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18 notable Jews who died in 2022

(JTA) — Every year brings the opportunity to celebrate the accomplishments of well-known Jewish icons in every field and to mourn those we have lost.

Here are 18 Jews who died in 2022 and who leave outsized legacies on politics, the arts, sports and everything in between.

Madeleine Albright

Former U.S. Secretary of State Madeleine Albright, pictured here in 2018, died March 23, 2022. (Bill O’Leary/The Washington Post via Getty Images)

The “first woman secretary of state in the United States” label will always follow Madeleine Albright, especially because of her success in such a male-dominated field of policy. But regardless of her gender, Albright’s moves as a part of Bill Clinton’s administration left a lasting mark on U.S. peacekeeping efforts around the world. Crucial to her worldview was her refugee story, which she did not fully grasp until after her time in the limelight. Her parents were Czech immigrants who had converted from Judaism to Catholicism and then Episcopalianism to avoid persecution before fleeing Europe. Albright did not like to talk about her parents’ choice to keep her in the dark, but when she did, it was in the voice of a blunt-edged diplomat who understood how the 20th century robbed some people of agency, and how they did what they had to do to reclaim it. “I can’t question their motivation. I can’t,” she told The Washington Post in 1997. Albright died March 23 in Washington, D.C., at 84.

Melissa Bank

American author Melissa Bank poses during a portrait session in Paris, Jan. 9, 2006. (Ulf Andersen/Getty Images)

Melissa Bank published just two books in her career, but both sets of short stories were bestsellers that explored the lives of Jewish women and still resonate with young readers decades later. Her 1999 debut, “The Girls’ Guide To Hunting And Fishing,” held a spot on The New York Times’ bestseller list for months. The comic misadventures of her two books’ Jewish protagonists often intersected with Jewish life: In “Wonder Spot,” Sophie Applebaum plays hooky from Hebrew class, considers taking a job with a Jewish newspaper, and contends with a cousin’s bat mitzvah and a sister-in-law’s passive-aggressive attempts to impose kosher rules on her home. Bank died of lung cancer at 61 in August.

Isaac Berger

Isaac Berger, left, at the 1964 Tokyo Olympics. (Central Press/Hulton Archive/Getty Images)

Setting Moses and the Maccabees aside, it’s not a stretch to call Isaac Berger one of the strongest Jews ever. Known as “Ike,” Berger won three Olympic medals, two World Championships and eight U.S. national championships in weightlifting during a dominant stretch in the 1950s and 60s. At the 1957 Maccabiah Games, Berger was the first athlete to break a world record in any sport in Israel. His gold medal was presented by Israeli Prime Minister David Ben-Gurion, who called Berger the “gibor Yehudi,” or “mighty Jew.” Berger was inducted into the U.S. Weightlifting Hall of Fame in 1965 and the International Jewish Sports Hall of Fame in 1980. Berger died in June at 85.

Peter Bogdanovich

Peter Bogdanovich at the 1999 New York City premiere of “RKO 281.” (Ron Galella/Getty Images)

Peter Bogdanovich was an Oscar-nominated movie director and actor whose films, ego and off-camera exploits encapsulated the personality-driven excesses of 1970s Hollywood filmmaking. He got his start making low-budget fare for shlock pioneer Roger Corman, then broke into the big leagues in 1971 with “The Last Picture Show,” a coming-of-age drama set in small-town Texas starring Jeff Bridges and Cybill Shepherd (who became the director’s partner after he began an affair with her during filming). “The Last Picture Show” became a critical and commercial smash, scoring Bogdanovich Oscar nominations for best director and best adapted screenplay, and turned its 32-year-old director into a wunderkind whom the press frequently compared to his idol, Orson Welles. Bogdanovich’s 1972 follow-up “What’s Up, Doc?” was also a hit, and as a bonus, the screwball comedy helped make a Jewish sex symbol out of star Barbra Streisand. Though Bogdanovich rarely discussed his religious background in interviews, he was proud of his father’s role in rescuing his Jewish mother from Europe. “He was a really great painter and very highly praised in the former Yugoslavia,” Bogdanovich said of his father Borislav in a 2019 interview with New York magazine, “but he gave all that up to save my mother and her family because they were Jewish. He wasn’t, but they were.” Bogdanovich died Jan. 6 in Los Angeles at 82.

James Caan

James Caan stands under casino lights in a scene from the 1974 film “The Gambler.” (Paramount/Getty Images)

One of the leading movie stars of the 1970s, James Caan once said he was twice honored as New York City’s “Italian of the Year.” It made sense, in a way: his fans were used to seeing him in tough guy roles, including one in arguably the most famous Italian gangster flick of all time, “The Godfather.” But Caan was born to German-Jewish immigrants in Queens, where his father was a kosher butcher, before starring in movies such as “Brian’s Song,” “The Gambler,” and, later in his career, Will Ferrell’s hit comedy “Elf.” His onscreen (and offscreen) persona did much to break stereotypes about weak, wimpy Jewish men. “He’s in his own lane, Jew-wise,” Seth Rogen wrote in a 2021 memoir, calling Caan an unusually “scary Jew.” Caan died July 6 in Los Angeles at 82.

Elana Dykewomon

Lesbian author, poet and playwright Elana Dykewomon, photographed at her home in Oakland, Calif., on May 1, 2022, died Aug. 7, 2022. (Jane Tyska/Digital First Media/East Bay Times via Getty Images)

Despite never earning mainstream commercial success, Elana Dykewomon was a pioneer in the world of lesbian-themed fiction. “Beyond the Pale,” her award-winning 1997 novel, traced the intertwined stories of Jewish lesbians from Kishinev, Moldova, to the Lower East Side, in a saga that included both Russian pogroms and the deadly Triangle Shirtwaist Factory fire. “It can’t be that we are the first generation of Jewish lesbian activists on the planet,” Dykewoman said at the time. “So part of what the novel is about is searching for our ancestors and ancestral community as Jewish lesbians.” Born Elana Nachman in New York City in 1949, Dykewomon changed her name after the publication of her first novel, “Riverfinger Women,” in 1974. She wanted to distance herself from the Nachman line of rabbis from whom she descended, she told J. The Jewish News of Northern California, in 1997. She adopted Dykewoman, then Dykewomon, to demonstrate her allegiance to the lesbian community — but later regretted not using her name to assert her Jewish identity, too. “If I had to do it all over again, I might have chosen Dykestein or Dykeberg,” she said at the time. Though she rejected religion after becoming a radical feminist, she said, she studied Yiddish, Torah and Talmud while writing “Beyond the Pale”; often wrote on Jewish themes; and frequently included Jewish characters in her work. The 2009 novel “Risk,” for example, featured a Jewish lesbian who lives in Oakland and makes a living tutoring high school students. Dykewomon died in August at 72 from cancer.

Hanna Pick-Goslar

Hannah Pick-Goslar seen at the Anne Frank House in Amsterdam, Oct. 11, 2012. (Marcel Antonisse/ANP/AFP via Getty Images)

Hannah Pick-Goslar appears multiple times in Anne Frank’s iconic diary — as both a close friend and a premonition of the Holocaust horrors to come for Frank’s family. As Anne wrote after having a nightmare about her friend: “[Her] eyes were very big and she looked so sadly and reproachfully at me that I could read in her eyes, ‘Oh, Anne, why have you deserted me? Help, oh, help me, rescue me from this hell!’” Their final meeting would be at a fence in the Bergen-Belsen concentration camp. After recuperating from her liberation from the camp in the Netherlands and then later in Switzerland with her aunt and uncle, Pick-Goslar emigrated in 1947 to Israel, where she became a pediatric nurse and Holocaust speaker. Her friendship with Frank was the subject of a book, “Memories of Anne Frank: Reflections of a Childhood Friend,” and a Dutch film, “My Best Friend Anne Frank” (2021). Pick-Goslar died in Jerusalem on Oct. 28 at 93.

Gilbert Gottfried

Gilbert Gottfried at SiriusXM Studios in New York City, Feb. 3, 2020. (Slaven Vlasic/Getty Images for SiriusXM)

For a comic known for his grating, nasally voice and extremely R-rated jokes, Gilbert Gottfried was a surprisingly sweet and loving Jewish dad who grew more in touch with his Jewishness after marrying his wife in 2007. The man known as the Aflac duck voice got himself nearly canceled more than once: In 1991, Fox apologized after Gottfried, hosting the Emmy awards, kept joking about fellow comic Pee-wee Herman’s arrest for masturbating in an adult movie theater. He continued to score gigs in movies, on talk radio (frequently with Howard Stern), on sketch shows and sitcoms, and as a voice on cartoons. He was the funny animal sidekick, Iago the parrot, in Disney’s “Aladdin.” Then he famously told perhaps the first joke about the Sept. 11, 2001 attacks, just a few days after terrorists piloted airplanes into the World Trade Center and the Pentagon. “I’ve always said tragedy and comedy are roommates,” Gottfried told Vulture in 2019. Gottfried died Feb. 28 at 67 in New York from complications related to myotonic dystrophy, a rare condition.

Estelle Harris

Estelle Harris and Jason Alexander greet each other at the after-party for “The Producers” at the Hollywood Palladium in Los Angeles, May 29, 2003. (Kevin Winter/Getty Images)

Born Estelle, immortalized on TV as Estelle — Estelle Costanza, to be exact, the always shrill and frequently apoplectic mother to George Costanza, on the sitcom “Seinfeld” from 1992 until the show’s finale in 1998. According to Deadline, it was kismet: the character was named Estelle before Harris landed the part. Harris was born in New York City in 1928 where her parents, Jews of Polish descent, owned a candy store in Manhattan. When Harris was 7 years old, the family moved to Tarentum, Pennsylvania, where Harris suffered from antisemitic bullying at school. She quickly to turning to the theater, aided by elocution lessons, and found her calling. Though Harris went on to a prolific career recording voiceovers for commercials and playing minor characters in movies and TV shows, she became so identified with her “Seinfeld” role that fans frequently stopped her on the street to tell her her she reminded them of their own mothers. Jason Alexander, who played her character’s son George on “Seinfeld,” remembered his “tv mama” in a tweet after her death. “One of my favorite people has passed – my tv mama, Estelle Harris. The joy of playing with her and relishing her glorious laughter was a treat. I adore you, Estelle,” he wrote. Harris died in April at 93. 

Chaim Kanievsky

Rabbi Chaim Kanievsky at his home in Bnei Brak, Israel, Dec. 26, 2019. (Yaakov Nahumi/Flash90)

For one of the most revered Torah scholars on Earth, at least for many haredi Orthodox Jews, Chaim Kanievsky had surprisingly small handwriting. People would write to him from around the world with questions on postcards, and he would usually give “quite short answers,” a professor told JTA. “But from all his answers there are many books,” she added. After the 2017 death of Rabbi Aharon Leib Shteinman, Kanievsky became the preeminent leader of Israel’s non-Hasidic haredi Orthodox community, an authority on matters of Jewish law. He was an isolated figure who kept to himself and studied Jewish texts in the city Bnei Brak, but he became more vocal on political topics late in life. During the COVID-19 pandemic, Kanievsky first lobbied for yeshivas to stay open, but once vaccines became available, he bucked the opinions of many in his community and pushed Jews to get vaccinated — earning some death threats in the process. Kanievsky died at 94 in Bnei Brak in March.

Aline Kominsky Crumb

Aline Crumb and Robert Crumb attend A Night at Crumbland celebrating Stella McCartney and Robert Crum Collaboration and the R. Crumb Handbook at the Stella McCartney Store, in New York City, April 12, 2005. (Nick Papananias/Patrick McMullan via Getty Images)

In one of her autobiographical comics, Aline Kominsky Crumb wrote about seeing one Jewish girl after another coming into high school on Long Island after plastic surgery. “Me ‘n’ my friends developed a ‘big nose pride,’” she wrote, and one of the characters says, “I could not stand to look like a carbon copy!” Working with her husband Robert Crumb, also a leading underground comics artist, and then on her own, Kominsky-Crumb brought raw self-lacerating accountability to the genre, subverting stereotypes about Jewish women along the way. Seen by many in the 1970s and 80s as overly crude or controversial, she’s now an icon for many feminist artists. Roz Chast said her influence is seen in “every woman who creates her own cartoon voice.” Kominsky-Crumb died of pancreatic cancer at 74 in November.

Sam Massell

Mayor Sam Massell , center, and his daughter Melanie, seated, welcome members of the Jackson Five to the mayor’s office in Atlanta, April 7, 1971. (Photo by Afro American News via Getty Images)

Sam Massell was Atlanta’s first Jewish mayor, serving from 1970-1974, and the city’s last white mayor. But he was remembered as more than a single-term bookend: Massell was the first mayor to prove that the city’s Blacks had clout enough to elevate their chosen candidate to office, and he embedded Black leaders in government and built its mass transport system, forever changing the city. During his term as mayor, the number of Blacks in leadership positions doubled, to 40%. “Being black means you are always different,” he would say. “But being Jewish means I am always different, too.” Massell died March 13 at 94.

Miriam Naor

Supreme Court President Miriam Naor speaks during a swearing-in ceremony for newly appointed judges for the Supreme Court at the President’s residence in Jerusalem, Jun. 13, 2017. (Yonatan Sindel/Flash90)

Miriam Naor served on the Israeli Supreme Court for 14 years and became the second woman to helm the court as chief justice. Her tenure presided over a period when the court made several significant rulings around religious pluralism in Israel. One of the most important came in 2016, when the court ruled that Israel must recognize conversions to Judaism performed in Israel outside of the rabbinate, which controls all religious matters in Israel, for the purposes of citizenship under the country’s Law of Return. During her tenure, the court also ruled that mikvehs, or ritual baths, in Israel had to be made available for the use of non-Orthodox converts to Judaism. Speaking at her swearing-in ceremony in 2015, Naor spoke about the need to preserve Israel’s character as a “Jewish and democratic state that upholds the principle of equality” as well as to “protect human rights and the rule of law.” Naor died in Jerusalem on Jan. 24 at 74.

Nehemiah Persoff

Nehemiah Persoff has hundreds of screen credits from classic Hollywood films and TV shows. Clockwise from top left: “Some Like It Hot,” “On The Waterfront,” “Red Sky at Morning,” “Yentl” and “Playhouse 90” (as Benito Mussolini). (Nehemiah Persoff/Photo illustration by Grace Yagel)

Few openly designate themselves as “character actors,” but Nehemiah Persoff didn’t shy away from the term. From the years following Israel’s independence through the Golden Age of Hollywood and beyond, Persoff had 200 stage and screen roles, working with directors such as Billy Wilder, Alfred Hitchcock, Barbra Streisand and Martin Scorsese (playing a rabbi for the latter in “The Last Temptation of Christ”). He often played gangsters, including in the Marilyn Monroe classic “Some Like it Hot.” Born in Jerusalem, Persoff followed his family to the United States in 1929, and after World War II reconnected with his Israeli roots by performing onstage in the country. Though Persoff was not religious, he remained a devout Zionist his entire life and expressed regret for forgoing fighting in the 1948-49 War of Independence in order to further his acting career back in the United States. Persoff died in April at 102.

Svika Pick

Israeli singer Svika Pick, who died Aug. 14, 2022 at the age of 72, poses in a 1985 photo. (Moshe Shai/Flash90)

One of the most famous figures in Israeli cultural history, musician Svika Pick was a pioneer in his adopted country in many senses. He lightened up Israel’s pop music with simple chords and lyrics; he borrowed sounds from Mizrahi music and employed Black backup singers at a time when his government was trying to deport many would-be immigrants; and he set fashion trends with a feminine, Bowie-like aesthetic. In 1998, he wrote Israel’s third Eurovision winner, “Diva,” for Dana International, the first transgender person to win the contest. In his later years, Pick became a judge on reality shows and his daughter Daniella became paparazzi fodder when she married American director Quentin Tarantino, who moved to Tel Aviv to join the family. Pick died Aug. 14 in Ramat Hasharon, Israel, at 72.

Bob Saget

Comedian Bob Saget performs at the Improv Comedy Club at the Seminole Hard Rock Hotel and Casino in Hollywood, Fla., Feb. 24, 2006. (Ralph Notaro/Getty Images)

A wholesome dad on network TV, and one of the raunchiest standup comedians in the business — few could boast a resume like Bob Saget’s. Before he got to Hollywood, Saget honed his comedy as a misbehaving Hebrew school student at Temple Israel in Norfolk, Virginia. “I go back and forth with my belief system, by the way. I’m not the best, most observant Jewish person you’ve ever met or talked to, and yet I’m Jewish and proud to be,” he once said. After a short stint contributing to CBS’ “The Morning Program,” Saget was cast to play a morning show host on TV. As Danny Tanner on “Full House,” Saget played a widowed dad and TV host raising three daughters in San Francisco with the help of his brother-in-law and his best friend. Saget was also known for hosting “America’s Funniest Home Videos.” The respected standup died in January at 65 from complications after a blunt head trauma.

Gerda Weissman Klein

President Barack Obama presents Jewish Holocaust survivor Gerda Weissmann Klein a 2010 Presidential Medal of Freedom, during a ceremony in the East Room of the White House in 2011. (Brooks Kraft LLC/Corbis via Getty Images)

Gerda Weissmann Klein’s liberation from concentration camps came after a brutal 350-mile death march to avoid the advance of the Allied forces. Of the 4,000 women who started the march, fewer than 120 survived. After moving to the United States, Weissman Klein became a bestselling author of 10 books, including her 1957 autobiography, “All But My Life,” which is frequently used as a text by Holocaust educators, and “The Hours After: Letters of Love and Longing in War’s Aftermath,” a chronicle of her and her husband’s correspondence in the years between liberation and their marriage. Decades later, Weissmann Klein’s story became the basis of the 1995 HBO short documentary “One Survivor Remembers,” which won both an Emmy and an Oscar (and is currently available for streaming on HBO Max). At the Oscars, she was almost played off before she could deliver an acceptance speech; but she stood her ground, and delivered a memorable message, concluding with, “Each of you who know the joy of freedom are winners.” Klein died April 3 in Phoenix, Arizona.

A.B. Yehoshua

Israeli novelist A.B. Yehoshua speaks after receiving an honorary degree at the University of Palermo, Sept. 10, 2019. (Francesco Militello Mirto/NurPhoto via Getty Images)

Many of Israel’s leading writers take aim at the country’s moral and political dilemmas. But few attacked the subjects with such blatant intensity as A.B. Yehoshua, who authored 11 novels, three collections of short stories and four plays, in addition to other essays. His fiction centered on the on-the-ground lived experiences of Israelis, but there were always larger societal themes and critique. He experimented with format, too, leading critic Harold Bloom to compare him to William Faulkner in 1984. But he was arguably as well known for his sharp public statements on his homeland, politics and Diaspora Jews. A firm believer in a two-state solution who critiqued both the Israeli occupation and Palestinian leaders, Yehoshua also infuriated U.S. groups by saying “Only those living in Israel and taking part in the daily decisions of the Jewish state have a significant Jewish identity.” He died on June 14 in Tel Aviv at 85.


The post 18 notable Jews who died in 2022 appeared first on Jewish Telegraphic Agency.

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Iran Hits Ships and UAE Oil Port in Show of Force After Trump Orders Navy to Open Strait

Ships and boats in the Strait of Hormuz, Musandam, Oman, May 1, 2026. Photo: REUTERS/Stringer TPX IMAGES OF THE DAY

Iran hit several ships in the Strait of Hormuz on Monday and set a UAE oil port ablaze, following President Donald Trump‘s announcement that he will use the US Navy to free up shipping.

The Iranian attacks marked the war’s biggest escalation since a ceasefire was declared four weeks ago.

Trump‘s new mission “Project Freedom,” which he announced on social media overnight to release ships stuck in the strait, was the first apparent attempt to make use of naval power to unblock the world’s most important energy shipping route.

But at least in the initial hours on Monday, the effort brought no surge of merchant shipping through the strait while provoking a show of force from Iran, which had long threatened to respond to any escalation with new attacks on its neighbors.

The US military said two US merchant ships had made it through the strait, without saying when. Iran denied any such crossings had taken place.

The commander of US forces in the region said his fleet had destroyed six small Iranian boats, which Iran also denied. Admiral Brad Cooper said he “strongly advised” Iranian forces to keep clear of US military assets carrying out the mission.

Iranian authorities, for their part, released a map of what they said was an expanded sea area now under their control, which went far beyond the strait to include swathes of international waters, including long stretches of the United Arab Emirates’ coastline on either side of the strait.

South Korea reported one of its merchant ships had been hit by an explosion and fire inside the strait. The British maritime security agency UKMTO reported two ships had been hit off the coast of the UAE, and the Emirati oil company ADNOC said one of its empty oil tankers was hit by Iranian drones while trying to cross.

Iran has taken some shots at unrelated Nations with respect to the Ship Movement, PROJECT FREEDOM, including a South Korean Cargo Ship. Perhaps it’s time for South Korea to come and join the mission!” Trump posted on social media on Monday.

After reported drone and missile attacks inside the UAE throughout the day, including one that caused a fire at an important oil port, the UAE said Iranian attacks marked a serious escalation and it reserved the right to respond.

STRAIT STILL BLOCKED

Trump has struggled to find a solution to the disruption of international energy supplies caused by Iran‘s blockade of the strait, which carried a fifth of global oil and liquefied natural gas before the war.

In the more than two months since Trump launched an air war against Iran alongside Israel, Tehran has largely blocked the strait to ships apart from its own. Since last month, the United States has imposed its own blockade of ships leaving and entering Iranian ports, further crippling Iran’s already ailing economy.

The warring sides issued contradictory statements on Monday about the initial impact of the new US mission, and Reuters could not independently verify the full situation there.

But there was no immediate sign that large numbers of merchant ships were making new attempts to cross, and major shipping companies said they were likely to wait for an agreed end to hostilities before trying to sail through.

REVOLUTIONARY GUARDS SAY NO TRANSITS TOOK PLACE

In a post on X, US Central Command said some of its Navy guided-missile destroyers were inside the Gulf supporting the operation, and that two US-flagged merchant vessels had crossed the strait “and are safely headed on their journey.”

It did not identify either the warships or the merchant vessels or say when any of those crossings had taken place.

Iran‘s Revolutionary Guards said no commercial vessels had crossed the strait in the past few hours, and that US claims to the contrary were false.

Earlier, Iran said it had fired on a US warship approaching the strait, forcing it to turn around. An initial Iranian report had said a US warship was struck, but Washington denied this and Iranian officials later described the fire as warning shots.

South Korea’s Foreign Ministry said there was a fire and an explosion onboard the Namu, a merchant ship operated by South Korean shipper HMM. Yonhap news agency reported that the government was checking intelligence indicating the vessel may have been attacked.

The UAE, meanwhile, reported a fire at an oil installation in its port of Fujairah following an Iranian drone attack. Fujairah lies beyond the strait, making it one of the few export routes for Middle East oil that does not require passing through it.

SHIPPING INDUSTRY AWAITS CLARITY ON SAFETY

Oil prices jumped more than 5% in volatile trade as news of the increased Iranian attacks emerged.

In his social media post announcing the new mission, Trump gave few details of what action the US Navy would take to get ships through the strait.

“We have told these Countries that we will guide their Ships safely out of these restricted Waterways, so that they can freely and ably get on with their business,” Trump wrote.

In response, Iran‘s unified command told commercial ships and oil tankers:

“We have repeatedly said the security of the Strait of Hormuz is in our hands and that the safe passage of vessels needs to be coordinated with the armed forces … We warn that any foreign armed forces, especially the aggressive US Army, will be attacked if they intend to approach and enter the Strait of Hormuz.”

The United States and Israel suspended their bombing campaign against Iran four weeks ago, and US and Iranian officials held one round of face-to-face talks. But attempts to set up further meetings have failed.

Iranian state media said on Sunday that Washington had conveyed its response to a 14-point Iranian proposal via Pakistan, and that Tehran was now reviewing it. Neither side gave details of any US response.

The Iranian proposal would postpone discussion of Iran‘s nuclear program until after an agreement to end the war and resolve the standoff over shipping. Trump said over the weekend he was still studying it but would probably reject it.

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Australia Begins Hearings Into Bondi Beach Attack and Rising Antisemitism

Rabbi Levi Wolff lights a menorah at Bondi Pavilion to honor the victims of a shooting during a Jewish holiday celebration at Bondi Beach, in Sydney, Australia, Dec. 15, 2025. Photo: REUTERS/Hollie Adams

Australia began public hearings on Monday in an inquiry into the Bondi Beach mass shooting in December, with Jewish Australians giving evidence of their experience of rising domestic antisemitism.

The attack on a Jewish Hanukkah celebration killed 15, fueling calls for tougher gun controls and more action to tackle hatred toward Jews, following a spate of antisemitic incidents.

The first block of public hearings will investigate the nature and prevalence of antisemitism, said Virginia Bell, the retired judge leading the wide-ranging national inquiry known as a Royal Commission.

“The sharp spike in antisemitism that we’ve witnessed in Australia has been mirrored in other Western countries and seems clearly linked to events in the Middle East,” Bell said.

“It’s important that people understand how quickly those events can prompt ugly displays of hostility toward Jewish Australians simply because they’re Jews.”

‘WE DON’T FEEL SAFE HERE’

Witnesses from the Jewish community told the inquiry they felt increasingly unsafe amid rising hostility since the October 2023 start of the war in Gaza.

“What is happening in Australia today is not a faint echo of a distant past,” said Peter Halasz, an 86-year-old Holocaust survivor who fled to Australia from Hungary.

“For those of us who lived through the 1930s and 1940s, it is something we recognize, and that recognition is frightening and cause for alarm.”

Sheina Gutnick, who lost her father Reuven Morrison in the Bondi attack, said antisemitism had damaged her family’s sense of safety and freedom of movement.

“As a mother, I’m constantly weighing up the risk of exposing my children to environments where they may be witness, or subject, to antisemitism,” she told the panel.

She recounted an incident in which a stranger at a shopping center called her an “effing terrorist” for wearing a Star of David necklace.

Another witness said her family was relocating to Israel because of safety concerns.

“We never expected synagogues to be burned down,” said the woman, who used the pseudonym “AAM.” “We never expected Jews to be hunted on Bondi Beach.

“My family and I no longer want to live in Australia. We don’t feel safe here. We don’t feel welcome.”

JEWISH SCHOOL LOOKS ‘MORE LIKE A PRISON’

Stefanie Schwartz, the president of Sydney Jewish primary school Mount Sinai College, spoke of holding drills to prepare young students to deal with terrorist attacks, and requiring an “extreme” security presence on campus.

“You walk past our school, and it looks a lot more like a prison than a primary school.”

Antisemitism has “run riot,” with Jewish Australians being held responsible for the actions of the Israeli government, said Benjamin Elton, the chief minister of the Great Synagogue in Sydney.

The inquiry released an interim report of 14 recommendations last Thursday, urging greater security for Jewish public events and further counterterrorism and gun reforms.

A second block of hearings later in May will focus on the circumstances leading up to the Bondi Beach attack and issues raised in the interim report.

The commission is due to deliver its final report on Dec. 14, exactly a year after the attack.

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A new musical wonders: What happened to solidarity with English Jews?

The Battle of Cable Street, a 1936 street scuffle off an obscure stretch of road in London’s East End, holds a totemic importance to the Jews of England, and, given how few they are in number, a correspondingly small significance in the larger British imagination.

The musical Cable Street, dramatizing that showdown between Jewish and Irish East Enders against Oswald Mosley’s fascist blackshirts, arrives Off-Broadway from London amid a spate of headlines about the safety of English Jews and a subsequent minimization of their fears. Only now, the political alignment of those defending or hectoring Jews has recalibrated from the days the play examines.

In his rhetoric and tactics, the anti-Islam “activist” Tommy Robinson, who antagonizes Muslim neighborhoods and marched through Central London in his “Unite the Kingdom” rallies, would appear to be the heir apparent to a Mosley, with the exception that he presents himself as a friend of the Jews. (Most Jews in the U.K. won’t have him; the Israeli far-right welcomed him to the Jewish state last October.)

On the left, the multicultural coalition has found a cause in Palestinian rights, which they march for like clockwork. Jews, who in the U.K. make up about .5% of the population but a whole 29% of recorded religious hate crimes, don’t count in their social justice calculus, comedian David Baddiel has argued. Evidence is mounting in that direction.

Police have surrendered to community leaders pushing to cancel an Israeli soccer club match, fabricating evidence with A.I. post facto to make it seem like the Israel fans will be the violent faction. A Panorama documentary from last month makes an earnest case for Jewish anxiety, but aired only after the BBC was made to review their standards over stories on Gaza following the network running a documentary that failed to disclose its narrator was the son of a Hamas minister. (This to my mind is nowhere near as egregious as the channel’s reluctance some years before to back down from blaming Orthodox children for their own abuse by mistranslating a word of Hebrew into an anti-Arab slur.)

Jews being gunned down outside shuls on Yom Kippur or stabbed in the streets – as they were just last week, two days before I saw this musical — don’t mobilize the masses. They do get the odd pundit condemning the violence, only to then to whatabout with the humanitarian disaster in Gaza or blame Jewish institutions’ efforts to conflate Jews and Israel, as if only when uncoupled will their targeting be truly horrendous.

British Jews are so much a rounding error they could hardly sway a council election. That fact scarcely moves the needle on the old libels of governmental control, as Labour responds to violence with crack downs on pro-Palestinian protests.

The development of Cable Street goes back years before the current bloodletting, yet it has hit on a rhyme in history.

The story provides a framing device of a present-day walking tour before jumping back in time to follow three youths and their families: Irish immigrant Mairead (Lizzy-Rose Essin-Kelly), who dreams of a writer’s life during her day job rolling bagels; Sammy Scheinberg (a dynamic Isaac Gryn), who wants to be a boxer against the wishes of his shmata business father; and Ron (Barney Wilkinson) a recent Lancashire transplant, underemployed, with hair the color of threshed wheat, ripe for recruitment by a band of populist nativists.

The show finds hope in an unlikely coalition of Irish dockworkers, Jews and Communists rallying to stop a police-escorted British Union of Fascists (BUF) march through London’s Jewish Quarter. The parable is so near to today’s headlines that it can make one’s head spin, and, in the particular case of a Jew, scan for allies. Better luck in New York, with the Brits Off Broadway festival, than across the pond, where this may be taken as a more general parable, with Jews as allegorical victims standing in for other marginalized groups. To read into the story the excesses of today’s protests, and what the authorities allow under the pretext of free speech, would surely be sacrilege, depending on which marchers it’s applied to and where your loyalties lie.

The cast take on a horse — in the real battle, local kids tripped the cavalry with marbles. Photo by

The music by Tim Gilvin has shades of what I’ll call Hebraic Hamilton (“Dream of making the dough, making the bread, baking the challah,” Sammy spits bars over a backbeat). There’s an Irish jig and a ballad that sounds like Coldplay, and “Only Words,” an elegiac plea from a Jewish father to his hothead son. (Jez Unwin plays the Scheinberg patriarch, a modern-day descendant and the leader of the Stepney BUF.) A ragtime number of chattering broadsheets sellers feeds us intermittent exposition.

The introduction of the BUF imagines them as a ‘90s boy band, making fun before they prove their menace. It works better downtown, when the Nazis in another British import, Operation Mincemeat, do their K-Pop number, as that show is an all-out farce.

Better by far is the play’s treatment of Jewish scenes, scripted by book writer Alex Kanefsky with deft direction by Adam Lenson. We hear a hamotzi, see a synagogue (with an implied women’s balcony) and hear a refrain of Sholem Aleichem and Sim Shalom integrated into musically layered sequences.

The indefatigable cast of 13 plays countless characters, switching allegiances from Mosleyites to Jews at the donning of an armband. This can lead to odd stage imagery, as when musician-actor Max Alexander-Taylor is togged up like a blackshirt while riffing on an electric guitar. (The rest of the band is on a top level, shielded in by the corrugated metal and chainlink of Yoav Segal’s set design.)

But there are moments of sublime stage work, après Les Miz, as the story’s action rises and the street mounts a defense with slogans borrowed from Spanish Republicans. The play, in its chilling wisdom, doesn’t stop at this high point. It allows room for what followed: The BUF’s membership only grew after the battle. Regrouping, they retaliated with a pogrom against the Jews. This time, no one showed up to defend them.

The cringey lyric of the battle song — “we’re not like the others, we won’t let you demonize our sisters and brothers” — is replaced with a more sober conclusion from Sammy’s sister in the wreckage of the attack.

After noting how “the rich blame the poor, the poor blame the rich and everybody hates the Jews,” Rosa Scheinberg (Romona Lewis-Malley) laments that “when the common enemy’s defeated, old wounds flare up, and old mistakes get repeated.” Solidarity was but a brief and shining moment.

As a concession to hope, the show doesn’t end there, but it very well might.

The musical Cable Street plays at 59E59 in New York through May 24. Tickets and more information can be found here.

The post A new musical wonders: What happened to solidarity with English Jews? appeared first on The Forward.

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