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Eli Rosenbaum takes skills honed Nazi-hunting to investigating war crimes in Ukraine
WASHINGTON (JTA) –– During the 35 years Eli Rosenbaum spent hunting Nazis, he always looked up to his forebears in the profession. But it was only recently, as he ventured into Ukraine to track down Russian war criminals, that he felt a personal connection with the investigators who pursued Adolf Hitler’s henchmen in the years following World War II.
For the first time in his career, Rosenbaum was seeking evidence of crimes as soon as, or almost as soon as, they were committed.
“I’m accustomed to working on atrocity crimes when the conflict is over — World War II, Rwanda, Bosnia, Guatemala, et cetera,” he told the Jewish Telegraphic Agency recently. “But in this case, the atrocities are being committed every day.”
Rosenbaum said he has been working “if not 24/7, 20/7” since June, when Merrick Garland, the Jewish U.S. attorney-general, named him to lead the Justice Department’s War Crimes Accountability Team in Ukraine. Rosenbaum had previously spent the bulk of his career in the Justice Department’s Office of Special Investigations, which he directed from 1995 to 2010. The OSI tracked down and deported 70 Nazis hiding in the United States. In 2004, it expanded its purview to track down war criminals from other conflicts who had entered the United States.
Rosenbaum’s current team, he said in congressional testimony in September, “provides Ukrainian authorities with wide-ranging technical assistance, including operational assistance and advice regarding criminal prosecutions, evidence collection, forensics, and relevant legal analysis.”
Rosenbaum rattles off names and events in the evolution of war crimes prosecution in a way that sends a listener scrambling to a search engine. He’s been a war crimes geek since college, when he took a film course and a professor screened Leni Riefenstahl’s Nazi propaganda film, “Triumph of the Will.”
Rosenbaum told his parents about the movie. His father, Irving, a refugee from Nazi Germany who enlisted in the U.S. Army, had been tapped to interrogate Nazis and their enablers after the war because he spoke German.
“I mentioned to my dad that I was taking this course and we had just seen this film. And my father said, ‘Oh, Leni Riefenstahl. I questioned her after the war.’ I [said], ‘Oh, my God. Really?’”
Rosenbaum recalls his father responding, “Yeah, and I have the report on it. Might your professor want to see it?”
As a student at Harvard Law School, Rosenbaum interned in 1979 for the then-just-established OSI, where he spent the next three decades. Garland, in naming Rosenbaum, said that made him a natural fit for the Ukraine job, noting at the time Rosenbaum’s experience in coordinating among different U.S. government departments.
Describing his work to JTA, Rosenbaum repeatedly circled back to the pioneers of war crimes prosecution, among them, Aron Trainin, the Soviet Jewish scholar, and Robert Jackson, the U.S. Supreme Court justice who established the framework for prosecuting Nazis for the “crime of aggression” at the Nuremberg trials, a concept unknown until then.
The relevance of their theories persists, he said, because Russia is not a signatory to the agreement that established the International Criminal Court, making it difficult to prosecute Russians in that body. Instead, Ukraine wants to set up a special tribunal to try Russians, modeling it on the proceedings at Nuremberg.
“We look to Nuremberg routinely, it is the mother of all trials for international crimes,” Rosenbaum said. “It’s in many ways the origin of international criminal law.”
Rosenbaum feels the “crime of aggression” is particularly relevant in the Ukraine case because Russia’s invasion was unprovoked. He described how the “crime of aggression” became, with President Harry Truman’s blessing, part of the canon in international law enshrined in the principles framing the Nuremberg trial, and then in the United Nations charter.
Rosenbaum is awed by Jackson and his intellectual journey.
“There’s an amazing letter that he wrote to Harry Truman, which I just reread the other day, in the course of my Ukraine work, in which he explains to the president why … there’s no precedent for prosecuting aggression. In the old days, this was how nations behaved. They attacked one another and, under international law, they were considered to have equal standing,” Rosenbaum said. “So [Jackson] said that had to end, and he persuaded President Truman, and now we have that crime in international law.”
Rosenbaum says Ukraine proves Jackson’s prescience. He quoted Jackson’s opening statement at the Nuremberg trials: “What makes this inquest significant is that these prisoners represent sinister influences that will lurk in the world long after their bodies have returned to dust.”
Rosenbaum, like Jackson before him, is appealing to the U.S. government to expand its capacity to prosecute war crimes. In his congressional testimony, Rosenbaum described one area of frustration: Unlike crimes of genocide, war crimes must have a U.S. party (as perpetrator or victim) to be prosecutable in a U.S. court.
Eli Rosenbaum, director of the Human Rights Enforcement Strategy and Policy and counselor for War Crimes Accountability at the US Department of Justice, testifies about the war in Ukraine during a Senate Judiciary Committee hearing on “From Nuremberg to Ukraine: Accountability for War Crimes and Crimes Against Humanity,” Sept. 28, 2022. (Saul Loeb/AFP via Getty Images)
“This means that if a war criminal from the current conflict in Ukraine were, for example, to come to the United States today and were subsequently identified, our war crimes statute would not apply, thus potentially allowing that war criminal and others to walk the streets of our country without fear of prosecution,” Rosenbaum said in his congressional testimony.
Another parallel with World War II that has surprised Rosenbaum is that he is getting reports from survivors of Russian atrocities who are gathering evidence in real time. He mentioned two men he admires: Rudolf Vrba and Alfred Wetzler, Slovak Jews who fled Auschwitz and were the first to describe, in a detailed report, the mechanics of the Nazi genocide to the outside world.
“I got to meet Rudolf Vrba, who was a witness for [the OSI] in our very first case that was going to trial — eventually it didn’t go to trial, the defendant gave up — but it was an Auschwitz case in Chicago, and Rudolf came out there,” Rosenbaum said. “It’s just amazing that we have his analogs in people who are gathering evidence, people are escaping from Russian captivity.”
Another pair of Nuremberg trials-era researchers that Rosenbaum names as relevant again are Budd and Stuart Schulberg, Jewish brothers who worked for the OSS, the predecessor to the CIA under legendary Hollywood director John Ford. The brothers tracked down films of atrocities that the Nazis themselves had produced, which the Schulbergs then compiled for presentation at the trials. (Budd Schulberg went on to be a celebrated novelist and screenwriter.)
Rosenbaum is a contributing expert to a just-released hour-long documentary on the brothers, titled “Filmmakers for the Prosecution.”
“The Schulberg brothers really pioneered something that’s extremely important in the history of law enforcement and accountability in courts, [which] is something we take for granted here in the 21st century, and that is the presentation of full-motion film [and] video evidence in courts of law,” he said.
Such evidence-gathering is happening today in Ukraine as well, Rosenbaum said.
“The Ukrainian authorities with which we work very closely have a website onto which the public or to which the public can upload their own videos,” he said. “And now that everybody who has a cell phone, has a video camera…so much evidence of the aftermath of atrocities and even the perpetration of atrocities has been captured via moving images.,”
He says he has been rattled at times by researching war crimes as they happen, especially during his visits to Ukraine.
“It was an unforgettably moving experience to meet our colleagues in the middle of a war in Ukraine,” he said. “One of the senior prosecutors was actually in his military fatigues, because he had taken off briefly from his unit for this meeting, and then he went right back.”
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The post Eli Rosenbaum takes skills honed Nazi-hunting to investigating war crimes in Ukraine appeared first on Jewish Telegraphic Agency.
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This initiative is helping Israeli war survivors heal through art – and is making therapy cool
Tomer Peretz opened the door to his unassuming gallery in Chelsea, draped in a studded black shawl and sporting cartoonishly large – but very cool – sneakers. It was the day after the biggest snowstorm in recent NYC history, and the shoes were, of course, the most practical option for an LA-based Israeli with limited snow experience.
The 8 Project gallery opened in New York this winter, but it is only one piece of a larger initiative. The program, founded by Peretz, brings Oct. 7 survivors, bereaved siblings, Israeli soldiers coping with PTSD, and others affected by the war to Los Angeles for a two-month therapeutic art residency. Participants spend hours each day creating art while also undergoing therapy and mentorship. Now, Peretz has brought the residency program and its accompanying art gallery, which is open only for private events, to New York City.
Upon entering the 8 Project gallery in downtown Manhattan, the first painting one is greeted with is Peretz’s own, a group of Israeli soldiers huddled together, accompanied by the spirits of their fallen comrades represented by icy-white hands painted on the heads of the living. In a city where torn-down hostage posters became almost a fixture of the streets during the Gaza war, the gallery feels both out of place and deeply intentional.
Peretz receives applicants for his therapeutic residency program through rehabilitation hospitals in Israel and via social media. The only real requirement, he says, is a passion for art.
“They don’t have to have technical skills,” he told me. “Art is our toolbox to get through their soul. If they can sit every day and create, they’re already qualified.”
Peretz flies incoming residents to Los Angeles and covers their living expenses so they can focus entirely on healing.
Peretz was a volunteer with ZAKA, the Israeli humanitarian organization that specializes in recovering human remains after terror attacks. In the immediate aftermath of Oct. 7, he helped identify bodies at the sites of the attacks.
Once he returned to his home in LA, where he had been working as a painter for years, he found he could no longer approach his work in the same way. “I realized that everything I had been doing in my life had no real purpose,” he said. “We artists, we think we are so important. But if the work doesn’t do something, it’s just fucking art.”
He began working with artists informally and gradually developed what would become the 8 Project Residency. “I couldn’t create anything besides creating with people who were affected by the war. I cared about nothing else.”
Part of the appeal for residents, he says, is the cool-factor of the program. “People get attracted to cool, fun people.” Unlike traditional therapy — “a boring therapist and psychiatrist in a room,” as he put it — the program offers something different. “We literally brought something completely new, as far as therapy and healing, that is really, really fun.”
Shaked Salton, a former 8 Project resident whose best friend was killed on Oct. 7 and who served as a sergeant in the IDF’s search and rescue unit, told me on Zoom from her new home in LA that she struggled to find motivation after the war. The residency program helped her to find it. “Every day, I needed to wake up in the morning. For someone who’s been through a war, it can be tough.” But in the program, “there is no way you’re not coming to the studio.”
Now, she told me, she’s more connected to her feelings. “I paint better,” she told me. “I came to think more creatively. My brain was blocked.”
Sahar Haba, another former resident who now works as a mentor for the project, also serves as the self-ordained de facto DJ at the gallery. As residents worked on their art in the gallery’s back room, Haba played everything from Billy Joel’s “New York State of Mind,” to techno and Israeli Mizrahi music.
Haba served 15 years in the IDF and experienced the death of several of his friends on Oct. 7 and during the war, including American Hersh Goldberg Polin, whom he met through their shared love for the Israeli soccer team, Hapoel Jerusalem. He adores fashion, evidenced not only by the sneakers and jerseys he designed, displayed throughout the gallery, but also by his decidedly funky graphic socks.
During his residency, Peretz encouraged him to lead art workshops.
“Most of the time, the healing process is like, ‘Let’s talk about you, what do you need?’” Haba said. “Here I had the chance to do it the opposite way — to be the guide.”
Haba led art workshops for Nova survivors, soldiers, families and couples who were affected by the war.
One of the most striking paintings at the 8 Project Gallery is a portrait Peretz painted of Andrei Kozlov, a freed hostage and former 8 Project resident. In the piece, half of Kozlov’s face is incomplete, streaked with black and red contours that suggest the rest of his features.
The painting hung across from where I was conducting interviews that afternoon, so his face had been staring back at me from the gallery wall for much of the day. Unexpectedly, the real Kozlov walked in and introduced himself to me — before joking that I must be interviewing Peretz for a clerk position.
Kozlov became an 8 Project resident a mere five months after he was freed from captivity in Gaza. Now, he lives in New York and spends hours a day working on his art.
Haba showed me a pair of boots he had designed during the war, covered in a collage of hostage posters and featuring a QR code linking to the Bring Them Home website on the tongue of the shoe. He showed his creation to Kozlov, joking that the QR code no longer worked before pulling him into a bear hug.
In the center of the gallery stands a giant tree that Peretz explained was sculpted out of the body bags ZAKA used to collect human remains. References to ZAKA appear throughout the exhibit. In a small side room, a video created by one of the residents is played, which shows ZAKA volunteers sitting in the ruins of the kibbutzim in Israel that were ravaged by the Oct. 7 attacks. The volunteers were instructed to sit in silence for an hour and stare into the camera, resulting in a deeply unsettling film that felt almost too intimate to watch.
Peretz has a self-professed “radical” perspective on healing. “I do not like when therapists or psychiatrists like to dig too much about the past,” he said. “I’m all about shaking the hand of the devil that was with you that day. But once you shake the devil’s hand, OK, let’s move on.”
That’s why the second half of the program is dedicated to helping residents plan for their future. “It’s all about how do we become hungry to wake up tomorrow morning?” said Peretz. “So if I’m going to speak about the past all day, I will not be hungry to wake up tomorrow.”
That concept is where the 8 Project got its name from. “God created the world in 6 days,” said Peretz. “On the 7th day, we got some rest, and on the 8th day, we started to live.” After residents leave the program, Peretz hopes that they, too, can start to live.
Peretz has remained in touch with all of his past residents. “Some of them are going to school. Some of them are building relationships. Some of them are building a career.” He said all have continued to pursue their passion for art.
The gallery is open for private events, and while staff say they have had several people walk into the gallery who are not connected to Judaism or the war in any way, they are not Peretz’s target audience.
“I like that we’re not open for the public, I don’t think we are for the public.” He explained, “I’m not interested to tell my story at all. I don’t want to tell the Jewish story. I’m not trying to get more fans for the Jewish people through this exhibit.”
“I’m not for everyone,” he added. I care only about my brothers and sisters who created this, and the next people who are gonna create more, and that’s it.”
Still, Peretz believes the project’s presence in New York matters.
“New York needs this more than any other city. I realized that the Jewish people in New York are so traumatized, and they need that connection so badly,” he said. “A lot of us, Jewish people in the diaspora, got lost. We need that connection. We want to get the hug.”
The post This initiative is helping Israeli war survivors heal through art – and is making therapy cool appeared first on The Forward.
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Israel says slain brother of Michigan synagogue attacker was a Hezbollah commander
(JTA) — The man who attacked a Michigan synagogue on Thursday was the brother of a Hezbollah commander who oversaw efforts to shoot rockets into Israel before being killed earlier this month, the Israel Defense Forces announced on Sunday.
The mayor of Ayman Ghazali’s city, Dearborn Heights, said in a statement following his attack on Temple Israel in West Bloomfield, Michigan, that members of Ghazali’s family had recently been killed “in an Israeli attack on their home in Lebanon.”
Israel is targeting Hezbollah, an Iranian proxy in Lebanon that attacked Israel in retaliation against the U.S.-Israel war on Iran, in a conflict that escalated on Monday into a ground operation. Ghazali’s family members were killed in a Hezbollah stronghold where Israel had recently warned civilians to evacuate.
But while images purporting to show Ghazali’s brother in Hezbollah garb circulated on social media almost instantly after attack, the IDF’s announcement marked the first official allegation tying him to the terror group.
“Hezbollah commander Ibrahim Muhammad Ghazali was responsible for managing weapons operations within a specialized branch of the Badr Unit. The unit is responsible for launching hundreds of rockets toward Israeli civilians throughout the war,” the IDF said in a statement on Sunday, adding, “Ibrahim was eliminated in an IAF strike on a Hezbollah military structure last week.”
An unnamed Hezbollah official denied the allegation to The New York Times.
The IDF’s statement did not suggest that Ayman Ghazali was affiliated with Hezbollah. The New York Times reported that he attended a memorial service for those killed in the strike, who included Ibrahim’s young children, at a Dearborn Heights mosque on March 8 that was attended by hundreds of people, many from the Ghazalis’ town.
Ghazali’s ties to Lebanon have prompted a sharp discourse about news coverage of the Michigan attack, with some alleging that focusing on his brother’s death, especially without any confirmation of his brother’s Hezbollah affiliation, runs the risk of suggesting that attacking a Jewish institution in the United States is an appropriate response to grief during wartime.
Dearborn Heights Mayor Mo Baydoun rejected that notion during a press conference alongside the local police chief on Friday.
“We do know that the individual had recently suffered a devastating and personal loss overseas due to an Israeli airstrike on his family’s home in Lebanon, leaving two children dead. The grief is real and it’s heartbreaking, but let me be clear: That is not an excuse,” Baydoun said. “There is never an excuse for violence, especially violence directed at a sacred space.”
Meanwhile over the weekend, authorities in Michigan said Ghazali had died from a self-inflicted gunshot wound after driving his fireworks-laden truck into Temple Israel. They had previously indicated that the synagogue’s security staff, which worked immediately to neutralize the threat, might have fired the fatal shot.
Temple Israel held Shabbat services in multiple locations over the weekend, including at the Chaldean country club, Shenandoah, that welcomed children evacuated from its preschool and at a nearby Jewish country club, Tam-O-Shanter, where a bat mitzvah took place as planned. The synagogue announced on Sunday afternoon that extensive damage to the building meant it would be “closed to us for the immediate future.”
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Amsterdam Jewish school bombed, in 2nd attack in days on Dutch Jewish institution
(JTA) — A blast late Friday outside a Jewish school in Amsterdam has Dutch police racing to safeguard Jewish institutions after two attacks in two days.
As in a blast outside a synagogue in Rotterdam the day before, there were no injuries in the Amsterdam explosion, which caused damage to the school building’s outer wall.
“This is a cowardly act of aggression towards the Jewish community,” Amsterdam Mayor Femke Halsema said in a statement. “I understand the fear and anger of Jewish Amsterdammers. They are increasingly confronted with antisemitism, and that is unacceptable. A school must be a place where children can receive lessons safely. Amsterdam must be a place where Jews can live safely.”
Prime Minister Rob Wetten condemned the attack. “Terrible. In the Netherlands, there must be no place for antisemitism,” he said. “I understand the anger and fear and will quickly engage in talks with the Jewish community. They must always feel safe in our country.”
Calling the incident a “cowardly attack,” David Van Weel, the Dutch security minister, said in a statement, “Thanks to measures and alertness, greater damage has been prevented. The safety of Jewish institutions has our full attention.”
The same group that took credit for the Rotterdam incident as well as a synagogue attack last week in Belgium said in a video that it was responsible for the Amsterdam blast. The group, Islamic Movement of the Companions of the Right, was previously unknown, but watchdogs say its tactics and statements bear hallmarks of affiliation with Iran’s global network of terrorist cells.
Iran has warned that it plans to retaliate across the globe against both U.S. and Israeli targets in response to the war initiated by the U.S. and Israel on Feb. 28. Jewish security watchdogs say “the most elevated and complex threat environment” in recent history has resulted.
Four teens were arrested following the Rotterdam blast but police in Amsterdam have not announced any arrests there, though Halsema noted that a suspect was captured on security cameras installed because Jewish sites in Amsterdam are “under permanent security.”
The school targeted, an Orthodox school of about 120 students founded in the 1970s amid an effort to restore Jewish life after the Holocaust, has a tall, thick security wall as well as bollards meant to prevent vehicles from coming close, according to photographs online. The school’s website says, “The Jewish education and the necessary security of the school are paid for from its own resources and subsidies.”
“Over the past two days, violent incidents have taken place at Jewish institutions. First in Rotterdam, now in Amsterdam. This has a huge impact, not only on the immediate surroundings but on the entire Jewish community, including colleagues,” Amsterdam Police Chief Janny Knol said in a statement. “As the police, we are on standby throughout the country and have scaled up significantly. We are working extremely hard to track down the perpetrators.”
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