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Rabbis, teachers, survivors: 18 Jews whose deaths diminished our communities in 2022
(JTA) — All year long, the Jewish Telegraphic Agency reports about the deaths of Jewish newsmakers in our community. To close out the year, we wanted to turn our attention to people who may not have been such household names but whose stories deserve to be remembered.
Here, with the help of readers who shared the names of people they are remembering, we recall 18 Jews who shaped their local communities and made a difference in the lives of those close to them. They include rabbis whose impact extended for decades, teachers who inspired generations of students and activists who were working to build a better world. May their memories be a blessing.
Harriet Bograd
A champion of emerging Jewish communities in far-flung places.
Harriet Bograd, center, her husband Ken Klein, left, and daughter Margie on a visit to the Sefwi Wiawso Jewish community in Ghana in an undated photo. (Courtesy Kulanu, Inc)
Harriet Bograd, who as president of the nonprofit Kulanu supported emerging Jewish communities in Africa, Asia and other places far beyond the usual centers of Jewish life, died on Sept. 17 in a Manhattan hospital. She was 79. A Yale-educated lawyer and a stalwart at the West End Synagogue, she was inspired by a visit in 2004 to a remote village in Ghana, where about two dozen families considered themselves Jewish. In the years to come, she and Kulanu would provide support to emerging Jewish communities in Uganda, Tanzania, Nigeria, Cameroon, Madagascar, Indonesia, Pakistan, Guatemala, the Philippines and more. She once said of her work at Kulanu, “after the Holocaust and the decimation of Jewish communities in Arab lands, the idea [is] that we’re establishing Jewish communities that have their own richness and variety.”
Henry Berg-Brousseau
Transgender activist from Kentucky
Henry Berg-Brousseau (Courtesy Human Rights Campaign)
Henry Berg-Brousseau grew up in Louisville, Kentucky, and studied history, political science and Jewish studies at George Washington University, where he was a founding member of an LGBTQ+ fraternity. He had recently gotten a major promotion at the Human Rights Campaign when he died by suicide in his Arlington, Virginia, home, on Dec. 16 at age 24. “Henry spent his life working to extend grace, compassion and understanding to everyone but especially to the vulnerable and marginalized. This grace, compassion and understanding was not always returned to him,” his mother, the Kentucky state legislator Karen Berg, wrote in a statement that criticized lawmakers who advance anti-LGBTQ views. She added, “He was doing work that was important to him to make the world a more accepting place. At 24 years old. he had finally found a community but that could not undo the brokenness that he already felt.”
Rabbi Simcha Krauss
Orthodox advocate for women’s rights
Rabbi Simcha Krauss speaks at a dinner hosted by Yeshivat Eretz HaTzvi in his honor on Feb. 5, 2014. (Courtesy Yeshivat Eretz HaTzvi)
Rabbi Simcha Krauss, a leading figure of Modern Orthodox Judaism who was a forceful advocate for women’s rights within Orthodoxy, died Jan. 20 at 85. Krauss’s efforts, which included creating a rabbinical court to support “agunot” — women whose husbands refused to divorce them — frequently earned him scorn from traditionalists within Orthodoxy. But many others saw him as a “gentle giant” who wielded his years of study and experience to fight for women’s rights in Jewish law. Krauss was born in Romania and came to the United States in 1948. Coming from a long line of rabbis, Krauss studied at Yeshiva Rabbi Chaim Berlin in Brooklyn, and later studied with the Modern Orthodox luminary Rabbi Joseph Soloveitchik. Krauss led the Young Israel of Hillcrest for 25 years. During his years in Queens, Krauss taught Talmud at Yeshiva University and began to get more involved in issues related to the role of women in Orthodoxy. He moved to Israel in 2005, and in 2014 came back to New York to found the International Beit Din, or religious court, to work on agunot cases. “Some say it is a modern revolution,” he told the Jerusalem Post. “I say that’s the way you should do it.”
Rabbi David Weiss Halivni
A survivor and scholar who teased out the many voices of the Talmud
Survivor and Talmud scholar Rabbi David Weiss Halivni was associated with Columbia University for 35 years. (Chaim Meyersdorf/Wikimedia Commons)
Rabbi David Weiss Halivni, the Talmud scholar and Columbia University professor, died June 29 at age 94. A Holocaust survivor and refugee raised in Sighet, Romania, he earned his doctorate and taught for many years at the Conservative movement’s Jewish Theological Seminary in New York, until leaving the institution in 1983 over its decision to ordain women rabbis. He later became dean of the rabbinical school of the Union for Traditional Judaism, a movement created by rabbis and scholars who similarly broke with the Conservative movement. In works like his multi-volume opus “Mekorot u’Mesorot,” or “Sources and Traditions,” he galvanized the world of Talmud study by treating Jewish text as a living, mutable conversation across generations, as opposed to a static document. Halivni’s approach to learning was the “corollary to loving the text so much that you just had to understand it to its fullest, whatever tools would enable you to do so,” wrote Rabbi Ethan Tucker in an appreciation.
Moris Albahari
A remnant of a Ladino-speaking past
Moris Albahari, shown in a documentary about his story called “Saved by Language,” was a pillar of Sarajevo’s Jewish community. (Courtesy of Brian Kirschen)
Moris Albahari was 11 when the Ustaša, Bosnia’s Nazi collaborator force, came to deport him and his large family to Jasenovac, the country’s equivalent of Auschwitz. A former teacher working as an Ustaša guard in the town of Drvar, where the train stopped, warned Albahari’s father, David, about their destination, and David was able to help his son escape from the train. Because Moris knew Ladino, the Jewish language that is mixture of medieval Spanish, Hebrew, Aramaic, Turkish and other languages, he was able to speak with the Italian soldier who saved him. Ladino would save him several more times before the end of the war, but afterwards, with most of Sarajevo’s Jews dead or forever dispersed, he spoke the language largely at home. At one point the director of Sarajevo’s airport, Albahari was a leader within Bosnia’s Jewish community. “It is a terrible loss, especially for Sarajevok,” said Eliezer Papo, a Sarajevo-born Jew and scholar of Ladino in Israel. “We’re not speaking just in terms of prominent members of the community, we’re speaking in terms of family members.”
Rachel Brodie
A “master Jewish educator” whose influence was vast
Rachel Brodie (Courtesy of J. The Jewish News of Northern California)
Rachel Brodie was unassuming and humble yet through her work as an educator had a vast influence on the Jewish community in the Bay Area of California, where she lived, and beyond. Brodie was the co-founder Jewish Milestones, an educational resource for Jewish lifecycle ceremonies that launched in 2004 as The Ritualist. She also served as “chief Jewish officer” at the Jewish community Center of San Francisco, a position created just for her, from 2011 to 2016. “To be in Rachel’s presence was to be illuminated by her wit, her laughter, and her fierce and tender heart,” wrote the founders of the Jewish Studio Project in Berkeley, where she had been a senior educator. “To learn with her was to be stimulated, delighted, and transformed.” Brodie, 55, died on April 11 after falling at her home in Berkeley.
Rabbi Steven Sager
“Leader, mentor, poet” in North Carolina and beyond
Rabbi Steven Sager at Beth El Synagogue in Durham, North Carolina, in 2017. (Courtesy Anna Carson DeWitt)
When Rabbi Steven Sager died May 15 at 71 after an extended battle with pancreatic cancer, he was mourned not only by his family and his congregants at Beth El Synagogue in Durham, North Carolina, from which he retired in 2011 after 32 years, but by a rabbinic and Hebrew poetry community spanning the globe. “Steve was a beautiful and deep human being,” the Israeli poet Rivka Miriam wrote. “I generally do not believe in translation, especially translation of poetry. It seems to me that every language has an inner secret that cannot be transposed into another vessel. Yet, when Steve translated my poems I had a different feeling — I felt he entered an inner layer, one that lies beneath any language, a layer carrying a hidden code.”
Nate Geller
Devoted to building stronger Jewish communities
Nate Geller, at his home in Teaneck, New Jersey. A colleague’s daughter made the “Nate” sign, which he took home and hung on his mantel. (Courtesy)
Nate Geller died on Jan. 24 at age 63, after a struggle with leukemia that he faced with characteristic humility, faith and optimism. His death was a blow to his colleagues at 70 Faces Media (JTA’s parent company); to his synagogue community in Teaneck, New Jersey; and to the Jewish communal world to which he had dedicated his life since graduating from the Hornstein Program in Jewish Communal Service at Brandeis University in 1983. In the hours after his death, chat rooms and email boxes filled up with loving tributes to Nate, remarkable for their consistency: Friends and colleagues remarked on his gentleness, his passion for Jewish learning, his commitment to Israel, his willingness not just to hear but to listen when a colleague kvelled or kvetched. Most of all, they remembered his devotion to his family: his wife Lyn Light Geller, herself a gentle and passionate force among “Jewish professionals,” his grown children Aliza, Ariana and Koby, Koby’s wife Talia, and their kids, Annaelle and Judah. Said one colleague and fellow congregant, “There is an enormous Nate-shaped void in the world now.”
Hedi Fried
A voice for Holocaust remembrance in Sweden
Holocaust survivor Hedi Fried stands between Sweden’s culture minister and handball player Linnea Claeson during a counterprotest against a neo-Nazi demonstration in Stockholm, Aug. 25, 2018. (Pontus Lundahl/AFP via Getty Images)
Born in 1924 in Sighet, in what was then Hungary and is now Romania, Hedi Fried survived Auschwitz and settled in Sweden, where she became a psychologist and advocate for Holocaust survivors. She created Cafe 84, a salon for survivors in Stockholm, and spoke widely about her experiences during the Holocaust, gathering some of the most common exchanges in “Questions I Am Asked About the Holocaust,” published in English in 2019. “Your solidarity was boundless and no question too difficult to answer. You were brave, generous, dedicated and extremely wise,” Christina Gamstorp, the director of Stockholm’s Jewish museum, wrote in a remembrance. “Now your voice has fallen silent but not your message. It lives on in everyone who met you, in your texts, books, films and your belief that man is still good — and that it is possible to build a society free from antisemitism and racism, which threaten our entire existence.” Fried, who had three children, died in November at 98.
Rabbi Sy Dresner
The “most arrested rabbi in America”
Rabbi Martin Freedman, right, and Rabbi Israel Dresner,center, are taken to the Tallahassee city building where they were charged with unlawful assembly after they and 10 other “Freedom Riders” were arrested attempting to eat at the Tallahassee airport in June 1961. (Getty Photos)
Rabbi Israel “Sy” Dresner, who demonstrated with Martin Luther King Jr. and was sometimes called the “most arrested rabbi in America,” died Jan. 13. He was 92. A Freedom Rider in the 1960s, Dresner built a career as a social justice-oriented Reform rabbi who was active in the fight against the Vietnam War and was a vocal opponent of Israel’s occupation of the West Bank. Dresner was born on the Lower East Side in 1929 to an Orthodox family and grew up in Brooklyn, where his father ran a delicatessen. He attended yeshivas as a child but went on to become a Reform rabbi after serving in the Korean War and working on a kibbutz in Israel. “We came as Jews who remember the millions of faceless people who stood quietly, watching the smoke rise from Hitler’s crematoria,” he said after an arrest in 1964 outside a segregated motel in St. Augustine, Florida. “We came because we know that, second only to silence, the greatest danger to man is loss of faith in man’s capacity to act.”
Eli Evans
‘Poet laureate of Southern Jews’
Eli Evans, seen here in a picture from a trip to Israel in the 1970s, was “equally at home in New York.” (Courtesy Josh Evans)
Born in 1936 in Durham, North Carolina, where his father would become the first Jewish mayor and his mother the founder of Hadassah’s first chapter in the South, Eli Evans remained tied to his native home despite spending his adult life in New York City, where he was a prominent grant-maker whose giving fueled the creation of “Sesame Street” in both the United States and Israel. He wrote several memoirs about Southern Jews and also included the South in his philanthropy, which he pursued at multiple foundations according to an activist philosophy that helped launch the Children’s Defense Fund, seeded the South with Black lawyers who became local civil rights leaders and built ties between Israeli and Egyptian scientists after their countries made peace in 1979. “Eli was a Southern gentleman who interacted with the Jewish establishment and strengthened American Jewish life, without losing his Southern Jewish soul,” said Brandeis University professor of American Jewish history Jonathan Sarna. “It was a privilege to have known him.” Evans died July 26 in Manhattan of complications of COVID-19, after a period of declining health.
Sheryl Grossman
A lifelong advocate for people with disabilities
Sheryl Grossman was a Jewish disability activist. (Screenshot from 2021 JDAIM Interview Series at Towson University)
Sheryl Grossman stood small, at just 4’3″ and 48 pounds, but in the world of Jewish disability advocacy she loomed large, as both the founder of a Facebook group for people living with Bloom’s Syndrome and as a board member of Yad Hachazakah, the Jewish Disability Empowerment Center. She died March 28 at age 46, the result of a Bloom’s Syndrome-linked cancer. “I don’t think anyone will ever know just how much work Sheryl did during the pandemic to help Jewish communities support their most vulnerable neighbors who were in the hospital or isolated at home with COVID,” said Shoshana Finkel, a law student who met Grossman when she was an intern at the American Association of People with Disabilities. “She didn’t feel the need to share her accomplishments; that was never what the work was about for her.”
Dara Goldman
A professor of Spanish and Jewish studies in her prime
Dara Goldman was a professor of Spanish and Jewish studies at the University of Illinois. (Courtesy U of I)
Dara Goldman was preparing for graduation at the University of Illinois, where she was a professor of Spanish and chair of the Program in Jewish Culture and Society, and for the American Jewish Historical Society conference, when she died May 13 of a heart attack. She was 51. A graduate of Columbia and Emory universities, Goldman produced scholarship so diverse that she was affiliated with eight units within the University of Illinois; most recently, she was researching Jewish cultural production in Cuba, where she brought resources for the Jewish community during her research trips, and co-edited a volume on 21st-century Jewish writing. “With her characteristic wit, she would often joke that she was a Jewish woman who took a wrong turn at diaspora,” said a remembrance published by the university. “But jokes aside, she could be at the same time a Jewish woman from New Jersey and an adopted daughter of Puerto Rico and Cuba, two cultures that she knew intimately and loved very deeply. … The echoes of her inimitable, hearty laughter will resonate within our halls for a long time.”
Yaakov Shalev
A beloved family man whose story was Israel’s
Yaakov Shalev, seated third from right, helped organize Iraqi Jews’ exodus to Israel. (Courtesy Asaf Shalev)
“When I arrived for a visit with family in Israel in my early twenties, my septum piercing outraged nearly everyone at our Shabbat morning gathering. Even my younger cousins badgered me to remove it. It took my elderly grandfather, Yaakov Shalev, to quiet everyone down and declare that I am his same beloved grandson, with or without the piercing.
“Calm, open-minded, steadfast, Saba Yaakov, as we called him, passed away peacefully in February at age 92 in Holon, with his five children at his side. He spent his last few hours listening to the melodies of his youth in Baghdad, the music of giants such as Umm Kulthum, Mohammed Abdel Wahab, and Fairuz.
“Saba Yaakov helped organize the exodus of Iraqi Jewry to Israel in 1950 and then enlisted in the Israeli military as an airplane mechanic. He taught himself how to build houses and became a successful contractor in the 1960s. But he soon decided the stress was too much and opened a shop in south Tel Aviv where he fabricated canvases for Israeli artists and framed their paintings. He kept the shop running for more than 40 years, going to work every day until he was in his eighties.” — Asaf Elia-Shalev, JTA reporter
Trude Feldman
A journalist who specialized in Yom Kippur interviews
Trude Feldman interviews Jimmy Carter in the White House in 1978. (Jimmy Carter Presidential Library)
The daughter of a rabbinical family, Trude Feldman launched her career covering the 1961 trial of Nazi mass murderer Adolf Eichmann in Jerusalem, where she put her training as a Hebrew teacher to use by teaching the language to the Nazi’s lawyer. (She also taught Hebrew to famed converts Sammy Davis Jr. and Elizabeth Taylor, and to Paul Newman on the set of “Exodus.”) But it was in her coverage of American presidents that Feldman truly made her mark, becoming famous for scoring presidential exit interviews and Yom Kippur interviews, which she would pitch as an opportunity for redemption. That’s what got her the first interview with Bill Clinton after he copped in 1998 to yes, having sex with that woman. The mainstream media mocked her for her softballs — “Saturday Night Live” once did so in a sketch — but those close to her understood their value. “The joke, however, was on everyone else,” her nephew, Rabbi Daniel Feldman, wrote in a remembrance. “Paired with her signature persistence, her style more often elicited not puff but profundity, more sincerity than sugar. The unique access she earned — baffling to some, understood to the astute, acknowledged by all — yielded memorable results.”
Harlene Winnick Appelman
A revolutionary leader in Jewish education
Harlene Winnick Appelman in an undated photo provided by the Covenant Foundation.
Born in upstate New York, Harlene Appelman’s career in Jewish education took off in 1982 when she became the director of family life education at Congregation Shaarey Zedek in Southfield, Michigan, a Detroit suburb. There, she pioneered interactive Jewish learning, bringing children out of dry frontal settings into a more tactile experience of Judaism. After joining the board of the Covenant Foundation, which funds and promotes Jewish education, in 1994, she became its director in 2005 and held that role until 2021, allowing her to influence a generation of Jewish educators. Many of them mourned her death at 75 on Aug. 18; the cause was cancer. “I am one of an entire congregation of Jewish educational leaders who Harlene mentored, supported, prodded and constructively critiqued, promoted, and made feel special,” wrote Rabbi Shira Koch Epstein, in an online remembrance. “I hope that in her memory, I will find ever new ways to help more Jewish rabbis and educators feel seen, heard, capable, and motivated.” This month, the Covenant Foundation initiated a new prize, in Jewish family education, in Appelman’s honor.
Tom Tugend
An indefatigable journalist
Tom Tugend in his Los Angeles home, Aug. 3, 2021. (Jacob Gurvis)
Tom Tugend was 13 when he and his family left their home in Berlin in 1939. He was 97 when he died Dec. 7 in Los Angeles, where he had lived for most of his life. In the intervening decades, he fought in the U.S. Army and the Israel Defense Forces; covered Jewish news for a wide array of publications, including JTA; and enjoyed 66 years of marriage during which he and his wife raised three daughters. “His authenticity came through to anyone who knew him,” said one of them, the journalist Alina Tugend. “He was a hero to many people.”
Judah Samet
A two-time survivor of antisemitic terror
Judah Samet stands next to his portrait, part of Luigi Toscano’s “Lest We Forget” project at the University of Pittsburgh in 2019. (Photo by Hector Corante, courtesy of Holocaust Center of Pittsburgh)
Judah Samet became a national face of Pittsburgh’s 2018 Tree of Life synagogue shooting because he survived: He had been running late that day, so was not inside the building when 11 of his fellow congregants were murdered. Months later, he was President Donald Trump’s guest to the State of the Union address. The experience was both very different Samet’s childhood in Hungary, where he was born in February 1938, and in some ways similar. As a young child, Samet was forced by the Nazis from his home and shipped with his family first to a labor camp in Austria and then to the Bergen-Belsen concentration camp. After a stop in Israel, he moved to Pittsburgh in the 1950s, ultimately joining his father-in-law’s jewelry business there and remaining a committed community member until his death at 84 on Sept. 27.
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Mamdani once vowed to arrest Netanyahu. Now he won’t join protests against him.
New York City Mayor Zohran Mamdani said Wednesday that he will not join protests against Israeli Prime Minister Benjamin Netanyahu when he arrives in the city to address the United Nations annual gathering next week and pushed back on the suggestion that he ever encouraged New Yorkers to protest the Israeli leader.
“I do not have any plans to attend any protest at the U.N. General Assembly,” Mamdani told reporters. “To New Yorkers, I have never encouraged them to protest. What I have always told them is that they have the right to do so in the city.”
But two months ago, when Mamdani was asked what New Yorkers frustrated with Netanyahu should do when the Israeli leader came to the city for the annual fall U.N. event, the mayor repeatedly pointed to protest as an option. “I think one of the bedrocks of our city is protest,” Mamdani said at a July 22 press conference. “It is something that has been a part of what makes our city so special: that New Yorkers can express themselves, whether they are in support or in opposition, no matter the topic.”
Mamdani’s July remarks came after a legal review the mayor ordered concluded that he lacks the power to order the arrest of Netanyahu, a pledge he made during his mayoral election campaign.
In July, when a reporter followed up directly, “Are you urging them to protest?” Mamdani stopped short of saying yes. But he again pointed to protests as a way for New Yorkers who oppose Netanyahu to make their voices heard. “I’m simply saying that this is a city where — if anyone feels a level of frustration or opposition, protest is something that we will always respect,” Mamdani said. “I leave it to New Yorkers themselves to make that decision,” he added.
From arrest pledge to protest rights
Mamdani had campaigned on ordering Netanyahu’s arrest based on a warrant issued by the International Criminal Court in November 2024, which accused the Israeli prime minister, former Israeli Defense Minister Yoav Gallant and Hamas military commander Mohammed Deif of war crimes and crimes against humanity. Netanyahu has rejected the charges. The United States is not a member of the International Criminal Court and the Trump administration imposed sanctions on the ICC months after it issued the warrants.
After taking office, Mamdani ordered a legal review and acknowledged in July that New York City does not have the authority to execute the ICC warrant.
He made that announcement in an unusual video address describing Netanyahu as “a war criminal, the architect of a horrific genocide against the Palestinian people” and declared that the Israeli leader would not be welcome in New York, home to the largest concentration of Jews in the United States.
The address drew criticism from Jewish leaders who questioned why the mayor was devoting so much attention to an arrest he acknowledged he could not legally carry out. The criticism came amid growing tension between Mamdani and parts of New York’s Jewish community over his rhetoric about Israel. Jewish organizations have also raised concerns about it contributing to a hostile climate for Jews across the city.
It was against that backdrop that Mamdani was pressed at the July press conference about what he would tell Palestinian supporters who had welcomed his promise to arrest Netanyahu, and were disappointed that he could not fulfill it. That is when he turned to protest as a remaining option. “I want to make it very clear that that welcome ends with me,” Mamdani said. “ I will not be welcoming Benjamin Netanyahu or any other war criminals when they come to this city.”
Netanyahu is expected to arrive in New York City next Wednesday under heavy security measures and address the U.N. General Assembly on Thursday before returning to Israel. One Israeli media outlet reported that the official plane carrying the Israeli leader, known as “Wings of Zion,” will land at Newark International Airport in New Jersey instead of John F. Kennedy International Airport in New York due to concerns that Mamdani could try to prevent the aircraft from remaining parked at JFK during Netanyahu’s visit.
Protests against Netanyahu are planned outside his hotel and near the United Nations during his address. Jewish groups are also planning a mass rally against antisemitism on Wednesday.
At Wednesday’s press conference, Mamdani drew a sharper distinction between encouraging protests and defending the right to hold them. “We respect that right,” he said. “And this is a city that is proud of the Constitution, proud of the First Amendment; we’ll continue to do so.”
Mamdani cited the same First Amendment right when asked about students from Ramaz and SAR, two prominent Modern Orthodox schools, who are planning a prayer vigil outside the mayor’s residence on Friday morning in support of Israel. “They can have a vigil, or I’ve heard some describe it even as a ‘protest,’” he said. “Whatever it is intended to be, they have the room and space to do so outside of Gracie Mansion. Though, he added, he would “probably be somewhere else across the city” when they gather.
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Renoir’s paintings have been stolen again. Their history may never be found.
The timing was as swift as Auguste Renoir’s brushstrokes. In the pre-dawn darkness of Sept. 8, thieves in camouflage and helmets took less than three minutes to saw through a wire-mesh fence and carry off four paintings from the neo-Provençal villa in the south of France where the artist spent the final years of his life.
Perhaps spooked by the city’s newly acquired police dog, the looters dropped two works as they fled from the Musée Renoir across the hillside above Cagnes-sur-Mer, through ancient olive groves, orange trees and figs. Two Renoir works remain missing — a reminder of the peculiar power these paintings exert, not only on those who love them, but on those who covet them and yearn to possess them at almost any cost.
Three of the four stolen works were MNRs — Musées Nationaux Récupération, the French designation for “orphan” works recovered after World War II but never restituted because their rightful owners could not be identified or located. French museums hold them provisionally, a limbo that for some has lasted more than 70 years.
For one of the missing Renoirs, the latest theft amounts to a double tragedy: wartime spoliation followed by modern looting.
German property records show that, during World War II “Jeune femme au puits” was “confiscated by SS man Brandl,” an apparent reference to Hermann Brandl, a Nazi officer and black marketeer who went by the pseudonym “Otto,” and led an organization that bought goods and artworks outside normal channels. Recovered in Bavaria, the painting passed through the Munich Central Collecting Point and was returned to France.
The painting is small and unfinished, oil on wood. A woman in a blue apron stands at a well, drawing water. We do not know her name, but Renoir preserved her gesture and her face. History did not preserve who she was.
I find that omission difficult to leave alone.
I felt something similar in Paris in 2019, when I first stood before another Renoir, “La Petite Irène,” in an exhibition at the Musée Maillol. The portrait had not been publicly exhibited in Paris for 73 years. Yet there was little to explain the tragic history of the girl in blue — or the fact that her portrait itself had been looted during the German Occupation.
In 1946, a French critic had encountered the portrait in a Paris exhibition of artworks recovered from Germany. He wrote that the painting brought him to his knees and asked: “Who was Mlle. Irène Cahen d’Anvers?”
Seventy-three years later, I was asking essentially the same question.
The question became a search. The search became an investigation. The investigation became a book.
Irène Cahen d’Anvers was eight when Renoir painted her, with cascading ginger hair, a distant gaze and lips pressed red as if bitten. She was born into a family of art collectors who were also part of one of Belle Époque France’s great Jewish banking dynasties. She survived the German Occupation. Her sister Élisabeth, her daughter Béatrice de Camondo and her two grandchildren did not. All were victims of the Holocaust.
Before the arrests, Irène’s son-in-law Léon Reinach entrusted her Renoir portrait to the Louvre for safekeeping in 1939. The museum evacuated it with treasures including the Mona Lisa and the French crown jewels to the Château de Chambord in the Loire Valley.
But it was not safe there. In 1941, a Nazi looting unit arrived with a list of works belonging to private Jewish collectors and seized Irène’s portrait along with other paintings. Reinach boldly demanded its return, enlisting senior French museum officials in an unsuccessful campaign. Instead, the portrait eventually passed through Hermann Göring’s art-looting network.
After the war, Monuments Men investigators traced it to a Bavarian farmhouse owned by a murky art merchant near Neuschwanstein castle, a repository for looted art. In 1946, the portrait was returned to Irène, who later described it as “a remembrance of my youth and of all.”
Yet three years later, she sold it to Emil Bührle in a choice that seems almost incomprehensible. Bührle was a German-born Swiss arms manufacturer whose wartime fortune was built in significant part on weapons sales to Nazi Germany. He had also bought looted paintings during the war and, afterwards, was forced to restitute them — only, in several cases, to buy them back because he could not bear to part with them.
French archival records show that museum officials fiercely opposed the sale of “La Petite Irène.” Bührle’s own broker acknowledged that the Louvre had been interested in acquiring it, and a French commission voted to deny the export license needed to remove the Renoir from France.
Yet somehow those objections fell away. The broker’s correspondence showed that he bargained over the price and currency exchange rates with Irène and her banker. Bührle ultimately paid 240,000 Swiss francs — roughly $1.5 million in today’s dollars.
To understand Irène’s decision, I had to understand what the war had done to her.
During the Occupation, Irène left her grand Paris residence for a smaller apartment on Rue de la Tour in the 16th arrondissement and lived under the Italian surname of her former second husband. She survived by hiding in plain sight in occupied Paris, moving within a world of older Jewish women who survived by rotating among friends and discreet addresses. Helped by political connections and by a Catholic conversion decades earlier, she had obtained a coveted certificate declaring that she was not Jewish..
After the war, survivors returning from Auschwitz wrote to that Rue de la Tour apartment. Their painful letters told Irène what had happened to her missing family.
Her daughter Béatrice had survived arrest, Drancy and deportation to Auschwitz, where she was put to work in an ammunition factory. Newly uncovered records of letters from survivors indicate that she was murdered on Jan. 3, 1945, with more than 800 other prisoners, only weeks before Soviet troops liberated Auschwitz on Jan. 27, which is now known as International Holocaust Remembrance Day.
Béatrice died knowing that her two adult children were already dead, according to former prisoners who later wrote to Irène. Léon Reinach — the son-in-law who had fought to recover Irène’s portrait — also died at Auschwitz. Irène’s sister Élisabeth, painted beside her younger sister Alice in Renoir’s “Pink and Blue,” was murdered after deportation as well.
What, then, did Irène see when she looked at Renoir’s image of the eight-year-old girl she had once been?
A family relic? A remnant of a vanished world? A Jewish identity she had spent a lifetime navigating? Or simply losses too great to absorb?
The correspondence surrounding the 1949 sale offers one practical explanation. Bührle’s intermediary wrote that Irène, then 77, wanted to prevent the portrait from being sold at auction after her death because, given its value, it was unlikely any single heir could keep it.
It is an almost mundane explanation for a painting burdened with so much history: She wanted to avoid the public spectacle of an auction and Bührle had the fortune to pay for it quickly.
After the sale, “La Petite Irène” largely disappeared into Bührle’s private collection in Zürich. Only in recent years, now that the Bührle archives have been opened to greater scrutiny and much of the collection has gone on long-term loan to the Kunsthaus Zürich, has the history behind the painting received sustained public attention.
Today “La Petite Irène” hangs alone against an expanse of green in an austere reflection room at the Kunsthaus. Recently, the museum created the gallery around the portrait, inviting visitors to contemplate Irène’s story, record their reactions on a digital screen or draw responses to a history that is finally being confronted.
When I first saw the painting in Paris in 2019, I was struck not only by the girl but by the silence surrounding her. Now that silence is beginning to recede. The history has become part of the portrait’s biography — and part of the mystery of her gaze.
And now another Renoir has disappeared.
The woman in “Jeune femme au puits” still has no name. We know more about the travels of her painting than we know about her: taken during the war, recovered in Bavaria, returned to France, stolen again.
Paintings outlive the people who make them, own them, covet them, steal them and fight to recover them. Perhaps that is part of their strange power.
They carry what we remember — and what we fail to remember.
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Translation series connects English readers to prewar Eastern European Jewish life
דאָס איז איינער פֿון אַ סעריע קורצע אַרטיקלען אָנגעשריבן אױף אַ רעלאַטיװ גרינגן ייִדיש און געצילעװעט אױף סטודענטן. די מחברטע איז אַלײן אַ ייִדיש־סטודענטקע. דאָ קען מען לײענען די פֿריִערדיקע אַרטיקלען אין דער סעריע.
אַ דאַנק אַ סעריע נײַע ענגלישע איבערזעצונגען פֿון מיזרח־אײראָפּעיִשע ייִדישע ווערק, האָבן ענגליש־לייענערס הײַנט אַ געלעגנהײט זיך צו באַקענען מיטן ייִדישן לעבן־שטייגער פֿאַרן חורבן.
די סעריע, „ייִדישע שטימען“ — אַ בשותּפֿותדיקער איניציאַטיוו פֿון ייִװאָ און דעם פֿאַרלאַג בלומסבערי — איז שוין צו ניץ געקומען סײַ לערערס פֿון קורסן, וווּ די סטודענטן פֿאַרשטייען ניט קיין ייִדיש, סײַ לייענערס מיט אַן אינטערעס צו דער ייִדישער געשיכטע.
„ייִדישע שטימען“ באַשטייט פֿון ביכער װאָס זענען קײן מאָל פֿריִער ניט איבערגעזעצט געװאָרן אױף ענגליש. זיי נעמען אַרײַן אַ ברײטע גאַמע אידעעס און פּערספּעקטיװן װאָס האָבן צוגעטראָגן צו דער מאָדערנער ייִדישער קולטור אין (און מחוץ) מיזרח־אײראָפּע.
זינט 2023, װען די סעריע איז לאַנצירט געװאָרן, זענען אַרױס פֿינעף בענד, װאָס צװײ פֿון זײ — „מיסיסיפּי“ און „די חסידישע װאַרשע“ — זענען ערשט דערשינען מיט אַ פּאָר װאָכן צוריק. ביז איצט האָט מען איבערגעזעצט בלויז ייִדיש־שפּראַכיקע װערק אָבער מיט דער צײַט װעט מען איבערזעצן טעקסטן פֿון אַנדערע לשונות, אַזױ װי פּױליש און העברעיִש, וואָס מע האָט ביז איצט ניט איבערגעזעצט אויף ענגליש.
די סעריע, סובסידירט פֿון דער משפּחה פֿון האַריעט יאַסקי, װערט רעדאַקטירט פֿון אַליסאַ קװינט און עליסאַ בן-פּורת. (איך אַלײן אַרבעט מיט זײ װי אַן אַסיסטענטקע). קװינט איז אַ היסטאָריקערין פֿונעם ייִדישן טעאַטער, און בן-פּורת איז אַ היסטאָריקערין פֿונעם ייִדישן לעבן אין רוסלאַנד און אין סאָװעטן־פֿאַרבאַנד. ס׳איז דערפֿאַר נישט קײן חידוש אַז דער סעריעס קוקװינקל איז אַ היסטאָרישער. כאָטש די איבערגעזעצטע װערק רעפּרעזענטירן פֿאַרשײדענע קאַטעגאָריעס — למשל פּיעסעס, זכרונות און דערצײלונגען — איז דער עיקר זײער היסטאָרישע רײַכקײט.
„מיר קלײַבן אױס טעקסטן װאָס װאַרפֿן אַ שײַן סײַ אױף ברײטע טענדענצן, סײַ אױף ספּעציפֿישע פֿראַגעס װעגן ייִדיש לעבן אין מיזרח־אייראָפּע, און אין אַנדערע לענדער װוּ מיזרח־אייראָפּעיִשע ייִדן האָבן געװױנט װי אימיגראַנטן אָדער פּליטים. אַפֿילו די ׳ליטעראַרישע׳ װערק װי דערצײלוגען און פּיעסעס פֿאָרשן מיר פֿון אַ היסטאָרישן שטאַנדפּונקט“, האָט מיר קװינט געזאָגט.
צוליב דעם דאָזיקן שליחות שפּילט אַ װיכטיקע ראָלע דער אַרײַנפֿיר צו יעדן באַנד, װאָס איז תּמיד געשריבן פֿון אַ היסטאָריקער. אַ מאָל איז דער מחבר פֿון דער הקדמה אױך דער איבערזעצער, און אַ מאָל נעמען אונטער באַזונדערע מענטשן די צװײ אױפֿגאַבעס. „דעם היסטאָריקערס אַרבעט אינעם אַרײַנפֿיר איז אַרױסצוציִען און צוצובינדן די ביאָגראַפֿישע, גײַסטיקע און געזעלשאַפֿטלעכע אַספּעקטן פֿונעם װערק, אױף אַן אופֿן װאָס איז גלײַכצײַטיק װיסנשאַפֿטלעך און צוטריטלעך צו אַלע לײענערס, אַרײַננעמענדיק די װאָס האָבן פֿריִער ניט געװוּסט קײן סך װעגן דער טעמע,“ האָט בן-פּורת געזאָגט.
ביז אַהער באַשטײט די סעריע פֿון די דאָזיקע בענד, װאָס זענען אַלע בראָשירטע ביכלעך גרינג אַרומצוטראָגן אין אַ רוקזאַק און צו לײענען אַבי װוּ:
— „דרײַ ייִדישע פּיעסעס פֿון פֿרױען׃ װײַבערשע ייִדישע פּערספּעקטיװן“, איבערגעזעצט פֿון אַלען לויִס ריקמאַן, מיראָ מניעװסקי און אליע פּיאַצאַ, מיט אַ הקדמה פֿון אַליסאַ קװינט. דאָס בוך נעמט אַרײַן דרײַ פּיעסעס אָנגעשריבן פֿון דראַמאַטורגינס אין דער רוסישער אימפּעריע, אין פּױלן און אין ברוקלין, ניו־יאָרק, צװישן 1880 און 1920. אַלע דרײַ באַהאַנדלען קאָנטראָװערסיעלע „װײַבערשע“ טעמעס אַזױ װי חתונה און גט, שװאַנגערשאַפֿט, קינדל־קאָנטראָל און פּראָסטיטוציע. דראַמעס װאָס באַטראַכטן איבערלעבונגען דורך װײַבערשע אױגן זענען אַ זעלטנקײט אין דער ייִדישער ליטעראַטור.
— „חורבן דובאָװע׃ אַ פּינקס פֿון אַ טױטער שטאָט“, פֿון רחל פֿײַגנבערג (1926), איבערגעזעצט פֿון סינטיע און אַלבערט מאַדאַנסקי, מיט אַן אַרײַנפֿיר פֿון עליסאַ בן-פּורת (לײענט װײַטער דאָ). פֿײַגנבערג באַשרײַבט דאָס לעבן און דעם טראַגישן אוקמום פֿונעם שטעטל דובאָװע אין אוקראַיִנע, װוּ כּמעט אַלע ייִדן זענען בעת דער רוסישער בירגערקריג אין 1919 אָדער פֿאַרטיליקט אָדער פֿאַרטריבן געװאָרן. װען נישט פֿײַגנבערגס רירנדיקע דערצײלונג װאָלט דאָס ייִדישע לעבן אין דובאָװע אין גאַנצן פֿאַרגעסן געװאָרן. איר נאַראַטיװ האָט געדינט פֿאַר אַ גבֿית־עדות אינעם מישפּט פֿון שלום שװאַרצבאָרד אין 1927.
— „די מוטער פֿונעם ייִדישן טעאַטער׃ זכרונות פֿון אסתּר־רחל קאַמינסקאַ“ (1927-1926), איבערגעזעצט און מיט אַ הקדמה פֿון מיכל יאַשינסקי (לײענט װײַטער דאָ). קאַמינסקאַ איז געװען די באַרימטסטע ייִדישע אַקטריסע פֿון איר דור — טאַקע אַ „סופּערשטערן“ סײַ אױף דער בינע, סײַ אין ייִדיש־שפּראַכיקע פֿילמען. זי איז געװען ספּעציעל באַקאַנט פֿאַר אירע מאַמע־ראָלעס: דער טיטל פֿון דער איבערזעצונג פֿאַררופֿט זיך סײַ אױף דעם, סײַ אױף איר השפּעה אױף דער אַנטװיקלונג פֿון ייִדישן טעאַטער. קאַמינסקאַס זכרונות זײַנען פֿול מיט אומפֿאַרגעסלעכע געשיכטעס װעגן די פֿריילעכע מאָמענטן און די שװעריקײטן פֿונעם טעאַטער־לעבן, און מיט באַמערקונגען װעגן דער טעאַטער־קונסט װאָס זי האָט געהאָלפֿן אױספֿורעמען.
— „מיסיסיפּי׃ אַ ייִדישע פּיעסע װעגן דעם סקאָטסבאָראָ־ענין“ (1935), פֿון לײב מלאך, איבערגעזעצט פֿון עלען פּערעצמאַן, מיט אַן אַרײַנפֿיר פֿון אַליסאַ קװינט (לײענט װײַטער דאָ). מלאך האָט אָנגעשריבן די פּיעסע בתּשובֿה אױפֿן טרויעריק באַרימטן סקאָטסבאָראָ־ענין אין די דרום־שטאַטן, װען נײַן אַפֿריקאַנער־אַמעריקער זענען פֿאַלש באַשולדיקט געװאָרן אין פֿאַרגװאַלדיקן צװײ װײַסע פֿרױען אין אַ באַן. די װאַרשעװער טרופּע „יונג טעאַטער“, רעזשיסירט פֿון מיכל װײַכערט, האָט געשפּילט „מיסיסיפּי“ איבער 100 מאָל. דער ייִדישער עולם האָט מיטגעפֿילט מיט די שװאַרצע פּערסאָנאַזשן, סײַ פֿון אַ הומאַניסטישן שטאַנדפּונקט, סײַ צולוב די אײגענע איבערלעבונגען מיט אַנטיסעמיטיזם אין פּױלן.
— „די חסידישע װאַרשע׃ ר׳ זלמן און דאָס אַלעקסאַנדער־שטיבל“ (1960), פֿון יחיאל האָפֿער, איבערגעזעצט און מיט אַ הקדמה פֿון יונתּן בױאַרין (לײענט װײַטער דאָ). די מעשׂיות דערצײלן די אָפֿט־הומאָריסטישע טווּנגען פֿון ר׳ זלמן, אַן עקסצענטרישער לופֿטמענטש און אַ חסיד פֿונעם אַלעקסאַנדער־רבין. דורך זלמנס אַוואַנטורעס שילדערט האָפֿער דאָס לעבן פֿון אַ װאַרשעװער שטיבל, װוּ מענער האָבן געדאַװנט, געלערנט תּורה, געגעסן און זיך אויסגעטענהט. די דערצײלונגען מאָלן אױס אַ לעבעדיק בילד פֿון פֿאַר־מלחמהדיקן חסידות אין װאַרשע, װאָס איז געבליבן פֿעסט, נישט־געקוקט אױף דער ייִדישער מאָדערניזירונג ביזן חורבן.
אין 2027 און 2028 װעט „ייִדישע שטימען“ אַרױסגעבן:
— די דראַמאַטישע זכרונות פֿון שמעון דזשיגאַן, פֿונעם גאָר באַרימטן קאָמעדיע־פּאָר, דזשיגאַן און שומאַכער (איבערגעזעצט פֿון מרים אייזיקס, מיט אַן אַרײַנפֿיר פֿון דיעגאָ ראָטמאַן).
— חיים גראַדעס נישט־פּובליקירט מײַסטערװערק, „די פֿרױען פֿון דער געטאָ“, װעגן אַ גרופּע פֿרױען װאָס האָבן איבערגעלעבט די װילנער געטאָ (איבערגעזעצט און מיט אַ הקדמה פֿון דוד פֿישמאַן).
— די פּױליש־שפּראַכיקע זכרונות פֿון יולאַ װאַלד, די טאָכטער פֿון אַ חסידישן קרעטשמער אין דער צײַט פֿון דער ערשטער װעלט־מלחמה (איבערגעזעצט פֿון מאַרטאַ דודזיק־רודקאָװסקאַ, מיט אַן אַרײַנפֿיר פֿון גלען דײַנער).
— אױטאָביאָגראַפֿישע מעשׂיות װעגן די רײַזעס פֿון יוסף יצחק שניאורסון (דעם ריי״ץ), דער זעקסטער ליובאַוויטשער רבי (איבערגעזעצט און מיט אַן אַרײַנפֿיר פֿון אלי רובין).
„מיר האָבן כּמעט ניט קײן צײַט אָפּצוכאַפּן דעם אָטעם“, האָט אַליסאַ קװינט געזאָגט. „יעדער פּראָיעקט איז אַן אוצר, מיטן אײגענעם קוקװינקל אױף די דערפֿאַרונגען און געדאַנקען פֿון מיזרח־אײראָפּעיִשע ייִדן. ס׳איז אַ פּריװילעגיע זיך צו טײלן מיט אַזעלכע באַטײַטיקע טעקסטן מיט ענגליש־רעדנדיקע לײענערס.“
קױפֿט דאָ אַלע פֿינעף בענד פֿון דער סעריע ( כּדי צו פֿאַרשפּאָרן 20%, ניצט דעם קאָד YIDDISHVOICES בעתן באַצאָלן).
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