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How hundreds of forgotten klezmer tunes have been rescued from oblivion
More than one thousand klezmer tunes, some dating back to the late 19th Century, are being performed and recorded after sitting in a library in Kiev for years, thanks to the nonprofit Klezmer Institute.
“This increases European klezmer music by fourfold over what was accessible before,” Christina Crowder, the New Haven-based accordion player who heads the institute, told me, adding that the collection ranges from virtuosic solo pieces to “workaday, regular old tunes.”
Digital photos of hundreds of pages of sheet music arrived on a memory stick at the Yiddish New York gathering in 2017, but the crowd-sourced effort to turn them into PDF files and share them on the web didn’t get going in earnest until late 2020. In the last couple of years, several albums featuring the resurrected klezmer tunes have been recorded. Crowder estimates that at least 72 musicians have digitized at least one tune for what has been dubbed the Kiselgof-Makonovetsky Digital Manuscript Project (KMDMP).
The project is working with a total of close to 1,400 tunes from two different sources: 26 notebooks of melodies collected by Zusman Kiselgof, a Russian folklorist who participated in the seminal An-ski ethnographic expeditions, and a 236-page manuscript by Avraham Yehoshua Makonovetsky, a Russian klezmer violinist who played at Jewish weddings. Both Kiselgof and Makonovetsky were Jews. The notebooks and the manuscript had been sitting in the Vernadsky National Library of Ukraine.
“This is of incredible value,” Lyudmila Sholokhova, curator of the Dorot Jewish Collection at the New York Public Library, told me. She inventoried the Edison wax cylinder recordings of the Kiselgof collection when she worked at the Vernadsky and wrote her doctoral dissertation on early efforts to collect Jewish music in the Russian Pale of Settlement.
“This is a lot of unknown music and it also gives you a good idea how this music was actually played,” she said of the Kiselgof-Makonovetsky collection. A small number of the tunes has been circulating in recent years before the KMDMP began.
The mixed blessing of COVID
The COVID lockdown turned out to be a blessing for the KMDMP because klezmer musicians were unable to play gigs or rehearse with their bandmates. So, they went to work digitizing the klezmer treasure trove.
“In the beginning during lockdown, you couldn’t go out to a gym, you couldn’t go play music with people. In the evening you can’t practice at home because there are neighbors. So, you digitize tunes,” Hannah Ochner told me.
The German klezmer clarinetist now lives in England and fronts a klezmer ensemble called Hop Skotshne. Ochner, 33, has a PhD. in physics and her main gig is researching electron microscopy in Cambridge. But she still found time to digitize an estimated 600 tunes over the course of a year and a half.
“It became addictive,” she said.
One of the untitled tunes Ochner worked on was a skotshne, a lively klezmer dance melody. The digital photo she worked from depicted a crumpled page, necessitating quite a bit of reconstruction.
“The length of the notes I left was longer than the music score,” she said.
The tune, Hannah’s Skotshne, was named in her honor.
Crowder said some of the hand-written scores were “a real mess.”
“You have to be a special kind of nerd to want to dive into this stuff,” she told me. “You’ve got four tunes crammed on the page and there’s mistakes and there’s all kinds of random old school notation.”
Crowder estimates that in addition to klezmer nerds like Ochner, a pool of more than 200 volunteers has helped by translating Russian or Yiddish text on sheet music or joined bi-weekly Zoom sessions where musicians play along with Crowder as she goes through tunes on her accordion.
The KMDMP now has at least a thousand klezmer melodies available for download as PDF’s, and Crowder said there are plans to publish a scholarly edition of some Kiselgof-Makonovetsky tunes as bound volumes. The Klezmer Institute is also planning to commission piano accompaniments for the many virtuosic solo violin pieces in the collection.
“They would be a lot of fun for a classically trained violinist to approach and to put into their own repertoire,” said Crowder. “Violin players don’t want to play clarinet pieces because they’re clarinet pieces.”
Music with global appeal
The KMDMP repertoire has been spreading at klezmer festivals in Europe and North America. The New York-based trumpeter Jordan Hirsch has passed them on to students at KlezKanada and Yiddish New York. Susi Evans and Szilvia Csaranko, a klezmer duo based in the UK and Germany, have taught the tunes at Shtetl Berlin jam sessions and Yiddish Summer Weimar, Europe’s major klezmer and Yiddish culture gathering.
Csaranko, an accordion player, is the musical director of Klezmerorchester Erfurt, an 80-piece amateur ensemble in Germany that performed a concert of the Kiselgof-Makonovetsky repertoire in 2022 before an outdoor audience of 3,000.
Evans, a clarinetist who has performed as a soloist with the BBC Scottish Symphony Orchestra, told me: “If you’re teaching klezmer music regularly, you’re always looking for tunes that someone who’s come into the workshop and knows a lot of tunes, won’t know.”
Their double CD, Fun an Altn Klezmer Heft, features 44 Kiselgof-Makonovetsky tunes, including “Hannah’s Skotshne.”
“Wherever we go, we like to spread these melodies,” Csaranko told me. “People do play these melodies they heard from us in jam sessions, in different countries. People in Australia are playing them now because they were in our workshop.”
The classically-trained clarinetist Angelo Baselli in Bologna, Italy teamed up with the accordionist Gianluca Casadei to record Fun a Velt Vos iz Nishto Mer, Of a World That Is No More. The album features Kiselgof-Makonovetsky tunes.
In a telephone interview Baselli, 47, said he caught the klezmer bug nearly 30 years ago after listening to Don Byron Plays the Music of Mickey Katz.
“I don’t have a Jewish family but instantly I fall in love with that music,” Baselli told me. “I started to search for recordings but at that time it was a little bit hard because there wasn’t a klezmer movement in Italy.”
A musical heirloom
Two klezmer trios in the Bay Area of Northern California have Kiselgof-Makonovetsky tracks on their most recent albums, both on the Borscht Beat label. Baymele’s album is Sapling. The new Veretski Pass album, The Peacock and the Sunflower, has eight Kiselgof-Makonovetsky numbers.
The Veretski Pass accordion player, Josh Horowitz, actually went to Ukraine before the KMDMP began and brought back some of the klezmer tunes from the collection.
“They were passed around like contraband at festivals,” the band’s violinist, Cookie Segelstein, said.
Their trio is named for a mountain pass in Ukraine where Segelstein’s father was born. Her mother grew up 45 miles away in the town Munkacs, where the Munkacher Hasidic sect began. So, for Segelstein, the archive of Kiselgof-Makonovetsky tunes is like a family heirloom.
“I have no way of going back to Veretski or where my mom is from and seeing her home because it was either destroyed or other people lived there,” she told me.
Describing the process of going through the unearthed klezmer tunes, Segelstein said: “We were digging through ashes. We would never have had this kind of access to this many historical tunes. To have this trove in one place has been like winning the lottery.”
The post How hundreds of forgotten klezmer tunes have been rescued from oblivion appeared first on The Forward.
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Greta Thunberg Released From Custody After Arrest at UK Anti-Israel Protest
Swedish activist Greta Thunberg speaks to a police officer during a pro-Palestinian protest as she holds a sign that says she supports prisoners linked to Palestine Action, an organization which the British government has proscribed as a terrorist group, in London, Britain, Dec. 23, 2025. Photo: Prisoners for Palestine/Handout via REUTERS
Swedish activist Greta Thunberg was released from custody after being arrested on Tuesday in London at an anti-Israel protest, police said.
UK-based campaign group Prisoners for Palestine said Thunberg was earlier arrested under the Terrorism Act for holding a sign that said “I support the Palestine Action prisoners. I oppose genocide.” The British government has proscribed Palestine Action as a terrorist group.
City of London Police said Thunberg had been bailed until March.
Police said earlier two other people had been arrested for throwing red paint at a building. A spokesperson said 22-year-old woman later attended the scene and was arrested for displaying a placard in support of a proscribed organization.
Prisoners for Palestine, which supports some detained activists who have gone on hunger strike, said the building had been targeted because it was used by an insurance firm which they said provided services to the British arm of Israeli defense firm Elbit Systems.
The insurance company did not immediately respond to a request for comment.
Thunberg, 22, became prominent after staging weekly climate protests in front of the Swedish parliament in 2018.
Last year, she was cleared of a public order offense in Britain as a judge ruled police had no power to arrest her and others at a protest in London the year before.
She was detained along with 478 people and expelled by Israel in October after joining an activist convoy of vessels, the Global Sumud Flotilla, that attempted to breach Israel’s blockade of Gaza. Israel has consistently denied genocide allegations, noting it has targeted Hamas terrorists with its military campaign and taken measures to try and avoid civilian casualties.
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When Famine Vanished: How the Media Repeated a Claim, and Never Reckoned With Its Collapse
Trucks carrying humanitarian aid and fuel line up at the crossing into the Gaza Strip at the Rafah border on the Egypt side, amid a ceasefire between Israel and Hamas in Gaza, in Rafah, Egypt, October 17, 2025. Photo: REUTERS/Stringer
CNN delivered the update quietly and inaccurately, with much less gravity than it once used to amplify the warning.
“Gaza no longer in famine,” read a CNN post, citing a UN-backed hunger monitor.
Reuters and the Associated Press followed with similar headlines.
What is striking is not that the unreliable IPC, which has been criticized in the past for faulty methodology, revised its assessment.
What’s really upsetting is that much of the press treated the reversal as a weather update, not as a reckoning.
Only months earlier, these same institutions helped cement a very different narrative.
In late July 2025, UN agencies issued a high-profile warning that key indicators in Gaza exceeded famine thresholds, citing IPC data and describing hundreds of thousands facing famine-like conditions. The IPC alert itself stated that famine thresholds had been reached for food consumption in most of Gaza and for acute malnutrition in Gaza City.
In August 2025, the Food and Agriculture Organization of the United Nations (FAO) announced that famine was confirmed for the first time in Gaza, again anchored to IPC assessments.
Those claims ricocheted through global media coverage with little visible skepticism about methodology, access constraints, or incentives baked into a wartime information environment.
The result was a widely accepted narrative that Israel was causing famine, a narrative that shaped diplomatic pressure and public outrage long before the data could be stress tested.
Now the IPC’s latest assessment says no area has ever been in famine, attributing improvements to increased humanitarian and commercial food deliveries after the ceasefire, while warning that the situation remains fragile and could deteriorate again if access is disrupted or fighting resumes.
IPC’s latest fraudulent Gaza report implies 1,700+ starvation deaths this December 2025—even TODAY we should see 57 such deaths! But even Hamas reports only 475 total starvation deaths for the ENTIRE WAR. The math exposes how detached from reality all these models are. 1/ pic.twitter.com/wOvIohWTt2
— Aizenberg (@Aizenberg55) December 19, 2025
The AP at least gestured to the whiplash, noting that months earlier, the IPC said famine was occurring in Gaza City and was likely to spread without a ceasefire and an end to restrictions.
Reuters likewise framed the change as a shift from earlier IPC findings, while stressing continued emergency-level needs. But what was largely missing was the one ingredient journalism owes the public when an apocalyptic claim collapses or is materially revised: responsibility.
No media outlet interrogated the underlying assumptions when famine warnings were treated as settled fact. None explained what changed in the inputs and thresholds. None revisited the earlier certainty with the same prominence as the original alarm.
This matters because narratives do not stay on paper.
In the United States, the ADL has reported that anger at Israel during the war has been a driving force behind antisemitism, underscoring how the information ecosystem around Gaza can translate into real-world hostility toward Jews. When famine claims are amplified uncritically, they do not just inform. They inflame.
The new UN-backed update does not erase Gaza’s suffering, and it does not vindicate anyone’s politics. It does, however, expose a core media failure: outsourcing verification to a single authoritative label, and then moving on when the label changes.
If famine was once a front-page certainty, the correction cannot be a footnote.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.
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US Heritage Foundation Think Tank Staff Quit Amid Antisemitism Controversy
The Heritage Foundation’s logo is displayed during the 2025 Joseph Story Distinguished Lecture in Washington, DC, US, Oct. 22, 2025. Photo: REUTERS/Kylie Cooper
Over a dozen employees have left jobs at the Heritage Foundation or were fired in recent days, according to the influential right-wing US think tank, as it grapples with allegations from former supporters that it has aligned itself with those accused of antisemitism.
In a statement about the resignations and firings on Monday, Heritage Foundation chief advancement officer Andy Olivastro said a handful of staff had chosen “disruption” and “disloyalty.”
He said the think tank “has always welcomed debate, but alignment on mission and loyalty to the institution are non-negotiable.”
The foundation has been caught in a firestorm of accusations and counter-accusations that began when former Fox News host Tucker Carlson interviewed Nick Fuentes, a self-described Christian nationalist, in October. The interview focused on their mutual opposition to US support of Israel, a view at odds with that of many conservatives.
Some supporters of the foundation have said it should distance itself from Carlson, characterizing the journalist’s views as antisemitic. But Kevin Roberts, the foundation president, has continued to personally back Carlson, who he says is a friend. Carlson strongly rejects accusations of antisemitism.
One of those who resigned this week was Josh Blackman, a law professor who contributed to Project 2025, a right-wing policy initiative overseen by the Heritage Foundation. In a letter posted online, he blamed Roberts for making Heritage‘s brand “toxic.”
“You aligned the Heritage Foundation with the rising tide of antisemitism on the right,” said Blackman, who edited the group’s Guide to the Constitution publication.
In an Oct. 30 video defending Carlson, Roberts said a “venomous coalition” was attacking the prominent podcaster over his interview with Fuentes. Roberts said conservatives should feel no obligation to support any foreign government no matter how great the pressure from “the globalist class.”
He later apologized for his use of the term “venomous coalition,” which he said Jewish colleagues understood to be an antisemitic trope.
Speaking at a November staff townhall meeting, Roberts said his intention was not to endorse Fuentes, who he called “an evil person,” but to “convert” some of his audience of several million people.
Advancing American Freedom said on Monday the three former leaders of Heritage‘s legal, economic, and data teams had joined the conservative advocacy group, along with 10 of their staff. The group led by former Vice President Mike Pence is critical of US President Donald Trump’s MAGA movement.
Three Heritage Foundation board trustees have also resigned since November.
Chief US Circuit Judge William Pryor, a conservative jurist who contributed to Heritage‘s 800-page Guide to the Constitution, said in an interview he did not attend a promotional event for the book due to Roberts’ “totally inappropriate” language in the Oct. 30 video.
For some remaining Heritage employees, recent staff departures were driven by Republican Party jockeying rather than antisemitism or Israel.
“These resignations have a lot more to do with 2028 than it does with anything else,” Heritage fellow Robby Starbuck posted online. “One group wants a return to the Pence/Ryan GOP and the rest want to MAGA with @KevinRobertsTX.”