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Documentary explores the ‘Talmudic’ relationship between writer Robert Caro and his famous longtime editor
(New York Jewish Week) — Bob Gottlieb, who as editor-in-chief of Simon & Schuster, Alfred A. Knopf and The New Yorker ushered into print some of the 20th-century’s most accomplished writers — Nora Ephron, Toni Morrison, Salman Rushdie, John Cheever and Ray Bradbury, to name a few — believes editing is a service job, one that should go unnoticed by the reader.
And yet, it is the relationship between editor and writer that his daughter Lizzie Gottlieb, a documentary filmmaker, explores in her latest film, “Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb,” which premiered at the Tribeca Film Festival in 2022 and is now screening at theaters across the country.
Lizzie’s documentary sets out to explore the sometimes tense but ultimately caring relationship between her father, Bob, and one of his longest running authors, Robert Caro, who over the course of 50 years has produced “only” five major books: “The Power Broker,” a classic biography of urban planner Robert Moses, and four volumes of “The Years of Lyndon B. Johnson.”
Jews born and raised in Manhattan, Caro and Gottlieb have worked together since Gottlieb helped cut 350,000 words out of the first draft of “The Power Broker,” bringing it down to a book that ultimately ran 1,338 pages when it was published in 1974.
The thing they squabble over most often? Semicolons, still. Or, maybe, Caro’s overuse of the word “looms.”
The film, seven years in the making, takes on the ways Moses shaped New York City, the mysteries of LBJ’s political power, the sausage-making of bestselling books and the idiosyncrasies of two workaholics. It is also a story of two now elderly men — Caro is 87, Gottlieb is 91 — in what Bob Gottlieb calls an “actuarial” contest to finish Caro’s highly anticipated fifth volume of his Johnson biography.
“My dad and I are very close. We’re in constant contact with each other. If something funny happens, I call my dad. If something sad or confusing happens, I’ll call him. We’re just in each other’s lives all the time, so I didn’t feel that there was a secret I needed to uncover or something unexamined in our relationship,” said director Lizzie Gottlieb, who also teaches documentary filmmaking at the New York Film Academy.
“But the one thing I really knew nothing about in his life was his relationship with Bob Caro,” she said. “Because it was so different from anything else, and it was so kind of private. So really, the whole movie is the process of me understanding something that I didn’t understand before.”
The New York Jewish Week recently caught up with Gottlieb to talk about the making of the film, what it was like growing up in a high-profile family and how Jewishness impacts the work of the two men.
This interview has been lightly edited for length and clarity.
Lizzie Gottlieb is a documentary filmmaker who previously directed “Today’s Man” (2008) and “Romeo Romeo” (2012).
New York Jewish Week: You’ve been working on this movie for seven years. When did you realize you needed to make this movie and how did it get from start to finish?
For a long time, people would say to me, “You should make a film about your father.” I have an incredible father. He’s done a lot of great things. He’s interesting and funny. But I just thought, a film whose message is “look how great my dad is” is not a movie that anybody wants to see.
And then my father was given some award and Bob Caro was presenting the award. Bob Caro gave a speech about working with my dad over what was then 45 years. He talked about how he needs him, and he respects him and how they’re so productive. Then he started talking about their arguments. Somebody in the audience asked what they fought about and he said, “We have very different feelings about the semicolon.” Everybody erupted into laughs and it just hit me like a bolt of lightning. I thought, “This is the movie, this is the story.”
I wanted a story that had forward momentum and had something big at stake. A film about two men in their 60s who had done a lot of great stuff is not that interesting. But a film about two men who are hovering around 90 and are still in it, and engaged in their work, who have a dedication and passion and are in a race against time to finish their life’s work, felt really, really compelling to me.
People say, “Are you sure you should be wasting [Caro’s] time with a movie? He needs to be writing.” My producer Jen Small said we should put on the poster, “No Lyndon Johnson books were harmed in the making of this film.”
Do you think you had a perspective that made you the best person to try and talk about their relationship and document it, or was it challenging to make the leap of them being willing to open up to you?
There was definitely a pursuit of them. I called my father and I was like, “I have the best idea ever. I’m going to make a film about you and Robert Caro.” He said, “No way. Absolutely not. Never. It would not be good for our relationship.”
I just kept pestering and pestering and pestering him. Finally, he said I could call Bob Caro but he would say no and of course Bob Caro did initially say no. Then he said that he’d seen another film of mine and I could come and speak to him. Eventually, Caro said, “I’ve never seen a film about a writer and an editor, and I think this could be meaningful. I don’t think anyone’s ever seen this before.” So he let me start, but he had this kind of hilarious condition, which was that he didn’t want to ever appear in the same room as my father. That seemed funny and a little maddening and sort of endearing. It also seemed like an irresistible challenge to try to make a buddy film where they don’t appear in the same room as each other. A woman came to a screening recently and she said, “It’s a love story, and they don’t get together until the last scene.”
They both say that somehow the making of this movie has brought them closer together and that they have developed a real friendship after 50 years. Maybe just having to articulate what their relationship has meant to each other has made them appreciate it more.
What was it like to grow up in your household, with your father as this major editor and your mother (actress Maria Tucci) on Broadway?
I grew up in a really incredible household. My mother’s an actress, my father’s a publisher and editor. Our house was this kind of vibrant, boisterous household that was always filled with eccentric, incredible people — actors and writers. My dad’s writers would come for dinner and then my mother would go off and do a play on Broadway and then come back at midnight and make another dinner. It was incredible. So I feel that both of their work was kind of integrated into our life and into our family. All of his writers were really like family members, except for Bob Caro, who never came over and who I never met. I think that there’s something particular and peculiar about their relationship that they needed to stay apart and only come together over work. I guess that was something that intrigued me and that’s part of why I wanted to make the movie.
“Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb” (Courtesy Tribeca Film Festival)
The Jewishness in the film is a bit more implicit, though you discuss it when talking about their upbringings. How do you think their Jewish identities have impacted their work?
I don’t want to presume to speak for either of them about their Jewishness. I know they both very strongly identify as New York Jews, which probably means something slightly different to each of them, but I think it’s essential to their definitions of themselves. Their humor may be particularly Jewish as well. David Remnick uses a word at the end of the movie, where he says Caro needs to have “sitzfleisch” in order to finish the book. It’s this Yiddish [and German] word that means the ability to sit for long, long periods of time and apply yourself to something. I think that that is something that these two guys have: It’s almost a Talmudic focus on their craft, and without that they wouldn’t be who they are. So to the extent that that’s a Jewish quality, I think that’s essential to their being, to their achievements. There’s something like a Talmudic scholar in going over all these things, the industriousness and the empathy as well, this sort of looking at a thing from all sides and dedicating yourself to this pursuit.
Bonus question: You briefly show the various eccentric collections your dad has, including plastic handbags and kitschy Israeli record albums from the ’60s and ’70s. What is that about?
Yes, he has a lot of collections. He also has a collection of macramé owls. There are many that are not in the movie. Maybe that’s a Talmudic thing as well, like a deep dive into whatever it is that is interesting to him. He says that every subject gets more interesting the deeper you get into it. When something strikes him as charming or funny or curious, he goes all the way with it. My mother doesn’t love them. There’s a little bit of a power struggle there, but he wins. You grow up with something and you don’t really think about it. But I knew I had to find a way to put this in the movie. People kept saying it’s irrelevant, it’s to the side, but I knew I had to because it’s so weird and says so much about him.
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Texas Cemetery Unveils First North American Permanent Memorial Dedicated to Oct. 7 Hamas Attack
Hundreds attended the unveiling ceremony of the first monument in North America commemorating the Oct. 7, 2023, terrorist attack at the Shalom Baruch cemetery in Humble, Texas. Photo: Shalom Baruch Cemetery
A Jewish cemetery in Texas recently unveiled the first permanent memorial in North America commemorating the deadly Hamas-led terrorist attack in southern Israel on Oct. 7, 2023.
The 12-foot tall Star of David sculpture at Shalom Baruch – located in the Houston-area city of Humble – honors the victims, survivors, and hostages of the Oct. 7 massacre. It was conceptualized and designed by an art committee that included Anat Ronen, Kirsten Coco, and Jonathan Dror.
“The Star of David emerging from the ground stands as a symbol of resilience, identity, and collective memory,” said Coco. “It honors those we lost, affirms the strength of Israel and reflects a commitment to rise above hate, together.”
A companion ribbon-shaped sculpture nearby, created by Israeli artist Yaron Bob, was made out of shrapnel recovered from missiles that were fired at Israel from Iran and intercepted by the Jewish state’s Iron Dome system.
The sculpture symbolizes transformation and hope, according to a description on the cemetery’s website. Bob is well known for creating a similar piece that US President Donald Trump gifted to Israeli Prime Minister Benjamin Netanyahu this summer and a menorah for President Barack Obama in 2014.
Yaron Bob’s sculpture made from shrapnel. Photo: Chuck Thompson
Shalom Baruch was founded in 2023 by Israeli-American Varda Fields in honor of her father. Guests who attended the memorial’s unveiling ceremony were encouraged to leave notes in the cemetery’s Western Wall replica and promised that their notes would be delivered to the real wall in Jerusalem when Fields travels to Israel next. Memorial stones, made by adult artists living with intellectual and developmental disabilities through Alexander Jewish Family Services’ Celebration Company program, were given to attendees to place at the memorial’s base, in line with the Jewish tradition of placing stones on the grave of a loved one.
The Oct. 7 memorial sculpture is available for viewing to the general public during the cemetery’s regular hours, Monday through Friday. It was unveiled earlier in November during an event attended by several local, state, and national elected officials, including Texas Gov. Greg Abbott and more than 200 community members, civic leaders, and faith representatives.
“Jewish Houstonians and our many allies showed up for us today,” said Fields. “I can only hope that they continue to speak up against antisemitism, support the Jewish people, and even encourage others around the country and the world to build their own memorials so that we never forget what happened on Oct. 7 and every day thereafter.”
“This monument … serves as a powerful symbol of resilience, identity, and the unbreakable spirit of the Jewish people,” US Rep. Wesley Hunt (R-TX), who attended the unveiling ceremony, said in a statement on social media. “It stands as a reminder that even in the face of unimaginable hate and terror, we rise, together with strength, faith, and a commitment to ensure the world never forgets. May this memorial inspire unity, remembrance, and a continued stand against antisemitism, here at home and across the globe.”
Speakers at the unveiling ceremony, co-sponsored by the Holocaust Museum Houston, included former Hamas hostage Omer Shem Tov, who was abducted from the Nova music festival on Oct. 7, 2023, by Hamas-led terrorists and held captive in the Gaza Strip for 505 days. Shem Tov was released from captivity on Feb. 22 as part of a ceasefire deal. He spoke at the ceremony about the hostages and the soldiers in the Israel Defense Forces who were killed protecting Israel since the Oct. 7 attack. The Shalom Baruch cemetery honored him with its inaugural “The Lone Star of Israel Award,” which it will present annually.
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UK University Researcher Banned From Campus After Uttering Medieval Antisemitic Tropes at SJP Lecture
Illustrative” Parliament Square, in London, Britain, Sept. 6, 2025. Photo: REUTERS/Carlos Jasso
University College London (UCL) on Thursday condemned an on-campus incident in which its former researcher uttered “vile” antisemitic statements during an event organized by Students for Justice in Palestine (SJP), a global anti-Israel network linked to jihadist groups.
As seen in footage shared by StandWithUs UK, the researcher, Samar Maqusi, delivered a pseudo-academic lecture at the UCL Student Union which argued that Napoleon Bonaparte recruited Jewish financiers to join him in a conspiracy to end the Ottoman Empire’s occupation of the Holy Land, saying the French emperor sought the fictional partnership because “Jews pretty much controlled the financialization [sic] structure.”
Additionally, she charged that Jews harvest the blood of gentiles to use it as the key ingredient of “special pancakes,” a classic antisemitic trope pulled from the medieval age and used to justify pogroms and many other forms of legalized anti-Jewish discrimination and persecution.
“I am utterly appalled by these heinous antisemitic comments. Antisemitism has absolutely no place in our university, and I want to express my unequivocal apology to all Jewish students, staff, alumni, and the wider community that these words were uttered at UCL,” university president and provost Michael Spence said in a statement. “The individual responsible is a former fixed-term researcher at UCL, but not a current member of UCL staff. We have reported this incident to the police and have banned her from campus.”
He added, “We have launched a full investigation into how this happened and have banned the student group which hosted it from holding any further events on campus pending the outcome of this.”
UCL’s Student Union also condemned the incident while announcing disciplinary sanctions for SJP which halts its operating on campus indefinitely.
“The antisemitic tropes used throughout the lecture are reprehensible, and we condemn this language in the strongest possible terms. Every person in our community has a duty to call out and challenge hate speech on our campus,” it said. “We have suspended the two organizing societies, Students for Justice in Palestine and Jews for Palestinian Justice, with immediate effect. A full investigation through our disciplinary procedures will now take place.”
UCL is not the only university in the United Kingdom to see recent antisemitic acts.
At City St. George’s, University of London Israeli professor Michael Ben-Gad has been unrelentingly pursued by a pro-Hamas organization which calls itself City Action for Palestine. It has subjected him to several forms of persecution, including social media agitprop, spontaneous, unlawful assembly at his place of work, and even a petition of their own.
City Action for Palestine is one of London’s most notorious anti-Zionist groups, convulsing higher education campuses across the city with pro-Hamas demonstrations which demonize pro-Israel Jews, attack policies enacted to combat antisemitism, and amplify the propaganda of jihadist terror organizations. Ben-Gad is not its only victim, as the group has targeted Members of Parliament, the Union of Jewish Students, and City University London president Anthony Finkelstein, who is Jewish and the child of a Holocaust survivor.
In 2023, just months before Hamas’s Oct. 7 massacre in southern Israel, the National Union of Students (NUS), a body representing thousands of university students in the UK, apologized for discriminating against Jewish students.
The expression of contrition followed years of incidents to which Jewish groups pointed as evidence that antisemitism was prevalent throughout its organizing structure. Jewish students had reported incitement of violence against Israeli civilians, the spreading of conspiracy theories about Mossad’s rumored role in the Union of Jewish Students (UJS), and opposition to a motion proposing observance of Holocaust Memorial Day.
In November 2022, NUS removed president Shaima Dallali after finding her guilty of antisemitism and other misconduct. Dallali’s tenure at NUS brimmed with controversies, including the discovery of tweets in which she called Hamas critics “Dirty Zionists” and quoted the battle cry, “Khaybar, Khaybar o Jews, the army of Muhammad will return,” a reference to the Battle of Khaybar in 628 that resulted in a massacre of Jews.
UK Education Secretary Bridget Phillipson recently called on higher education officials to “tackle this poison of antisemitism,” calling the trend “unacceptable.”
“There can be no place for harassment and intimidation,” she said while appearing on a program by the British Broadcasting Corporation (BBC), which has itself been scrutinized for deluging the airwaves with false stories fed by the Hamas terrorist organization. “Universities can and must act on that.”
Follow Dion J. Pierre @DionJPierre.
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‘Jewish Whore’ Graffiti Targets Mexican President Sheinbaum During Anti-Government Protests
During anti-government protests, the words “Puta Judía,” which translate to “Jewish whore,” were spray-painted on the gates of Mexico City’s National Palace, apparently targeting Mexican President Claudia Sheinbaum. Photo: Screenshot
Anti-government protests in Mexico City turned openly antisemitic over the weekend, with demonstrators chanting and scrawling graffiti attacking President Claudia Sheinbaum’s Jewish heritage — sparking outrage from Jewish leaders and politicians nationwide.
On Saturday, protesters spray-painted the words “Jewish whore” on the gates of Mexico City’s National Palace, the presidential residence, in an act apparently directed at Sheinbaum, the country’s first female and Jewish president.
According to local media reports, youth groups staged the protest to voice their concerns over escalating violence, crime, and corruption, particularly linked to the country’s drug cartels.
Clashes erupted shortly after local police moved in to contain the demonstrations, leaving dozens reportedly arrested and injured.
During the protest, demonstrators targeted the presidential residence with antisemitic insults, chanting slurs and spray-painting a crossed-out Star of David on its walls.
En México, los mexicanos pintaron con aerosol la frase “puta judía” en las puertas del Palacio Nacional, tras el descontento generalizado con Claudia Sheinbaum, la presidenta del país.
Las protestas se intensificaron especialmente tras el asesinato de un alcalde, Carlos Menzo,… pic.twitter.com/bfqfuHrW5m
— ITON GADOL es Israel y las comunidades judias (@Itongadol) November 16, 2025
The country’s Jewish community has strongly condemned these latest incidents, denouncing the antisemitic attacks and calling for accountability.
“Antisemitism is a form of discrimination according to our constitution and must be rejected clearly and unequivocally,” the statement read.
Israeli Foreign Minister Gideon Saar also condemned the displays of anti-Jewish bigotry, expressing solidarity with Sheinbaum and warning against such acts of political violence.
“Israel strongly condemns the antisemitic and sexist slurs directed at Mexico’s President [Claudia Sheinbaum],” the top Israeli diplomat wrote in a post on X.
“There is no place for such attacks in political discourse. All forms of antisemitism, in any context, must be rejected unequivocally,” Saar continued.
Israel strongly condemns the antisemitic and sexist slurs directed at Mexico’s President @Claudiashein. There is no place for such attacks in political discourse.
All forms of antisemitism, in any context, must be rejected unequivocally. pic.twitter.com/HEDKzq34e8— Gideon Sa’ar | גדעון סער (@gidonsaar) November 16, 2025
As in many countries around the world, the Jewish community in Mexico has faced a troubling surge in antisemitic incidents and anti-Israel sentiment since the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
Jewish leaders have consistently called on authorities to take swift action against the rising wave of targeted attacks and anti-Jewish hate crimes they continue to face.
Earlier this year, Voice of the People — a global initiative launched by Israeli President Isaac Herzog to survey and amplify Jewish voices worldwide — released a study showing that concerns about rising antisemitism now top the list of challenges facing Jewish communities across demographics.
Among Jews in Mexico, 84 percent expressed deep concern about rising antisemitism.