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Why God Is Offering Us an Olive Branch Today
A Torah scroll. Photo: RabbiSacks.org.
In “Anthem,” a song from his 1992 album The Future, Leonard Cohen sang: “There is a crack, a crack in everything — that’s how the light gets in.” Beautiful words, if somewhat haunting.
They echo the words uttered decades earlier by another Cohen — the first Chief Rabbi of modern Eretz Yisrael, Rav Avraham Yitzchak HaKohen Kook: “Out of the wreckage of destruction, the light of redemption will shine forth.” Never in recent history has this sentiment felt more piercingly true.
Rom Breslavski, who was on duty as a security guard at the Nova music festival on October 7th and was kidnapped into Gaza by terrorists, spent two years in solitary confinement under Islamic Jihad. He never saw daylight. He was starved, beaten, and terrorized. The guards forced him to sleep beside the bodies of murdered hostages. They tried to force him to convert to Islam. They taunted him with lies — that Israel had been destroyed, that his family was dead, that the war with Iran had wiped out everything he loved.
They tried to break him, body and soul, and came close to succeeding. Now Rom is home. He stands for hours every day by the window, just looking at the sky. His sad eyes betray the broken spirit of someone who has been to hell and back. He doesn’t say much.
His freedom is real, yes – but it doesn’t yet feel like freedom. For now, there is a crack — and we can only hope that through it, the light is beginning to get in. That out of this wreckage of destruction, the light of redemption will, at last, shine forth.
The look in Rom’s eyes is the same exact look you see in those haunting photographs of Holocaust survivors taken in early 1945 – men and women stepping through the gates of Auschwitz or Bergen-Belsen, technically free but hollow-eyed and gaunt, their spirits shattered.
They are alive, but not yet living. One nightmare has ended, but another is only beginning – the long, slow struggle to feel human again.
Liberation is never a single moment. It’s a process – slow, uneven, and often painfully drawn out. The first breath of freedom is always jagged and uncertain. Trauma doesn’t evaporate when the door opens – it lingers in the air for a long time after, and truthfully, it never entirely disappears. As Viktor Frankl, the psychiatrist and Auschwitz survivor, later wrote, liberation was not the euphoric experience he and his fellow prisoners imagined it would be.
When the camp gates finally opened, many felt strangely numb, unable to rejoice. They walked out, Frankl said, “like sleepwalkers,” their souls lagging behind their bodies.
In Man’s Search for Meaning, Frankl describes how the sudden transition from horror to safety left survivors bewildered, and even depressed. Their horrific experiences under the Nazis had stripped them of their ability to feel. They were conditioned to expect pain or betrayal at every turn. Which meant that freedom was not the end of their suffering — it was the beginning of their healing.
And it’s in exactly this fragile space — the uneasy aftermath of catastrophe — that the Torah offers one of its most poignant symbols. Towards the end of the story of Noah’s flood, after months sealed inside the ark while the world drowned beneath torrential waters, the storms finally subsided. Hoping their ordeal was over, Noah sent out a dove to see whether the earth had begun to dry. The bird returned with something small and unexpected — “an olive leaf torn off in her mouth” (Gen. 8:11).
It was the first sign that the world outside the ark was beginning to heal, that life after the flood might once again be possible. But, as the commentaries note, the olive leaf was hardly a symbol of complete restoration.
The Ramban sees the olive leaf as proof that the world was only beginning to heal, but was not yet fully ready. Some land had reemerged, and hardy trees like the olive had started to sprout leaves – but the earth was still soggy and unstable, not yet ready for cultivation. The message was not “It’s over,” but rather, “It’s time to begin again.”
The Kli Yakar makes a striking observation: Adam and Eve covered themselves with fig leaves after their sin – symbols of shame. But the dove brought Noah an olive leaf, a symbol of light and atonement; olive oil would one day fuel the pure flame of the sacred Menorah. Here was the light shining through the crack – a hopeful beginning, even if the world wasn’t quite ready to be whole.
The Zohar, sourcebook of Jewish mysticism, adds another layer: an olive yields its oil only when it is crushed. So it is with humanity, which often produces its greatest illumination only after being broken. The olive leaf was not meant to be a token of comfort or triumph, but a reminder that most often, it is from brokenness that light will emerge.
Noah’s emergence from the ark wasn’t the end of the story — it was the start of a long, difficult climb. The flood may have symbolically washed the world clean, but it hadn’t cured the human heart. Within the next few chapters, we encounter the Tower of Babel, Sodom and Gomorrah, jealousies and betrayals within families, and eventually Egypt’s enslavement of Jacob’s descendants. The story of humanity after the flood was a catalogue of all kinds of failure and failings, one generation after another.
The olive leaf that the dove carried to Noah as the trauma of the flood drew to a close was not a declaration of victory. It was a divine whisper: the worst of the nightmare is over, but don’t celebrate just yet — there’s still a long way to go. It reminded Noah, and every generation after him, that rebuilding the world is never a single act of survival, but a lifelong process of reconstruction. Every step along the way must be seen for what it is — a platform for growth, a chance to reach higher, and an opportunity to shape a better future.
Rom Breslavski, like those Holocaust survivors before him, knows this truth instinctively. Freedom isn’t a doorway you walk through into sunshine — it’s a staircase you ascend, one painful, uncertain step at a time. The dove’s olive leaf wasn’t telling Noah that the storm was over — Noah already knew that. It was reminding him that the healing had only just begun.
That’s how God redeems the world: not in an instant, but through slow, deliberate rebirth. The cracks remain, but through them — as Leonard Cohen says it — the light gets in.
That’s what the dove offered Noah. It’s what God offered the survivors of the Shoah. And it’s what He is offering us today, after two years of trauma following October 7th — a tiny olive leaf, a call to rebuild, and the promise that even through the cracks, His light still finds a way in.
The author is a rabbi in Beverly Hills, California.
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Vanderbilt launches inquiry into instructor after math question about Israeli occupation draws criticism
(JTA) — Vanderbilt University has launched an inquiry into a mathematics lecturer whose classroom exercise about Palestinian territory drew criticism from the activist group StopAntisemitism.
Tekin Karadağ, a senior lecturer at the university’s department of mathematics, drew the ire of the antisemitism watchdog after it obtained a slide from one of his lectures that used a pro-Palestinian protest slogan and suggested that Israel was shrinking the Palestinian territory.
“Assume Palestine as a state with a rectangular land shape. There is the Mediterranean Sea on the west and the Jordan River on the east,” read the slide. “From the river to the sea, Palestine (…) was approximately 100 km. in 1946. The land decreases by 250 sq. km per year, due to the occupation by Israel. How fast is the width of the land decreasing now?”
Karadǎg, a Turkish national who received his PhD from Texas A&M University in 2021, included the question under “examples related to the popular issues” in a survey of calculus class, according to StopAntisemitism, which wrote in a post on X that Karadǎg was “bringing his anti-Israel, antisemitic bias into his classroom.”
In a statement shared with the Jewish Telegraphic Agency, Vanderbilt said that the content had been removed and that an inquiry had been launched into Karadağ.
“The university has received reports alleging a member of the faculty engaged in unprofessional conduct related to content shared during course instruction,” the school said. “The content in question has been removed, and a formal inquiry has been initiated consistent with relevant university policy.”
In recent years, rhetoric about the Israeli-Palestinian conflict on college campuses has grown increasingly fraught, with professors’ commentary on the region sparking heavy scrutiny and, at times, disciplinary measures when their universities have determined that they exceeded the bounds of academic freedom. A recent report by Columbia University’s antisemitism task force found that students frequently experienced pro-Palestinian advocacy in classes entirely unrelated to the Middle East — such as dance or math classes.
The inquiry was not the first time that Vanderbilt took swift action against the expression of pro-Palestinian sentiments on its campus.
In March 2024, the university, which has roughly 1,100 Jewish undergraduate students, was among the first universities to expel students who participated in pro-Palestinian demonstrations. This year, the school’s antisemitism “grade” from the Anti-Defamation League was bumped up from a “C” to an “A.”
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Hugh Laurie rejects ‘Zionist’ label after his tribute to Israeli ‘Tehran’ producer sparks social media firestorm
(JTA) — British actor Hugh Laurie pushed back against being labeled as a “Zionist” after facing a wave of online criticism for posting a tribute to the Israeli producer of the hit television show “Tehran.”
“Dana Eden, who co-created and produced ‘Tehran’, died on Sunday, seemingly by her own hand,” Laurie, who played a nuclear inspector in the show’s third season, tweeted last week. “It’s a terrible thing. She was brilliant, and funny, and an exceptional leader. Love and condolences to all who knew her.”
The seemingly innocuous post eulogizing Eden, 52, who was found dead while filming the latest season of the hit Apple TV+ series in Athens last week, quickly drew a volley of backlash on social media.
“She was part of the occupation force’s propaganda arm,” wrote one user in response to Laurie’s post. “What a shame, didn’t expect you to be a closet Zionist.” Another wrote that Eden “creates propaganda for Israel so that they can kill kids more effectively. People should have no sympathy for her.”
The award-winning series, which follows a young Israeli Mossad agent in Iran, was produced by the Israeli public broadcaster Kan and purchased by Apple TV+ in 2020 for roughly $20 million. Eden’s death, for which no cause has been announced, occurred during production of the show’s fourth season, which had already stalled following Oct. 7.
Laurie is not the first actor to spurn the “Zionist” label, as entertainers in recent years have increasingly faced pressure to declare their views on Israel. In December, Jewish actress Odessa A’zion pushed back on claims she was a Zionist after an image of her wearing an IDF shirt as a teenager circulated online.
On Friday, Laurie, who previously starred in the Emmy Award-winning medical drama “House,” shot back at the criticism.
“Nothing I have ever said or done could lead a sane person to believe that I am a Zionist,” wrote Laurie in a post on X. “However. If someone exults in the death of a friend of mine, yes I will block them. If you wouldn’t do the same in my position, you can f—ck off too.”
Laurie’s subsequent post also drew outcry, but this time from pro-Israel influencers who lamented the actor’s disavowal of the Zionist label, calling him “weak” and a “pathetic weasel” in the replies.
Freelance journalist Angela Epstein replied to Laurie’s post, writing, “Not Hugh Laurie as well. I thought he was one of the decent ones….”
“God almighty, why does no one understand English any more?” wrote Laurie in response to Epstein’s critique. “I have not spoken or written a word that would indicate pro or anti Zionism. That’s what those words mean. Blimey.”
The post Hugh Laurie rejects ‘Zionist’ label after his tribute to Israeli ‘Tehran’ producer sparks social media firestorm appeared first on The Forward.
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German anti-Zionist group’s plan to protest at Buchenwald memorial over kaffiyeh ban sparks outrage
(JTA) — An anti-Zionist group in Germany has drawn condemnation after it announced plans for a protest against the Buchenwald concentration camp memorial in response to a ban on pro-Palestinian symbols at the site.
The group Kufiyas in Buchenwald claims that the memorial has become a place of “historical revisionism and genocide denial.” It announced a demonstration for April 11, the anniversary of the liberation of the Nazi concentration camp.
“Instead of honoring the persecuted and resolutely opposing every genocide, the memorial spreads Israeli propaganda and provides the ideological ammunition for the ongoing genocide in Palestine,” the group says on its website.
Buchenwald, one of the first concentration camps built by the Nazis and one of the largest in the country, was the site of the murder of roughly 56,000 male prisoners, including 11,000 Jews, from 1937 to 1945.
Last year, a German court ruled that the concentration camp had a right to refuse entry to visitors who wear a keffiyeh, a traditional Palestinian headscarf that has been adopted by pro-Palestinian protesters. The ruling stemmed from a lawsuit by a woman who attempted to wear the scarf to an event commemorating the concentration camp’s liberation.
The woman, who was only identified by her first name, Anna, posted a testimony about her actions on the Kufiyas in Buchenwald Instagram page in which she said she was inspired by the resistance of Buchenwald prisoners.
“Our fundamental principle is this: criticism of the Israeli government’s policies, settlement policy, or actions in the Gaza Strip is legitimate,” said the Buchenwald Foundation’s director Jens-Christian Wagner in a statement outlining the memorial’s protocols. “However, it becomes antisemitic when used to relativize the Holocaust and discredit its victims as perpetrators. We will not tolerate this at the Buchenwald Memorial.”
The campaign against the memorial has been signed onto by a host of pro-Palestinian groups, including the International Jewish Anti-Zionist Network and the German group Jewish Voice for a Just Peace in the Middle East, which has defended the protest on X as evidence of what “commemorating past German crimes has to do with rejecting current ones.”
In a post on Instagram announcing the protest earlier this month, the Kufiyas in Buchenwald group wrote that it would hold a “public protest” in Weimar, the German city located nearby the concentration camp. The group also said it planned to host lectures and a “tour that vividly illustrates the events in the former concentration camp.”
It was unclear whether the protest is intended to take place outside the memorial itself. Kufiyas in Buchenwald did not immediately respond to an inquiry from the Jewish Telegraphic Agency about the location of the protest.
The protest quickly drew condemnation from German leaders, including the country’s antisemitism czar Felix Klein, who told the Swiss outlet Neue Zürcher Zeitung that the protest marked a “new low point in the unfortunately all-too-common reversal of perpetrator and victim roles.”
Michael Panse, the commissioner for combatting antisemitism for the German state Thuringia, where Weimar is located, told the outlet that the protest was “tasteless and historically ignorant.”
The protests also drew condemnation from the European Jewish Congress, which wrote in a post on X that the demonstration represents a “deeply troubling instrumentalization of Holocaust remembrance.”
“Holocaust memorial sites are places of solemn reflection and respect for the victims of National Socialism,” the post continued. “They must never be exploited to promote agendas that deny Israel’s legitimacy or glorify those who perpetrate violence against Jews.”
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