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An Israeli dissident filmmaker finds tainted love amid the Gaza rubble
Nadav Lapid started writing his Oct. 7 movie in summer 2021 — before the events that shaped it took place. He says it hasn’t changed much, and that it’s not really about Oct. 7.
“It’s the same bitter reflection about the place of the artist,” Lapid told me on a Zoom call, a day after arriving in New York for the American debut of Yes, his withering satire of Israeli complacency.
“In a way, in the first version, you could notice the shadow of a catastrophe, the shadow of a disaster and a society on the edge of the abyss,” he said. “With the second version, this society made another few steps and went and fell down from the hill to the valley of hell”
As the title might suggest, Yes — which is sometimes styled with an exclamation mark — is about a kind of maximalist version of affirmative consent that ends in complicity. It follows Y (Ariel Bronz), a jazz pianist, who with his wife, Yasmin (Efrat Dor), serves as a willing entertainer and sex slave for the Israeli elite. The couple submit to almost anything, no questions asked. But when a Russian oligarch commissions Y to write an “anthem for the victory generation,” with bloodthirsty lyrics about annihilating Gaza, it’s (almost) too big of an ask.
What follows is a kind of Israeli Mephisto, alternating from orgiastic spectacle (fellated baguettes, geysers of cherry tomatoes, drugs) to biblical indictment (Y is pelted with stones from heaven for cravenly taking his hasbara assignment).
The film is well within Lapid’s oeuvre, which has skewered Israeli masculinity (Synonyms) and Israeli restrictions on free expression (Ahed’s Knee, which also featured a protagonist named Y, who contra our present hero is characterized by defiance). But the film has ratcheted up its critique along with its experimentation, seeming to say yes to its every outlandish idea.
Lapid was living in Paris on Oct. 7, 2023. He returned to Tel Aviv a couple of weeks later to see the aftermath with his own eyes, and later to begin filming.
“Almost immediately, when the airplane landed, I was taken by two, I think, contradictory feelings,” Lapid said the first was an “unfamiliar empathy” (he is famously conflicted about his home country) and a sense that the nation was partaking in a “collective shiva.”
At first there was a rare tenderness.
“It didn’t last long,” he said. “It was quickly replaced by what you see in the movie, by the kind of morbid vivacity, this ecstatic, dark party by a nation which, in a way, deeply knows that it’s giving up all its limits.”
Lapid saw his fellow artists throwing their weight behind the war and lending their talents to the government. He started production on Yes while drones were still bombarding Gaza. He filmed the smoke plumes from the border, guerilla style. It was an active military zone and he was only allowed to stay on thanks to the intercession of an interested officer, who peppered them with questions about the cameras. (When crew members learned the film was critical of the war, some walked off set — a career first for Lapid.)
In a film with extravagant, overstimulating set pieces, the sequence that takes place at the border stands out for its stillness.
During a road trip to find inspiration for his chest-thumping anthem, Y’s ex-girlfriend Leah (Naama Preis) explains to him the Hamas crimes she translates for the government on social media. It’s a gutting list of real-life murders and maimings. She interrupts the litany with the dismissive comments she sees daily, a signal of the world’s limited empathy.
Lapid chose to film this sequence simply in a static shot, emphasizing what he calls the “destabilizing power of the accumulation of facts.” Facts, he says, that many who he agrees with politically have difficulty acknowledging over a “childish lack of complexity, in the incapacity of looking at reality as it is.”
He sees the scene as a complement to the film’s main subject: the Israeli blindness to the humanitarian crisis in Gaza.
The director lets the weight of Leah’s words sink in, but doesn’t offer them as an excuse. Even these horrors are commoditized by our opportunistic hero. The next shot shows Y trudging up a hill overlooking Gaza, muttering the Hamas atrocities Leah recited. He’s using them to find the melody for a song that lauds how Israel will “exterminate our enemies.” (The camera then pans to Gaza, and we hear Leah and Y, unbothered, making out.)
The lyrics Y is tasked with working off are from an actual altered version of Haim Gouri’s poem “The Brotherhood” that emerged during the Gaza war. Asked if the song, in its original form from 1949, represented a purer vision of Israel, Lapid offered a kind of yes and.
“On one hand, of course, there’s a huge gap between a genocidal anthem and the song talking about, you know, brotherhood in battlefield,” Lapid said. At the same time, both versions refer in their chorus to a “love sanctified by blood,” what he thinks may be the “most important collective myth in Israel.”
“In the heart of Yes there is also this question whether it’s possible in such a society, in such a place, to love,” Lapid said of Israel, which he deems a failed experiment. “And the answer is ‘no.’ The answer is that at the very end, everything will be stained, will be polluted, will be contaminated.”
With a new war in Iran only a month old, Lapid thinks the film is only growing more relevant, reflecting a society mixing vulgarity and nationalism, communicating only in slogans.
But he’s a more even-handed critic of slogans than some seem to think. He was surprised that most reviews of the film overlook a moment critiquing performative activism in the west. The film isn’t just taking aim at the Israeli institutions and hardliners that have ended up condemning it.
“I haven’t done this movie in order to flatter or to polish the ego, or to give a kind of audiovisual demonstration of the theory of anyone,” he said. “I think the artist, filmmaker shouldn’t and doesn’t belong to any camp. His only real place and true place is in the contradiction.”
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Ukraine reburies Nazi collaborator with state honors, drawing Israeli condemnation
(JTA) — Israel criticized Ukraine Monday after President Volodymyr Zelensky gave full state honors to a Ukrainian nationalist leader who was part of a movement that collaborated with the Nazis during World War II.
During a reburial ceremony on Sunday, Zelensky described Andriy Melnyk and his wife, Sofia Fedak-Melnyk, as “iconic Ukrainians of the 20th century who are deeply respected,” according to The New York Times.
Melnyk led one of the factions of the Organization of Ukrainian Nationalists during its collaboration with Nazi Germany during World War II. Though the Ukrainian organization shared a mutual opposition to Soviet rule with the Nazis, it also promoted antisemitic rhetoric and some of its members participated in the persecution of Jews during the Holocaust. Melnyk initially sought cooperation with Nazi Germany but was later detained by the Nazis as relations with Ukrainian nationalist groups deteriorated.
The ceremony marked the latest flashpoint in a longstanding dispute over Ukraine’s commemoration of World War II-era nationalist figures linked to Nazi collaboration. In 2018, the country designated the birthday of Nazi collaborator Stepan Bandera as a holiday, and in 2017, a statue was unveiled honoring a nationalist leader whose regime killed tens of thousands of Jews in pogroms during the Russian Revolution.
The remains of Melnyk and his wife were exhumed from Luxembourg last week and then transported to Ukraine for reburial at Kyiv’s National Military Memorial, which opened last year for soldiers killed in Russia’s invasion of Ukraine.
“Glory to every Ukrainian hero! Glory to all our Ukrainian warriors! Glory to our people!,” Zelensky, who is Jewish, wrote in a post on X marking the ceremony, adding that he was “grateful to everyone who has worked to make such returns of great Ukrainian figures possible and to give the Ukrainian People their own pantheon of heroes.”
The reburial was quickly decried by Yad Vashem, Israel’s Holocaust memorial, which wrote in a post on X that it was “deeply troubled by such national commemorations, which come at the expense of historical truth and the memory of Holocaust victims.”
“Honoring the leader of a movement that supported and collaborated with Nazi Germany during the persecution and murder of millions of Jews undermines the moral integrity essential to Holocaust remembrance,” the post read.
Israel’s Foreign Ministry wrote on X that there is “no place for ignoring historical truth and the memory of the victims murdered by the Nazis and their collaborators.”
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Trump administration again sues UCLA over antisemitism, alleging ‘hostile educational environment’
(JTA) — The U.S. Department of Justice sued the University of California for the second time this year over allegations of an antisemitic campus environment at UCLA, claiming the school “was deliberately indifferent to the suffering of its Jewish and Israeli students” after Oct. 7.
The federal lawsuit, filed Tuesday, claims UCLA violated the students’ civil rights by failing to intervene during pro-Palestinian encampment activity in early 2024. It follows an earlier suit that focused on the university’s treatment of its Jewish and Israeli employees, and comes 10 days after the university unveiled its own “Initiative to Combat Antisemitism.”
“Earlier this year, we sued UCLA for subjecting its Jewish and Israeli employees to an antisemitic hostile work environment,” assistant U.S. attorney general Harmeet Dhillon said in a press release. “Now, the Department of Justice calls UCLA to account for its toleration of the equally appalling hostile educational environment against its Jewish and Israeli students.”
Requests for comment to the Justice Department and UCLA were not immediately returned.
The new suit draws on widely reported accounts of UCLA’s campus environment in spring 2024, when protesters in pro-Palestinian encampments clashed with pro-Israel counter-protesters, sparking violence and turmoil. The failure to protect Jewish students violated their Title VI civil rights, attorneys said.
Citing the report of UCLA’s own task force on antisemitism, published in response to the 2024 campus upheaval, the suit states, “UCLA’s leadership apparently preferred a do-nothing ‘de-escalation strategy’ to protecting their Jewish and Israeli students from an angry mob organized by peers armed with tasers, lumber, and a sword.”
The Justice Department is seeking several redress measures, including the return of all federal grants made to UCLA “during the time of UCLA’s noncompliance with Title VI.” The school had previously resolved several Title VI antisemitism cases under the Biden administration, and also reached a $6.13 million settlement with Jewish groups in a private suit related to the spring 2024 incidents on campus — a case cited in DOJ’s new lawsuit.
The Trump administration has sought to make a particular example of UCLA in its aggressive approach to campus antisemitism. Officials had sought to levy fines in excess of $1 billion against the public university for its alleged failure to protect Jewish and Israeli students, until a federal judge intervened. Several DOJ lawyers have left the department over its UCLA investigation, telling reporters the case was “fraudulent,” a “sham” and driven by pressure to “find” evidence to support further legal action against UCLA.
In addition, some of the most violent clashes on the campuses included perpetrators on both sides of the conflict, leading some members of the UCLA Jewish community to complain that pro-Israel counter-protesters ultimately undercut the Jewish students’ legitimate grievances regarding the harassment they had been facing inside the campus gates.
And the campus environment for Jews remains tense. Last month, the UCLA student senate condemned a campus visit by a freed Israeli hostage, drawing blowback from a university regent.
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Jewish leaders say Belgium’s prosecution of circumcision is antisemitic
(JTA) — Dozens of European Jewish leaders, joined by Israeli and American diplomats, decried Antwerp prosecutors who plan to charge two Jewish men with performing illegal circumcisions.
In an open letter on Tuesday to European and Belgian officials, 45 communal and religious Jewish leaders accused the Antwerp Public Prosecutor’s Office of “effectively criminalizing the act of circumcision” and infringing on religious freedom.
Earlier this month, Belgian prosecutors announced their recommendation to refer two mohels, or ritual circumcisers, to the criminal court following investigations into alleged illegal circumcisions.
In Belgium, the law requires all circumcisions to be performed by licensed medical professionals. The two men would be charged with intentional assault or battery against minors and the unlawful practice of medicine.
The European Jewish leaders responded that prosecuting mohels was “antisemitic in nature, reminiscent of efforts taken in Europe against Jewish practice prior to the Second World War.”
They said the potential prosecutions sent a message that “Jews are no longer welcome in Belgium” and “Belgian Jews are now second class citizens with limited rights.” Their appeal was led by the chairman of the European Jewish Association, Rabbi Menachem Margolin.
Israeli and U.S. officials have also accused Belgium of targeting Jews for practicing their faith.
Gideon Saar, Israel’s minister of foreign affairs, called the prosecutors’ decision a “scarlet letter on Belgian society.” He was joined by the U.S. ambassador to Belgium, Bill White, who said on X that Belgium “will be thought of now as anti Semitic by world.”
Belgium’s foreign minister fired back that it was “inappropriate to publicly criticize a country and tarnish its image simply because you disagree with judicial proceedings.”
“I recall that the proceedings in question were initiated by representatives of the Jewish community themselves,” said Maxime Prévot. “To portray those as a country’s desire to undermine the religious freedom of Jews is defamatory.”
The mohels were first investigated after complaints lodged by Moshe Aryeh Friedman, an Antwerp rabbi. He alleged in 2023 that six local mohels practiced metzitzah b’peh, in which the circumciser cleans the circumcision wound with oral suction. Over the past two decades, several infants in New York City were infected with herpes as a result of the practice.
The letter from European Jewish leaders did not address Friedman’s claims.
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