.”
The Department of War also honored Sher’s bravery and sacrifice.
“Sher loved what he did and created a legacy that endures,” said the department. “His story, once unfinished, now stands a complete testament to service, sacrifice, and a nation’s promise to remember those who gave everything. That enduring legacy, woven from history, heroism and personal courage, continues to inspire both the families who remember him and the generations who follow.”
Uncategorized
New Cooking Show Competition ‘The Great Bubby Cook-Off’ Celebrates Jewish Food, Family Recipes
The four contestants on “The Great Bubby Cook-Off.” Photo: Manischewitz
An original cooking show competition that celebrates Jewish home cooking and family recipes premiered Friday on Kosher.com.
The four finalists on “The Great Bubby Cook-Off,” presented by the famous Jewish food brand Manischewitz, include a “bubby” from Delray Beach, Florida, and another from Manhattan, New York, and two contestants from Flushing, New York, and West Hartford, Connecticut, who were competing with “bubby-inspired recipes.”
The contestants were selected to compete on the show following a nationwide casting call. Home cooks submitted videos of themselves preparing their favorite Jewish dishes, including family recipes passed down through generations and personal twists on classic dishes. After online voting that was open to the public, four finalists were chosen to advance to a live cook-off in New York City in November.
The winner, to be revealed exclusively on the show, will be crowned “Bubby 2025” and receive a $5,000 cash prize, a featured appearance on the Manischewitz Food Truck as it tours the New York City area, and other prizes. The show is hosted by chef and cookbook author Naomi Nachman.
“‘The Great Bubby Cook-Off’ celebrates exactly what Kosher.com is all about — honoring tradition while inspiring a new generation of home cooks,” said Goldy Guttman, director of Kosher.com, in a released statement. “These bubby recipes carry stories, memories, and culture, and bringing them to life on screen allows us to share the heart of Jewish home cooking with audiences everywhere.”
“‘The Great Bubby Cook-Off’ is about so much more than cooking,” added Shani Seidman, chief marketing officer of Manischewitz. “It’s about honoring the women who shaped our traditions, our tables, and our memories — and celebrating the dishes that bring families together.”
More episodes of “The Great Bubby Cook-Off” will be announced throughout 2026. The show is free to watch, and an additional episode is under consideration that will include a behind-the-scenes look into the competition and judging, according to Manischewitz.
Uncategorized
On Instagram, ‘Rabbinic Fit Check’ is a look book for Jewish clergy
Rabbi Rafi Ellenson was getting ready for a full day of rabbinic duties in September when he jokingly asked a colleague, “What do I wear that’s appropriate both for religious school and a shiva?”
After some light-hearted deliberation, Ellenson, who works as an assistant rabbi for Congregation Shir Hadash, a Reform synagogue in Los Gatos, California, said they realized his wardrobe dilemma might deserve a spotlight on social media.
“We were like, oh, this would be a really fun idea for an Instagram account,” said Ellenson. It would show what rabbis are wearing and “the absurd things they have to do every day, dressing for 20,000 occasions and for 50,000 people.”
For help turning his idea into reality, Ellenson called Rabbi Arielle Stein, an assistant rabbi at Congregation Rodeph Sholom, a Reform synagogue on the Upper West Side of Manhattan, whom he had met in Jerusalem in 2019.
After some deliberation, the pair created Rabbinic Fit Check, an Instagram account billed as “a style diary for the rabbinate and beyond.”
“We’re trying to show diversity of rabbis, diversity of genders, diversity of expression,” said Ellenson. “There’s no one model, and there’s no one model in the real world, so we don’t want to feature only one model on the account.”
So far, Rabbinic Fit Check has featured 57 rabbis, clergy members and students from a range of denominations and garnered over 1,300 followers. The outfits range from cozy sweaters and “sensible” office wear to zebra-print skirts and a fashion-forward Delfina Balda pant suit.
“It’s nice to see that rabbis look like more than just that old oil painting of someone in a black coat,” said Rabbi Allison Poirier of the Conservative synagogue Temple Aliyah in Needham, Massachusetts. “It’s nice to see that we’re out here as new people, as colorful people of all ages and shapes and sizes, which I think in the world I work in, most people know, but it’s just nice to uplift that.”
Indeed, a new national study of the American rabbinate released last month by the Atra Center for Rabbinic Innovation found that 51% of the rabbinical students surveyed identified as LGBTQ+. According to the Atra report, 58% of rabbis surveyed identify as women, 30% as men, and 12% as nonbinary.
But the diversification of the rabbinate has also underscored a broader trend, with rabbis more often taking on an engaged, hands-on role rather than the old model of the “sage on the stage.”
Stein, who had already gone viral for her rabbinic style videos on social media and was featured in Vogue last month for her videos on clergy-friendly shoe choices, said the pair’s Instagram account has also come to serve another purpose: showing the rabbinate in a more intimate light.
“I think especially for our generation of rabbis, we’re real people, these are important ways that people can connect with us and build trust and understanding,” said Stein. “We’re not pretending that we’re somebody at work and somebody at home.”
Rabbinic Fit Check posted its inaugural outfits from Stein and Ellenson in mid-October. The pair then reached out to their colleagues for submissions, and users soon asked to be featured.
Poirier said that she had been drawn to post her style (J. Crew blazer, Birdy Grey dress, her sister’s thrifted sweater) because of the account’s “diversity and also the light-heartedness,” which she said offered a contrast to reality.
“Everything is so, so heavy right now, and a lot of our day is rightly dealing with some of the heaviness, and it’s nice to just have something that also uplifts rabbis as fun, joyful people, kind of expressing ourselves in this cute, silly way,” said Poirier.
“Rabbis are kind of in the zeitgeist in a lot of different ways, and there’s a lot to say about that both positive and negative, and certainly we’re tapping into some of that,” said Ellenson. “But I think we’re approaching an angle of we’re humans who have these cool jobs, and we want to show parts of ourselves through our clothing and express ourselves more fully and completely, and not bifurcate these two segments of our lives.”
Einav Rabinovitch-Fox, a professor at Case Western Reserve University who wrote a history of women’s fashion, said that she viewed the Rabbinic Fit Check account as part of a “new phenomenon” in which the public image of the rabbinate was shifting. She pointed to Nobody Wants This, the Netflix show starring heartthrob Adam Brody as a young Los Angeles rabbi that first aired in September 2024. The Amazon series Transparent, Extrapolations on Apple TV+ and the 2023 film You Are So Not Invited to My Bat Mitzvah all featured what Hey Alma, JTA’s sister site, called “hot rabbis.”
“It’s kind of like a sign of our times,” said Rabinovitch-Fox. “Not all of them are like Adam Brody, but I think it’s a depiction of a trend, and I think that Instagram account is part of it, like, ‘oh, look, Judaism is cool.’”
Rabbi Jamie Field, the director of education at Beth El Temple Center, a Reform synagogue in Belmont, Massachusetts, was featured on Rabbinic Fit Check shortly before her appearance on the Netflix show Squid Game: The Challenge. She said it was a “really beautiful that there is an increase in rabbinic visibility.”
“We have a really sacred responsibility to show that rabbis are real people, and that we are engaged and part of the world and being responsible for being part of that conversation, not just witnessing it through Netflix shows about rabbis,” said Field.
While Rabinovitch-Fox said religion does not always “celebrate the individual,” she added that “fashion is a really a great and simple way to make your own statement.”
“People want to find somehow to relate, and I think with this Instagram generation, fashion is something that is important to people, so it’s just another way to relate to that,” said Rabinovitch-Fox. “If you can talk with your rabbi about style, you have a cool rabbi.”
Rabbi Andrea London, the leader of Beth Emet The Free Synagogue, a Reform congregation in Evanston, Illinois, said she submitted a photo of herself and Cantor Natalie Young on Parashat Noah after Ellenson, who is a family friend, mentioned it to her in conversation. For her cameo, she wore a white button-down shirt with a gold necklace and slacks.
London, who was ordained in 1996, said that she had submitted the photo to offer the account “a little diversity of age.” She recalled that early in her career, “as a woman, you wouldn’t dare to be on the bimah without a skirt.”
“One of the things that was annoying in the rabbinate was that people would comment on my clothing a lot, and it was just tiresome and men didn’t get that,” said London. “And now, I think Rabbinic Fit Check is trying to turn it on its head, like let’s have fun with it as opposed to seeing this as somehow discriminatory or sexist in any way.”
So far, Ellenson and Stein said the response to the account from their congregants and colleagues had been positive. Looking ahead, Ellenson said they hoped to feature leaders from other faiths.
“I think it’s about joy, showcasing diversity, showcasing the personal, and showcasing that all of these pieces can be a part of cultivating rabbinic and cantorial and clerical work,” said Ellenson. “We can bring ourselves into the work, and that makes the work better when we’re being ourselves with our communities.”
This article originally appeared on JTA.org.
The post On Instagram, ‘Rabbinic Fit Check’ is a look book for Jewish clergy appeared first on The Forward.