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How the Lower East Side has changed since the 1988 rom-com ‘Crossing Delancey’
(New York Jewish Week) — The classic and very Jewish 1988 film “Crossing Delancey” is one of those movies that feels both extremely of its time and also completely timeless.
Director Joan Micklin Silver’s film has all the classic rom-com trappings: A woman who’s torn between two men (and to that end, two worlds); complaints about how hard it is to meet a man in New York City (as true in 1988 as it is in 2022), and a “mother” figure who knows better (here, a Jewish grandmother known as Bubbe, and in this case, she actually does know better). You could pluck all these specifics and drop them into a present-day film — and, if told with the heart and care of “Crossing Delancey,” still have a pretty good movie.
Yet there’s one thing about the “Crossing Delancey” that fully anchors it in the past, and that is its late-1980s Lower East Side setting. While our heroine, Izzy (Amy Irving), lives and works on the Upper West Side, she pays frequent visits to her Bubbe (Yiddish theater actress Reizl Bozyk), her grandmother, downtown. From the moment that Izzy steps off the train at Delancey Street, she’s transported to another world: a bustling Jewish enclave with market-goers shopping for produce, friends and neighbors in the streets kibbitzing and a Hasidic child sitting outside the subway, enjoying a treat from a local bakery.
This dichotomy between the “Old World” of the Lower East Side and the “New World” uptown is the central conflict of the film: Izzy’s inability to reconcile her Jewish roots with her desire to live a secular, intelligentsia lifestyle, as represented by her two love interests (Sam the Pickle Man and Anton, the self-important author).
However, rewatching the film in the present day, I can’t help but wonder: Would Izzy run from the shtetl if she knew that in a few years, it wouldn’t exist anymore? That due to rising rents and a shift in population, many Jewish businesses would meet their end — or, somewhat ironically, be part of the flight to Brooklyn that began in the early-to-mid 2000s? In some ways, 1988 itself was the beginning and the end: It marked the opening of the Lower East Side Tenement Museum, an effort to preserve the neighborhood’s immigrant past, and it was the very same year that Mayor Koch created a new redevelopment proposal for the Seward Park Extension, a canary in the coal mine for the sea change of development the city would see over the next 30 years.
Re-watching the film in 2022, it struck me how the Lower East Side’s bustling Jewish enclave — the same place where my grandparents were born and raised — has since been lost to time, gentrification and re-zoning plans. These days, the neighborhood paints a different picture entirely: giant buildings hog entire city blocks, with construction promising even more sky-high buildings. There’s no specific character to the neighborhood, no story to tell, few places more integral to the city’s fabric than the Delancey-Essex McDonald’s.
Of course, if you’ve lived in the city long enough, you know there’s no getting comfortable. New Yorkers have to, in essence, harden their hearts. We must accept that the local business you love that’s here today very well could be gone tomorrow — even if that business is a Duane Reade. The Lower East Side of today is not the neighborhood of 1988, or 1968 or 1928.
But amongst all of the present-day residential developments, upscale clothing stores and fast food chains, old-school Jewish businesses like The Pickle Guys, Kossar’s Bagels and Bialys and Yonah Schimmel’s Knish Bakery are still thriving. (And, I’d like to think that if you look hard enough, you’ll find some meddling but well-meaning bubbes and yentas, too.)
While we might not be able to fully experience the Lower East Side as the cast and crew of “Crossing Delancey,” here are four places from “Crossing Delancey” that you can still visit, and four that are sadly gone forever.
What Remains Today
Bubbe’s Apartment
154 Broome Street
The interior shots of Bubbe’s apartment, where Izzy fulfills all of her granddaughterly duties, like singing with her grandmother in Yiddish and plucking her chin hairs, were filmed at 154 Broome Street. The 181-unit building sits at the mouth of the Williamsburg Bridge — which is why Bubbe has that spectacular view — and is part of the New York City Housing Authority’s Seward Park Housing Extension. So while you still can visit the exterior of Bubbe’s apartment building today, don’t linger too long — it might weird out the current tenants.
Essex Market
108 Essex Street
This one is a little complicated. The original Essex Market, where Bubbe shows off her Korean-language skills, still stands today. (If you get off at the subway at Delancey Street, you can’t really miss it.) But that iteration of the market closed its doors in 2019 — in order to relocate to a building across the street so big and so glassy it would make Michael Bloomberg blush. In addition to apartments, office space and a movie theater (it’s a truly mixed-use building for our modern times!), Essex Market does boast local, independent vendors, such as Essex Olive & Spice, Porto Rico Importing Co. and Puebla Mexicana food. Per the New York Times, only one of the market’s vendors decided to forgo the move, opting instead for retirement. But you might want to pay a visit to the original Essex Market while you still can — even if only to give it one last look. Following the move, Essex Market initially housed some avant-garde art installations, but it has since seemingly closed its doors for good. According to Gothamist, it’s to be razed to create — what else? — more condos.
Seward Park Handball Court
Essex Street between Grand and Hester Streets
From the moment Sam and Izzy meet, he makes no effort to hide his ardor. In fact, I’d say he uses every weapon in his arsenal to demonstrate his interest — even going so far as to try to impress her with his handball skills when she unexpectedly drops by the court. (You might also clock his CUNY sweatshirt, as I most certainly did.) The handball court is still there, should you decide you want to play a pickup game, but sadly the court’s colorful mural depicted in the film has since been painted over.
Bonus: Gray’s Papaya
2090 Broadway
While this article is focused on the film’s Lower East Side locations, and with good reason, we’d be remiss if we didn’t point out that one important New York institution Izzy visits triumphantly remains: The Upper West Side Gray’s Papaya. There, Izzy celebrates her birthday with a friend and a hot dog — the right way to do it, in my opinion — when a woman bursts in singing “Some Enchanted Evening,” for everyone and no one in particular. It’s one of many of the film’s classic New York moments.
What’s Been Replaced
Steinberg’s Dairy
21 Essex Street
When Izzy emerges from that train at Delancey Street, director Silver takes great care to immerse us in this world. The camera stays on Izzy as she walks from the subway to Bubbe’s apartment, passing a host of local businesses along the way. Among them is Steinberg’s Dairy, which once lived at 21 Essex Street. Steinberg’s Dairy, which also had an Upper West Side location, offered staples like herring, egg salad and vegetarian chopped liver for less than a dollar back in 1941. Today, if you’re in the area, you can grab a drink at the punk rock bar Clockwork, which opened in 2013.
Zelig Blumenthal
13 Essex Street
Izzy also takes us by Zelig’s Blumenthal (also known as Z & A Kol Torah), where three older women sit outside, enjoying the sights and sounds around them. Once a popular Judaica store, it unexpectedly closed its Lower East Side doors in 2010 after 60 years in business. At the time, then-owner Mordechai Blumenthal made the decision to relocate the store to Flatbush due to a dwindling Orthodox population and foot traffic in the area, and a landlord who made clear he “wanted him gone.” It’s unclear if the Flatbush location remains open today, but a vintage clothing store called Country Of has taken up its original spot.
Posner’s Pickles (AKA Guss’ Pickles)
35 Essex Street
Posner’s Pickles, as run by Sam the Pickle Man in the film, was never exactly a real place to begin with. Filming took place at the world-famous Guss’ Pickles, which first opened on Hester Street in 1920, before relocating to Essex Street, where there were once over 80 pickle vendors for locals to choose from. After a stint on Orchard Street, Guss’ Pickles followed in the footsteps of so many others by then, leaving Manhattan to open up shop in Brooklyn’s Dekalb Market in 2017. While Guss’ Pickles is today based out of the Bronx, their delicious pickles are available to order no matter where you are in the country, via Goldbelly. Today, 35 Essex Street is home to Delancey Wine — appropriately named, but doesn’t offer possibilities for a slogan like “a joke and a pickle for only a nickel,” as Posner’s Pickles did in the film.
Schapiro’s Kosher Wines
124 Rivington Street
For 100 years, Schapiro’s Kosher Wines proudly served the Jewish community as the only kosher winery in New York City. It’s where Bubbe chides Izzy for her lack of interest in Sam, and while today the pair couldn’t have this conversation outside Schapiro’s, they could grab brunch at the restaurant Essex. Home to New York City’s “longest-running Brunch Party,” Essex salutes its Lower East Side roots with dishes like potato pancakes and Israeli couscous.
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The post How the Lower East Side has changed since the 1988 rom-com ‘Crossing Delancey’ appeared first on Jewish Telegraphic Agency.
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Minneapolis synagogue targeted with antisemitic, pro-Hamas graffiti on Oct. 7 anniversary
Graffiti targeting “zionists” and praising Hamas was spray-painted on the preschool wing of a Minneapolis synagogue on Tuesday night, the second anniversary of Hamas’ Oct. 7, 2023, attack on Israel.
Rabbi Marcia Zimmerman said she was notified by one of Temple Israel’s neighbors about the vandalism. She said her first reaction was outrage and pain.
“This does not solve any problem, and blaming American Jews in Minnesota for what’s happening globally is hate speech, it’s antisemitism. It’s nothing different than that,” she said. “It’s not about political differences. It’s about hate.”
“Fuck Zionism” is spray-painted on the wall of Temple Israel. (Lonny Goldsmith/TC Jewfolk).
On the building was spray-painted “Watch out Zionists,” “Fuck Zionism,” and “Al-Aqsa Flood,” Hamas’ code name for the Oct. 7 attack. There were also 14 inverted red triangles spray-painted on the building — a symbol associated with Hamas, which has used it in videos produced by its military wing to signify Israeli targets. The symbol has appeared in other graffiti of Jewish institutions during theIsrael-Hamas war.
Zimmerman said a report has been filed with the Minneapolis Police Department and video footage has been turned over for the investigation. E-mails to the MPD seeking comment were not returned.
Steve Hunegs, the executive director of the Jewish Community Relations Council of Minnesota and the Dakotas, called the incident “harrowing.”
“It’s targeted and consciously imitating the mass terrorism of Oct. 7,” he said. “It doesn’t get much more antisemitic and violent than that, other than the actual perpetration of the horrific acts.”
Hunegs said the incident represents an escalation of anti-Israel rhetoric.
“We’re seeing that someone would take the time to, in the middle of the night on Oct. 7, to vandalize the synagogue with the most incendiary, venomous message you could possibly find,” he said. The perpetrators, Hunegs said, decided “terrorism against Jews is worthy of celebration, and [they’re] going to take that message to an iconic synagogue in the heart of Minneapolis.”
Zimmerman said that she heard from Gov. Tim Walz and Minneapolis Mayor Jacob Frey, who is Jewish and has attended services at Temple Israel. He said in a tweet that the vandalism was “a reminder that hate still tries to find a foothold” but that it would not find on in the city.
“People are reaching out and in that, you feel a connection and camaraderie and support,” Zimmerman said. “Which is very helpful, but it doesn’t take away the horror of the message. It does help to not feel so alone.”
Zimmerman said she is a proud Zionist who also wants to see an end to suffering in Gaza — something that she said whoever spray-painted the graffiti did not understand.
“If you do understand the nuance and the complicated realities of the world and see each other as human, then you don’t do this. It’s disregarding the humanity of others by promoting hate and promulgating hate,” she said. “But it’s not going to stop us from continuing to do our work and to do interfaith work and to move forward in being proud of being Jewish and teaching about Israel and making sure that we work towards peace and towards the mission of being in the city and supporting the city.”
This story originally appeared on TC Jewfolk, an independent publication covering Jewish life in Minneapolis.
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Jewish freelance journalist Emily Wilder is detained as Israeli military intercepts Gaza aid flotilla
(JTA) — Jewish freelance journalist Emily Wilder, reporting for Jewish Currents, a progressive Jewish publication, was detained by the Israeli military on Monday while covering an aid flotilla bound for Gaza.
Wilder set sail from Italy last week aboard The Conscious, one of dozens of boats that aimed to reach Gaza and deliver humanitarian aid to the besieged enclave.
But that effort was cut short when Wilder, along with the other journalists and aid workers on her voyage, was intercepted by the Israeli military and detained. The military has intercepted, detained and deported activists sailing to Gaza multiple times in recent weeks.
Jewish Currents has been staunchly against the war in Gaza, calling Israel’s campaign there a genocide and advocating for the Palestinian cause. In an email to subscribers, publisher Daniel May said the publication sent Wilder on a flotilla because of the value of the reporting she could produce.
“Jewish Currents commissioned Emily’s reporting because we know that Israel’s unprecedented restrictions on journalists have facilitated the war crimes perpetrated in Gaza,” May wrote. “We also know that the flotillas are an important story in themselves.”
Wilder was a member of Jewish Voice for Peace and Students for Justice in Palestine, both anti-Zionist groups, as a student at Stanford University, from which she graduated in 2020. The next year, she was fired from the Associated Press in 2021 due to her social media posts about the Israeli-Palestinian conflict. Since then, according to her LinkedIn, she has worked as a freelancer and a human rights researcher.
Wilder was also documenting the voyage on her Instagram account, which has not posted an update since she and her crew were detained.
“Today, the @gazafreedomflotilla’s Conscience sets sail from the boot of Italy, with hopes of bringing ~70 media and medical workers across the Mediterranean to Gaza’s shores amid Israel’s blockade on international press and killing of doctors and journalists,” wrote Wilder last week in a post.
Israel’s foreign ministry blasted the flotilla participants in a post on X Tuesday.
“Another futile attempt to breach the legal naval blockade and enter a combat zone ended in nothing,” the post read. “The vessels and the passengers are transferred to an Israeli port. All the passengers are safe and in good health. The passengers are expected to be deported promptly.’
In the email, May directed readers to sign a Change.org petition calling for her release and to urge the California native’s representatives, including Democratic Sens. Adam Schiff and Alex Padilla, to advocate for her.
Last week, dozens of other boats that were part of the Global Sumud Flotilla were also intercepted, and hundreds of participants were detained and later deported, including Swedish activist Greta Thunberg who alleged that she had been “kidnapped and tortured” by the Israeli military. (Another flotilla effort including Thunberg was intercepted by the Israeli military in June.)
“My office has now confirmed that a second flotilla carrying vital humanitarian aid … has been intercepted, and nearly 145 passengers and crew detained,” wrote California Democratic Rep. Jimmy Comez in a statement. “Among the detained is my constituent Emily Wilder, a member of the press, who was reporting on the flotilla’s attempt to bring humanitarian aid to the people of Gaza.”
The post Jewish freelance journalist Emily Wilder is detained as Israeli military intercepts Gaza aid flotilla appeared first on The Forward.
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Tel Aviv’s Hostages Square is transformed by cautious optimism — and gratitude for Trump
(JTA) — TEL AVIV — The mood at Tel Aviv’s upscale Gindi Fashion Mall was divided between anticipation and disbelief on Thursday afternoon, in the wake of news of a hostage deal that could end the Gaza war and bring the remaining hostages home.
At a kiosk across from a Chanel boutique, fruit vendor Amit Bonen said she had learned not to trust good news too quickly. “I have optimism, but it’s filled to the brim with pessimism,” she said. “I won’t believe anything until I see it with my own eyes.”
Her colleague, Rinat, nodded in agreement. “You can’t trust those terrorists,” she said. “Who knows what trick they have up their sleeve?”
But Or, en route to a cosplay event, dismissed the caution. “Why not celebrate?” he said. “The hostages will come home. They’ll leave people in Gaza alone. What’s not to love?”
A few blocks away, Hostages Square looked transformed. For nearly two years it had been a gathering place for families of hostages and their supporters and for vigils marked by grief. On Thursday it was filled with songs that had become the soundtrack of wartime resilience — “Am Yisrael Chai,” “Machshavot Tovot,” “Ve’od Yoter Tov.” Impromptu circles of dance formed. American flags fluttered beside effigies of Donald Trump and handmade posters thanking the American president, who helped broker the agreement. Children leaned over folding tables, coloring “welcome home” notes for returning hostages.
Ariel Vinter, from Jerusalem, led the crowd in singing. The past two years had strengthened her faith, she said, which she leaned on to cope with the loss of her cousins, Ofir Tzarfati check sp and Tchelet Fishbein, who were killed on Oct. 7 at the Nova festival and Be’eri, respectively.
“I haven’t digested what happened to them. I don’t think I ever will,” she said. “But I know the families will only be able to heal when Eviatar and Guy are back,” referring to Evyatar David and Guy Gilboa Dalal, who were with Tzarfati when he was killed and who were taken hostage to Gaza.
Michel Illouz, whose son Guy was abducted from the Nova festival and later confirmed killed in Gaza, harbored no doubts about the news.
“I 100% know we are ending this war,” he said. “Everyone must understand that the only option is by peace and not war. For the Israeli side and Palestinian side.”
He would only find peace, he said, once he saw his son’s body. “I want to touch him. I want to make this closure.”
He added: “From this trauma, from this holocaust, we will have a great future for all our nation,” he added.
“We would never be here right now without him,” referring to Trump.
Nearby, well-wishers lined up to embrace relatives of the hostages. A woman who asked to hug Meirav Gonen, mother of freed hostage Romi Gonen, told her, “All along you were the source of strength for all of us to fight for you.”
Afterward, she told JTA: “They’re so strong. Why shouldn’t we be? It’s a matter of hours now. Nothing else matters. We can finally return to life.”
Gonen said the families were united by a shared determination. “Of course we’re holding our breath,” she said. “But this time it’s different. Everyone is together on this. You can feel it. Everything is aligned for this to happen.”
Her daughter’s release during a January ceasefire had not ended her own sense of obligation for the hostages.
“It’s a hole that hasn’t been filled,” she said. Like others, she credited Trump: “We couldn’t have done this without him.”
Among those taking part in the celebrations was Anat, a founding member of Bo’u, a volunteer movement formed in late 2024 to push for a hostage-release deal.
“For the first time, I feel I can breathe,” she said. “But it was all down to us — the Israeli people. We made Trump understand that most Israelis wanted the war to end — that our values, unlike the government’s, are about responsibility to one another. We were all partners in bringing them home.”
Some people came to the square for the first time. Doron Katz, who was freed from captivity with her daughters in the first hostage deal in November 2023, said she had stayed away until now. “It was too hard before,” she said. “But now, seeing people smiling and dancing — it’s very moving.”
Nechamit, who traveled from Netanya with nine friends, called it “a historic day.” Her friend, Ariella, described the atmosphere simply as “celebratory.”
“We’re ready to give Trump the Nobel Peace Prize for this,” she said.
Nearby, Tova Gohar waved a giant American flag. She said she came to “thank Trump for forcing Israel and the Arab countries into signing the deal. He’s a businessman, he knows how to do deals.”
Activists planned to sustain activities in the square in the coming days, as Israeli lawmakers sign off on the deal and the public awaits the hostages’ return. Prayers will be held in the square on Shabbat, and the public is invited to bring their Friday night dinners to create a communal experience.
Fourteen-year-old Noam Salame, from Karnei Shomron, said he was thinking about what the hostages would experience when they returned.
“I’m just imagining Bar Kupershtein seeing his father speak for the first time,” he said. Bar’s father, Tal, was left unable to speak after a stroke five years ago and has since regained his voice — a recovery he said came from determination to bring his son home, after Bar was abducted from the Nova festival.
“And of Ziv and Gali Berman watching Maccabi Tel Aviv’s ascent in the [Euroleague],” he added, referring to the 27-year-old twins, both avid soccer fans, who were kidnapped by Hamas from Kibbutz Kfar Aza.
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