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Documentary explores the ‘Talmudic’ relationship between writer Robert Caro and his famous longtime editor
(New York Jewish Week) — Bob Gottlieb, who as editor-in-chief of Simon & Schuster, Alfred A. Knopf and The New Yorker ushered into print some of the 20th-century’s most accomplished writers — Nora Ephron, Toni Morrison, Salman Rushdie, John Cheever and Ray Bradbury, to name a few — believes editing is a service job, one that should go unnoticed by the reader.
And yet, it is the relationship between editor and writer that his daughter Lizzie Gottlieb, a documentary filmmaker, explores in her latest film, “Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb,” which premiered at the Tribeca Film Festival in 2022 and is now screening at theaters across the country.
Lizzie’s documentary sets out to explore the sometimes tense but ultimately caring relationship between her father, Bob, and one of his longest running authors, Robert Caro, who over the course of 50 years has produced “only” five major books: “The Power Broker,” a classic biography of urban planner Robert Moses, and four volumes of “The Years of Lyndon B. Johnson.”
Jews born and raised in Manhattan, Caro and Gottlieb have worked together since Gottlieb helped cut 350,000 words out of the first draft of “The Power Broker,” bringing it down to a book that ultimately ran 1,338 pages when it was published in 1974.
The thing they squabble over most often? Semicolons, still. Or, maybe, Caro’s overuse of the word “looms.”
The film, seven years in the making, takes on the ways Moses shaped New York City, the mysteries of LBJ’s political power, the sausage-making of bestselling books and the idiosyncrasies of two workaholics. It is also a story of two now elderly men — Caro is 87, Gottlieb is 91 — in what Bob Gottlieb calls an “actuarial” contest to finish Caro’s highly anticipated fifth volume of his Johnson biography.
“My dad and I are very close. We’re in constant contact with each other. If something funny happens, I call my dad. If something sad or confusing happens, I’ll call him. We’re just in each other’s lives all the time, so I didn’t feel that there was a secret I needed to uncover or something unexamined in our relationship,” said director Lizzie Gottlieb, who also teaches documentary filmmaking at the New York Film Academy.
“But the one thing I really knew nothing about in his life was his relationship with Bob Caro,” she said. “Because it was so different from anything else, and it was so kind of private. So really, the whole movie is the process of me understanding something that I didn’t understand before.”
The New York Jewish Week recently caught up with Gottlieb to talk about the making of the film, what it was like growing up in a high-profile family and how Jewishness impacts the work of the two men.
This interview has been lightly edited for length and clarity.
Lizzie Gottlieb is a documentary filmmaker who previously directed “Today’s Man” (2008) and “Romeo Romeo” (2012).
New York Jewish Week: You’ve been working on this movie for seven years. When did you realize you needed to make this movie and how did it get from start to finish?
For a long time, people would say to me, “You should make a film about your father.” I have an incredible father. He’s done a lot of great things. He’s interesting and funny. But I just thought, a film whose message is “look how great my dad is” is not a movie that anybody wants to see.
And then my father was given some award and Bob Caro was presenting the award. Bob Caro gave a speech about working with my dad over what was then 45 years. He talked about how he needs him, and he respects him and how they’re so productive. Then he started talking about their arguments. Somebody in the audience asked what they fought about and he said, “We have very different feelings about the semicolon.” Everybody erupted into laughs and it just hit me like a bolt of lightning. I thought, “This is the movie, this is the story.”
I wanted a story that had forward momentum and had something big at stake. A film about two men in their 60s who had done a lot of great stuff is not that interesting. But a film about two men who are hovering around 90 and are still in it, and engaged in their work, who have a dedication and passion and are in a race against time to finish their life’s work, felt really, really compelling to me.
People say, “Are you sure you should be wasting [Caro’s] time with a movie? He needs to be writing.” My producer Jen Small said we should put on the poster, “No Lyndon Johnson books were harmed in the making of this film.”
Do you think you had a perspective that made you the best person to try and talk about their relationship and document it, or was it challenging to make the leap of them being willing to open up to you?
There was definitely a pursuit of them. I called my father and I was like, “I have the best idea ever. I’m going to make a film about you and Robert Caro.” He said, “No way. Absolutely not. Never. It would not be good for our relationship.”
I just kept pestering and pestering and pestering him. Finally, he said I could call Bob Caro but he would say no and of course Bob Caro did initially say no. Then he said that he’d seen another film of mine and I could come and speak to him. Eventually, Caro said, “I’ve never seen a film about a writer and an editor, and I think this could be meaningful. I don’t think anyone’s ever seen this before.” So he let me start, but he had this kind of hilarious condition, which was that he didn’t want to ever appear in the same room as my father. That seemed funny and a little maddening and sort of endearing. It also seemed like an irresistible challenge to try to make a buddy film where they don’t appear in the same room as each other. A woman came to a screening recently and she said, “It’s a love story, and they don’t get together until the last scene.”
They both say that somehow the making of this movie has brought them closer together and that they have developed a real friendship after 50 years. Maybe just having to articulate what their relationship has meant to each other has made them appreciate it more.
What was it like to grow up in your household, with your father as this major editor and your mother (actress Maria Tucci) on Broadway?
I grew up in a really incredible household. My mother’s an actress, my father’s a publisher and editor. Our house was this kind of vibrant, boisterous household that was always filled with eccentric, incredible people — actors and writers. My dad’s writers would come for dinner and then my mother would go off and do a play on Broadway and then come back at midnight and make another dinner. It was incredible. So I feel that both of their work was kind of integrated into our life and into our family. All of his writers were really like family members, except for Bob Caro, who never came over and who I never met. I think that there’s something particular and peculiar about their relationship that they needed to stay apart and only come together over work. I guess that was something that intrigued me and that’s part of why I wanted to make the movie.
“Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb” (Courtesy Tribeca Film Festival)
The Jewishness in the film is a bit more implicit, though you discuss it when talking about their upbringings. How do you think their Jewish identities have impacted their work?
I don’t want to presume to speak for either of them about their Jewishness. I know they both very strongly identify as New York Jews, which probably means something slightly different to each of them, but I think it’s essential to their definitions of themselves. Their humor may be particularly Jewish as well. David Remnick uses a word at the end of the movie, where he says Caro needs to have “sitzfleisch” in order to finish the book. It’s this Yiddish [and German] word that means the ability to sit for long, long periods of time and apply yourself to something. I think that that is something that these two guys have: It’s almost a Talmudic focus on their craft, and without that they wouldn’t be who they are. So to the extent that that’s a Jewish quality, I think that’s essential to their being, to their achievements. There’s something like a Talmudic scholar in going over all these things, the industriousness and the empathy as well, this sort of looking at a thing from all sides and dedicating yourself to this pursuit.
Bonus question: You briefly show the various eccentric collections your dad has, including plastic handbags and kitschy Israeli record albums from the ’60s and ’70s. What is that about?
Yes, he has a lot of collections. He also has a collection of macramé owls. There are many that are not in the movie. Maybe that’s a Talmudic thing as well, like a deep dive into whatever it is that is interesting to him. He says that every subject gets more interesting the deeper you get into it. When something strikes him as charming or funny or curious, he goes all the way with it. My mother doesn’t love them. There’s a little bit of a power struggle there, but he wins. You grow up with something and you don’t really think about it. But I knew I had to find a way to put this in the movie. People kept saying it’s irrelevant, it’s to the side, but I knew I had to because it’s so weird and says so much about him.
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Cameron Kasky, Jewish Parkland shooting survivor, is running for Congress on platform to ‘stop funding genocide’
(JTA) — Cameron Kasky, the 25-year-old Jewish activist and school shooting survivor, has entered the race to represent one of the United States’ most Jewish congressional districts — on a platform that includes stopping Israel’s “genocide” in Gaza.
“We need leaders who aren’t going to coddle their billionaire donors, who won’t support a genocide and who aren’t going to settle for flaccid incrementalism,” Kasky said in the launch video posted on Tuesday for his campaign to represent New York City’s 12th Congressional District.
The video’s caption includes the three main points of his campaign: “Medicare for all. Stop funding genocide. Abolish ICE.”
While Kasky’s anti-Trump positions are likely to go over well with the district’s largely liberal populace, his stance that Israel is committing a genocide — and the apparent centrality of that stance to his campaign — could be an issue for constituents. The district includes the Upper West and East Sides of Manhattan, where many voters sided with the pro-Israel Andrew Cuomo over Zohran Mamdani in the city’s recent mayoral election, as well as Midtown Manhattan.
Kasky’s messaging may, however, speak more to young voters in the district. A New York Times/Siena poll from September found that 66% of New York City voters ages 18 to 29 found that Mamdani, an anti-Zionist, “best addressed the Israeli-Palestinian conflict” among the mayoral candidates.
A democratic socialist, Kasky was a vocal supporter of Mamdani throughout the mayoral election — and an aggressive critic of fellow Democrats who objected to the mayoral candidate’s anti-Israel stances.
“‘Vote blue no matter who unless it’s a Muslim who criticizes Israel’s extremist far right nationalist government’ is not ‘vote blue no matter who,’” he wrote in one tweet.
In another, he wrote that Democrats who refused to endorse him after the primary should “go get a consulting gig and stop disrespecting your own voter base.”
Kasky had teased entering the crowded race for months, ever since Rep. Jerry Nadler, Congress’ most senior Jewish member, announced he would not be running for reelection.
In that time, Kasky has also weighed in on the viability of Micah Lasher, the Jewish state Assembly member and former Nadler aide who launched his own campaign for the seat earlier in the fall.
Lasher is unable to “fight fascism” because of his “genocide denial and free speech attacks on students,” Kasky wrote, with a screenshot of a Lasher tweet from Oct. 28, 2023, that criticized what Lasher called the “awful use of the word ‘genocide’ by some westerners to describe Israel’s actions.” (As the war in Gaza neared its two-year mark this summer, a poll found that half of Americans believed Israel had committed genocide, a claim that Israel and the United States both reject.)
Kasky also reposted a poll according to which Brad Lander, Mamdani’s most prominent Jewish ally, would beat the moderate congressman Dan Goldman, who is Jewish and withheld an endorsement due to “some of the rhetoric coming from Mamdani.”
“Needless to say, I am looking forward to working with Brad Lander,” Kasky wrote.
Kasky is the co-host of the “For You Podcast” with Tim Miller, which attempts to “break down the politics of the TikTok generation,” for The Bulwark, a center-right, anti-Trump media company.
One of Kasky’s podcast guests over the summer is now his opponent: Jack Schlossberg.
Schlossberg, who is the grandson of President John F. Kennedy and has said he is “at least 100% half Jewish,” announced his own candidacy for the 12th Congressional District last week.
Kasky remarked on their podcast that many women in his life have crushes on Schlossberg — and Schlossberg replied that the two men have a similar appeal.
“I always say, when you go unhinged politics Jew, it’s hard to go back,” Kasky said.
Kasky was thrust into the national spotlight as a survivor of the Marjory Stoneman Douglas High School shooting in Parkland, Florida, in 2018. Together with other survivors, he led a march in Washington and spurred a national movement that is seen as crucial to the 2022 passage of the most significant federal gun control legislation in decades.
Kasky, a junior at the time of the shooting, is credited with having selecting the name and hashtag #NeverAgain — which has long been linked to Holocaust commemoration — for the student-led gun control campaign. (Another co-founder of Never Again MSD is David Hogg, who recently stepped down as the youngest-ever vice chair of the Democratic National Committee.)
Before the shooting, Kasky said he played Motel in a school production of “Fiddler on the Roof.” The quality of his performance was proof, he joked, that he was not a paid actor in the protests, as some conspiracy theorists accused.
Kasky attended Hebrew school growing up, which he referenced when speaking on MSNBC about the “No Kings” protests against Trump.
“This kind of reminded me of my education growing up — when you go to Hebrew school, you learn about fascism a little bit younger than the other kids,” he said. “And you find yourself asking, in the face of authoritarianism, in the face of seeing a genocide happen before the entire world, what would I do? How would I react?”
He moved to New York City to attend Columbia University, where he later dropped out, and lives in the 12th Congressional District that’s been described as a “crown jewel” of New York politics.
Now, Kasky is running on a progressive agenda that emphasizes fighting Trump and stopping U.S. military aid for Israel, referring to the country’s actions in Gaza in no uncertain terms as a “genocide” — a response which he says has been informed in part by his Jewish identity.
“I am always surprised when people ask me why I focus so much on Palestine,” he wrote. “Beyond my Jewish identity making me strongly opposed to genocide, I’m a school shooting survivor-turned-activist. I started my adult life demanding an end to American-made weapons slaughtering children.”
The post Cameron Kasky, Jewish Parkland shooting survivor, is running for Congress on platform to ‘stop funding genocide’ appeared first on The Forward.
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Democrats urge Senate to oppose Trump’s pick for antisemitism envoy ahead of confirmation hearing
(JTA) — On the eve of a long-delayed Senate confirmation hearing for President Donald Trump’s pick for antisemitism envoy, a group of House Democrats is urging senators to reject the nomination of Yehuda Kaploun, arguing that he lacks the judgment and moral authority the post requires.
In a letter obtained by the Jewish Telegraphic Agency and sent Tuesday to Sen. Jim Risch, the Idaho Republican who chairs the Senate Foreign Relations Committee, and Sen. Jeanne Shaheen, its top Democrat, the lawmakers call Kaploun’s nomination “partisan and controversial” and say his “comments and actions demonstrate a clear unfitness for this post.”
A total of 18 House Democrats signed the letter, including several Jewish lawmakers such as Jerrold Nadler, Jamie Raskin, Jan Schakowsky, Becca Balint and Steve Cohen.
The intervention is atypical: House members almost never publicly oppose sub-cabinet nominees, a category generally considered routine Senate business.
The committee is scheduled to hold a hearing on Kaploun’s nomination on Wednesday morning.
Trump tapped Kaploun in April to serve as the State Department’s Special Envoy to Monitor and Combat Antisemitism, an ambassador-level role focused on antisemitism abroad. The Senate did not move for months to schedule a hearing, leaving the position vacant even as administration officials warned about a spike in antisemitism.
Kaploun, a Hasidic rabbi, Miami-based businessman and longtime political operative close to Trump, would be the first Hasidic Jew to serve in the role if confirmed. In a May profile, JTA detailed how he rose from a Brooklyn yeshiva student and community activist affiliated with the Chabad movement to a prominent figure in Republican politics and a visible surrogate in Trump’s 2024 campaign.
The Democratic letter focuses first on Kaploun’s rhetoric about Trump’s political opponents. It cites a comment in which Kaploun said that after the Hamas attacks of Oct. 7, “Democrats refuse to even recognize the butchers of women and kidnappers of children as terrorists,” calling the statement “absurd, insulting, and malicious.” The lawmakers argue that the remark maligns Democratic members of the Foreign Relations Committee who condemned the attacks and raises questions about his ability to work across party lines.
In addition, the Democrats point to an event Kaploun organized during the 2024 campaign at which Trump said that if he were to lose the election, “the Jewish people would have a lot to do with a loss,” and spoke of a “Democrat curse” on Jews who vote for the party. The letter describes those remarks as antisemitic scapegoating and says Kaploun’s failure to publicly condemn them — or what the letter calls the administration’s hiring of “antisemites and Christian Nationalists” — should be a central topic of Wednesday’s hearing.
The lawmakers also cite JTA’s earlier reporting on dueling lawsuits in Miami-Dade County involving Kaploun and another member of his synagogue, which alleged threats and an extramarital affair. Court records show that judges issued restraining orders on both sides and that the case was settled in April, days before Trump announced the nomination. Kaploun has denied having an affair and has said, through an attorney, that he was drawn into a marital dispute that has now been resolved.
The letter closes by turning Kaploun’s own past standard for nominees back on him, quoting a 1993 submission he made to the Senate, in which he argued that nominees must be judged on “honor,” “fidelity to principle” and respect for civil rights. “By his own standards, Mr. Kaploun fails,” the lawmakers write, urging senators to vote no.
Their intervention comes as a broad coalition of Jewish organizations has pressed the Senate to move quickly to confirm an antisemitism envoy and a parallel ambassador-at-large for international religious freedom. In an August letter led by the Jewish Federations of North America, groups from across the Jewish communal spectrum urged Senate leaders to “swiftly” fill both roles, warning that “we dare not delay in filling these critical positions.”
Kaploun has previously said he is refraining from interviews until after his confirmation process, but he has publicly argued for the importance of rising above partisanship. In a May op-ed published by JTA and co-authored with the previous two antisemitism envoys, Elan Carr and Deborah Lipstadt, Kaploun wrote that “the fight against this terrible scourge… must be bipartisan and non-political.”
The post Democrats urge Senate to oppose Trump’s pick for antisemitism envoy ahead of confirmation hearing appeared first on The Forward.
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Maduro Accuses Zionists of Trying to Deliver Venezuela to ‘Devils’ as US Threatens Terror Designation
Venezuelan President Nicolas Maduro speaks during a march amid the disputed presidential election, in Caracas, Venezuela, Aug. 3, 2024. Photo: REUTERS/Maxwell Briceno
Venezuelan President Nicolás Maduro accused Zionists of trying to hand his country over to “devils,” as the United States ramped up military pressure and opposition leaders continued to voice support for action against his regime.
“There are those who want to hand this country over to the devils – you know who, right? The far-right Zionists want to hand this country over to the devils,” Maduro said on Saturday during a speech to local pro-government grassroots organizations.
“Who will prevail? The people of [King] David, the people of God, the people of [Simón] Bolívar, or the imperialist demons?” he continued. “We are the people of David against the Goliaths that we have already defeated in history. If God wills it, we will face them.”
| Nicolás Maduro: “Algunos quieren entregar este país a los demonios; ya saben quiénes son: la facción sionista de ultraderecha”.
pic.twitter.com/i7IJ5W0kOs— Alerta News 24 (@AlertaNews24) November 16, 2025
The Venezuelan leader has a long history of blaming the Jewish state and Jewish communities for the country’s problems, even as opposition leaders continue to publicly voice support for Israel and denounce his regime.
Last year, Maduro blamed “international Zionism” for the large-scale anti-government protests that erupted across the country following the presidential elections, in which he claimed victory amid widespread claims of fraud.
He also called the Argentinian government “Nazi and Zionist” earlier this year, amid an ongoing dispute over the arrest of an Argentine military officer in Venezuela.
Maduro broke diplomatic relations with Argentina after President Javier Milei refused to recognize his reelection in July.
During his Saturday speech, the Venezuelan leader insisted that the country is a Christian nation and questioned why Americans would want to kill Christians, as he urged Washington to refrain from military escalation amid a US buildup in the Caribbean and strikes on alleged drug trafficking vessels.
“I place at the forefront of this battle our Lord Jesus Christ, to whom our homeland has been entrusted, the only king between heaven and Earth, Jesus of Nazareth, the young child and Palestinian martyr, Jesus of Nazareth,” Maduro said.
“I place Jesus of Nazareth as commander-in-chief of the battle for peace and the sovereignty of the Venezuelan people,” he continued.
He also tried to appeal to the American people, urging them to say “no” to war and “yes” to peace.
Maduro’s latest remarks came just before the Trump administration on Sunday announced the decision to designate the Cartel de los Soles, which the Trump administration has accused Maduro of leading, as a foreign terrorist organization. The designation could open the door to strikes on Maduro’s assets and infrastructure inside Venezuela.
“Based in Venezuela, the Cartel de los Soles is headed by Nicolás Maduro and other high-ranking individuals of the illegitimate Maduro regime who have corrupted Venezuela’s military, intelligence, legislature, and judiciary,” the US State Department said in a statement, noting the designation will take effect next week, on Nov. 24.
“Neither Maduro nor his cronies represent Venezuela’s legitimate government. Cartel de los Soles by and with other designated [foreign terrorist organizations] including Tren de Aragua and the Sinaloa Cartel are responsible for terrorist violence throughout our hemisphere as well as for trafficking drugs into the United States and Europe,” the statement continued. “The United States will continue using all available tools to protect our national security interests and deny funding and resources to narco-terrorists.”
Congress has seven days to review the decision after being notified, and “in the absence of congressional action to block the designation,” it will take effect, according to the State Department.
US President Donald Trump said on Sunday that, while he doesn’t believe the administration needs congressional authorization for potential military strikes inside Venezuela, he would like to keep lawmakers informed.
“We like to keep Congress involved. I mean, we’re stopping drug dealers and drugs from coming into our country,” he said. “We don’t have to get their approval. But I think letting them know is good.”
In recent weeks, Trump has ordered at least 21 strikes on boats believed to be carrying narcotics and has built up thousands of troops in the region.
Last month, US Defense Secretary Pete Hegseth announced the creation of a new counter-narcotics Joint Task Force, saying it was established “to crush the cartels, stop the poison, and keep America safe.”