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The minotaur-slaying, dragon-battling hero of this video game is an old Jewish guy with back problems and an attitude
For a long time, Jews looking for representation in video games had to make do with the possible Jewishness of William Joseph Blazkowicz, the Nazi-hunting protagonist of the popular ‘90s video game series Wolfenstein.
A white, muscular, machine-gun-toting GI, with a lantern jaw and blue eyes, Blazkowicz didn’t exactly look the part. But his Polish ancestry, together with his enthusiasm for vanquishing Wehrmacht soldiers, left many Jews convinced. (Eventually, in 2017, Wolfenstein creator Tom Hall confirmed that the character’s mother was indeed a Polish Jew.)
Depictions of Jews in video games have, mercifully, improved in recent years, not least as the gaming industry has sought to reflect a wider range of identities and perspectives. The Shivah, published in 2006, told the story of a Manhattan rabbi caught up in a murder mystery. In 2020, The Last of Us, Part II introduced Dina, a Sephardi Jew with a fondness for apples and honey, while 2022’s Perfect Tides was an excellent coming-of-age story about a bashful 15-year-old New Yorker named Mara Whitefish. (Author and critic Josh Lambert described Perfect Tides as “the most compelling Jewish video game ever created.”)
To this growing roster of Jewish video games we can now add The Eternal Life of Goldman, the latest effort from independent game studio Weappy. Set to be released in full later this year, a demo version published last week received considerable praise online — and not just for its dazzling artwork and intuitive gameplay.
Rather, much of the intrigue and acclaim was because of the game’s improbable hero: a Jewish octogenarian with a yarmulke and a cane, the titular Mr. Goldman.
Although the demo is just the first 90 minutes of gameplay, it took me the better part of a day to get through. The game takes place on a vast archipelago populated by an array of menacing creatures — brilliantly brought to life by hand-drawn, 2D animations — and so death is ever present. For example, no sooner had I, as Goldman, arrived on the first of the game’s islands, than was I set upon by some kind of dragon-dinosaur hybrid. Goldman was promptly killed; he died with an arresting squeal. (The game’s sound effects are immense.)
It’s not clear why Goldman has opted to spend his presumably hard-earned retirement among volcanic ruins and thick underbrush. Palm Beach, this ain’t. Perhaps understandably, he isn’t so keen on the task at hand, which appears to be a rescue mission of sorts to retrieve a group of children known as “The Lost Ones,” though the demo ends before this is properly explained.
Still, Goldman is remarkably agile, with impressive powers of resurrection. The cane isn’t for walking, it turns out, so much as bouncing, thwacking and stabbing. It’s Goldman’s only companion as he faces down the beasts and monsters, most of which are lifted from a fable or myth. Besting the Minotaur, for instance, was the undoubted highpoint of a day’s gaming otherwise defined by my near-constant death.
Indeed, the game has a somewhat macabre feel. Even its framing device, a bedside conversation between a mother and daughter at a hospital, hints at a sinister plotline to come. (Ilya Yanovich, Weappy’s creative director, admitted as much in a recent interview.) In fact, the fairytales that the mother tells her ailing child seem to govern where Goldman ends up in the game. I was not the only reviewer for whom this called to mind the movie The Princess Bride — which, it’s worth noting, was written by one William Goldman.
This is just one among a host of Jewish, or Jewish-adjacent, references that cropped up in barely an hour-and-a-half of gameplay. There’s a faintly kabbalistic figure called Nissim Klein. Another character is named Hanoch. All three men — Goldman, Klein, Hanoch — periodically yell time-honored Yiddishisms like “Oy Vey!” and “Ach.” And at one point, we’re told about a group of giant clay statues “built by Nissim’s ancestors,” which feels more than a little Passover-coded.
Despite my difficulties progressing through the demo, then, the artwork, the Jewishness, the propulsive narrative energy, the main character’s cynicism, the simple left-to-right gameplay — it was all more than enough to sustain me.
Yet, at the risk of reading too much into a small slice of a much larger pie, it’s worth considering how Goldman communicates its Jewishness. For one thing, the game is, in at least one respect, the anti-Wolfenstein: While Blazkowicz’s Jewishness was merely gestured at, Goldman’s is unambiguous. And for another, Goldman places its Jewish protagonist in something other than a Jewish ceremony or ritual. (My apologies to the aforementioned The Shivah.) These are both salutary developments, the more so at a time of rising antisemitism, online and elsewhere.
But Goldman is a stereotype, too, albeit a largely inoffensive one. He’s a cantankerous older Jew with a hunch and a limp whose dialogue, in the demo at least, mostly consists of kvetching and confusion.
Now, is it amusing to see Goldman bouncing through the forest, battling mythical beasts and natural disasters, all while expectorating constantly? Certainly. Is the incongruity the point? Maybe. Still, it feels like a missed opportunity that Weappy selected a somewhat backward-facing protagonist as its vehicle for Jewishness — especially as Jewish identity becomes increasingly variegated with each passing generation.
The Eternal Life of Goldman is a valuable affirmation of a particular flavor of Jewishness, sure, and given the stir that the demo generated online, it doubtless will do very well. I can’t help but feel, however, that a less played-out protagonist might have compelled Yanovich — who is Jewish — to include some fresher, more interesting modes of Jewish cultural and ethnic expression.
After all, we’re more than yiddish and yarmulkes.
The post The minotaur-slaying, dragon-battling hero of this video game is an old Jewish guy with back problems and an attitude appeared first on The Forward.
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London Police Set Up Specialist Jewish Protection Team
A police officer stands at the scene, after a man was arrested following a stabbing incident in the Golders Green area, which is home to a large Jewish population, in London, Britain, April 29, 2026. Photo: REUTERS/Hannah McKay
British police are setting up a new team of 100 officers including counter terrorism specialists to help protect Jewish communities across London after a series of antisemitic attacks including the stabbing of two men.
The plan announced on Wednesday for a dedicated protection team comes as officers announced more arrests for antisemitism, including detaining a 35-year-old man on Saturday after rocks were thrown at an ambulance belonging to the Jewish community.
London‘s top police boss Mark Rowley said Jewish communities were facing “sustained threats” from hostile state actors as well as extreme right-wing groups, elements of the extreme left, and Islamist terrorists.
Detectives are examining whether the arson incidents have possible Iranian links, after British security officials warned that Iran was using criminal proxies to carry out hostile activity.
Since late March, there have been a number of high-profile arson attacks with four Jewish ambulances burned and synagogues targeted. Last week, two Jewish men were also stabbed. Both victims survived the attack.
Over the past four weeks, police said they had arrested around 50 people for antisemitic hate crimes and charged eight individuals. On top of that, 28 arrests have been made as part of investigations alongside counter terrorism policing for arson and other serious incidents.
“This new team will be primarily focused on protecting the Jewish community, which faces some of the highest levels of hate crime alongside significant terrorist and hostile state threats,” said a statement from London‘s Metropolitan Police force.
British Prime Minister Keir Starmer convened a meeting on Monday with business, health and cultural leaders aimed at trying to tackle antisemitism.
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Iran Reviewing US Proposal to End War, Though Key Demands Remain Unaddressed
People walk on a street near a mural featuring an image of the late Supreme Leader of Iran, Ayatollah Ali Khamenei, in Tehran, Iran, May 6, 2026. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
Iran said on Wednesday it was reviewing a US peace proposal that sources said would formally end the war while leaving unresolved the key US demands that Iran suspend its nuclear program and reopen the Strait of Hormuz.
An Iranian foreign ministry spokesperson cited by Iran‘s ISNA news agency said Tehran would convey its response. US President Donald Trump said he believed Iran wanted an agreement.
“They want to make a deal. We’ve had very good talks over the last 24 hours, and it’s very possible that we’ll make a deal,” Trump told reporters in the Oval Office on Wednesday.
Earlier in the day, Trump had sounded more pessimistic about the chances of a deal. In a Truth Social post, he threatened to restart the US bombing campaign in Iran, calling the possibility of Tehran agreeing to the latest US proposal a “big assumption.”
Trump has repeatedly played up the prospect of an agreement that would end the war that started Feb. 28, so far without success. The two sides remain at odds over a variety of difficult issues, such as Iran‘s nuclear ambitions and its control of the Strait of Hormuz, which before the war handled one-fifth of the world’s oil and gas supply.
A Pakistani source and another source briefed on the mediation said an agreement was close on a one-page memorandum that would formally end the conflict. That would kick off discussions to unblock shipping through the strait, lift US sanctions on Iran, and set curbs on Iran‘s nuclear program, the sources said.
It was unclear how the memorandum differs from a 14-point plan proposed by Iran last week, and Iran has yet to respond to the latest US proposal.
Iran‘s semi-official Tasnim news agency, citing an unnamed source, said the US proposal contained some unacceptable provisions, without specifying which ones.
Iranian lawmaker Ebrahim Rezaei, a spokesperson for parliament’s powerful foreign policy and national security committee, described the text as “more of an American wish-list than a reality.”
“The Americans will not gain anything in a war they are losing that they have not gained in face-to-face negotiations,” he wrote on social media.
OIL PRICES TUMBLE
Reports of a possible agreement caused global oil prices to tumble to two-week lows, with benchmark Brent crude futures falling around 11% to around $98 a barrel at one point before rising back above the $100 mark.
Global share prices also leapt and bond yields fell on optimism about an end to a war that has disrupted energy supplies.
Trump on Tuesday paused a two-day-old naval mission to reopen the blockaded strait, citing progress in peace talks.
The US military has kept up its own blockade on Iranian ships in the region. US Central Command said forces fired at an unladen Iranian-flagged tanker on Wednesday, disabling the vessel as it attempted to sail toward an Iranian port in violation of the blockade.
NO MENTION OF KEY US DEMANDS
The source briefed on the mediation said the US negotiations were being led by Trump’s envoy Steve Witkoff and son-in-law Jared Kushner. If both sides agreed on the preliminary deal, that would start the clock on 30 days of detailed negotiations to reach a full agreement.
The full agreement would end the competing US and Iranian blockades on the strait, lift US sanctions, and release frozen Iranian funds. It would also include some curbs on Iran‘s nuclear program, with the aim of a pause or moratorium on Iranian enrichment of uranium.
While the sources said the memorandum would not initially require concessions from either side, they did not mention several key demands Washington has made in the past, which Iran has rejected, such as curbs on Iran‘s missile program and an end to its support for proxy militias in the Middle East.
The sources also made no mention of Iran‘s existing stockpile of more than 400 kg (900 pounds) of near-weapons-grade uranium.
Israeli Prime Minister Benjamin Netanyahu, Trump’s ally against Iran, said on Wednesday the two leaders agreed that all enriched uranium must be removed from Iran to prevent it from developing a nuclear bomb.
Tehran denies wanting to acquire a nuclear weapon.
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Brussels cathedral installs plaques apologizing for medieval antisemitic persecution depicted in stained glass
(JTA) — More than 650 years after Jews in Brussels were executed and expelled following false antisemitic accusations, church officials at the Cathedral of St. Michael and St. Gudula have installed a plaque apologizing for the persecution commemorated in its stained glass windows.
At a ceremony on April 27, Archbishop Luc Terlinden of Mechelen-Brussels and Rabbi Albert Guigui, the chief rabbi of Brussels, unveiled four plaques, written in Dutch, French, English and Hebrew, providing historical context for the windows and an apology for the antisemitic persecution tied to the events they depict.
The plaques, which Terlinden signed, state that “baseless accusations of the desecration of the Eucharistic host were made against Jewish communities” in medieval Europe and that the accusations “led to persecution, massacres, and unjustifiable expulsions.” The windows show Jews being executed at the stake in response to their alleged attacks on the Eucharist, bread that Catholic doctrine considers a literal representation of Jesus’ body.
“Theological and social anti-Judaism is in direct contradiction with the Gospel of Christ, which calls for truth, justice, and brotherhood,” the plaques say. “We ask forgiveness from the Jewish people for the suffering these accusations have caused.”
The stained glass windows in the cathedral depict the “Brussels Host Desecration,” an antisemitic accusation in 1370 that Jews had desecrated communion wafers, leading to the execution of Jews in Brussels and the expulsion of the city’s Jewish community.
The windows have drawn scrutiny for decades, particularly as the Catholic Church sought to reckon with its history of antisemitism. In 1969, shortly after the landmark Nostra Aetate declaration rejecting longstanding anti-Jewish Catholic doctrine, the Archbishop of Brussels ordered that several paintings be removed and a plaque be mounted to offer context about the remaining depictions.
Several years later, the European Jewish Congress noted last week, Catholic leaders did install a plaque that drew readers’ attention to “the biased nature of the accusations [against the Jews accused of the desecration] and to the legendary presentation of the ‘miracle.’”
But Flora Cassen, the director of the Brandeis Center for Jewish Studies and a scholar of European antisemitism, said the existing plaque was “very ambiguous about the responsibility and what happened” and installed in an easy-to-miss location. The new plaques, she said, contain a clear and “very moving” apology and cannot be missed by anyone who comes to see the windows.
“The significance is enormous of the church finally putting a plaque there that tells the story, that acknowledges the antisemitism behind it, that acknowledges that it was a slander and that it resulted in persecution and in the execution of Jews in Brussels and their expulsion,” Cassen said.
The new plaques cite Nostra Aetate and the Catholic Church’s subsequent effort under Pope John Paul II to reckon with historical antisemitism in 2000. They affirm the church’s “commitment to combat all forms of antisemitism, to deepen dialogue between Jews and Christians, and to pass on to future generations a clear remembrance, based on the acknowledgement of truth and mutual respect.”
While some have called for the historic windows to be removed, Guigui said in a statement that the plaques represented an appropriate way to address relics of historical antisemitism.
“What matters today is how we look at these images,” the rabbi said. “They must not be erased, because they are part of history, but they must be accompanied by explanation and moral insight in order to understand the context and avoid repeating past mistakes.”
The post Brussels cathedral installs plaques apologizing for medieval antisemitic persecution depicted in stained glass appeared first on The Forward.