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Jews & Jazz: Baroness Nica of New York City

Baroness Nica de Koenigswarter, born Kathleen Annie Pannonica (Nica) Rothschild

By DAVID TOPPER This true story is a sequel to “Jews in Strange Places.”

In the summer of 1964, living in Pittsburgh, I attended the city’s first International Jazz Festival. I remember sitting alone, high in the Civic Arena, looking down on the concert below. I would need to go on-line to retrieve names of who the musicians were that I saw that night – save for one. Sometime in the middle of the show, the entire arena went dark, except for a single overhead beam of light shining down on a solo pianist directly below. It was Thelonious Monk.

Thelonious Monk

To describe Monk’s music to a general audience, I need to speak of dissonance, angular melodic twists, hesitations, and even moments of silence. It was also fascinating to watch him play. With his hands splayed out flat (breaking all the rules of piano etiquette) he jabbed at the notes, as if he was seeing and discovering the keyboard for the first time.
One of the most interesting examples of appreciating Monk’s playing was demonstrated by the experience of a particular jazz critic (but I can’t recall who it was). Having at first only heard Monk’s music, he didn’t like it. But after he saw him playing, he began to understand and eventually to like it.
At that 1964 concert Monk played “Don’t Blame Me.” Not only is it the only thing I remember over the entire evening, but it is, I’m sure, the only piece that made me cry. Yes, I was that moved by his playing. It was a magical musical moment in my life that I’ll never forget.
I don’t know which came first: that concert or my buying the record album on which the tune appears. The record is CRISS-CROSS (Columbia, 1962), and it features Monk’s quartet at that time, with that song being the only solo track. From the liner notes we learn that when Monk left home for the studio, he was asked if he was going to play “Don’t Blame Me.” He said: “Maybe, it depends how I feel when I get there.” At the studio, he sat down at the piano, played a few dance tunes – and with the recording equipment still on – he went straight into that tune. Interestingly, in the liner notes, the writer calls Monk’s music “pure magic” – a phrase, I see, that I also used above.    
The writer of these liner notes was Baroness Nica de Koenigswarter, the focus of this story. Born in the UK in 1913, Kathleen Annie Pannonica (Nica) Rothschild, the youngest of four children, grew up in a quarantined life within manor estates. From an early age she showed talent in drawing and painting, later studying art history and branching off into photography (she became obsessed with the new Polaroid camera in the 1950s). It was her brother Victor who introduced her to jazz, particularly the work of Duke Ellington. This was probably in the late 1920s – and she was hooked.
Ever searching for excitement, Nica learned to fly an airplane. It was through flying that she met Baron Jules de Koenigswarter, ten years older and a widower, whom she married in 1935. They eventually settled into a 17th century chateau in north-west France. Over their years together they had five children.
Nica’s adult life is clearly divided into two parts. The second part, her role as the Jazz Baroness Nica in New York City (NYC), is the focus of this story. Nonetheless, some of the highlights of the first part provide some insight into the complexity of this fascinating woman.  
Living in France in September of 1939, she experienced the start of World War II. Jules immediately joined the Free French Army as a lieutenant. Nica opened her doors to refugees and evacuees, until the Nazi army was advancing on Paris. Jules urged her to escape, and she did: with her children (she had the first two at this time) she got on the last train of refugees heading toward the English Channel. From the UK they went to the USA, settling in New York.
Jules was now in Africa. Nica (after leaving the children safely with friends in the Guggenheim family, on Long Island) joined him in January 1941 in equatorial Africa. She first worked as a decoder of intelligence, then a radio host, and finally an ambulance driver for the French Division in the North African Campaign. Having survived a bout of malaria in Africa, she was with the troops as they advanced on Rome. At the war’s end she was in Berlin and was decorated for her work.         
If Nica hadn’t crossed the Channel in 1939, she may have suffered the fate of some of her family members who stayed in France, such as an 80-year-old aunt who was beaten to death in Buchenwald. Also, Jules had pleaded with his mother to get out, as Nica did, but she dismissed him. She died in Auschwitz, along with most of the rest of Jules’ extended family.
After the war, Nica and Jules were united with their children. Jules was then posted as a diplomat in French embassies – first in Norway and then in Mexico. During this time, their three other children were born. From Mexico City, Nica made occasional trips to NYC to listen to jazz, often alone. It seems that what became Nica’s obsession with the music was, concurrently, a major source of antagonism with Jules. He didn’t like jazz and said so. When they would fight, he would break her records. Inevitably, it led to their separation.
In 1953, Nica moved to NYC (taking along her oldest child, Janka, a teenager). After settling into a suite in the Stanhope Hotel in the Upper East Side, she bought a Rolls-Royce with which to jaunt around to the jazz clubs in the city; since she liked to drag race, she later traded it in for a faster Bentley. This was the era of the famous Five Spots Café, the Village Vanguard, Birdland, and other jazz joints. In a short time, with her upper-class British accent, she became known as the Jazz Baroness, having friendships with and being the patron of many jazz musicians.

Thus begins the second part of her life – and the reason for my story.
But before we venture there, we need to deal with drug addiction. Sadly, drugs played a major role in the lives of many jazz musicians in this era, and I need to discuss it, especially to put in the context of the endemic racism of the times. There were drug laws that the mainly white cops were ever anxious to enforce; and they didn’t hesitate to use their billy clubs to strike any black man’s head, if he resisted arrest. I am not exaggerating: several jazz musicians’ lives were shortened due to a severe beating by a cop. Moreover, the drug lords (some of whom owned the jazz clubs) were mainly from the Sicilian Mafia, who had access to an endless supply of heroin from Turkey, and they specifically targeted the black community. Blacks were easy targets, with their marginal existence within white society. Cramped in ghettos (such as Harlem) they could readily escape with drugs – and, sadly, too many of them did.
It was the bane of the otherwise flourishing development of modern jazz – as it evolved out of the bebop movement into cool jazz, then hot jazz, and on through hard bop and beyond. The names constitute a canon of innovative brilliance: Charlie Parker, Dizzy Gillespie, Coleman Hawkins, Kenny Clark, Bud Powell, Charles Mingus, Teddy Wilson, Art Blakey, Bill Evans, and more. Nica was at the center of all this in NYC – living among these major players all those years.
Nica too was hooked. But not on drugs. She was addicted to alcohol, which probably shortened her life: specifically, Chivas Regal, the exclusive aged scotch whiskey – a bottle of which she inexorably carried in her purse.
Her hotel suite became a place where musicians could get a restful retreat after a gig (sometimes sleeping overnight), a meal (courtesy of Room Service), money (to buy groceries or pay outstanding bills) – and, of course, a place to have after-hours jam sessions. Black musicians (which most of them were) could only avail of these amenities by using the Service Elevator. Dealing with the endemic racism within the social fabric of NYC became part of Nica’s daily life.

Charlie Parker

The most famous (or infamous) event in her NYC life involved the death of Charlie Parker, otherwise known as Bird. (The jazz club, Birdland, was named after him.) A genius who revolutionized the alto sax with his fast tempos, virtuosic technique, and far-reaching chord structures – he was a major visitor to Nica’s suite. Sadly he was heavily addicted to heroin and on March 15, 1955, he died at the early age of 34. It happened in Nica’s suite, and she had to call a doctor. Upon writing up his report, he estimated Parker’s age as 50 to 60 – that’s what the drugs did to his body. The headline announcing the death in the next day’s newspaper was: “Bird in the Baroness’s Boudoir.” Being a single woman with lots of money that she freely spent, Nica was a lighting-rod for salacious gossip such as this.
It also was the catalyst for Jules to file for divorce. Thus ended their marriage. Not surprisingly, she also was kicked out of her suite.

Hampton Hawes


I recently did an inventory of my record collection and found that among all the jazz albums I have, the one musician for whom I have the most records is the pianist Hampton Hawes. I have 12 records, plus a cassette and a CD. I mention this because he is also one of the few musicians in this significant era of jazz who knew Nica and who wrote an autobiography: Raise Up Off Me (1974). I love this book. Written in Hawes’ black lingo, his account throws light upon Nica’s critical role in the jazz community, especially her friendship with Monk.  
But first, a bit about Hawes’ own life. Born in 1928, growing up in Los Angeles (LA), Hawes was the son of a Presbyterian preacher. Self-taught at the piano, he had no familial encouragement to play jazz music. But listening to Bird, Monk, Bud, and others, he became good enough by the age of 18 to jam with some top musicians in LA. By around 1950 Hawes’ career took off with record contracts and (except for a two-year stint in the US Army, stationed in Japan) he continued to play and record – being voted “New Star of the Year” in Downbeat magazine in 1956.
It was around this time that he met Nica in NYC, during a gig at The Embers, a fancy nightclub, where he was well-paid. He also met Monk for the first time. Let me quote widely from his book.
Upon looking out across the tables in the nightclub, Hawes immediately recognised Monk. “Bamboo-rimmed shade, carrying a bamboo cane – he looked like … one of those African kings, strong but beautiful. … He was with a middle-aged woman who gave off a waft of perfume that smelled like it costs $600 an ounce, and when he introduced me – to Baroness Nica – I knew I’d guessed right about the price.” She left before he finished his set. But Monk stayed. “Monk drove me in his blue Buick to Nica’s hotel penthouse on Fifth Avenue. When she opened the door I could hear my album playing – the track, ’Round Midnight that Monk had written. He said to me, ‘I didn’t tell her to put that on.’ I walked into the room where Bird had died a little over a year ago. [That dates this as sometime in 1956.] A lot of paintings and funny drapes, a chandelier like in an old movie palace. Steinway concert grand in the corner. I thought: this is where you live if you own the Chase Manhattan Bank. … Her pad was a place to drop in and hang out, any time, for any reason. … She’d give money to anyone who was broke, bring bags of groceries to their families, help them get their cabaret cards, which you need to work in New York. … I suppose you would call Nica a patron of the arts, but she was more like a brother to the musicians who lived in New York or came through. There was no jive about her, and if you were for real you were accepted and were her friend.” … She gave Hawes a telephone number for a private cab. “If I was sick or fuc-ed up, I’d call the number and the cab would come and carry me directly to her pad.” According to Hawes, Nica picked up the colourful black lingo too. 
As noted, many musicians’ lives were cut short due to drug addiction (and sometimes beatings by cops). Again, Nica came through – often paying for their funeral and even the plot, if the family could not afford to. She was there for them, literally, to the end.
Of all the jazz musicians who passed though Nica’s life, the one who had the most significant impact on her was Monk. Even among the wide range of idiosyncratic jazz musicians, Monk still stands out for his uniqueness. He was quirky in his talk, his behaviour, and his music as well. It’s clear that there was some mental illness involved, but it was never fully diagnosed. One doctor insisted that Monk was not manic-depressive nor had schizophrenia. Nonetheless, he had episodes where he was not living in this world. Nica’s gentle demeanour was perfect for Monk. She nurtured and fed him, especially when he became too much for his family. 
Let’s bring Hawes’ autobiography back into this story. Once when Hawes was wasted on drugs and stretched out on a bench in Central Park: “a familiar Bentley rolls up to the curb. Nica behind the wheel and Monk saying, ‘Man, get in this car, a good musician ain’t supposed to be sittin’ on no bench lookin’ like you look’.”
Another time he’s in Nica’s penthouse looking for Monk. Hawes “peeks through a doorway at a body laid out on a gold bedspread, mudstained boots sticking out from under a ten-thousand-dollar mink coat and the body’s mouth wide open, sound pouring out of it, and Nica tiptoeing over, finger to her lips as if I’m about to wake a three-week-old baby from its afternoon nap. ‘Shhh. Thelonious is asleep’.”
One notable incident among many: in Delaware in 1958, she and Monk were caught by the police with a small quantity of his marijuana. She took the rap and spent a night or two in jail. She saved Monk’s head, possibly literally. It’s not surprising that the saxophonist Sonny Rollins called her “a heroic woman.”
The year 1958 was also significant in Hawes’ life, for he became the target of a federal undercover operation in LA. Caught with drugs, he was offered this: if he squealed on his drug supplier, he would go free. Hawes refused. Hence, on his 30th birthday, he was sentenced to ten years in prison. An emerging career was cut short; and it was the start of a decade to be wasted. Then in early 1961, watching the prison TV, Hawes heard John F. Kennedy deliver his inaugural speech. Hawes was impressed by the new president’s words. He writes: “I thought. That’s the right cat; looks like he got some soul and might listen.” And so Hawes spent the next few years putting together the documentation requesting a presidential pardon. It was not an easy task. The prison staff were not accommodating. But he persisted, and so, the document was sent off to the White House. I like Hawes’ comment about the very end of his appeal: “To round it off I added some heavy legal sh-t in Latin I’d dug up in the library.”
In August 1963, Hawes was informed that the appeal was granted. (In fact, it was the next-to-last clemency granted by Kennedy; in November he was assassinated.) It cut Hawes’ prison term almost in half. Thus after 4½ years wasted, he was able to re-launch his musical career. He continued to record and travel, but never kicked the heroin habit. In 1977 he died of a brain haemorrhage. At age 48, he left a legacy of so many wonderful jazz albums, including the 14 that I own.
For Nica, her problem was finding a place to live. As noted, she was kicked out of her suite when Bird died. So, she moved to Hotel Bolivar, across Central Park – only to be eventually let go too, due to drugs and noise. Next was the Algonquin in midtown. Shortly thereafter, she was asked to leave that too. In the end, she purchased a house on a cliff over the Hudson River in New Jersey, from which she had a spectacular view of the NYC skyline, and an easy drive to the city through the Lincoln Tunnel. Jazz musicians called it her Mad Pad.
By the 1970s, when Monk dropped out of the jazz scene, he moved in with her. Eventually, he also stopped talking; remaining sequestered in his room, where he died in 1982.                                 
Eventually the heavy dosage of Chivas Regal caught up with Nica. She died of heart failure in 1988 at age 74.
There are numerous songs by jazz musicians in tribute to her; the two most famous are: “Pannonica” by Monk and “Nica’s Dream” by Horace Silver. As well, several nightclubs around the world are named: Pannonica.

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How the Experience Changes From Spectator to Player in Perya Games

Perya games often attract a crowd for a reason. Standing near a booth during a fiesta lets you track the colors, follow the dice, and read the reactions around the table. The tension builds with every roll, yet nothing personal sits on the line when you choose to watch. The moment you place a bet, the same game can feel entirely different, because what used to be casual observation turns into a committed choice with a real outcome.

This guide breaks down the difference between watching a perya game and actually playing one, including how digital Perya and online color games shift the social feel of the experience.

Quick Overview

Spectatorship allows time to observe. A viewer can study color trends, listen to other players’ comments, and enjoy the drama without making an immediate wager. Participation requires a decision before the result, plus the emotional and financial weight that tends to follow each round. Digital perya adds another layer by moving the experience from a shared booth environment to a private screen.

The Core Difference: Distance vs Decision

Watching provides distance. A spectator can linger for multiple rounds, note which colors appear, and talk to friends nearby. No deadline exists to commit, and leaving the booth stays simple because no money has been placed.

Playing removes that cushion. A player selects before the outcome appears. In a traditional perya color game, the decision comes first—choose a color—then the operator rolls three colored dice. Philippine event references often describe the same basic structure: a color choice followed by a three-dice result.

Why Watching Can Feel Lighter

From the sidelines, everything becomes easier to take in. A spectator can catch small details: one player switching picks at the last second, someone celebrating loudly, or the operator preparing the next round. With no wager involved, attention can stay flexible.

Spectators also get to mentally “test” picks for free. A viewer might think, “I would have chosen red,” without any consequences. When a player makes that same pick with money attached, the result tends to land harder. A win may feel like relief, while a loss can lead to disappointment, surprise, or the urge to jump into the next round quickly.

A Fiesta Scenario: When a “Streak” Becomes a Trap

Consider Nico, a typical fiesta visitor. Nico starts out watching the Color Game from behind the crowd. After three rounds, red appears more than once, and the repetition begins to stand out. From a spectator’s angle, noticing a “streak” feels like harmless pattern-spotting.

Once Nico decides to play, the emotional temperature changes. Money becomes tied to a color choice, and the next roll becomes personally important. The key issue is predictability: seeing repeated results does not create proof that the next outcome will follow the same direction. A sequence of earlier colors offers history, not certainty.

The Social Experience: Booth Culture vs Private Play

Perya in the Philippines is often tied to community celebrations. A traditional peryahan sits alongside rides, food stalls, and other booths, creating an atmosphere that feels closer to public entertainment than a quiet gambling setting. Many descriptions of perya culture focus on that social environment—neighbors gathering, friends commenting on outcomes, and strangers reacting together in real time.

This setting affects the split between watching and playing. Someone standing beside the booth can laugh, talk, and observe without the same pressure a bettor feels. Players stay inside the same lively space, yet attention narrows to selecting, waiting, and reacting.

Online perya removes much of that layer. The game may look familiar, but the crowd energy, booth sounds, and spontaneous conversation get replaced by an app interface. The experience becomes more individual, even when the rules resemble the ones used in physical perya booths.

Online Perya and Digital Color Games: What Carries Over, What Changes

Searches for “online perya” reflect how the term “perya” goes beyond a direct English translation of fair or carnival. In local use, it connects to fiestas, attractions, booth games, and shared social time. A digital platform can copy the mechanics of a particular perya game while leaving behind the environment that gives it much of its personality.

GameZone’s perya-related materials, for example, describe digital versions of familiar concepts such as Color Game and other arcade-style titles. Its Color Game format references six colors and three dice and includes reminders that previous results do not function as reliable predictors for future rounds. Gameplay familiarity and lived experience do not always match, especially when the setting shifts from a shared booth to a personal screen.

Pattern-Watching and the Illusion of Predictive Power

A common mistake involves turning observation into assumed advantage. A spectator might watch a sequence such as:

Red → Red → Blue → Red

and start looking for a rule. That mental move makes sense because humans naturally search for order in random sequences. Gambling research often discusses cognitive biases tied to pattern detection, including how representativeness and availability can influence judgment in chance-based activities such as dice tasks and bingo-style environments.

A pattern that feels meaningful may still fail as a guide. Past outcomes help describe what already occurred, rather than guarantee what happens next. Treating streaks as certainty can push decisions that rely more on emotion than probability.

Watching vs Playing: How Reactions and Behavior Shift

A spectator noticing repeated colors may treat it as casual information. A player seeing the same repetition may feel pressure to act on it, even without any real evidence that the next roll will follow the same direction.

Choice also reshapes emotional response. A viewer can imagine different picks without consequence. A player must commit to one selection, which makes uncertainty feel immediate. When a result conflicts with expectations, a spectator continues watching. A player may feel disappointment and consider changing strategy or betting again quickly.

Other people’s reactions land differently too. From the sidelines, celebrations and complaints add entertainment. From inside the game, those reactions can affect mood, focus, and decision timing, especially between rounds.

Risk and Responsible Play: When Money Enters the Picture

The gap between watching and playing becomes more serious when wagers are involved. Spectating stays low-risk entertainment. Playing introduces financial exposure and the need for self-control.

Time and budget planning can matter more than “reading” the table. Increasing a stake due to frustration, treating near-misses as signals, or believing a result is “due” can lead to impulsive choices. PAGCOR’s responsible gaming guidance commonly emphasizes setting time and money limits, expecting that losses can happen, avoiding borrowed funds, not chasing losses, and using self-exclusion tools when stepping away becomes difficult.

GameZone Notes: Licensing, Age Limits, and Official Sources

GameZone, also referred to as GZone in some materials, appears on PAGCOR’s regulatory listing as GAMEZONE (TOTAL GAMEZONE XTREME INCORPORATED), and the platform identifies itself as PAGCOR-licensed. Its terms and login flow indicate access for qualified users aged 21 and above, including an age confirmation step.

For iPhone users, the Philippine App Store listing for GameZone – #1 Tongits Platform identifies DigiPlus as the developer and lists an iOS 15.0 or later requirement. Verifying developer details and using official store listings can help avoid unofficial download sources.

FAQ

Is watching a perya game different from playing one?
Watching involves observation without wagering, while playing requires a personal decision and introduces financial risk.

Does watching many rounds help predict the next result?
Multiple past outcomes can show what has happened, but a sequence alone does not establish a dependable prediction for the next round.

Can people under 21 use GameZone?
GameZone’s terms and login requirements restrict registration and play to qualified individuals aged 21 and above.

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THE RED INHERITANCE — PART 2

Ethel & Julius Rosenberg


(Ed. note: If you haven’t read Part 1 of “The Red Inheritance,” you can find it here: The Red Inheritance.)

By H.C. Piloski
FOREWORD
The Wider Circle
What follows is not a continuation so much as an expansion. The first part traced a single thread — a granddaughter’s attempt to understand the man whose life shaped her own. But every thread, once pulled, reveals others. And every inheritance, once examined, widens into a circle.


This second part enters that wider circle.
It begins with a photograph discovered only after the first part was finished: a small, creased image of a protest on Carlton Street in June 1953. In the blur of bodies stands a young man — Rachel’s grandfather — raising his hand in defense of Julius and Ethel Rosenberg, two American Jews condemned in a trial that divided a continent. That photograph opened a door Rachel had not known existed.
It revealed that her grandfather’s world was not confined to Winnipeg’s North End, nor to the furnace rooms and union halls where he spent his working life. His convictions reached outward — to New York, to Europe, to Israel and Palestine, to the global struggles of the twentieth century.
This part follows those convictions.
It traces his years in the CPR union, where he learned solidarity not as a slogan but as a practice. It follows his activism within the Jewish left — activism that began long before his retirement, rooted in the political commitments he carried through the railway yards, the union halls, and the neighbourhood streets of the North End. It examines his belief in Israel’s creation and his unwavering insistence on Palestinian rights. It explores his commitment to nuclear disarmament, his distrust of state power, his hope for a world that might yet choose justice over fear.
It also follows the path of his son — Rachel’s father — who walked beside him for a time before turning away, carrying both admiration and ambivalence. And it follows Rachel herself, as she moves from personal memory into historical inquiry, discovering that her grandfather’s life was part of a larger, often contradictory, often painful, always human story.
This part is not an attempt to sanctify him. It is an attempt to understand him — and the century he lived in.
The shadows are real. The contradictions are real. The hope is real.
This story is one thread in a larger tapestry of inherited memory and consequence. And the circle continues to widen.

Selkirk Avenue circa 1930


PROLOGUE
Rachel had always believed her grandfather’s world ended at the corner of Selkirk and Salter — the bakery, the union hall, the old brick houses of the North End. It was a geography of memory, not history. A place where men argued about wages and women argued about recipes, where politics was spoken in kitchens and carried in pockets, folded like prayer.
But after he died, and after she finished the part she thought would be the end of it, she found the photograph.
It was small, creased, almost brittle. Her father had tucked it into a folder he hadn’t opened in years. On the back, in her grandfather’s handwriting, were the words: Carlton Street, June 1953.
On the front: a crowd of men and women standing outside the old Winnipeg Free Press building. Some held signs. Some shouted. Some looked frightened. And there, almost lost in the blur of bodies, was her zaida — younger than she had ever seen him, his hair black, his jaw set, his hand raised in a gesture that was not anger but insistence.
She didn’t know what the protest was about until she looked up the date.
The Rosenberg execution.

Protesters against the imminent execution of the Rosenbergs in front of the White House in 1953


Her grandfather had stood on Carlton Street, in Winnipeg, protesting the death of two American Jews accused of betraying their country. He had stood there as though the fate of strangers thousands of miles away was somehow his own.
That was the moment Rachel understood: Her grandfather’s world had never been small. It had only been local.
The circle was wider — far wider — than she had ever imagined.
And if she wanted to understand him, truly understand him, she would have to follow that circle outward: from Winnipeg to New York, from union halls to espionage files, from the Holocaust’s shadow to the contradictions of Israel and Palestine, from Cold War paranoia to the fragile hope of peace.
She would have to learn why a man who loved his family so fiercely also believed he owed something to the world.
She would have to learn why her father followed him for a time, and why he stopped.
She would have to learn what it meant to inherit not only memory, but conviction.
Rachel closed the folder. She packed a suitcase. She booked a flight.
The wider circle had opened. She stepped into it.

workers in CPR yards circa 1950


THE UNION MAN
The first thing Rachel noticed about the CPR archives was the smell — dust, paper, and the faint metallic tang of old machinery, as though the building itself remembered the trains that once thundered past it. She had come here reluctantly, almost skeptically. She wasn’t sure what she expected to find. Her grandfather had worked for the railway for decades, but she had always thought of it as a job, not a calling.
She was wrong.
The archivist, a thin man with wire-rimmed glasses, handed her a stack of union newsletters from the 1950s and 60s. “Your grandfather’s name appears quite a bit,” he said, almost casually. “He wasn’t just a member. He was active.”
Active. The word felt too small.
She flipped through the pages. There he was — David Levinson — listed as a shop steward, then as a delegate, then as a representative on a labour committee that had petitioned the CPR for safer working conditions. She found minutes from meetings where he had argued for wage parity, for antidiscrimination clauses, for the hiring of more immigrant workers. She found a letter he had written to the union president, urging solidarity with striking textile workers in Montreal.
She found, tucked between two newsletters, a faded photograph of him standing outside the CPR yards, his arm around a fellow worker, both of them smiling in a way that suggested victory, or at least defiance.
Her grandfather had not been a man who simply held opinions. He had been a man who acted.
But what struck her most was not the union work itself — it was how deeply it intertwined with the politics she had only begun to understand. In the margins of one newsletter, in her grandfather’s unmistakable handwriting, she found a note:
Solidarity is the only weapon the poor have.
It wasn’t a slogan. It was a belief.
And suddenly, she understood something she had missed entirely: her grandfather’s political life had not begun after retirement. It had begun here — in the yards, in the meetings, in the long nights spent drafting resolutions and writing letters. His involvement in the Jewish left, his membership in the Communist Party, his activism for peace and justice — all of it had grown from the soil of the railway.
He had carried his convictions with him to work every day, tucked into his lunch pail alongside sandwiches wrapped in wax paper. He had argued politics during breaks, organized meetings after shifts, and spent weekends in smoky rooms debating the future of workers, of Jews, of the world.
Rachel felt a strange mixture of pride and unease. Pride, because she could see the beginnings of the man she had written about in the first part — the stubbornness, the moral clarity, the refusal to accept injustice as inevitable. Unease, because she realized how little she had understood him.
She had written about his politics, but not their roots. She had written about his convictions, but not their labour. She had written about his life, but not his work.
Her father had tried to tell her, once. He had said, “Your zaida wasn’t just a leftist. He was a union man. That’s where it all started.” She had nodded, distracted, thinking she already knew.
She hadn’t known anything.
She turned another page and found a brief report from a meeting of the Jewish left organization — dated 1961. Her grandfather had spoken about the dangers of nuclear proliferation, about the moral responsibility of workers to oppose war, about the need for solidarity across borders. He had been involved long before retirement. He had been involved while raising a family, while working shifts, while navigating the Cold War’s suspicion and fear.
He had lived his politics openly, stubbornly, deliberately.
Rachel closed the newsletter and sat back.
The wider circle was not only global. It was personal.

old Winnipeg Free Press building on Carlton Street


CARLTON STREET, 1953
Rachel didn’t intend to go to Carlton Street. She had only meant to walk, to clear her head after the shock of seeing her grandfather in that photograph. But her feet carried her there anyway, as though the city itself remembered what she had forgotten.
The former Winnipeg Free Press building — the Old Lady of Carlton Street — was still there, though it no longer housed reporters or printing presses. Its stone façade, once the backdrop to arguments, deadlines, and the hum of a city’s news, now sheltered provincial civil servants shuffling between offices, fluorescent lights, and government memos. Rachel stood on the sidewalk where her grandfather had once stood, where he had raised his hand in protest on a June afternoon in 1953, demanding justice for two American Jews he had never met. The building had changed purpose, but not presence. It watched her with the same quiet solidity it must have offered him, as though it remembered everything.
She tried to imagine the scene: the crowd, the signs, the tension, the fear. The way people must have looked over their shoulders, worried about being photographed, named, watched — but her grandfather and the few other protesters looked up, not down, toward the illuminated news bulletin above the entrance.
She tried to picture him — young, determined, stubborn — standing there with the conviction that what happened in New York mattered in Winnipeg, that injustice anywhere was a threat everywhere, that solidarity was not a slogan but a responsibility. She imagined him arriving after a shift at the CPR yards, still smelling faintly of grease and metal, carrying the political commitments he had already been living for years: union solidarity, Jewish left activism, Communist meetings held in borrowed basements and back rooms. Carlton Street had not been an exception. It had been an extension of the life he was already leading.
She wondered if her father had been there too, a boy holding his father’s hand, not understanding the words but understanding the urgency.
She wondered why no one had told her.
She wondered what else she didn’t know.
A bus hissed to a stop beside her. A group of teenagers spilled out, laughing, unaware of the ghosts beneath their feet. Rachel felt a sudden, sharp ache — not grief, exactly, but recognition. Her grandfather had lived in a world where politics were not abstractions but obligations. He had believed that the fate of strangers mattered. He had believed that justice was not a matter of geography.
She took out the photograph again. She held it up to the building. The past and present did not align, but the gesture felt necessary.
Her phone buzzed. A message from her father: “Call me when you can. I found something else you should see.”
She stared at the screen. Her father had always been careful with his words, careful with his memories, careful with the parts of his life that touched his father’s politics. He had followed his father for a time — marches, meetings, pamphlets — before turning away, quietly, without explanation.
Rachel lowered the photograph, walked back to where she had parked, unlocked the car, and slid into the driver’s seat. She started the engine and pulled away from Carlton Street, heading north through the familiar grid of the city, toward her father’s house.
The wider circle was widening again. And she was being pulled into it.


THE FATHER’S BOX
Her father lived in the same house Rachel had grown up in, though it felt smaller now, as though the walls had absorbed decades of arguments, silences, and the quiet persistence of memory. He met her at the door with a look she couldn’t quite read — not worry, not excitement, but something like resignation. From the back room Rachel could hear her mother speaking softly to someone.
“I found more,” he said. He didn’t hug her. He never did. But he stepped aside to let her in, which was its own kind of embrace.
The dining room table was covered with papers. Not scattered — arranged. Her father had always been meticulous, even when the rest of his life felt chaotic. Rachel saw folders, envelopes, a few brittle photographs, and a cardboard box she recognized instantly.
Her grandfather’s box.
It had sat in the basement for years, untouched, because her father had insisted it was “just old papers.” Rachel had believed him. She had believed a lot of things he said about her grandfather, because he said them with the authority of someone who had lived through the same storms.
Now she wasn’t sure what he had lived through, or what he had chosen to forget.
Her father gestured to the box. “I didn’t want to open it before,” he said. “I wasn’t ready.”
Rachel sat down. “What changed?”
He hesitated. “You did.”
She didn’t know what that meant, but she didn’t ask. She reached for the box. The cardboard was soft with age, the edges worn. She lifted the lid.
Inside were papers from the Jewish left organization her grandfather had devoted himself to — not only after retirement, but long before it. Meeting minutes. Pamphlets. Letters. A stack of mimeographed newsletters with headlines about peace, justice, workers’ rights, and the dangers of nuclear proliferation. She saw dates from the 1950s, the 60s, the 70s — decades of activism layered like sediment.
And then she saw it — a folder labeled Holocaust Education Committee.
Her breath caught.
She opened it carefully. Inside were copies of speeches her grandfather had given before the Winnipeg School Board, urging them to include Holocaust education in the curriculum. There were letters he had written to the Minister of Education, arguing that genocide was not a Jewish tragedy but a human one, and that children needed to understand how hatred becomes policy.
There were notes in his handwriting — fierce, urgent, uncompromising:
Memory is not passive. Memory is protection. Teach them before someone else teaches them to hate.
Rachel felt her throat tighten.
Her father watched her quietly. “He believed in that work,” he said. “More than anything.”
She looked up. “You never told me.”
He exhaled, long and slow. “I didn’t think you wanted to know. You were always… focused on the personal. The family stories. The furnace. The neighbourhood. I didn’t think you cared about the politics.”
“I care now,” she said.
He nodded, but his expression shifted — something darker, something unresolved.
“There’s more,” he said. “About me.”
Rachel waited.
Her father sat down across from her, folding his hands as though preparing for confession.
“I followed him,” he said. “For a while. The meetings. The marches. The Rosenberg protest — I was there. I was a kid, but I remember the shouting, the fear. I remember him telling me that justice mattered even when it was dangerous.”
Rachel felt a jolt — not shock, but recognition. She had always sensed there was something her father wasn’t saying.
“But I couldn’t stay,” he said. “Not like he did. I didn’t have his… certainty. His stubbornness. His faith in people. I admired him, but I couldn’t be him.”
Rachel didn’t speak. She let him continue.
“He never blamed me,” her father said. “But I blamed myself. For a long time.”
Rachel reached across the table and touched his hand. It was the first time she had done that in years.
Her father swallowed hard. “There’s something else,” he said. “Something you need to see.”
He stood, walked to the hallway, and returned with a thin envelope. He placed it in front of her.
Rachel opened it.
Inside was an RCMP surveillance report. Her father’s name was on it.
She felt the room tilt.
“They questioned me once,” he said quietly. “About meetings I’d gone to with him. They wanted to know who he talked to. Who he met with. I never told you. I never told anyone.”
Rachel looked at him — really looked at him — and saw the weight he had carried, the fear he had inherited, the silence he had chosen.
Her grandfather had lived his politics openly. Her father had lived them in the shadows.
And she — she had lived them unknowingly.
The circle widened again.
Rachel closed the envelope. She didn’t know what to say. But she knew what she had to do.


THE EDUCATION FILES
Rachel carried the box home like something fragile, though it wasn’t the cardboard she was protecting — it was the weight inside it. She set it on her kitchen table, cleared a space around it, and opened it again, this time slowly, deliberately, as though she were entering a room she had been warned about.
The Holocaust Education Committee folder lay on top. She lifted it out and spread the contents across the table. The papers were yellowed, but the ink was still sharp, still insistent. Her grandfather’s handwriting — angular, impatient, unmistakably his — ran along the margins of typed documents like commentary from a man who could never leave a thought alone.
She read the first speech.
It was addressed to the Winnipeg School Board, dated 1978. Her grandfather argued that Holocaust education was not simply about history, but about vigilance. He wrote that genocide begins with language, with silence, with the normalization of cruelty. He wrote that children needed to understand how ordinary people become complicit, how bureaucracies become weapons, how prejudice becomes policy.
He wrote:
If we do not teach them what happened, someone else will teach them why it should happen again.
Rachel felt a chill. She had known her grandfather was passionate about justice, but she had not known he had stood before the school board, before elected officials, before committees, insisting that memory was a civic duty.
She turned to the next document — a letter to the Minister of Education. Her grandfather wrote about survivors in Winnipeg who had never been asked to speak, whose stories were fading, whose trauma had been carried quietly through decades of Canadian politeness. He argued that the province had a responsibility to give those stories a place in classrooms, not as Jewish history, but as human warning.
Rachel imagined him writing these letters late at night, after work, after dinner, after everyone else had gone to bed. She imagined him sitting at the kitchen table — the same table where she had once eaten soup and listened to him tell stories about the neighbourhood — never knowing the depth of the battles he fought outside it.
She picked up another sheet — minutes from a meeting of the Jewish left organization. Her grandfather had spoken about the rise of neoNazi groups in Canada, about the danger of complacency, about the need for education as prevention. His words were blunt, unadorned, almost harsh:
We cannot rely on governments to remember. We must force them to.
Rachel sat back, overwhelmed.
This was not the gentle man who had fixed her bicycle, who had slipped her coins for candy, who had told her stories about growing up in the old North End. This was a man who had carried the Holocaust not as memory but as mandate. A man who believed that justice required confrontation. A man who refused to let silence do its work. A man who had fought fascism all his life — including as a Canadian soldier overseas during the Second World War.
She reached for another document — a list of schools where he had spoken. West Kildonan. Elmwood. St. James. River Heights. Transcona. Schools across the city, across neighbourhoods that had never known him, never known his history, never known the weight he carried.
She wondered how many students remembered him. She wondered what he had said. She wondered if any of them had gone home that day and asked their parents questions that had never been asked before.
Her phone buzzed. A message from her father:
Did you find the education files?
She typed back: Yes.
A moment later: He was proud of that work. He didn’t say it, but he was.
Rachel stared at the screen. Her father had inherited the silence, not the certainty. She had inherited the questions.
She looked again at the papers on the table. Her grandfather’s voice seemed to rise from them — urgent, insistent, unyielding.
This was not a man who had lived quietly. This was a man who had lived deliberately.
And she was only beginning to understand him.
Rachel gathered the papers, placed them back in the folder, and closed the box. She knew what she had to do next.
She needed to see the archives. She needed to see the records. She needed to see the world he had fought against — and the world he had fought for.
The circle widened again.
And she followed it.
Closing Note
Rachel sat at her kitchen table long after the papers were back in the box. The city outside moved on, unaware of the man whose life she had just unfolded — a life lived in conviction, in struggle, in stubborn hope.
She understood now that her grandfather’s politics had not been theory but duty, carried through union halls, marches, classrooms, and quiet nights at the kitchen table. She understood that her father had lived in the shadow of that certainty, and that she herself had inherited something different — the responsibility to listen.
She touched the photograph from Carlton Street, the crease worn soft by time. Her grandfather’s raised hand seemed less like protest now and more like insistence: Pay attention. Remember. Act.
She closed the box gently.
And now, she realized, she was listening too.
H.C. Piloski is the one who listens when the past begins to speak again.

Comment from Veronika (Oct. 1): Thanks

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Musings from Dizengoff Street – by Bruce Brown (updated Oct. 1)

(Posted Oct. 1): So my daughter told me about the new apartment rental she was considering for the upcoming academic year in Jerusalem. “Third floor.  Three bedrooms for three roommates.  Twenty minutes from the university.  Close to the bus stop.  Grocery store nearby.”  She itemized.  Then with her next breath, “Shetler in the next building.” Kinda’ took my breath away.  Is that where we live?  What we’ve become?  What pre-occupies us?  Yes.  Yes.  Yes. 

Despite my recurring safe room musings.  It still kinda’ shook my core.  But once I regained my existential footing.  I realized how lucky we are.  We have a well-prepared wartime infrastructure.  We are conscious of wartime safety and security.   It’s become second nature.  Even when choosing an apartment.  Then I recalled how last year.  When my daughter first moved to Jerusalem.  I focused on the shelter thing.  Even timed a dash to the nearest shelter.  She cringed with embarrassment.  As she does with much of what I do – dad stuff and I digress.  Now here she is.  One year later.  Itemizing her well thought out considerations.  Including the shelter.   I guess she listens to me after all.  Well…sometimes anyway.

(Posted Sept. 28) Caution.  Caution.  A very long muse ahead….
 
So Prime Minister Netanyahu made his fifteenth address at the United Nations General Assembly.  I get excited with every speech.  Preparing some lightly buttered popcorn and comfortably settling in front of the T.V. for some high-stakes geopolitical posturing.  And this one didn’t miss the mark and the high bar Netanyahu sets for himself.
 
Liked when he referred to our ‘friends’ leaving the hall before he spoke.  Asking.  And smirking.  At the beginning of his speech.  If there are any other “moral cowards” who would like to leave.  He could have said much worse. 
 
Liked his strong defense against the acrimonious, hostile, and simply incorrect accusation of genocide.  Insisting, with examples, of Israel being guilty of the opposite.  Supplying a million polio vaccinations.  Distributing two million tons of food.  Providing warnings of pending attacks -leaflets, cellphone calls, ‘knocks on the roof’ (an IDF tactic of firing non-lethal projectiles towards roof tops as warning to noncombatants to evacuate before a pending airstrike)- in civilian areas where Hamas is inevitably hiding.  Netanyahu also referenced Colonel John Spencer, head of Urban Warfare studies at West Point and the preeminent expert on, well, urban warfare.   Who clearly defends Israel as having done more to prevent civilian casualties in war than any other military in history.  That’s quite a claim!  So yes.  Israel can actually be guilty of ediconeg – the opposite of genocide.
 
Didn’t like Netanyahu’s Ben-Gviresque defense of violent West Bank settlers.  Or is it  Judea & Samaria.  I admittedly struggle in geographically defining the area, I digress.  And didn’t like him referring to these settlers as “juvenile delinquents”.  They are much more than that!  If not terrorists, they should at least be called -and treated- as violent criminals.  I admittedly struggle with finding the appropriate label, again digressing.  Overall, this struck me as pandering to his far-right electorate.  Standing before the green marble wall of the UN podium…hmmm, not the most appropriate venue for local electioneering.   
 
Didn’t like his beeper reference.  While brilliant, the pager attack in Lebanon happened in Sept 2024.  Was so taken aback by this reference that I fact checked the date between mouthfuls of popcorn.  And Israel already took credit for this publicly and at several international forums.  Just seemed a bit dated, forced and out of place. 
 
Liked the swipe at our ‘friend’ Mamdani.  On the podium of the U.N. in N.Y.   No less!
 
Liked his call for Jews around the world to stand tall.  “Raise your head high.  Be proud.  Be confident.  Don’t be intimidated.”  He admonished.  Okay, confession time.  I will not speak Hebrew with the wife when travelling overseas.  Am a bit scared and maybe need to stand a bit taller.  I digress.
 
Liked Netanyahu’s callout to the Iranian people.  Declaring that “The power of the people will overcome the people in power.”  Although he didn’t have to provide a public service announcement for Elon Musk’s Starlink, waving a Starlink device at the podium. 
 
Didn’t like, as pointed out by the Jerusalem Post, that there was no complementary vision to his fiery, hardline and somewhat Sparta-like rhetoric.  No mention of a more conciliatory, Athenia-like vision for the day after.  Emphasizing Israel’s desire for peace and what it can and has offered the world.   
 
Loved the overall theme.  That Israel will survive.  And thrive.  Because, as he exclaimed several times, “We have no other choice!”  This was based on a reference in his address to his older brother Yonathan Netanayhu who led the rescue at Entebbe in 1976 and was the only Israeli casualty.  Netanyahu even thanked the Uganda government for recently erecting a statue dedicated to his brother.  Thought this a nice, personal touch.
 
Loved Netanyahu’s passion.  His fiery indignation echoing throughout his almost forty-minute speech.  His fury at the goldarn outrageous, bigoted, noxious branding of Israel as ‘bad’ by much of the world’s useful idiots.  Although should have channeled some of that ire to a more conciliatory day after vision.
 
Anyway.  As for the United Nations.  That bastion of partiality and moral cowardice.  Think it should be renamed the United Naars.  Again I digress.  

(Posted Sept. 25) Looping back to an August 9 muse about my visit to Jerusalem’s Basimta Café and its dispute with the neighborhood ultra-orthodox for opening on Shabbat.  Which I felt was a bit of a storm in a teacup as there wasn’t much protest action when I visited.  But kerfuffles nonetheless.  Unfortunately the café decided against remaining open on Shabbat.  According to the café manager “…it will return to what it was intended to be: a calm, pleasant and open place for coffee, culture and dialogue.”   As it turns out, the manager is also CEO of Jews for Jesus.  Which is fine by me.  Live and let live.  But just wondering if this was also reason for the café brouhaha.  As there are many other Jerusalem cafes open on Shabbat which the ultra-orthodox do not protest against.  Not that I want to give anyone ideas.  Just sayin’.

(Ed. note: Just to put Bruce’s latest musing in context, here again is what he wrote on August 9): August 8, 2026)

Outside Basimta Café in Central Jerusalem.  Love the red shirt against a tiny sea of black.  Not sure I am shrugging because of the ultra-orthodox uproar over a Jerusalem café operating on Shabbat or the lack of an ultra-orthodox uproar over a Jerusalem café operating on Shabbat.  For the last six weeks Israeli headlines shouted about the cafe chaos.  With the ultra-religious blocking entrances and storming the café.  While shouting ‘Shabbos!  Shabbos!’   Upsetting the secular amongst us just wanting to enjoy our Saturday iced matchas.  So the wife and I thought we would check it out.  And.  Yes.  Buy something to support the business.  Uproar.  Not.  Blocked entrances.  Not.  Storming the café.  Not.  Albeit there were police barriers separating the devout protesters from the coffee drinkers.  The protesters being just a few dozen black clad, pious Jews.  Mostly teenagers.   And yes.  Shouting ‘Shabbos!  Shabbos!’  Certainly underwhelming in its reported mayhem.  Reminds me of the famous saying misattributed to Mark Twain – “If you don’t read the newspaper, you’re uninformed.  If you do, you’re misinformed.”  But I did enjoy my iced matcha.

(Posted Sept. 22) Admire him or despise him. Love him or hate him. Commend him or vilify him. Praise him or criticize him. Respect him or disdain him. Believe him or doubt him. Vote for him or not. However you perceive him. And whether you support him. Wishing Prime Minister Netanyahu a successful visit to New York and the U.N. And that we won’t have to send him a cake with a hacksaw baked inside. Mamdani… stand down!

(Posted Sept. 18) Just wonderin’.  When a tree falls in a forest and no one’s there to hear it, does it make a sound?   And if Iran says it’s not enriching uranium and no one’s there to verify it, do they develop fissile material?

Now Iran just obtained a seat on the General Committee of the International Atomic Energy Agency’s General Conference – how crazy is that.  Like letting the cat guard the milk.

(Posted Sept. 15) Apparently some superheroes are against us.  But not really.  Whewww!!!   Fortunately it’s just the progressive actors who play them in movies.  Such as Benedict Cumberbatch (Dr. Strange) and Mark Ruffalo (the Hulk) as well as other minor actors not worth mentioning.  What are these misinformed thespians aligning themselves with.  Not sure they really know.  Well.  It’s with The Freedom for Marwan campaign, which pushes for the release of convicted, arch-terrorist mastermind Marwan Barghouti.  Convicted in 2004 and sentenced to five life sentences plus 40 years for orchestrating various heinous shooting sprees in Israel during the Second Intifada (2000-2005).  Killing and wounding too many innocent Israeli civilians including a Greek Orthodox monk outside Jerusalem.  As a comic book fan, and closet Batman and Aquaman (when I swim), it saddens me that these guardians of the universe can be associated with defending evil.  But then I remind myself it’s only the actors -what do they know anyway- and not really the superheroes. Unlike our own Gal Gadot (Wonder Woman), Natalie Portman (the Mighty Thor), Shira Haas (Sabra) and Liev Schreiber (Sabretooth).  All firmly on the side of good.

(Posted Sept 10) Honey cakes.  Honey cakes.  Honey cakes.  It’s that time of year.  Yummy!  Here comes Rosh HaShana 5787.  And its…. You guessed it.  Honey cake season.  That light brown loaf our baba used to make.  Starting a few weeks before Rosh HaShana and extending through Yom Kippur – a first bite to break the fast and usher in a sweet year- honey cakes are found throughout the country.  The familiar sight of the ready-made, pre-packaged, ‘assembly-line’ honey cakes wrapped in cheap cellophane found in Grocery stores.  The freshly baked honey cakes adorning window displays at local bakeries.  The exorbitantly priced, gourmet honey cake desserts offered at fancy Tel Aviv restaurants.  And of course, honey cakes festooning the festive, colorful, Rosh Hashana dinner tables across Israel.  I bake my own honey cake which is pretty good.  My wife and kids would beg to differ.  But these slightly glazed honey cakes -of my own culinary, shtetl inspired creation- are heartedly enjoyed by me as I gain several honey cake induced pounds.  Shana tova!

(Posted Sept. 8) Hoarding.  A combination of my own little wartime PTSD and some recent headlines about Iran trying to coordinate a multifront attack (is that capability still there?!) and October 7 like rumblings from the West Bank (or Judea & Samaria, depending if you wear a kippa and if its knitted and if it tilts to this side or that side -that’s a shtetl insider joke).  I digress and Yikes!  And we just had a nation-wide drill of the IDF’s top-level headquarters preparedness for such scenarios.  Double Yikes!  So ya.  I’m always checking and rechecking that we have way more than enough of some things.  The thought of entering another prolonged war and some stuff no longer available, even for a short time, scares the bejeebers out of me.   Just writing about it triggers the ‘go and buy’ dopamine hit.  Medications.  Toilet paper.  Bottled water.  Canned goods.  Also worried about the country running out of bullets.  But I can’t hoard those.

(Posted Sept. 5) An open letter to the zany and zealous mouthpieces of those delightful, anti-Israel protests held regularly in Toronto.  In the heavily Jewish Bathurst & Sheppard area no less.  Fear and harassment in the community?  Not by the hairs of our chinny chin chins.

Dear Friends.  

Are you serious.  

Sincerely,

Bruce Brown, a Zionist who does not rape children.  Who does not murder children.  Who does not eat children.  And, get this, who lives in Israel.

(Ed. note: To better understand what Bruce is talking about, go to this story on our website: Police open hate-crime investigation)

(Posted Sept. 1) Can you be more of an international embarrassment and liability?  Yes talking about Israeli’s antagonist extraordinaire and National Security Minister Itamar Ben Gvir. 

Declaring that Israel should kill ’30-40 Gazans a day’.  Seriously?!?!  His actual statement may have been more refined and qualified.  But it doesn’t really make a difference.  That’s the takeaway.  Like whose side is he on anyway.  Talk about giving our detractors ammunition to delegitimize our little shtetl.  Hello?!?! 

And a few days later.  Showing off in front of a gallows site under construction at a high security prison.  Seriously?!?!  The death penalty for terrorists.  Right or not – I think the former.  But like can you give us reason to be compared to an extremist state.  That’s the takeaway.  Like whose side is he on anyway.  Talk about giving our detractors ammunition to delegitimize our little shtetl.  Hello?!?! 

Serenity now!

(Posted August 28) Kites.  Color.  Childhood.  Hamas and friends should watch Mary Poppins with the final kite flying scene.  Remember that song, Let’s Go Fly A Kite.  Ya, I know.  Somewhat ethnocentric.  But still….  I have fond memories of flying kites with my kids.  Down the Mediterranean shoreline in Tel Aviv.  At the Ness Tziona kite flying festival. Along the green grounds of the Weizmann Institute.  Laughing and running.  Looking to the sky with awe.  Multi-shades and fancy.  Kites.

With your fist ‘olding tight
To the string of your kite

…oh, oh, oh!

Lets go fly a kite

Kites.  Fun.  Laughter.  Innocence.

Kites.  Not an instrument of war.

(Posted August 25) How principled can you be!  Ireland -one of the most anti-Israel and foggiest countries in the EU- insisted that its government’s new, 60$M executive jet NOT be equipped with Elbit’s FalconEye navigation system, which helps pilots navigate in fog -how ironic- and other difficult weather conditions.  Without this unique system the plane must be diverted to alternative airports.  This a part of the government’s official boycott of Israeli goods. So good luck to Prime Minister Michael Martin in landing his aircraft in Dublin.  

And despite some negative sentiment towards everything Israel, Elbit achieved over 32$B in backorders with Europe driving much of its export growth.  On a more personal muse.  The morning after Iran’s first attack on Israel (April 13 2024), I woke up not with fear and panic.  Well.  Okay.  Some of that.  But also great excitement regarding an investment opportunity which developed overnight.  Actually it was the wife’s suggestion.  After Israel successfully intercepted over three hundred missiles and drones – showcasing the strength of Israel’s defense industry- my wife had a eureka moment.  What better public relations for Israel’s defense industry.  Let’s buy stock in Elbit, a key player in that ecosystem.  We did.  And about eighteen months later we cashed in.  With about 150% profit.  This is not an endorsement to buy… blah, blah, blah….

Again.  Good luck to Prime Minister Martin.

(Posted August 21) Sometimes musings are terribly sad.  But should be shared.

Happy belated birthday beautiful Ariel.  Turned seven on August 5th.  Thought about him and his younger brother Kfir and mother Shiri.  All murdered by Hamas shortly after their unbelievable and surreal abduction on Oct 7 2023.  

As I was driving home today.  “I Thank You Child” by Zakk Wylde shuffled onto my Spotify.  Always kills me, this song.  It was played by Yarden, the father who himself was held hostage, at the funeral of his family.  For Ariel and Kfir.  The lyrics chilling.  The frequent drum rolls haunting.

It was you who made living all worth the while

Oh, I thank you, my child

Comfort in your eyes 

For the warmth inside your smile

Faith’s done gone astray

It was you who made living all the while

All my fears repressed

Oh lovin’ you child it’s the best

This song.  Written almost thirty years ago.  Finds its devastating meaning today.  With the Bibas family tragedy.

How.

Listen to the song here:

(Posted August 18, 2026) And the beat goes on in the strait.  A bit quieter lately although may be heating up again with the 60day ‘ceasefire’ officially expired.  And while Iran occasionally lashed out over the last two months, they did not attack Israel.  How do you spell deterrence.  According to my Yiddisha mama, its spelled ‘Pftt.  Pftt.  Pftt‘. 

(August 14, 2026) Despite three years of varying degrees of warfare.  Moody’s biannual report of the Israeli economy was quite positive.  Basically, the report saw no pressures on Israel’s credit rating.  While the macro data remains strong, Israel still faces a complex geopolitical situation further complicated by upcoming elections (we pondered about how crazy that is in an earlier muse).  And Israeli’s inflation rate for the first half of 2026 fell to a historic five year low of 1.2% (vs Canada’s 2.6%).   As for my own pocketbook.  Haven’t had an infamous Israeli bank overdraft in years.  So all is fine. 

If that’s not enough economic voodoo talk for one musing.  According to one famous barometer.  Israel moved to second place in the Economist’s Big Mac Index.  Introduced in 1986, this tasty indicator compares the purchasing power parity across countries by measuring the price of a McDonald’s Big Mac -which most can relate to- against the benchmark U.S. burger.  So while a Big Mac in the U.S. costs $6.22.  In Israel it costs $7.67, the second most expensive place to buy the hamburger in the world,  Switzerland being the most pricey at a whopping (no reference to Wendy’s) $9.04.  While the cheapest Big Mac can be enjoyed in Indonesia at only $2.38.  Canada ranked 22nd of the fifty-four countries considered, at $5.85.  Parity.  Smarity.  I’m going for my Big Mac fix.  Just after I finish writing this muse….

(August 11, 2026) Bravo Boy George.  We certainly will dance again!  And what better way than with his new reggae tune.  Now Boy George is dealing with a hostile backlash against his just stand for Israel.  Having to withdraw from London’s East End production of Jesus Christ Superstar where he was going to play – guess it.  King Herod.  Never a big Culture Club fan, but I am anyway -as a sign of support- going to download his greatest hits to my Spotify library.  And hoping to have a chance to buy a concert ticket should Boy George perform in Israel.  Kind of reminds me of Bob Dylan’s 1983 song Neighborhood Bully.  Also in defense of Israel.  I’m going to download that song as well.  Although don’t think he was hounded the way Boy George is now.  Sign of the times I guess.

+++++

Coming clean.  I sometimes find myself chanting, to no one in particular, that snappy little ditty ‘from the river to the sea, Palestine will be free.’  Now why can’t we come up with something as catchy. With such an impressive gene pool of great Jewish songwriters. George Gershwin. Irving Berlin.  Burt Bacharach.  Carole King.  Neil Diamond.  Leanard Choen.  Paul Simon.  Gene Simmons, Amy Winehouse.  Bob Dylan.  And yes, even the Buddhist Boy George.  And still… gurnish!  No wonder we’re losing the global PR battle

(August 8, 2026) Outside Basimta Café in Central Jerusalem.  Love the red shirt against a tiny sea of black.  Not sure I am shrugging because of the ultra-orthodox uproar over a Jerusalem café operating on Shabbat or the lack of an ultra-orthodox uproar over a Jerusalem café operating on Shabbat.  For the last six weeks Israeli headlines shouted about the cafe chaos.  With the ultra-religious blocking entrances and storming the café.  While shouting ‘Shabbos!  Shabbos!’   Upsetting the secular amongst us just wanting to enjoy our Saturday iced matchas.  So the wife and I thought we would check it out.  And.  Yes.  Buy something to support the business.  Uproar.  Not.  Blocked entrances.  Not.  Storming the café.  Not.  Albeit there were police barriers separating the devout protesters from the coffee drinkers.  The protesters being just a few dozen black clad, pious Jews.  Mostly teenagers.   And yes.  Shouting ‘Shabbos!  Shabbos!’  Certainly underwhelming in its reported mayhem.  Reminds me of the famous saying misattributed to Mark Twain – “If you don’t read the newspaper, you’re uninformed.  If you do, you’re misinformed.”  But I did enjoy my iced matcha.

(August 6, 2026) Here we go again.  Another round of forever negotiations.  As someone who negotiates for a living.  The way things are going in the straits.  If I had to recommend a book on the subject to a new hire.  Between The Art of the Deal, A Presidential Edition by Donald J. Trump or The Real Art of the Deal by the Mullahs of Iran with a special forward by the IRGC. Well.  I would choose the latter.

(August 3) Bravo Yoav Segalovitz, Liberal Yesh Atid MK and Monsour Abbas, United Arab Ra’am MK and party head.  For breaking a glass ceiling where a Jewish lawmaker joins an Arab political party.  No less a political earthquake in my little shtetl.  Which can significantly impact coalition block arithmetic and posturing and strategy in the upcoming elections.  Now Ra’am can be considered a legitimate ‘Zionist’ partner when forming coalition blocks and potentially pushing the ‘center left/right’ party over the 60 seat majority threshold.  In our crazy parliamentary democracy defined by a multi-party (about fourteen!!), proportional representation system.  To paraphrase Winston Churchill, Israel’s proportional representation model of governance is the best parliamentary democracy system except for all other forms of working democracies.  Stay tuned for more amateurish political musings as we move towards Israel’s 26th national election – five of them held since 2019. 

(August 1) Although both sides say they are open to diplomacy.  Neither really trusts the other.  And American military action, or its threat, continues.  I read headlines in the middle of the night -it’s a nervous habit lately– that the Dynamic Duo of Trump and Netanyahu may again strike in unison.  Possibly this weekend.  Yikes!  Prompting me, at 2:30 AM, to dash around the house stocking my safe room.  Bottled water.  Canned food.  Medicines. Documents. The beat goes on….

If it’s crazy here.  It’s insane in Italy.  With a recent online ‘Jew Hunt’ in the Milan area.  Before being removed, the digital forms urged reportings of Israelis and Italian Jews staying in local hotels.  The infamous Global Sumud Movement -yes, the one coordinating ‘peace and humanitarian’ flotillas to Gaza- was somehow connected.  Although they deny involvement?!  This deranged decree was looking to identify Zionist tourism and Zionist neo-colonization in Italy.  I’ll stick with stocking the saferoom.

Then there’s New York Mayor Mamdani, a Global Sumud Movement supporter, threatening to arrest Prime Minister Netanyahu if he comes to New York.   But since discovered he has no legal right for such a grandstanding, antisemitic, anti-Israel, anti-Western, anti-democratic antic.  Maybe Mandami should be arrested!  Or at least impeached.  For being a grandstanding, antisemitic, anti-Israel, anti-Western, anti-democratic mayor.


Here’s a post Bruce sent us Friday, July 31:
WARTIME MUSINGS

Should credible threats against FLOTUS and ‘FSOTUS’ (first son..) not be justification to attack first.

As for yesterday’s summit. Netanyahu really can’t win. Explainer. If Trump now attacks without victory its ’cause of Netanyahu. If Trump now attacks with victory its ’cause of Trump. And, in Israel, if Trump doesn’t attack -victory or not- Netanyahu failed in his eighth meeting with Trump. And if Trump does attack -victory or not- half the country will vilify Bibi anyway. Missing a permutation?

Ya. I know. Kinda’ need a definition of victory for that musing to work.
And here in my little shtetle. We go to sleep unsure if there will be a code red in the middle of the night. And if not. We wake up thinking it will be tonight. How do you define stress?

Seemed like an appropriate way to end this musing.

Bruce Brown is a former Winnipegger who made aliyah to Israel over 35 years ago. Bruce first began writing for us – in his own inimitable style, in 2012, during what was known as “Operation Pillar of Defense.” His occasional musings on aspects of life in Israel that were far from what you’d typically read in other reports from Israel were hugely popular – both in the print Jewish Post & News and on this website.
We’re now glad to report that Bruce is back writing for us – this time on a regular basis. We will post Bruce’s reports as they arrive – with the date of each post at the beginning of that post.
Here’s
some information about Bruce – and awards he’s received for his writing:

Bruce Brown.  Canadian born.  Now living in Israel (for a long time).  Bruce works in Israel’s hi-tech sector by day and, in spurts, is a somewhat inspired writer by night.  He received the American Jewish Press Association’s award for writing excellence in 2019 and 2025.  And wrote the1998 satire, “An Israeli is….”.   Bruce’s visuals are AI-assisted and created with ChatGPT under his inimitable visual concept and creative direction.  Bruce’s musings are political, social, economic and personal.  With lots of biting, contrarian, sardonic, irreverent and mischievous insights.

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