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For the first time since Hitler, a Hebrew publisher sets up shop in Germany
In his job as a publisher, Moshe Sakal often needs to communicate with Israel about his books’ bar codes. Sometimes these phone calls sound like an Abbott and Costello routine.
Encountering an error, Sakal will tell the agent for the International Standard Book Number — used to identify a title in global book sales — the system won’t let him enter his address, as he’s based in Berlin. The guy on the other line will tell Sakal to enter his business’s Israeli address (it doesn’t have one, he’ll respond). The agent will then ask him what language his book is in. When Sakal answers “Hebrew,” the man responds, “So put your address in Israel,” not understanding how a press outside Israel could publish a Hebrew book.
The back and forth needs some explanation: Since the founding of Israel in 1948 — and until 2024 — there hadn’t been a major Hebrew publishing house outside of the country.
This wasn’t always the case.
Modern Hebrew has roots in 19th-century Europe, where Russian-born lexicographer Eliezer Ben-Yehuda lived and worked before joining the First Aliyah in 1881.
There were flourishing presses in the language, including the original Schocken Books, founded in Berlin in 1931 and boasting authors like future Nobel Laureate S. Y. Agnon. Hitler’s rise and the Holocaust, underscored by book burnings on the streets, put an end to the industry on the continent. Israel became the national home for Hebrew, and for Hebrew books on its founding in 1948, with many of the early, European-born luminaries of the revived language based there. By 2021, when author Sally Rooney cut ties with her Hebrew publisher but left open an opportunity for translation by a non Israel-based Hebrew press, none existed.
Sakal, a novelist, and Dory Manor, a poet and editor of the literary journal Oh!, are partners in life and business. They were born in Israel but have lived abroad for much of their adult lives, settling in Berlin in 2019. The couple are part of a vibrant Israeli expat community in the city. (When they arrived in 2019, NPR published an article estimating 10,000 Israelis had moved to Berlin in the last decade — the trend shows no sign of slowing.)
Over the years, as they mixed with journalists, writers and artists, they would occasionally mention how the Sapir Prize, the Hebrew language’s answer to the Booker, has since 2014, when New York-based novelist Reuven Namdar won, been closed to authors living outside of Israel.
“Everybody who heard that said, ‘So you should start an ecosystem of global diasporic Hebrew and have your own prize,’” Sakal recalled.
Sakal and Manor at first demurred, but the idea wouldn’t die. In 2023, they started developing Altneuland Press, based in Berlin and printing work in Hebrew, German and English. They established the company early in October 2023 — right before Oct. 7 — and began operations in June of 2024.
To date, Altneuland has published six books in Hebrew and two in German with two more titles on the way. Their authors include Hillel Cohen, author or Between the River and the Sea: My Travels in Israel and Palestine, which they published in Hebrew and German; Maya Arad, with the German translation of her novel Lady of Kazan; and journalist Ruth Margalit, whose forthcoming book will be their first in English.
The company prints books in Tel Aviv and their home base in Berlin for the Israeli and European markets.
“Berlin represents the possibility of Hebrew literature,” Manor said. “Hebrew culture that’s open to the world, rather than closed off or isolated or nationalistic, as is the case more and more in the current political climate in Israel, where democratic spaces are shrinking. We have here the possibility and the freedom to publish voices that might be silenced or marginalized back in Israel.”
The name “Altneuland,” taken from Zionist leader Theodor Herzl’s 1902 speculative novel about a future Jewish state in what is now Israel, is ironic, given the press’ desire to serve as a hub for the Israeli diaspora. But Manor says it speaks to an ideal in the spirit of Herzl’s book — really a utopian novel that imagined Jews and Arabs living together peacefully in a kind of Vienna of the Middle East.
“We think of Altneuland, old-new land, not as a territory,” Manor said, but a language and culture. He likened his vision of their work to Heinrich Heine’s description of the Torah as a “portable homeland.”
In a time of cultural boycotts, Sakal and Manor say being based outside of Israel helps to bypass some of the political minefields. Their books, like Gish Amit’s Cedrick, about the author’s investigation into the life of his former student, a Filipino-Israeli who died serving in the IDF in the Gaza War, have been well-received in Europe and Israel, though Sakal and Manor say they’ve had trouble finding a U.S. partner for the title.
Being outside of the Israeli system offers other freedoms.
In Israel, it is customary for authors to pay publishers to take on their first book — Manor and Sakal don’t take money from their writers. Selling their books in Europe, they also aren’t bound by the infrastructure of Israel’s bookstores, which, apart from a handful of independent shops, is a duopoly of Steimatzky and Tzomet Sfarim, who dictate the terms of the market. As for the titles they can take on, they noted some publishers in Israel may choose not to pursue books that are too anti-government for fear of losing help from public institutions.
It also opens the door for new stories to be told — ones that can center experiences had by Hebrew speakers outside of Israel. Sakal mentions the works of early modern Hebrew poet and novelist David Vogel, whose prose he says was different from the Hebrew he grew up with. Sakal, who is Sephardic, is also hoping to promote more writers with his background.
Some in the Israeli press have been skeptical of Altneuland, with publisher and editor Oded Carmeli writing in Haaretz that, “there aren’t enough Hebrew readers outside of Israel to support a publishing house – not even a bookstore, not even a shelf in a bookstore – and even if there were enough readers, no store in Berlin or Madrid would maintain such a shelf, for fear of repercussions.”
Manor responded, in his own Haaretz article, that Carmeli mischaracterized their operations and the vitality of the Israeli diaspora.
Maya Arad, who publishes with the Israeli press Xargol and went to Altneuland for the German translation of Lady of Kazan, wrote in an email that Hebrew literature still depends on Israel as a center.
“I would agree to admit that it is unlikely that a generation born outside Israel will arise in the Diaspora and begin writing in Hebrew, as Hebrew writers did at the end of the nineteenth century and the beginning of the twentieth,” Arad, who was born in Israel but who has lived abroad since 1994 and is based in the U.S., wrote in an email.
But, at the same time, she said it’s undeniable more Hebrew literature is coming from beyond the Jewish State and the subject of Israelis abroad has been attracting growing interest in Hebrew letters.
“The fact that about ten years ago it was decided to restrict the Sapir Prize to writers living in Israel paradoxically attests to the Israeli literary establishment’s recognition of a literary community outside Israel,” she said.
Altneuland, navigating the differing tastes of their global, trilingual markets, have a full slate for 2026, and are now exploring translating Yiddish literature into English, German and Hebrew.
For Manor, the thrill of seeing their Hebrew books on German shelves, for perhaps the first time since the 1930s, can’t be overstated. He recalled a story about an IDF delegation that visited Auschwitz in 1995. On that occasion, then-chief of general staff Ehud Barak said “We’ve arrived 50 years too late.”
“I found that remark chilling,” Manor said. “That idea that Jewish victory should be imagined as an Army arriving at Auschwitz. For me, the true victory lies elsewhere: in Hebrew books being printed in Germany again. That is a victory of culture over violence and over destruction. Victory, joined by hope, not by death.”
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On PBS’ ‘Finding Your Roots,’ Jewish actor Lizzy Caplan discovers her family’s unknown Holocaust story
(JTA) — Actor Lizzy Caplan always thought it was unusual she didn’t know of any relatives who were victims of the Holocaust.
In Tuesday’s episode of the PBS celebrity genealogy series “Finding Your Roots,” Caplan learns that one of her ancestors survived four camps — and that his wife and baby were murdered.
“It was my friends whose grandparents had survived the Holocaust, and we were very aware of who those grandparents were, and my grandparents were not in that group,” Caplan says. “So this is news to me.”
In Tuesday’s episode, historian and “Finding Your Roots” host Henry Louis Gates Jr. presents Caplan, 43, with genealogical information about her mother Barbara’s ancestors. Barbara died of cancer when Caplan was 13.
The episode, titled “The Road We Took,” also explores the family history of Pakistani-American comedian Hasan Minhaj.
In an exclusive clip shared with JTA, Caplan learns that her great-grand-uncle Wolf Miodownik survived three concentration camps and one transit camp before remaking his life in the United States. His wife Liba, however, and their 6-month-old infant, were killed upon their arrival at Auschwitz. When the camps were liberated, Wolf moved to Belgium, remarried and, eventually, immigrated to the United States.
More than 1 million people died at Auschwitz, primarily in the gas chambers or of starvation or disease.
In previous episodes of “Finding Your Roots,” Jewish actor Mandy Patinkin and writer and actor Lena Dunham also learned they had relatives who perished in the Holocaust. A later episode this season will explore the family history of IAC chair and FOX co-founder, the billionaire Barry Diller.
Caplan grew up in Los Angeles in a Reform Jewish household, had a bat mitzvah ceremony, and attended a Jewish summer camp.
She was nominated for an Emmy Award for her role in the 2022 miniseries “Fleishman is in Trouble,” based on the book of the same name. Caplan is also known for her roles in the 2004 comedy film “Mean Girls,” and the television shows “Freaks and Geeks” and “Masters of Sex.”
In November, Netflix announced that Caplan would have a role in “The Boys from Brazil,” a five-part miniseries based on the 1976 novel about Jewish Nazi hunters in pursuit of 94 clones of Adolf Hitler. The miniseries, which does not have a release date, will also star Israeli actor Shira Haas.
This episode of “Finding Your Roots” airs on PBS on Tuesday at 8 p.m. ET.
The post On PBS’ ‘Finding Your Roots,’ Jewish actor Lizzy Caplan discovers her family’s unknown Holocaust story appeared first on The Forward.
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Australian Police Arrest Teens for Antisemitic Harassment of Jewish Schoolboys
Illustrative: Government workers cleaning antisemitic graffiti in Sydney, Australia in February 2025. Photo: AAPIMAGE via Reuters Connect
Australian police have arrested two teenagers suspected of chasing Jewish schoolboys in a stolen car while shouting Nazi slogans in Melbourne last week.
The suspects, one of whom already has a criminal history at age 16, were taking a joyride in the vehicle in the St. Kilda East section of the city when they spotted the Jewish boys walking home, according to Australian media. After initially passing by them, the driver reportedly executed a U-turn and gave chase, nearly striking one of the fleeing boys as he tried to escape what appeared to be an imminent threat to his life.
“Parents said the boys were badly shaken and reluctant to return to school, struggling to understand why they had been targeted,” the outlet J-Wire reported. “One father said the use of Nazi gestures was particularly distressing for families in a community where many are descendants of Holocaust survivors.”
Police confirmed on Friday night that they arrested the 16-year-old boy, who has been charged with aggravated burglary, theft of a motor vehicle, and numerous driving offences.
The announcement from law enforcement came after a 15-year-old was arrested for the incident and charged with theft of a motor vehicle.
The younger boy has been bailed ahead of his court appearance next month, Australian media reported. However, the 16-year-old has been remanded in custody and is set to appear in court on Tuesday.
Australian lawmakers have sought to confront antisemitism in recent weeks with new legislation, following a historic surge in antisemitic incidents across the country.
The wave of antisemitism culminated last month at Sydney’s Bondi Beach, where gunmen, allegedly inspired by the Islamic State terrorist group, opened fire on a Jewish gathering celebrating the start of Hanukkah, killing 15 people and wounding dozens of others.
On Tuesday, the Australian Federal Parliament passed the Combatting Antisemitism, Hate, and Extremism Act, increasing penalties imposed on hate crime perpetrators and creating new ones against “preachers and leaders” who promote hatred. Other provisions of the law, passed as separate acts, impose new gun restrictions and strengthen and aim to strengthen the immigrations system’s threat detection capabilities.
These measures passed as Prime Minister Anthony Albanese apologized for his government not doing enough to combat antisemitism.
A year before the incident, the Executive Council on Australian Jewry (EJAC) reported a 316 percent increase in antisemitic incidents between 2023 and 2024, a figure which included a surge in physical assaults and “graffiti calling to kill Jews as a direct imperative.”
“In the past such deal calls were in the form of the ‘Death to the Jews’ — expressing a sentiment rather than an act,” the group said in its 2025 report. “The same theme has also occurred in hate emails, phone calls, and other messages — calling for the mass death of Jews. The expression of such sentiments has become much more common, adding to the sense of social license for acts of severe physical violence against Australian Jews.”
In other incidents, someone graffitied the home of Lesli Berger, former president of the New South Wales Jewish Board of Deputies; a Jewish man was assaulted by an anti-Israel mob because he took down an advertisement of a pro-Palestinian rally; and, in one notorious episode in the immediate aftermath of the Oct. 7 attack, hundreds of pro-Hamas protesters gathered outside the Sydney Opera House chanting “gas the Jews,” “f—k the Jews,” and other epithets.
Anti-Israel sentiment in Australia has also led to vandalism. In June 2024, the US consulate in Sydney was vandalized and defaced by a man carrying a sledgehammer who smashed the windows and graffitied inverted red triangles on the building. The inverted red triangle has become a common symbol at pro-Hamas rallies. The Palestinian terrorist group, which has ruled Gaza for nearly two decades, has used inverted red triangles in its propaganda videos to indicate Israeli targets about to be attacked. According to the Anti-Defamation League (ADL), “the red triangle is now used to represent Hamas itself and glorify its use of violence.”
“We are now at a stage where anti-Jewish racism has left the fringes of society, where it is normalized and allowed to fester and spread, gaining ground at universities, in arts and culture spaces, in the health sector, in the workplace and elsewhere,” EJAC president Daniel Aghion said in a statement on the day the group released its 2025 report. “In such an environment, Jews have legitimate concerns for their physical safety and social well-being in Australia. Together, we must do all we can to combat this scourge.”
Follow Dion J. Pierre @DionJPierre.
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What an antisemitic conspiracy theory and the Alex Pretti killing have in common
The night after Border Patrol agents shot and killed Alex Pretti in Minneapolis, as federal officials continued to spread lies about what happened, a friend asked me for advice on another disturbing instance of misinformation. What she should say, she asked, to a colleague who is posting antisemitic conspiracy theories about last month’s wildfires in Argentina.
That conundrum was related to the horror of our government trying to blame an innocent man for his own murder, I told her. And democracy, our very society, depends on figuring what to do about both.
In both cases, there’s a stubborn refusal to admit reality. Blinded by hate, suspicion or party loyalty, and locked in hermetically sealed media silos, people blame phantoms — in the case of Argentina — or the actual victims — as in Minneapolis — for the ills of our world.
And with each rejection, each accusation, society bends a bit more toward breaking.
In Argentina, after fires ravaged some 3,000 acres earlier this month, retired military general César Milani and others blamed the blazes on Israel.
My friend’s colleague was one of the many thousands of social media posters who spread those accusations, convinced that Israelis in Patagonia deliberately started the fires in order to clear the way for Zionist settlement.
Nothing my friend could say — that authorities had not determined the cause, that the Argentine government itself said the “Zionist fire” accusations were baseless — could convince her colleague otherwise.
“She would just tell me, ‘That’s what they want you to believe,’” my friend said. “What could I say to that?”
I wish I knew. Because all weekend I despaired seeing the same dynamic at work in the United States, in even more tragic circumstances.
Video footage, eyewitnesses and expert analysis show that Border Police shot Pretti multiple times, after they threw him to the ground and removed a holstered firearm he was legally carrying. Videos show that Pretti, who had been using his iPhone to film Border Police and ICE agents, had run to help a woman whom the federal agents had shoved down.
Anyone who takes the time to look and listen to the evidence can agree on what happened. Or so you would think.
Yet many federal officials, including President Donald Trump and Secretary of Homeland Security Kristi Noem, suggested that the real victims were the agents who killed Pretti.
Stephen Miller, Trump’s senior aide, called Pretti “a domestic terrorist.” Gregory Bovino, the official in charge of Border Patrol operations, said Pretti sought to “massacre law enforcement.” (Federal officials used very similar language to describe Renée Good, an unarmed mother whom ICE agents shot and killed earlier this month, after her death.)
Pretti “allegedly tried to pull out a firearm,” reported the resolutely pro-Trump OneAmerica News — ignoring the fact, clear in videos of the incident, that it was agents who removed his firearm from his holster, and agents who shot him after.
As with the Argentine fires, these were the accusations that ricocheted across social media, where posters accused Pretti — with zero evidence — of being an agitator paid for by Jewish Hungarian-born billionaire George Soros.
“Pretti was unalived” — online slang for “killed” — “by federal law enforcement officers who were defending themselves from being murdered by a deranged, Soros-paid terrorist,” was one of the typical, depressing posts to pop up in my feed this weekend.
At least in Argentina the government issued a statement debunking the Zionist arson claim, after an investigation found it was baseless.
In the U.S., a full, fair inquiry into Pretti’s death may shed more light on why the killing occurred. But despite some Republican lawmaker’s calls for a joint federal and state investigation, the federal government is so far doing what it did after the Good’s killing: shutting state authorities out and focusing on the actions of the victims, not the shooter. Three days ago an FBI agent assigned to investigate Good’s death resigned after the Department of Justice pressured her to drop her investigation into the agent behind the shooting.
And so a senseless death that could provide a moment of national reckoning, even reconciliation, will be mourned by many Americans in justifiable outrage. But for others, nothing will penetrate their conviction that Alex Pretti was guilty of provoking his own murder.
The historical record provides little hope that people so locked into a point of view shaped by misinformation can ever change their minds.
I always assumed that the public understanding of the Kent State University shootings, on May 4, 1970, was a matter of settled history: Ohio National Guard troops opened fire on peaceful protesting college students, killing four, and we all knew it was an unjustifiable massacre.
But revisiting that history in the wake of Pretti’s death, I discovered that was far from the truth.
“There was still that sentiment out there that they should have shot more students,” Dean Kahler, a former Kent State protester permanently paralyzed after a National Guardsman’s bullet severed his lower spine, told NPR in 2020, “that they should’ve killed more people.”
And long before Kent State, there was Captain Alfred Dreyfus, the French Jewish officer accused of treason in 1894 and later fully exonerated, in a case that divided France to the brink of civil war.
Ever since, a succession of right-wing elements in France have stuck to their belief in Dreyfus’ guilt. In 2021, the French lawyer Germain Latour said French antisemites suffered from an “epidemic of mental cholera” that prevented them from accepting the truth.
I wish I hadn’t had to tell my friend that it’s hard, if not impossible, to crack open every closed mind. But I did. My friend’s colleague will likely never stop believing Israel burned Argentina. Pretti’s killers will continue to have millions of defenders who will never see what to most of us is obvious.
Both stories follow the same script: reality conflicts with ideology, so reality gets discarded.
What matters more is that the people who care about finding and defending the facts push their institutions — courts, media, academia, clergy — to do the same. It is, to borrow a recent movie title, one battle after another. But for Alex Pretti’s sake, we cannot quit.
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