Connect with us

Features

Jews & Jazz: Baroness Nica of New York City

Baroness Nica de Koenigswarter, born Kathleen Annie Pannonica (Nica) Rothschild

By DAVID TOPPER This true story is a sequel to “Jews in Strange Places.”

In the summer of 1964, living in Pittsburgh, I attended the city’s first International Jazz Festival. I remember sitting alone, high in the Civic Arena, looking down on the concert below. I would need to go on-line to retrieve names of who the musicians were that I saw that night – save for one. Sometime in the middle of the show, the entire arena went dark, except for a single overhead beam of light shining down on a solo pianist directly below. It was Thelonious Monk.

Thelonious Monk

To describe Monk’s music to a general audience, I need to speak of dissonance, angular melodic twists, hesitations, and even moments of silence. It was also fascinating to watch him play. With his hands splayed out flat (breaking all the rules of piano etiquette) he jabbed at the notes, as if he was seeing and discovering the keyboard for the first time.
One of the most interesting examples of appreciating Monk’s playing was demonstrated by the experience of a particular jazz critic (but I can’t recall who it was). Having at first only heard Monk’s music, he didn’t like it. But after he saw him playing, he began to understand and eventually to like it.
At that 1964 concert Monk played “Don’t Blame Me.” Not only is it the only thing I remember over the entire evening, but it is, I’m sure, the only piece that made me cry. Yes, I was that moved by his playing. It was a magical musical moment in my life that I’ll never forget.
I don’t know which came first: that concert or my buying the record album on which the tune appears. The record is CRISS-CROSS (Columbia, 1962), and it features Monk’s quartet at that time, with that song being the only solo track. From the liner notes we learn that when Monk left home for the studio, he was asked if he was going to play “Don’t Blame Me.” He said: “Maybe, it depends how I feel when I get there.” At the studio, he sat down at the piano, played a few dance tunes – and with the recording equipment still on – he went straight into that tune. Interestingly, in the liner notes, the writer calls Monk’s music “pure magic” – a phrase, I see, that I also used above.    
The writer of these liner notes was Baroness Nica de Koenigswarter, the focus of this story. Born in the UK in 1913, Kathleen Annie Pannonica (Nica) Rothschild, the youngest of four children, grew up in a quarantined life within manor estates. From an early age she showed talent in drawing and painting, later studying art history and branching off into photography (she became obsessed with the new Polaroid camera in the 1950s). It was her brother Victor who introduced her to jazz, particularly the work of Duke Ellington. This was probably in the late 1920s – and she was hooked.
Ever searching for excitement, Nica learned to fly an airplane. It was through flying that she met Baron Jules de Koenigswarter, ten years older and a widower, whom she married in 1935. They eventually settled into a 17th century chateau in north-west France. Over their years together they had five children.
Nica’s adult life is clearly divided into two parts. The second part, her role as the Jazz Baroness Nica in New York City (NYC), is the focus of this story. Nonetheless, some of the highlights of the first part provide some insight into the complexity of this fascinating woman.  
Living in France in September of 1939, she experienced the start of World War II. Jules immediately joined the Free French Army as a lieutenant. Nica opened her doors to refugees and evacuees, until the Nazi army was advancing on Paris. Jules urged her to escape, and she did: with her children (she had the first two at this time) she got on the last train of refugees heading toward the English Channel. From the UK they went to the USA, settling in New York.
Jules was now in Africa. Nica (after leaving the children safely with friends in the Guggenheim family, on Long Island) joined him in January 1941 in equatorial Africa. She first worked as a decoder of intelligence, then a radio host, and finally an ambulance driver for the French Division in the North African Campaign. Having survived a bout of malaria in Africa, she was with the troops as they advanced on Rome. At the war’s end she was in Berlin and was decorated for her work.         
If Nica hadn’t crossed the Channel in 1939, she may have suffered the fate of some of her family members who stayed in France, such as an 80-year-old aunt who was beaten to death in Buchenwald. Also, Jules had pleaded with his mother to get out, as Nica did, but she dismissed him. She died in Auschwitz, along with most of the rest of Jules’ extended family.
After the war, Nica and Jules were united with their children. Jules was then posted as a diplomat in French embassies – first in Norway and then in Mexico. During this time, their three other children were born. From Mexico City, Nica made occasional trips to NYC to listen to jazz, often alone. It seems that what became Nica’s obsession with the music was, concurrently, a major source of antagonism with Jules. He didn’t like jazz and said so. When they would fight, he would break her records. Inevitably, it led to their separation.
In 1953, Nica moved to NYC (taking along her oldest child, Janka, a teenager). After settling into a suite in the Stanhope Hotel in the Upper East Side, she bought a Rolls-Royce with which to jaunt around to the jazz clubs in the city; since she liked to drag race, she later traded it in for a faster Bentley. This was the era of the famous Five Spots Café, the Village Vanguard, Birdland, and other jazz joints. In a short time, with her upper-class British accent, she became known as the Jazz Baroness, having friendships with and being the patron of many jazz musicians.

Thus begins the second part of her life – and the reason for my story.
But before we venture there, we need to deal with drug addiction. Sadly, drugs played a major role in the lives of many jazz musicians in this era, and I need to discuss it, especially to put in the context of the endemic racism of the times. There were drug laws that the mainly white cops were ever anxious to enforce; and they didn’t hesitate to use their billy clubs to strike any black man’s head, if he resisted arrest. I am not exaggerating: several jazz musicians’ lives were shortened due to a severe beating by a cop. Moreover, the drug lords (some of whom owned the jazz clubs) were mainly from the Sicilian Mafia, who had access to an endless supply of heroin from Turkey, and they specifically targeted the black community. Blacks were easy targets, with their marginal existence within white society. Cramped in ghettos (such as Harlem) they could readily escape with drugs – and, sadly, too many of them did.
It was the bane of the otherwise flourishing development of modern jazz – as it evolved out of the bebop movement into cool jazz, then hot jazz, and on through hard bop and beyond. The names constitute a canon of innovative brilliance: Charlie Parker, Dizzy Gillespie, Coleman Hawkins, Kenny Clark, Bud Powell, Charles Mingus, Teddy Wilson, Art Blakey, Bill Evans, and more. Nica was at the center of all this in NYC – living among these major players all those years.
Nica too was hooked. But not on drugs. She was addicted to alcohol, which probably shortened her life: specifically, Chivas Regal, the exclusive aged scotch whiskey – a bottle of which she inexorably carried in her purse.
Her hotel suite became a place where musicians could get a restful retreat after a gig (sometimes sleeping overnight), a meal (courtesy of Room Service), money (to buy groceries or pay outstanding bills) – and, of course, a place to have after-hours jam sessions. Black musicians (which most of them were) could only avail of these amenities by using the Service Elevator. Dealing with the endemic racism within the social fabric of NYC became part of Nica’s daily life.

Charlie Parker

The most famous (or infamous) event in her NYC life involved the death of Charlie Parker, otherwise known as Bird. (The jazz club, Birdland, was named after him.) A genius who revolutionized the alto sax with his fast tempos, virtuosic technique, and far-reaching chord structures – he was a major visitor to Nica’s suite. Sadly he was heavily addicted to heroin and on March 15, 1955, he died at the early age of 34. It happened in Nica’s suite, and she had to call a doctor. Upon writing up his report, he estimated Parker’s age as 50 to 60 – that’s what the drugs did to his body. The headline announcing the death in the next day’s newspaper was: “Bird in the Baroness’s Boudoir.” Being a single woman with lots of money that she freely spent, Nica was a lighting-rod for salacious gossip such as this.
It also was the catalyst for Jules to file for divorce. Thus ended their marriage. Not surprisingly, she also was kicked out of her suite.

Hampton Hawes


I recently did an inventory of my record collection and found that among all the jazz albums I have, the one musician for whom I have the most records is the pianist Hampton Hawes. I have 12 records, plus a cassette and a CD. I mention this because he is also one of the few musicians in this significant era of jazz who knew Nica and who wrote an autobiography: Raise Up Off Me (1974). I love this book. Written in Hawes’ black lingo, his account throws light upon Nica’s critical role in the jazz community, especially her friendship with Monk.  
But first, a bit about Hawes’ own life. Born in 1928, growing up in Los Angeles (LA), Hawes was the son of a Presbyterian preacher. Self-taught at the piano, he had no familial encouragement to play jazz music. But listening to Bird, Monk, Bud, and others, he became good enough by the age of 18 to jam with some top musicians in LA. By around 1950 Hawes’ career took off with record contracts and (except for a two-year stint in the US Army, stationed in Japan) he continued to play and record – being voted “New Star of the Year” in Downbeat magazine in 1956.
It was around this time that he met Nica in NYC, during a gig at The Embers, a fancy nightclub, where he was well-paid. He also met Monk for the first time. Let me quote widely from his book.
Upon looking out across the tables in the nightclub, Hawes immediately recognised Monk. “Bamboo-rimmed shade, carrying a bamboo cane – he looked like … one of those African kings, strong but beautiful. … He was with a middle-aged woman who gave off a waft of perfume that smelled like it costs $600 an ounce, and when he introduced me – to Baroness Nica – I knew I’d guessed right about the price.” She left before he finished his set. But Monk stayed. “Monk drove me in his blue Buick to Nica’s hotel penthouse on Fifth Avenue. When she opened the door I could hear my album playing – the track, ’Round Midnight that Monk had written. He said to me, ‘I didn’t tell her to put that on.’ I walked into the room where Bird had died a little over a year ago. [That dates this as sometime in 1956.] A lot of paintings and funny drapes, a chandelier like in an old movie palace. Steinway concert grand in the corner. I thought: this is where you live if you own the Chase Manhattan Bank. … Her pad was a place to drop in and hang out, any time, for any reason. … She’d give money to anyone who was broke, bring bags of groceries to their families, help them get their cabaret cards, which you need to work in New York. … I suppose you would call Nica a patron of the arts, but she was more like a brother to the musicians who lived in New York or came through. There was no jive about her, and if you were for real you were accepted and were her friend.” … She gave Hawes a telephone number for a private cab. “If I was sick or fuc-ed up, I’d call the number and the cab would come and carry me directly to her pad.” According to Hawes, Nica picked up the colourful black lingo too. 
As noted, many musicians’ lives were cut short due to drug addiction (and sometimes beatings by cops). Again, Nica came through – often paying for their funeral and even the plot, if the family could not afford to. She was there for them, literally, to the end.
Of all the jazz musicians who passed though Nica’s life, the one who had the most significant impact on her was Monk. Even among the wide range of idiosyncratic jazz musicians, Monk still stands out for his uniqueness. He was quirky in his talk, his behaviour, and his music as well. It’s clear that there was some mental illness involved, but it was never fully diagnosed. One doctor insisted that Monk was not manic-depressive nor had schizophrenia. Nonetheless, he had episodes where he was not living in this world. Nica’s gentle demeanour was perfect for Monk. She nurtured and fed him, especially when he became too much for his family. 
Let’s bring Hawes’ autobiography back into this story. Once when Hawes was wasted on drugs and stretched out on a bench in Central Park: “a familiar Bentley rolls up to the curb. Nica behind the wheel and Monk saying, ‘Man, get in this car, a good musician ain’t supposed to be sittin’ on no bench lookin’ like you look’.”
Another time he’s in Nica’s penthouse looking for Monk. Hawes “peeks through a doorway at a body laid out on a gold bedspread, mudstained boots sticking out from under a ten-thousand-dollar mink coat and the body’s mouth wide open, sound pouring out of it, and Nica tiptoeing over, finger to her lips as if I’m about to wake a three-week-old baby from its afternoon nap. ‘Shhh. Thelonious is asleep’.”
One notable incident among many: in Delaware in 1958, she and Monk were caught by the police with a small quantity of his marijuana. She took the rap and spent a night or two in jail. She saved Monk’s head, possibly literally. It’s not surprising that the saxophonist Sonny Rollins called her “a heroic woman.”
The year 1958 was also significant in Hawes’ life, for he became the target of a federal undercover operation in LA. Caught with drugs, he was offered this: if he squealed on his drug supplier, he would go free. Hawes refused. Hence, on his 30th birthday, he was sentenced to ten years in prison. An emerging career was cut short; and it was the start of a decade to be wasted. Then in early 1961, watching the prison TV, Hawes heard John F. Kennedy deliver his inaugural speech. Hawes was impressed by the new president’s words. He writes: “I thought. That’s the right cat; looks like he got some soul and might listen.” And so Hawes spent the next few years putting together the documentation requesting a presidential pardon. It was not an easy task. The prison staff were not accommodating. But he persisted, and so, the document was sent off to the White House. I like Hawes’ comment about the very end of his appeal: “To round it off I added some heavy legal sh-t in Latin I’d dug up in the library.”
In August 1963, Hawes was informed that the appeal was granted. (In fact, it was the next-to-last clemency granted by Kennedy; in November he was assassinated.) It cut Hawes’ prison term almost in half. Thus after 4½ years wasted, he was able to re-launch his musical career. He continued to record and travel, but never kicked the heroin habit. In 1977 he died of a brain haemorrhage. At age 48, he left a legacy of so many wonderful jazz albums, including the 14 that I own.
For Nica, her problem was finding a place to live. As noted, she was kicked out of her suite when Bird died. So, she moved to Hotel Bolivar, across Central Park – only to be eventually let go too, due to drugs and noise. Next was the Algonquin in midtown. Shortly thereafter, she was asked to leave that too. In the end, she purchased a house on a cliff over the Hudson River in New Jersey, from which she had a spectacular view of the NYC skyline, and an easy drive to the city through the Lincoln Tunnel. Jazz musicians called it her Mad Pad.
By the 1970s, when Monk dropped out of the jazz scene, he moved in with her. Eventually, he also stopped talking; remaining sequestered in his room, where he died in 1982.                                 
Eventually the heavy dosage of Chivas Regal caught up with Nica. She died of heart failure in 1988 at age 74.
There are numerous songs by jazz musicians in tribute to her; the two most famous are: “Pannonica” by Monk and “Nica’s Dream” by Horace Silver. As well, several nightclubs around the world are named: Pannonica.

Continue Reading

Features

Winnipeg’s Jewish Community and the Question of Online Casino Bonuses: What Manitoba Players Should Know

Photo by m on Unsplash

A reader wrote in last month asking a simple question: is it legal to play online casino games in Manitoba, and if so, what’s actually a fair deal? It’s the kind of practical, money-conscious question this paper’s readers tend to ask before spending anything, the same instinct that shapes how the community shops, budgets for the High Holidays, or decides which shul renovation appeal to support. Manitoba’s online gambling landscape has changed enough in the last few years that the old assumptions no longer hold, and it’s worth walking through what’s actually there now.



Manitoba’s Online Casino Landscape in 2026



Manitoba doesn’t have an open, competitive online casino market the way Ontario does. Since April 2022, Ontario has allowed private operators to apply for licences and compete for players directly. Manitoba still runs a single-operator model: Manitoba Liquor & Lotteries (MLL), the Crown corporation that also runs the province’s Liquor Marts and lottery products, operates the one legal online casino for Manitoba residents, PlayNow.com. That’s the whole regulated market in this province. Outside that single option, Manitobans who search for online casinos will find dozens of sites willing to take their money and their information, a pattern this paper’s own Local/Canadian News coverage has tracked as provinces across the country adjust their approach to regulated gambling. Some are licensed elsewhere, Malta, Curaçao, the UK, and operate in a legal grey zone for Canadian players; enforcement against them has been inconsistent for years. None of them answers to Manitoba’s regulator, and none of them contributes a dollar back to this province.



How Casino Welcome Bonuses Are Structured and Regulated



A welcome bonus is usually presented as free money: deposit $50, get $50 in bonus funds, sometimes with free spins attached. What matters is the fine print attached to it. Wagering requirements determine how many times you must play through the bonus amount before you can withdraw any winnings; a 30x requirement on a $50 bonus means $1,500 in total wagering before that money is really yours. Game weighting matters too: slots typically count 100% toward that requirement, table games often count 10% or less, which punishes anyone who prefers blackjack over slot spins. Time limits, usually 7 to 30 days, and maximum bet sizes while a bonus is active, round out the list of terms most players skip past.

On PlayNow.com, these terms are published in plain language and reviewed by a provincial Crown corporation with community accountability baked into its mandate, the same mandate that funds Manitoba’s healthcare and education budgets. That’s a meaningfully different relationship than the one an offshore site has with a Manitoba customer.



The Difference Between Licensed Canadian Operators and Offshore Alternatives



This is where the practical stakes are highest. A licensed Canadian platform is subject to specific consumer protections: verified game fairness, dispute resolution through a regulator you can actually reach, and deposit-limit tools that work. An offshore operator answers to a foreign licensing body, if it answers to anyone at all. Winnipeggers who’ve had a withdrawal disputed by an offshore casino know how limited the recourse actually is; there’s no Manitoba office to call and no local regulator with jurisdiction.

Across the country, players comparing regulated options increasingly start by checking a best casino bonus Canada comparison rather than relying on whichever ad appears first. It’s a reasonable way to sort a legitimate Canadian-licensed platform from an offshore look-alike before depositing anything.



Responsible Gambling Resources Available in Manitoba



This part matters more than the bonus terms. MLL runs Informed Gambling, its dedicated responsible-gambling program, which includes deposit and time-limit tools, self-exclusion options, and educational material aimed at helping players recognize when a habit has become a problem before it becomes a crisis. Manitobans concerned about their own gambling, or a family member’s, can call the Manitoba Addictions Helpline, toll-free at 1-855-662-6605, for confidential support. Shared Health, formerly the Addictions Foundation of Manitoba, also provides professional counselling free of charge to anyone who needs it, regardless of ability to pay.

For a community that has always taken care of its own, through the Chesed Shel Emes, through synagogue-run support networks, through the kind of quiet checking-in that happens after a funeral or a hard year, these resources are worth knowing before they’re needed, not after. Chasing a Canadian online casino bonus isn’t worth it if the wagering requirements are already causing strain. That’s a conversation worth having, honestly, inside families and inside the community, before it becomes a private one.



Where to Compare Current Casino Bonus Offers Across Licensed Platforms



None of this is an argument against playing. It’s an argument for playing somewhere accountable, with terms you understand, and for a modest amount you’ve already decided you can afford to lose. Manitoba’s single-operator model makes that comparison simpler than Ontario’s crowded market, but it also means doing the homework on wagering requirements and licensing status matters just as much, if not more, when there’s only one legal option and a long list of unregulated ones competing for the same click. Ask the question before depositing, not after; that’s the same advice this community gives about most things worth being careful with.

Continue Reading

Features

Embracing your femininity in Tishrei

By ELENA KNIGHT Rosh Chodesh Sameach! This month, Tishrei, is a time of beginnings; we observe Rosh Hashanah, Yom Kippur, Sukkot, Shemini Atzeret, and Simchat Torah, we celebrate humanity’s creation, and we celebrate the seventh month since the Exodus from Egypt with shofar and festivities.

Though all Jewish people celebrate the head of the month, traditionally, women are rewarded for not participating in the sin of the Golden Calf, and many women take the day to honour the Shechinah, the feminine mystical aspect of the divine. Literally meaning “dwelling,” the Shechinah relates to G-d’s close and relational presence amongst people, such as in the Temple. In Kabbalah, since the word is grammatically feminine, the Shechinah is seen as the feminine aspect of G-d, representing a nurturing, compassionate presence, an almost motherly form of the divine. But how can we honour the Shechinah specific to Tishrei?

Rosh Hashanah provides a straightforward answer: New Year’s resolutions. A tradition observed across the globe, by people of all traditions and faiths, we can apply the idea to our New Year, and think of ways to improve in the year 5787. Make a resolution to join a women’s group at your synagogue or JCC, support woman-owned businesses (the SHE-Canada directory can help you find them!), read up on feminist theory or history, or mentor a young girl in your community. And, like traditional resolutions, don’t kick yourself if you slip up!

While we listen to the shofar, recall that its sound awakens the soul, mystically preparing us all for the Shechinah’s manifest presence on Yom Kippur, when it comes to earth to bring realignment and forgiveness.

Yom Kippur, the Day of Atonement, also offers a way to embrace your feminine side. On this day, we are prohibited from all work, and physical pleasures; though it may sound counter-intuitive, this is the perfect day to be aware of your womanhood in its most natural state. No adornments, no makeup, no perfume, no fancy shoes, no gold jewelry. This is a day when we can see who we are without the extras, as G-d made us, and be aware of the beauty in our creation as is. Also, for any women who are pregnant, nursing, or otherwise exempt from the holiday restrictions, isn’t it amazing to know that our Creator values our health over all?

Sukkot offers a time to appreciate the bounty that G-d has provided over the past year, but what I want to call attention to is the Four Kinds. The etrog has both taste and aroma, the lulav’s fruit, the date, has taste but no aroma, the hadas has aroma but no taste, and the aravah has no taste nor aroma; at some point in our life, and likely at some point in the month, we are all like one of the Four Kinds. The Midrash drew a comparison between taste and Torah learning and between aroma and good deeds. Sometimes, we have etrog moments, when we have a perfect balance between learning and doing, we are in harmony. Sometimes, we have lulav moments, when we prioritize learning over worldly involvement. Sometimes, we have hadas moments, when we prioritize action over enlightenment. And sometimes, we have aravah moments, when we have no energy for learning nor doing. All of these are necessary for living, and during the month of Tishrei, we can appreciate each of these moments. As we sit in our Sukkah, we are wrapped in the wings of the Shechinah, and experiencing its divine protection as we celebrate the Festival of Ingathering.

Shemini Atzeret begins our prayers for rain, and here’s where I get a little extra mystical. Rain is connected to femininity through its association with the womb of creation, fertility, and gentle power which renews life. In Genesis, G-d creates the world from a formless void, using language which conveys ideas of a cosmic womb, a life-generating space which G-d filled with his purpose to design our world. As humanity was created in G-d’s image, the womb metaphor is solidified. As rain comes, it revives the earth, making it fertile, restoring the feminine principles of creativity, emotional depth, and spiritual renewal in the very land we walk on. Rain comes most often as a gentle power, one which arrives calmly, sustaining all life.

Simchat Torah is the time when we celebrate finishing the annual cycle of reading the entire Torah and beginning again. Here, we are brought back to Rosh Hashanah and its new beginnings, with an added layer of holiness and celebration. On this day, it is tradition to dance and revel in the joy of our peoplehood, our identity, our Jewishness, and, let’s add, our femininity. G-d has given us a remarkable gift by making us women. While we revel in the holiness of Torah, let us also revel in the holiness of womanhood.

Continue Reading

Features

The tragedy of Clara Haber

By DAVID TOPPER This story of the sad and short life of a remarkable woman, Clara Haber, should be better known. I hope this essay is a step in that direction. Her legacy deserves it.
She was born Clara Helene Immerwahr on June 21, 1870 to two Jewish parents. Interestingly, the German surname breaks down into: immer (always, forever, still) and wahr (true, real, right). Take your pick. I like: Still real.  
Being smart and hardworking, she was the first woman to obtain a doctorate in Chemistry from the University of Breslau, part of Germany at the time (today it’s in Poland). This was in 1900. Several years before that, she had converted to Christianity. A year later, 1901, she married Fritz Haber, who also had a doctorate in Chemistry. (He was from Breslau too; they met at a dance.) He was two years older than her, and he also had converted to Christianity, in the early 1890s.
This act of conversion – starting in the early 19th century, when, on the heels of the French Revolution, Jews came out of their ghettos – was more common among European Jews than you might think. There were about 2000 conversions per year throughout the century. Some famous ones are: the poet Heine, the mathematician Kronecker, and the composers Mendelssohn and Mahler. In most cases it was the only road to prestigious appointments, otherwise restricted to Christians.
On June 1, 1902 Clara gave birth to what would be their only child, Hermann. The job of raising Hermann was given to her, Fritz being too busy with his important work in his Chemistry Lab – thus ignoring her work in Chemistry. He put in 18-hour workdays, barely leaving time for dinner (if he ate at home) and some sleep. Plus, Hermann was a sickly child, and hence Clara spent all her time raising him – without Fritz. In letters she spoke of her unhappiness in the marriage: especially “Fritz’s oppressive way of putting himself first in our home and marriage, so that a less ruthlessly self-assertive personality was simply destroyed.” These are harsh and powerful words, expressing her extreme disillusionment and frustration with her married life. Yet it was true; her potentially successful career in Chemistry was dead. She never accomplished anything after her degree. The family and household took all her time and energy.   
What, therefore, was this important work that kept Fritz busy and out of the home? He was the Director of the Institute for Chemistry in Berlin. His first major discovery was synthesizing ammonia from nitrogen gas and hydrogen gas, which revolutionized the production of fertilizer. The result was higher yields in agriculture throughout Europe and eventually the world. (Even today, it’s been estimated that food produced from this process supports almost half of the world’s population.)  For this Haber was seen as a hero, alleviating otherwise mass starvation. In 1918 he got the Nobel Prize in Chemistry for this work.  
But there was a flipside to all this: the fertilizer could also be used to make explosives. This too Fritz explored, especially with the start of the First World War in August 1914. Out of this work came poison gases, and thus the creation of chemical warfare.
Fritz was a staunch German patriot and nationalist, supporting the War from the beginning. For example, he signed the “Manifesto of the Ninety-Three,” with other German intellectuals in support of the War. (Incidentally, Albert Einstein, who was living in Berlin at this time – they were good friends – refused to sign the document.)
Fritz not only worked in the lab producing the chemical, he was also involved in supervising their deployment on the war front. Thus, he was in Ypres (near Flanders), Belgium on April 22, 1915. As one historian has drolly put it: “The small Belgium city of Ypres is to chemistry what Hiroshima is to physics.” Indeed, this was the first use of chemical weapons in military history. They released around 170 tons of poison gas across a 4-mile front. There were an estimated 800- 1400 immediate deaths among the French and Algerian troops. Fritz left before the battle was over. During the entire so-called Second Battle of Ypres, from April 22 to May 25 – there were over 67,000 casualties among the French, Canadian, and British troops. 
 (As an aside: this battle was commemorated by John McCrae, who wrote “In Flanders Fields,” a poem recited every Remembrance Day here in Canada.)
Leaving Belgium, and after a brief stay at home, Haber immediately went to the Eastern Front to oversee gas released against the Russian Army. For all this work, he was given the rank of Captain by the Kaiser.
Meanwhile, Clara, usually alone, was raising Hermann, and taking care of the household, not having time to explore all the chemistry she would like to do. In letters she says that her husband’s work with poison gases is a “perversion of the ideals of science” and “a sign of barbarity, corrupting the very discipline which ought to bring new insights into life.” She also witnessed the accidental death of a former classmate, who was in Fritz’s lab working with these chemicals. To make matters worse, she was hearing rumours of Fritz’s involvement with other women. (Humm, it seems he found time for that!)
When Fritz returned home from Belgium (I don’t know the exact date), and before he left for Russia on May 3rd, there was a celebration at their home on the success of the gas attack. There are reports of arguments between Fritz and Clara, but we don’t know the details. What we do know, as a fact, is this. On the following morning, May 2, 1915, Clara took Fritz’s military pistol and walked into their garden. She shot into the air (presumably to test the gun) and then, pointing it into her chest – she pulled the trigger. Hermann heard the shots, ran into the garden – and his mother died in his arms. The following morning, Fritz left for Russia, to supervise the gas attack on the Eastern Front.
At this point in my story, Clara is gone. But there’s more to tell, and – if she knew the rest – I’m sure she would want the reader to know it too. Especially this.
During the final weeks of the First World War, on the Western Front, the Allies now launched a series of gas attacks in the district of Ypres on the Germans. On the night of October 13-14, 1918, just south of Ypres, in the town of Wervik (or Werwick), the British forces used mustard gas on the 16th Bavarian Reserve Infantry Regiment. One German corporal serving as a messenger in the army was caught in the attack, and was partially blinded. He was able to stagger to safety and eventually was taken to a military hospital in Germany to recover. We know about this because he wrote about it in his 1925 book, Mein Kampf. Adolph Hitler recalled: “I stumbled and tottered back with burning eyes…. [M]y eyes were turned into glowing coals; it had grown dark around me.” He was still in hospital at the end of the War on November 11, 1918, at the signing of the Armistice with Germany’s surrender. While lying blinded, he says he had a vision to enter politics to “save” Germany. How much this is true and how much perhaps psychosomatic, due to the shock of the mustard gas – or just plain hyperbole – we will never know. But it led to his myth of Germany’s “stab in the back” – and all that followed with the rise of the Nazi Party.
In 1933, when the Party took over the country, Fritz was still alive. During the 1920s he had a staff at the Kaiser Wilhelm Institute developing more gases, such as the cyanide gas formulation, Zyklon A, which was used as an insecticide to spray on plants. In the spring of 1933, with the passing of Hitler’s law of removing all Jews in professional jobs throughout the country, Fritz was stunned. But it was worse. Fritz not only lost his job: but all his awarded metals, his many accolades, the staunch patriotism and nationalism, his service to the country, even the conversion to Christianity – it all came to naught, since he was a Jew by birth. Thus: his legacy was completely erased from all records, in all German history – as if he never had even existed.
And so, in August, he left the country. He first went to Paris, then to Spain, England, and finally Switzerland. He even took a brief trip to Palestine, where he bequeathed his private Library to the nascent Weizmann Institute, and was offered a position there. He accepted it, but never fulfilled it. He died of severe coronary sclerosis in Basel, on January 29, 1934 at the age of 65.
A major outcome of the Nazification of Germany, as we know, was World War Two. And with that – the Holocaust. Both Clara and Fritz died before all that; but not members of their families.  
Most of Clara’s families were assimilated Jewish professionals and intellectuals, which was no buffer to the Nazi plague. Most of the Immerwahrs died in Auschwitz or Theresienstadt. Only a few had fled to France and then the USA. None was in Germany in post-1945.
As for Fritz’s family, he had a younger half-sister, Frieda. She fled to Jerusalem and survived the war. But her children and grandchildren all died in Auschwitz.
Also, after Clara died, Fritz later married Charlotte Nathan. They had two children: Eva and Ludwig. Just before he died, Fritz sent them to Switzerland; from there all three went to England, surviving the Holocaust.
Then there is Hermann, the only child of Clara and Fritz. After the Nazi party took over Germany, Hermann immigrated to the USA. There he married and had a child, Claire, who became a chemist. Not surprisingly, he had episodes of depression over his adult life, eventually committing suicide in 1946. Sometime later, Claire did the same.
As a final point in this part of my story, I note the following fact. The pesticide gas, Zyklon A from Faber’s lab contained an odorant – to warn users. When the Nazis took over Faber’s lab in the Institute, they removed the odorant, producing Zyklon B, the gas used in the mass murders in the gas chambers during the Holocaust.
 As a coda to this story, I wish to compare Clara’s story with Mileva Marić, Einstein’s first wife. The reason for this will be seen below.
In brief, here’s Mileva’s story. Born in 1875 to a Christian Orthodox Serbian family, she had a dislocated hip that resulted in her walking with a limp all her life. Although this isolated her as a child growing up, she had a very loving and doting father who encouraged his very bright daughter in her school work (she was especially good at math) and was proficient at the piano. Moreover, she was the first girl to attend high school physics courses in the entire Austro-Hungarian Empire.
After graduation, she applied to the prestigious Zurich Polytechnic, since (as we saw) Switzerland admitted women to all classes. She passed the entrance exam and majored in Mathematics. With all this potential, it seemed that the future was hers to make, even as a woman. Then, in a small Physics course, she met Einstein. They quickly became a couple. Except for the time they spent together, Mileva still did her school work and passed all her courses over the first three years.
In her fourth year she started on a thesis, hoping to get a PhD. But she failed her final exams. She repeated them, but still didn’t pass. What happened? I find it hard to believe that this sudden change in her performance was due to the tests being too tough for her – after all that she achieved up to this time. The thing that was different – and which I believe was the source of her predicament – is this: she was pregnant with a child fathered by Albert. With the baby in her belly, she just couldn’t concentrate on the tests.
She went home to her parents and the child was born (a girl, they named Lieserl). Being illegitimate, Lieserl was left with her parents (who were very supportive) and Mileva went back to live with Albert. They married in January 1903, in a small civil ceremony. Neither set of parents was there. And so, Mileva became a housewife – and eventually the mother of two boys. Like Clara, all the earlier promises came to naught. Mileva didn’t even get a university degree – let alone her aspiration of a PhD.
By around 1909 Albert was being noticed by the physics community for his publications on relativity (a subject he essentially created) and quantum physics. Mileva wrote to her closest friend that Albert “lives only for his work” and that the family “is unimportant to him.” This strain on the marriage came to a peak in the spring of 1914 when they moved to Berlin, where he had accepted a prestigious position in the Physics section of Kaiser Wilhelm Institute.
For this we need to come back to Fritz and his friendship with Einstein. In many ways their friendship was unexpected, since (except for being born Jewish) they had little in common – opposite on the topics of nationalism, patriotism, war (Albert was a pacifist). Even in dress: Fritz was meticulous in his three-piece suits, and Albert sloppy in dress with his hair all over the place. Yet, when they first met in September 1911 at a scientific society meeting in Karlsruhe, they quickly became close friends. In particular, Fritz was so impressed that he became the chief orchestrator to draw Einstein to the position in physics at the Berlin Institute.
Thus, late in 1913, Einstein was offered a position, and he accepted it. But Mileva was reluctant to leave Switzerland. One main reason: Albert had a divorced cousin in Berlin, Elsa, who Mileva knew Albert was visiting when attending meetings in the city. She even suspected (correctly) that it was an intimate relationship.
Nonetheless, around Christmas 1913, Mileva traveled to Berlin to look for a place to live. She stayed with Fritz and Clara, and – not surprisingly, from all we know about them – the two women quickly and deeply bonded. They certainly had lots to talk about: given their similar situations regarding their stifled careers and abusive husbands. Mileva found an apartment, and in April 1914 she, Albert, and their two boys moved to Berlin. 
They were not there for even a month, and the marriage entered a new phase. Albert demanded a series of rules for their relationship. Mileva was to do the laundry, prepare him three meals a day, and keep his office clean – all without any personal relations, no intimacy, and never being seen in public together. It was degrading and cruel; she was reduced to being a maid and a cook.
Mileva tried to accept all this, but quickly found that she couldn’t endure the humiliation. Fritz and Clara knew about all this. Clara consoled Mileva. Fritz acted as a mediator, as the marriage completely broke down. Fritz was a witness, signing the separation agreement. In July 1914 Mileva packed up her things, and she and the two boys went back to Switzerland, where she lived for the rest of her life. The following month was the start of the War – and, ultimately, in May 1915, Clara’s suicide.    
There it is: Clara’s sad story, and how it overlapped with Mileva Einstein’s story – with ultimately their short, but profound, friendship.
I hope all this helps bring to light the legacy of this potentially brilliant, surely fascinating, and ultimately tragic woman.
Clara Helene Immerwahr Haber is long gone. Yet, for me, she is: Still real.

  • *
    Readings:
    For Albert’s abusive treatment of Mileva, see: David Topper, “The Dark Side of Albert: Einstein and Mileva Marić, his First Wife,” published in The Academy of the Heart and Mind, February 7, 2025.
    For the quotation comparing Ypres and Hiroshima, see: Jörgen Neffe, Einstein: A Biography (2005), p. 252.

Continue Reading

Copyright © 2017 - 2023 Jewish Post & News