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A Rube Goldberg machine comes to life — literally — in a new dance piece

(New York Jewish Week) — Are we humans all parts of a meticulously crafted machine? Or are we independent beings, chaotically disrupting one another’s trajectories through time and space? Is there a difference between intentional and unintentional impact? Does it matter whether our movements are prompted by internal or external forces?

These are just some of the questions that surfaced as I watched footage of “Rube G. — the Consequence of Action,” a new work by acclaimed New York-based choreographer and dancer Jody Oberfelder. The piece — at once whimsical and thoughtful — explores the mechanical motions inherent in a classic “Rube Goldberg machine” (a chain-reaction contraption that typically involves levers swinging, cogs twirling, bits and bobs knocking each other on predetermined courses) as expressed through the human form.

Over four years in the making, the piece will make its debut March 4 at the Agnes Varis Performing Arts Center in Lower Manhattan. It will be performed for three consecutive weekends, culminating in a gala event on March 19.

The genesis of this 50-minute piece began four years ago, when musician Frank London of The Klezmatics was organizing an event celebrating 15 Jewish thinkers and creators — from philosopher Hannah Arendt to composer Morton Feldman — at the New York Public Library. Oberfelder, a director, choreographer and filmmaker dedicated to site-specific works that “expand how one experiences dance,” was invited to create a piece inspired by the work of Rube Goldberg (1883-1970), the Jewish cartoonist who drew his eponymous machines starting with Collier’s Weekly magazine in 1929. According to the Rube Goldberg Institute for Innovation and Creativity, these machines “solve simple problems in the most ridiculously inefficient way possible.” A classic example is the “Self Operating Napkin,” which wipes an eater’s face by using a combination of strings, counterweights and even a scythe.

Oberfelder was intrigued and, initially, a bit surprised by the assignment. “[Frank] said, ‘God, you’re Rube Goldberg! This is perfect for you!’ But it wasn’t until I started going deeply into research that I realized [he was right],” Oberfelder told the New York Jewish Week.

Oberfeld has had a long and illustrious career: She’s danced with and for the likes of composer Meredith Monk and choreographer Sally Silvers, and has traveled the world as a performer, guest choreographer and lecturer, from the University of Hawaii to London’s Victoria and Albert Museum. Still, this new prompt captivated her. “I realized we’ve been living the Rube Goldberg life all along,” she said, referencing the ways in which people are all tied together, an intricate array of human cogs. Soon, she was hooked on the ideas behind Goldberg’s fanciful genius.

An iconic Rube Goldberg cartoon, the “Self Operating Napkin,” was featured on a U.S. postal stamp honoring the cartoonist. (Rube Goldberg Inc.)

The resulting piece for the NYPL event was, according to Oberfelder, “a four-minute blast” that explores this idea.  “We were running through the audience,” she told me, remembering that first dive into the world of order and chaos that is Goldberg’s philosophy. “[It seems like] a whole lot of something for nothing. But it is something — the joy of the moment to moment, while a marble is rolling down a slide, knowing that it [was there] and it worked.”

After that initial performance, Oberfelder wanted to explore more but, of course, the pandemic soon swept away any performance plans. Inventive as ever, she took the ideas she’d workshopped for London and created a second iteration: a film that combined over 300 clips of dancers responding to prompts like “spin” and “pop up.” Dancers and laypeople the world over, despite the social isolation, came together into a global Rube Goldberg machine.

Eventually, as COVID-19 restrictions lifted and the world began to open up, she took her new understanding of the themes and translated the film into a site-specific work that showed at Roulette, a Brooklyn theater, in 2021. That work was really the proto version of this newest take. It had the playfulness, the fun, the tumbling, the twirling. It wasn’t quite there, though. Not yet.

The piece explores big questions, including, as Oberfeld said: “What would a Rube Goldberg machine look like if it was performed by humans?” (Courtesy)

With “Rube G. — the Consequence of Action,” Oberfelder digs even deeper into her big idea —  that everything we do is both influenced by others and influences others in both predictable and unforeseeable ways. To her, this idea has a philosophical connection to Judaism: “Everything here on earth happens and [it’s our lot] to live it to the fullest,” she said, adding that “the way in which we help each other along” is part of a Jewish ethos.

In the current iteration, four performers (including, briefly, Oberfelder herself) move in the space with a curious mix of clumsy and graceful motions. They are the machine — pushing, pulling, whirling in tandem — but their gestures seem, at times, independently determined. Are we all simply reacting to the actions of our peers? I wondered, as I watched one dancer dribble another one across the space like a basketball. Or do we have a choice in the matter?

While the dancers on stage explore the relationship one human has with another, a wild card, in the form of improvised audience participation, is added to the mix. Viewers who attend a performance of “Rube G. — the Consequence of Action,” may, at times, be called to interact with and define the direction of the piece. This element of the unknown will be folded into a meticulously planned piece which, like a Goldberg Machine, has a zillion moving parts that all seem random but somehow fall perfectly into place.

“During COVID, I got to a point where I was really analyzing the nature of performance and what I missed about it,” Oberfelder said. “What I felt was lacking was the effervescence of people coming together with different ideas to present something new…. I’ve tried to create an environment where we’re all here.” To Oberfelder, “all of us” includes the audience — and maybe people everywhere, too.

“It’s sort of like singing in the shower,” she added. “It’s nice, and it’s a great release. But actually, I would like these vibrations to go past my bathroom walls.” To that end, she’s brought her work to a simple space (“it’s just a big white box studio with very simple lighting”) and is welcoming audience members into the dance. As a result, each performance will be one-of-a-kind.

“What would a Rube Goldberg machine look like if it was performed by humans?” Oberfelder wondered aloud when we spoke, mulling over the various possible iterations. Now is our chance to find out.

“Rube G. — the Consequence of Action,” will be performed at The Agnes Varis Performing Arts Center, inside the Gibney Dance Center, at 280 Broadway on March 4-5, March 11-12 and March 18 at 7:30 p.m. A gala performance will be held on March 19 at 6:30 p.m. and will include post-performance food, drinks and a live auction. For tickets (from $15) and info, click here.


The post A Rube Goldberg machine comes to life — literally — in a new dance piece appeared first on Jewish Telegraphic Agency.

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Netanyahu to meet Trump with Iran, Gaza and Saudi Arabia on the line

(JTA) — Prime Minister Benjamin Netanyahu is set to meet with U.S. President Donald Trump Tuesday, as the American leader is weighing whether to expand his bombing campaign against Iran or to find a diplomatic resolution regarding the Straits of Hormouz and the Islamic Republic’s nuclear program.

Israel fears that Trump is going to negotiate a premature end to the war without eliminating Iran’s capacity to develop nuclear weapons in the future. Trump has persistently insisted that Iran can’t possess nuclear weapons, but the war and the economic upheaval it has spurred has contributed to Trump’s approval rating hitting record lows in his second term. The poor marks are ringing alarm bells for Republicans ahead of midterm elections that could return Democrats to leadership in at least one chamber of Congress.

Netanyahu and Trump are also at odds over other issues, however, including the recent U.S.-Saudi nuclear deal, the pending sale of F-35 advance fighter jets to Turkey and the extent of Israel’s troop presence in Gaza, Lebanon and Syria.

Netanyahu is coming to the United States to attend the funeral for Republican Sen. Lindsey Graham of South Carolina, who remained one of Israel’s most unyielding advocates even as its popularity plummeted and was one of the most important Trump associates in pressing for the Iran war. Former Israeli Prime Minister Yair Lapid, now the opposition leader, will also be at the service at Washington’s National Cathedral on Tuesday.

But while in Washington, Netanyahu will seek to close the widening gaps between himself and Trump over Middle East strategy. In a video statement he released before Monday‘s departure, Netanyahu said, “I am embarking on this mission with one clear goal – to ensure the security, strength and future of our dear State of Israel.”

“We will discuss all the issues on the agenda, first and foremost, Iran,” he said. “Naturally, our goal is to safeguard our security and also to expand the circle of peace around us.”

During the trip, Netanyahu said he would also pay his final respect to Graham, “one of the greatest friends the State of Israel has ever known.”

Israelis are acutely aware of the emerging differences between the allies. “It will not be an easy visit,” former IDF intelligence chief Amos Yadlin told Israel Radio on Monday morning. “There is no doubt that Netanyahu wants the United States to return to war.”

Trump himself spoke on Monday of the discord between himself and Netanyahu, even as he lauded Netanyahu, while speaking to reporters aboard Air Force One, stating that Netanahu had been “great” and that “we did very well together.”

On the plane Trump was quizzed about U.S. plans to sell advanced F-35 fighter jets to Turkey, which Netanyahu has publicly opposed. “Turkey has been a great ally for me,” Trump told reporters, stressing, “No one tells me what we should be selling or not.” He acknowledged that Turkey “is not a big fan” of Israel and Netanyahu.

When it comes to the Saudi civilian nuclear power program that the Trump administration recently completed, Israel has been more circumspect. But it has deep concerns about an agreement that allows for plants with the capacity to enrich uranium. Assisting in the building of those plants had been one of the key incentives former President Joe Biden had used as a means to sway Saudi Arabia to normalize ties with Israel and join the Abraham Accords between Israel and several other Muslim countries.

Trump has since said that U.S. support for a Saudi civilian nuclear program would be contingent on normalization with Israel and that the plants would not be allowed to enrich uranium. But on Monday, he told reporters aboard Air Force One that he hadn’t spoken with Saudi Arabia about the Abraham Accords. Tuesday’s meeting is the first face-to-face encounter between Trump and Netanyahu since the announcement.

The closer Netanyahu appears to Trump and the center of U.S. decision making, the better it is for him domestically ahead of Israel’s Oct. 27 election. Trump has in his second term met with Netanyahu more than any other leader. This will be their eighth such conversation, and the fifth time he has hosted the Israeli leader in the White House.

Tight ties with Netanyahu also plays well for Trump with his evangelical base ahead of the U.S. mid-terms in November, but they run the risk of further alienating the larger American public that opposes the conflict.

Netanyahu’s influence in America had diminished, in part because of how unpopular the war has become in the United States and the role he played spurring it on.

“This is not the same Netanyahu of 2025 or even of February 2026. He is greeted with suspicion,” Yadlin said of the reception he expects for the prime minister in the United States.

Netanyahu last visited Washington in February, where he successfully advocated for the joint Israeli-U.S. military aerial bombing campaign against Iran launched on the 28th of that month.

Tehran retaliated by closing the Strait of Hormuz, the waterway through which 20% of the world’s oil supply is shipped. That step caused crude oil prices to spike in the first quarter of 2026 from $61 a barrel to $118, according to the U.S. Energy Information Administration.

Iran allowed the strait to reopen in a limited way after an April ceasefire that was followed by a Memorandum of Understanding with the U.S. in June. The agreement fell apart in early July, with the parties resuming attacks – but without any Israeli military involvement. The United States bombed Iran for 13 consecutive nights, ending on Thursday, even as talks with the Islamic Republic  continued.

The United States and Israel in February were initially aligned around their joint goal of destroying Iran’s nuclear and ballistic missile program, with Netanyahu also focused on the collapse of the Islamic Republic.

Over the weekend, Trump stressed that the war was still about eliminating Iran’s nuclear program. Last week he spoke about specifically hitting the nuclear facility at Pickaxe mountain.

In an interview with NBC News’ “Meet the Press” on Sunday, U.S. Ambassador to the United Nations Mike Waltz said the United States was “keeping all options on the table,” but was giving space for talks.

He dismissed media reports that lack of military supplies was part of Trump’s motivation to pause its bombing campaign, stating that the United States had everything it needed militarily.

Waltz warned Iran not to ignore American military threats. Early Monday morning, Trump published a short AI video in which his likeness planted an American flag on an Iranian oil tanker, with a slogan that stated, “it’s our oil tanker now.”

Later in the day, the president told reporters on Air Force One that he was having “good talks” with the Iranians, “so we will see what happens. I think there is a good chance something could happen. If it does, good. If it doesn’t, we go back to doing what we were doing two days ago.”

Yadlin told Israel Radio that at the end of the day, “What interests President Trump is the reopening of the Strait of Hormuz.”

The war might have begun in February with a focus on the Iranian regime and its nuclear program, but it will end, Yadlin predicted, with the reopening of the strait and some kind of diplomatic achievement with regard to Iran’s nuclear weapons program.

Israel has watched the U.S.-Iran reengagement warily from the sidelines.

Sima Shine, an Iran expert at the Tel Aviv-based International Institute of Strategic Studies, said that until now, neither Washington nor Tehran had wanted Israel’s involvement in the resumed fighting, fearing that such a step would “widen the scope of the war.”

Maintaining its status as a bilateral conflict makes it easier to return to negotiations, she told the Jewish Telegraphic Agency.

The United States can better control the battlefield without Israel, which would have its own military agenda and objectives, Shine said. Israel can only enter the war if it is attacked by Iran or invited to do so by the United States, she added.

In an interview with Fox News on Sunday, Netanyahu warned of a forceful response should Iran attack Israel.

Iran has to end its nuclear program, he stressed, saying that the military strikes so far have set the program back but have not eliminated it.

A nuclear-armed Iran is a danger to Israel, the region, the United States and the world, he said, adding, “President Trump and I are both committed to prevent this danger.”

This article originally appeared on JTA.org.

The post Netanyahu to meet Trump with Iran, Gaza and Saudi Arabia on the line appeared first on The Forward.

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In Detroit, pro-Israel Senate candidate Haley Stevens meets a pro-Palestinan El-Sayed supporter

(JTA) — DETROIT — Hours before a big debate showdown with her primary rival, U.S. Rep. Haley Stevens began a routine campaign stop Monday seemingly comfortably in her element.

The Michigan candidate for U.S. Senate walked into The Roost, a cafe and wine shop in the Woodbridge neighborhood, chatting up her record on small businesses with the owner, Jeff Tatum. She gamely made herself a cappuccino, exclaiming with glee that the store used Dial soap like her father’s business had.

She also made a play for party unity. Asked by the Jewish Telegraphic Agency about Jewish Democratic donors who have indicated they would fundraise for Republican candidate Mike Rogers if Stevens lost the primary, she responded, “I’m on the Democratic team. I’m on the Beat Mike Rogers team.”

But things went off-script for Stevens when she sat down with Jai Singletary, director of a local neighborhood improvement association — who revealed, midway through their conversation, that he had already cast his early voting primary ballot for her opponent, former county health director Abdul El-Sayed.

What’s more, Singletary made it clear to Stevens that the candidates’ respective stances on aid to Israel were the deciding factor for him.

“Genocide isn’t a Palestinian issue. We’ve all got to care about this,” Singletary told Stevens, a pro-Israel centrist who has received nearly $30 million in outside spending from the American Israel Public Affairs Committee to date in her primary — the organization’s largest-ever investment in a single race, according to CBS News. He believes, he said, that “our country is directly responsible for peace not being achieved.”

The director of Woodbridge Neighborhood Development and local soccer coach added, “We’ve got to have the money stay here. I don’t think we should be giving any more aid to the State of Israel while they’re committing the atrocities they’re committing in widespread collective punishment.”

The interaction spotlighted two of the biggest questions hanging over Michigan’s closely watched and hard-fought Democratic Senate primary: To what degree are the state’s voters factoring Israel into their decisions, and does the pro-Palestinian sentiment driving El-Sayed’s campaign cross racial lines — including in the Black communities where Stevens has long maintained strong relationships?

Many of the Jews in Michigan who form a major base of support for Stevens have made clear their distrust of El-Sayed, who has questioned whether Israel should exist as a Jewish state. Meanwhile, the state has a large Arab and Muslim voting bloc, and voters here helped propel a 2024 Democratic revolt over Israel’s war in Gaza that helped lead to the party’s current civil war. But the situation is less clear with voters from other groups.

El-Sayed and the insurgent progressive movement he represents have sought to make Israel central to the race and have tried to turn Stevens’ AIPAC support into her biggest liability. But the Stevens campaign has made the calculation that most of the state’s voters — including Detroit’s majority-Black population, with whom she has enjoyed good relations in the past — would rather talk about other things.

Not so, according to Singletary, who is Black. In his own Detroit community, he told JTA, Israel was an important issue.

“It’s connected,” he said, comparing the Israeli-Palestinian state of affairs to Apartheid-era South Africa, adding, “$3.3 billion to the state of Israel, and that’s money that could be helping out here. I think people are now seeing the links.” He told reporters that, though he does not have Palestinian family himself, his own vote was “100% exclusive” based on Israel.

After the campaign left, Singletary told JTA that he had no affiliation with the El-Sayed campaign and had stopped by on an invitation from the store’s owner. He said he would not vote for Rogers in the general election even if Stevens wins and came because he hoped to develop a connection with her in the event she became the nominee.

The issue of whether backers of either candidate across the yawning policy divide would continue to vote for a Democrat in the general if their preferred choice loses has become an emerging question. Last week, Democratic U.S. Rep. Hillary Scholten of Michigan, a Stevens backer, refused to commit to voting for El-Sayed if he wins the primary. Scholten cited the candidate’s campaigning with left-wing streamer Hasan Piker, who has repeatedly said he would “vote” for Hamas over Israel. Her objection, she said, was to his comment that “America deserved 9/11.”

“Abdul El-Sayed is taking us in a direction we don’t want to go as a party,” Scholten told CNN host Jake Tapper.

Stevens’ campaign is also touting her backing from a growing number of establishment Democrats, including, on Friday, Michigan Gov. Gretchen Whitmer. She and El-Sayed face off Monday evening in their final televised debate before the Aug. 4 primary.

Speaking to Singletary, Stevens smiled and nodded. She name-dropped a Palestinian supporter of hers, and mentioned legislation targeting China that she’s worked on with “my colleague Ro Khanna” — the staunchly pro-Palestinian Democratic congressman from California, who has endorsed El-Sayed. She added that she believes in a two-state solution and has been attacked “by name” by Israeli Prime Minister Benjamin Netanyahu.

She also turned to her staff and excitedly indicated to Singletary: “He voted for Abdul in the primary, and he came here to talk to me.”

This article originally appeared on JTA.org.

The post In Detroit, pro-Israel Senate candidate Haley Stevens meets a pro-Palestinan El-Sayed supporter appeared first on The Forward.

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‘If you’re ever confused: I stand with the Jews’ Boy George sings in new pro-Israel song

(JTA) — The British pop icon Boy George has gone to bat for Israel and its supporters multiple times in recent months, rejecting boycott calls and expressing solidarity after antisemitic violence. Now, he has released a single in the same key.

“We Will Dance Again” defends Israel’s military response in Gaza, criticizes musicians and activists who have publicly supported the Palestinian cause and declares, “If you’re ever confused: I stand with the Jews.”

The song borrows its title from the slogan of survivors of the Nova music festival, where Hamas terrorists killed 378 young people and kidnapped dozens more as part of the Oct. 7, 2023, invasion of southern Israel. The slogan has become a symbol of resilience in the aftermath of Oct. 7.

The singer released the reggae-inspired track, titled “Od Nirkod” in Hebrew, on his social media accounts on Monday with a single hashtag: #Shalom.

“You say genocide, I say war / When you’re attacked, that’s what the army’s for,” the song opens. Later, Boy George sings, “You never mention Oct. 7,” in a criticism of those he sings have “selective memory” about atrocities deserving their reprobation. The song ends by repeating the opening lyrics in Hebrew.

Although Boy George is not Jewish, he has become increasingly vocal when it comes to supporting Jewish communities in the wake of Oct. 7.

He rejected calls to boycott this year’s Eurovision Song Contest over Israel’s participation, saying he would not “turn my back” on his Jewish friends. The singer participated this year representing San Marino, in a counterpoint to artists and countries that pulled out rather than compete alongside Israel.

Boy George had a long relationship with Jon Moss, the Jewish drummer who with him launched Culture Club, the New Wave band that dominated much of the 1980s with its melodic soul infused music and its outlandish styles. Boy George then often wore a tunic with “Culture Club” in Hebrew translation.

Following an antisemitic stabbing in London’s heavily Orthodox Golders Green neighborhood earlier this year, where the singer happened to be at the time, he said Jewish people should know “we support them.” 

Boy George’s new song has drawn appreciation from pro-Israel voices. Stop the Hate UK, a British Jewish anti-antisemitism campaign, called Boy George a supporter of “Jewish joy” and thanked him publicly for standing with the Jewish community. 

And the official Nova Music Festival account on Instagram responded to Boy George’s post announcing the song with a simple comment: “We will dance again.”

This article originally appeared on JTA.org.

The post ‘If you’re ever confused: I stand with the Jews’ Boy George sings in new pro-Israel song appeared first on The Forward.

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