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As European nations celebrate their past, a US Holocaust envoy reminds them of its darker corners
WASHINGTON (JTA) — At a time when some European nations are seeking to revise their Holocaust histories to emphasize victimhood, a senior Biden administration official says the United States should keep reminding them of the dark corners of their past.
Ellen Germain, the State Department’s special envoy on Holocaust issues, said she has spent a lot of time recently engaging with leaders of countries who are seeking to venerate heroes who resisted Soviet oppression. The problem is that many of those figures also worked with the Nazis to persecute Jews.
Speaking to the Jewish Telegraphic Agency this week, Germain framed her job as ensuring that countries take the totality of that history into account. She has repeatedly made the case for removing or at least modifying plaques, statues and other memorials to people who collaborated with the Nazis.
“I understand why they’re being glorified as national heroes after World War II, but you can’t just erase what they did during the war,” Germain told JTA.
Germain’s office was established in 1999, and she has served in the role since August 2021. The envoy’s role is to persuade countries to give financial restitution to families of Jews who were murdered and exiled during the Holocaust. In the late 1990s, many countries were still coming to terms with their long-overlooked obligations toward Jewish communities that had been persecuted and wiped out. Stuart Eizenstat, the U.S. deputy treasury secretary at the time, pressed the Clinton administration to create the position to show U.S. commitment to seeking restitution.
Since 2017, the office has written reports on how countries are implementing the Terezin Declaration, a 2009 agreement between 47 countries to pay restitution to survivors. The office also works closely with the World Jewish Restitution Organization to push countries to pass laws facilitating restitution. And it works with the State Department’s antisemitism monitor to track antisemitism and campaign against it, to promote education about the Holocaust, to preserve Holocaust-era archives and to organize Holocaust Remembrance Day commemorations.
Germain, a career diplomat who has served in multiple posts in Europe, the Middle East and the United Nations, said most countries now have advanced restitution mechanisms, lessening the need for U.S. pressure. She added that some countries, including Poland and Croatia, still need to pass legislation to that effect.
Her focus more recently has been on pressing countries to more openly and honestly confront their roles in the Holocaust, a job complicated by states’ natural tendency to create heroic national myths. She would like to see monuments to perpetrators of atrocities removed, or at least modified.
More broadly, a resurgence of the far right has worried Jewish groups and the Biden administration. Poland has passed laws criminalizing accusations that some Poles collaborated with the Nazis, and others restricting restitution. Hungary’s approach to its role in the Holocaust has long been a matter of debate between the government and Jewish community. Far-right parties have made gains in recent elections in Austria, Germany and France, among other countries. Neo-Nazi marches also still make headlines across the continent.
“You get a certain amount of what we call revisionism or rehabilitation, like rehabilitation or glorification of people who are considered national heroes because they fought the communists,” she said. “They fought the Soviets after World War II, but they also participated in acts of Nazi genocide. During World War Two, they collaborated — sometimes they were directly involved in deportations or mass killings. There are figures like that in Lithuania, Ukraine, in Croatia, you’ve got street names named after some of them.”
Germain named Juozas Krikštaponis and Jonas Noreika in Lithuania; Roman Shukhevych in Ukraine; and Miklos Horthy in Hungary as examples of people memorialized for their anti-Soviet campaigns who also collaborated with the Nazis.
Germain has been having conversations about the resurgence of such memorialization in her travels. How receptive her interlocutors are, she said, depends on the country. Late last year, she traveled to Lithuania and Hungary, and in Germany she addressed a course on the Holocaust for diplomatic and security professionals from across Europe. In January, she accompanied Douglas Emhoff, the Jewish second gentleman, on his heritage tour of Poland and Germany.
Lithuanian officials were receptive to her efforts to get them to grapple with their Holocaust history, she said.
“I was really, really pleasantly surprised and impressed by how open everyone was in Lithuania to the discussion of this,” she said. “Everyone from the government to academics to journalists. “I did a panel event there that live-streamed and had 20,000 viewers, and the questions and comments just from the people in the audience about this — they were just much more open to saying, ‘Yeah, you know, we realized this is a problem and we need to figure out how to deal with it.’”
The Hungarians, by contrast, appeared wary. Hungarian officials have sought to equate the Holocaust with Soviet-era repression and revive the reputations of figures like Horthy. Prime Minister Viktor Orban has unsettled many in the West with his hard-right turn and rhetoric that, at times, appears to cross over into racism and antisemitism.
“Hungary is a more difficult question,” she said. ”I didn’t find the same level of openness. But I did find a willingness to at least talk to me about it.”
She did not mention the opposite democratic trajectories of both countries: Lithuania, along with Estonia and Latvia, have eagerly turned toward Europe and the United States in recent years, particularly as the Russian threat looms directly across the border. Hungary, by contrast, has become more insular and hyper-nationalist.
Germain said she takes a nuanced approach to making the case for confronting the past. Some of the people she wants to see made accountable for their crimes were genuinely at the forefront of their countries’ struggles against the Soviets.
“They don’t have to be written out of history, and in fact, they shouldn’t be because people need to know what they did, both good and bad,” she said. “But the point is, make the history more nuanced and teach the citizens of these countries what the full story is, and if there are statues and memorials to some of these guys… either take it down or add some context to it.”
She cited “a plaque to Jonas Noreika on the National Library in Vilnius, in Lithuania, that just says that he was a great man.” Noreika was a high-ranking police officer who is believed to have personally overseen the murder of Jews. He is venerated in Lithuania as a hero for fighting the Soviet Union alongside the Germans.
Germain said understands the impulse to seek heroes to forge a national identity after the Soviets sought to negate the histories of the countries they dominated — and especially in the face of a resurgent imperialist Russia that has invaded Ukraine.
“I think it took a while for them to start sorting out their history,” she said. “And so, sometimes, there’s only in the last five or 10 years been real attention paid to the fact that some of these figures might not be as 100% heroic as they were initially thought to be.”
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The post As European nations celebrate their past, a US Holocaust envoy reminds them of its darker corners appeared first on Jewish Telegraphic Agency.
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At Eurovision, Israel’s near triumph shows the limits of tolerance
VIENNA — A keffiyeh was blocking my view, and it bothered me less than I would have expected.
It was around 9:45 pm, and I was standing outside Vienna’s city hall, where the city had erected a “Eurovision village.” The pan-European singing competition was taking place in the former Habsburg capital, grand architecture framing massive public viewing screens.
Security was tight. Visitors weren’t allowed to bring bags inside the area, and we were patted down by two separate guards before we were allowed to enter. In August 2024, a foiled terror attack led to the cancellation of three Taylor Swift concerts, an international embarrassment authorities were keen not to repeat.
And then there were the protests over Israel’s participation.
The day before, an anti-Israel solidarity concert had featured a video call with Unorthodox author Deborah Feldman, who said she was protesting the “whitewashing” of a genocide. A separate “song protest” reportedly escalated from chants of “One love” to “Death, death IDF.” Earlier that day, demonstrators had marched along Vienna’s main shopping boulevard. By the time evening rolled around, a group of clowns had gathered outside the parliament, practicing creepy, Joker-like laughs and holding signs that said “United by Genocide,” a play on the Eurovision Song Contest’s slogan. “United by Music.”
For a contest that insists on being apolitical, Eurovision had become unmistakably political.
I didn’t care much for the music, but world events were unfolding here in Vienna, and I wanted to see them up close.
Israeli singer Noam Bettan was the third to perform. As he got on stage and started singing “Michelle,” a couple of people in the crowd I was standing in started shouting “Free Palestine” at the screen. The chants weren’t loud enough to drown out the performance
Then, someone in front of me raised a keffiyeh, stretching it between both hands and waving it in the air. It blocked my view. I considered asking him to lower it. But did I really want to risk a confrontation? Instead, I stepped sideways – slightly annoyed, but telling myself this was the price of tolerance.
Only later that night did I begin to wonder whether tolerance was, in fact, a shared value.
Back home, I watched the voting. Just before 1 a.m. the audience vote catapulted the Israeli act into the lead. In the previous two years, Israeli entries had also performed strongly with viewers, placing first and second in the public vote without winning overall. The reasons have been debated: diaspora support, savvy promotion, or simply songs that fit the Eurovision formula — catchy, theatrical, sung with a powerful voice. (Israel has won the competition four times, most recently in 2018.)
Israel’s promotional efforts have drawn criticism, but no evidence of manipulation has emerged, and the public broadcaster KAN has responded quickly to European Broadcasting Union reprimands.
It didn’t matter. Social media filled with accusations that Israel had cheated. In the arena, just before Bulgaria’s points were announced, the booing aimed at Israel’s entry grew so loud it was clearly audible on the broadcast.
Bulgaria won, Israel came in second, and I felt something close to relief. At a time when several countries had already stayed away and others were wavering, it seemed less like a celebration than a breaking point. I wouldn’t want to witness what would happen if Eurovision were to be held in Israel next year.
It had been easy to move when the keffiyeh blocked my view. One step to the side, and the problem was gone. However, there was no stepping aside from what came later. Freedom of speech is about making space, but it can also be used to close it.
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Israel’s Noam Bettan takes 2nd at Eurovision, buoyed by scrutinized public vote
(JTA) — The Israeli contestant in the Eurovision Song Contest won second place for the second year in a row, drawing a strong public vote despite protests over Israel’s inclusion in the contest.
Noam Bettan and his song “Michelle” ranked third in the public vote and eighth in the jury vote, which combined to give him second place behind the entry from Bulgaria, which won the contest for the first time.
Bettan thanked his fans in a post on Instagram after leaving the stage.
“I’m still processing everything and trying to find the words for this incredible journey. You guys are amazing and this is all because of you. I love every single one of you!” he wrote. “This is just the beginning, there are so many amazing things in the way! 🤍Am Israel Chai!!!”
Five countries boycotted the contest this year over Israel’s inclusion, citing Israel’s military operations in Gaza. After the competition, a spokesperson for VRT, Belgium’s national broadcaster, said the country was unlikely to participate next year unless the European Broadcasting Union, which runs the contest, makes “a clear statement against war and violence and for respect for human rights.” Belgium came in 21st of 25 competitors in the final.
Bettan faced a smattering of boos both during the semifinal on Tuesday and during the final on Saturday in Vienna, as well as when Israel briefly led the leaderboard during the announcement of the audience votes. He told the Jewish Telegraphic Agency ahead of the final that he believed he had more fans than detractors and that he would focus on them.
Israel scored 220 points in the public vote after drawing a formal warning from the EBU for its campaign urging supporters to send all 10 of their votes to Bettan. Israel’s broadcaster called off the campaign after being told it was “not in line with our rules nor the spirit of the competition.”
Israel also drew 123 points from national juries, more than twice what it earned last year when 22 countries awarded Israel no points at all in a result seen as driven in part by political tensions.
This article originally appeared on JTA.org.
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It looks like a kaffiyeh, but this pro-Israel influencer wants you to wear a sudra
In a recent viral Jubilee video viewed more than 1.5 million times, pro-Israel activist Rudy Rochman sits across from a group of 20 pro-Palestinian activists, debating the Israeli-Palestinian conflict. Draped around his neck is a black-and-gray checkered scarf that looks almost identical to a kaffiyeh.
Look closer, and the pattern resolves into something else: tiny Stars of David clustered together, alongside Hebrew lettering spelling out Am Yisrael Chai — “the people of Israel live,” which has became a mantra after Oct. 7 and the hostage crisis. It’s not a kaffiyeh, Rochman says, but a modern twist on the sudra, a cloth head covering once worn by Jews across the Middle East — and he wants to bring it back.
Since the Gaza War, the kaffiyeh has become an increasingly visible symbol of pro-Palestinian activism. Now, Rochman is part of a small but growing effort to revive the sudra as a marker of Jewish identity rooted in the Middle East. He runs the company My Sudra, promoting and selling the garment online. It has been embraced by a niche but visible group of young pro-Israel influencers.
Rochman, a 32-year-old Jew of Moroccan and Algerian descent, said he and his family wore sudras during celebrations like bar mitzvahs and weddings. In old family albums, Rochman says most photos of his grandfather and great-grandfather show them donning the garment in Morocco.
As a child, Rochman understood the head covering as Middle Eastern rather than distinctly Jewish. Once he learned about its connection to Judaism, he set out to revive it, beginning to create sudras in 2016 while a student at Columbia University.
The term sudra appears in rabbinic literature, including the Mishnah and Talmud, as a general term for a cloth typically worn as the religiously prescribed head covering, though some sources describe Jews wearing it around their necks. Experts say Jews across the Middle East wore sudras, likely before the Middle Ages, with styles varying by region and period.
From the Middle Ages into the modern era, Jews in the Middle East, classified as dhimmis, sometimes faced legal restrictions on dress. One notable prohibition during certain periods was the wearing of a headscarf or turban by Jews, including the sudra.
“This form of headgear by Jewish men was not tolerated in many communities,” said Gillian Vogelsang-Eastwood, a textile historian specializing in Middle Eastern dress. “Men could wear the kippah, but nothing significant in public on the head.”
Over time, she said, those constraints contributed to the fading of the custom.
“For me, it’s about reviving an aspect of our culture that was beaten out of us by force,” said Rochman. “It’s not like we consciously made a decision. ‘Hey, we want to stop wearing sudras.’ We were forced to stop wearing it.”
Historically, sudras did not usually feature identifiably Jewish symbols. The Kurdish sudra is an exception, incorporating circles and dots with religious meaning. Even in Rochman’s own family photos, his ancestors typically wore plain white sudras.
Rochman, however, has deliberately added Jewish symbols to make the garment legibly Jewish to contemporary eyes.
Rochman sells sudras in various colors, including a black and white version that looks exceptionally similar to the Palestinian version of the kaffiyeh. Instead of the pattern of zig-zag stripes and criss-crossed squares that can be found on that kaffiyeh, Rochman’s sudra has stars of David juxtaposed to create a similar checkered pattern, as well as Jewish symbols like the menorah, along with the phrase Am Yisrael Chai.
The resemblance to the kaffiyeh is not accidental.
The kaffiyeh is widely seen today as a symbol of Palestinian identity and resistance, but it did not always carry that meaning.
According to Vogelsang, “The kaffiyeh is basically regarded as a 19th-century development worn by farmers in Syria,” she said. “The Jordanian army later adopted it as part of their uniforms.”
Vogelsang says its political symbolism developed in the 20th century, particularly through its association with Palestinian nationalism and figures such as PLO leader Yasser Arafat, who popularized the black-and-white kaffiyeh widely worn today.
Some say the patterns on the Palestinian black-and-white kaffiyeh represent different aspects of Palestinian culture. The criss-cross lines represent the Palestinian ties to the Mediterranean Sea because of their resemblance to fishnets; the black stripes symbolize trade routes through Palestine; and the curved lines are said to symbolize olive trees.
But Vogelsang and other experts say that this symbolism is a modern interpretation of older patterns. “They didn’t have these meanings. The Palestinian community has given them these meanings,” she said.
Patterns like checks and stripes were often used for garments in the Middle East, not because of any particular symbolism, but because “they are just an easy, convenient design to make,” said Vogelsang. Both Jews and Muslims used whichever fabrics were locally available, often checkered and striped patterns commonly associated with the modern-day kaffiyeh.
In a similar way, Rochman’s sudra takes on explicit political meaning through the inclusion of the phrase Am Yisrael Chai, popularized in the 1960s as a rallying cry for Soviet Jewry and now widely used at pro-Israel demonstrations. In that sense, his garment does not just revive a historical practice, but imbues it with ideological significance.
“Being a Zionist outwardly was kind of seen as excessive before Oct. 7, but after Oct. 7 it became something that was cool again,” Rochman said, adding that interest in — and sales of — his sudras increased following the attacks and the war in Gaza that followed.
I asked Rochman if he’s ever worried about being mistaken for wearing a kaffiyeh or accused of cultural appropriation. Dozens of Reddit threads are dedicated to the topic online. In the Jubilee video, one Palestinian activist tells him, “Are you going to pretend that the kaffiyeh you’re wearing is not a culturally appropriated kaffiyeh? And you just added the Hebrew and all of that to it.”
But he is not particularly bothered by either accusation.
“I look at it as just an opportunity to tell that person, whether a Jew or not a Jew, that doesn’t know anything about a part of Jewish culture, who we are and what we are.”
And while Rochman’s main goal is to help younger generations of Jews understand a part of their history that has faded, he hopes that more Jews wearing the sudra will also foster a greater understanding of Jewish history in the Middle East.
“We need to know where we’re from,” Rochman said. “And if it helps us connect with other Middle Eastern peoples, that’s amazing too.”
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