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Sarajevo Jews celebrate a second Purim. For centuries, they weren’t alone.
(JTA) — Starting tonight, many Jews around the world will celebrate Purim in the same ways: by reading the story of the heroic Queen Esther, dressing in festive costumes and drinking alcohol.
For many of the 900 or so Jews in Bosnia and Herzegovina, it will be the first of two annual Purim celebrations.
Since 1820, locals have also observed the Purim de Saray (Saray being a root of the word Sarajevo) early in the Hebrew calendar month of Cheshvan, which usually falls in October or November of the Gregorian calendar.
In that year, the story goes, a local dervish was murdered, prompting the corrupt Ottoman pasha of Sarajevo, a high-ranking official, to kidnap 11 prominent Jews, including the community’s chief rabbi, a kabbalist named Moshe Danon. The pasha accused them of the murder of the dervish — who had converted from Judaism to Islam — and held them for ransom, demanding 50,000 groschen of silver from the Jewish community.
But the pasha, who was a transplant from elsewhere in the Ottoman empire, deeply offended the multiethnic populace of Sarajevo, who considered the Jewish community — then around one-fifth of the city’s entire population — an essential part of their home. So local Jews, Muslims and Christians rebelled together, storming the pasha’s palace and freeing the imprisoned community leaders.
Ever since, Bosnian Jews have celebrated that story by visiting the grave of the Sarajevan Jewish historian Zeki Effendi, who was the first to document it. Dozens also take part in a pilgrimage every summer to the grave of Rabbi Danon, who is buried in the south of Bosnia, not far from the Croatian border, where he died on his way to what was then Ottoman-controlled Palestine.
For centuries, several other Jewish communities around the world observed their own versions of Purim based on stories of local resistance to antisemitism, inspired by Esther and her uncle Mordecai, who in the original holiday story save all of Persia’s Jews from execution in the 5th century BCE.
Here are the stories behind some of those traditions.
Ancona, Italy
An aerial view of Ancona in 2006. (Wikimedia Commons)
Jews settled in and around Ancona on Italy’s Adriatic coast in the 10th century, and by the 13th century they had established a flourishing community, which included figures such as the Jewish traveler Jacob of Ancona — who may have beaten Marco Polo to China — and famed poet Immanuel the Roman, who despite his title was born in a town just south of Ancona.
Though the city’s Jewish community was largely spared by the Holocaust, it has slowly declined over the years and is believed to have fewer than 100 members today. What it is not short on, however, are local Purim stories — the city is known for multiple celebrations that were established over the centuries.
The first, marked on the 21st of the Hebrew month of Tevet (usually in January) was established at the end of the 17th century and marks an earthquake that nearly destroyed the city.
“On the 21st of Teveth, Friday evening, of the year 5451 (1690), at 8 and a quarter, there was a powerful earthquake. The doors of the temple were immediately opened and in a few moments it was filled with men, women and children, still half-naked and barefoot, who came to pray to the Eternal in front of the Holy Ark. A true miracle then took place in the Temple: there was only one light, which remained lit until it was possible to provide for it,” wrote Venetian Rabbi Yosef Fiammetta in 1741, in his text “Or Boqer,” meaning “the light of the morning.”
Other Ancona Purims were established a half and three-quarters of a century later, respectively. The story for the first commemorates fires that nearly destroyed the local synagogue but miraculously did not, and the next tells of a pogrom that nearly destroyed the community as Napoleon marched through Italy during the French Revolutionary Wars.
Today, these stories have largely faded into memory. But a few centuries ago, Italy had a high concentration of communities that celebrated local Purims — including in Casale Monferrato, Ferrara, Florence, Livorno, Padua, Senigallia, Trieste, Urbino, Verona and Turin — some into the 20th century.
“It would be hoped that the local Purims are not forgotten or that they are restored in the communities that have not completely died out,” the late Italian Rabbi Yehuda Nello Pavoncello once wrote, according to the Turin Jewish Community, “so that the memory of the events reconnects us to the infinite links of the chain of the generations that have preceded us, who have suffered.”
North Africa
An illustration shows King Sebastian of Portugal being fatally wounded at a battle in Morocco in 1578. (Bettmann/Getty Images)
The extra Purim phenomenon was not confined to Europe.
In Tripoli, Libya, local Jews established the so-called Purim Barghul after the deposition of a local tyrant in the late 18th century. Ali Burghul, an Ottoman officer who was installed after the downfall of the Qaramanli dynasty, ruled the region brutally for two years, treating minorities particularly harshly. After factions of the Qaramanlis were reconciled, Burghul was driven out. Jews would go on to celebrate that day, the 29th of Tevet (usually in January).
(Centuries later, in 1970, dictator Muammar Gaddafi established his own holiday, the Day of Revenge, which celebrated the expulsion of Italian officials from Libya; some say it also celebrated the exodus of Jews since the formation of the state of Israel. Within a few years after Gaddafi’s decree, Libya’s Jewish community had dwindled to less than two dozen, effectively ending the nearly 3,000-year history of Jews there.)
In northern Morocco, Jews commemorated the defeat of a Portuguese king, Don Sebastian, who attempted to take over parts of the country but was defeated in a battle in August 1578. Jews had believed that Sebastian would have tried to convert them to Christianity if he had prevailed.
Today only around 2,000 Jews remain in Morocco, but some Moroccan communities marked the day into the 21st century.
Saragossa
A view of an 11th-century palace in Zaragoza, Spain. The Purim of Saragossa story is set in either Zaragoza or Syracuse, Italy. (Hulton Archive/Getty Images)
Scholars still debate which city was the origin of the Purim of Saragossa story — it could have been Zaragoza in Spain or Syracuse in southern Sicily, which was often referred to in the medieval era as Siragusa. Both cities were part of the Spanish empire in 1492 and were depopulated of Jews following the Inquisition.
Either way, Sephardic descendants in places around the world, including Israel and the Turkish city of Izmir, observed their own Purim story by fasting on the 16th of the Hebrew month of Shevat — generally in February — and feasting on the 17th.
The story tells of an apostate named Marcus who slandered the Jewish community to a non-Jewish king, putting their status in jeopardy. But at the last minute, Marcus’ deception is revealed, and he is executed while the community is saved.
The story could have been entirely fabricated. According to Jewish historian Elliot Horowitz, the establishment of this second Purim story may have been a way for the descendants of Saragossan Jews, whether they are originally Spanish or Sicilian, to maintain a unique identity in the larger Sephardic diaspora.
“The Jewish communities of the eastern Mediterranean in the early modern period were often composed of émigré subcommunities, each of which was distinguished by the customs and liturgy of its place of origin,” he wrote in his 2006 book “Reckless Rites: Purim and the Legacy of Jewish Violence.” “The ‘Purim of Saragossa,’ the earliest manuscript evidence for which dates only from the mid-eighteenth century, may well have been ‘invented’ by former ‘Saragossans’ eager to maintain their distinct identity in the multicultural Sephardi Diaspora of the eastern Mediterranean.”
Regardless of its origins, the Megillah of Saragossa text continued to be published through at least the end of the 19th century. It was well known enough that an American Reform rabbi from New York would publish a stage play based off of it in the 1940s.
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Israel Implements Gaza Ceasefire Plan, Triggers 72-Hour Countdown for Hamas to Release Hostages

Israeli soldiers stand next to military vehicles, after Israel’s government ratified a ceasefire with Hamas in Gaza, on Israeli side of the Israel-Gaza border, in Israel, Oct. 10, 2025. Photo: REUTERS/Shir Torem
The ceasefire in Gaza officially went into effect at 12:00 pm local time on Friday, with Israel pulling back its forces to agreed-upon deployment lines in the enclave and triggering a 72-hour window for the Palestinian terrorist group Hamas to release the 48 hostages it is still holding captive.
Marking the third pause in fighting since the war began in October 2023, the US-backed ceasefire plan stands as the strongest effort yet to end the two-year conflict that has upended the Middle East.
Shortly after the Israeli cabinet approved the plan, Prime Minister Benjamin Netanyahu praised US President Donald Trump and the mediators for their efforts in securing an agreement aimed at bringing peace to the region.
“I have faced intense national and international pressure and have firmly stood my ground,” Netanyahu said during his speech. “Anyone who says this agreement was on the table from the beginning is not being truthful.”
Under the first phase of the agreement, Hamas must release all 20 living Israeli hostages and as many of the dead hostages that it can secure by Monday at noon local time. Hamas has said it will not be able to locate all the dead hostages in that time, claiming such efforts would depend on “field conditions.”
“We will work to locate all the deceased hostages as soon as possible,” Netanyahu said in his statement.
Once all hostages are released from captivity, Israel will free around 2,000 Palestinian prisoners, including 250 terrorists serving life sentences.
According to Israeli officials, none of the terrorists being released participated in the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
The Israeli government has also approved a last-minute exchange of several Fatah prisoners for Hamas-affiliated detainees as part of the ceasefire agreement.
Following Israel’s partial military withdrawal, its forces remain in control of 53 percent of Gaza, mostly outside of urban areas. The Israel Defense Forces (IDF) said it will remain ready to confront any threats.
“The IDF Southern Command forces are deployed in the area and will continue to act to eliminate any immediate threats,” the Israeli military said in a statement.
US envoy Steve Witkoff posted on social media that the US military had confirmed that the IDF had completed its obligations.
CENTCOM has confirmed that the Israeli Defense Forces completed the first phase withdrawal to the yellow line at 12PM local time. The 72 hour period to release the hostages has begun.
— Special Envoy Steve Witkoff (@SEPeaceMissions) October 10, 2025
Following phase one of the deal, Hamas is supposed to disarm and have no future leadership role in Gaza, according to Trump’s 20-point peace plan. However, disarmament and other unresolved issues will be subject to negotiations once the hostages are released.
“Hamas will be disarmed and Gaza demilitarized. If it can be done the right way, all the better — if not, it will be done by force,” Netanyahu said.
As Israel and Hamas prepare for the hostage and prisoner exchange under the ceasefire deal, Trump is expected to visit the Middle East this weekend, with plans to speak before the Israeli parliament on Monday.
Trump reportedly gave Hamas personal assurances that he would not allow Israel to abandon the agreement and resume fighting unilaterally — a key factor in convincing the terrorist group to accept the deal.
Among Trump’s guarantees was the establishment of a US-led military task force to oversee the ceasefire and respond to any potential violations.
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In Brooklyn, a shared studio empowers Mizrahi women artists

On the second floor of a nondescript commercial building in Gravesend, Brooklyn, is a small artists’ studio. There, four long wooden tables are pushed together to create one massive table covered with oil paints, canvases, watercolors and other tools of the trade. The white walls are adorned with dozens of drawings and paintings; along one wall, a dozen cubbies are filled with even more art supplies.
It could be one of countless shared studio spaces for artists that are hidden in corners throughout the five boroughs. But this particular space is designed expressly for Jewish women artists: It’s closed on Shabbat and Jewish holidays, and among the art and design books on the shelves are siddurs, or prayer books.
Welcome to Muse Brooklyn, a coworking space built by and for Jewish women artists. The brainchild of Lenore Mizrachi-Cohen, a conceptual artist and observant Jew, the space doubles as an arts event space for its corner of Brooklyn, which is home to a significant Syrian Jewish community. Some 38,200 and 55,000 Syrian Jews live in the surrounding neighborhoods, according to a recent study commissioned by JIMENA, a nonprofit that advocates Middle Eastern and North African Jews — and, so far, all seven members of the shared studio are Mizrahi Jews.
“I initially started it for my own needs,” said Cohen, a 35-year-old married mother of four who has been working as an artist and calligrapher for 15 years.
Cohen was inspired to create Muse after a stint, in 2019, at a women-only art studio in Jerusalem. That shared space — which was designed for religious women often facing communal pressures against their artistic pursuits — opened her eyes to what a neighborhood studio for women like her could look like.
“It was 12 minutes away from my house, and it was a very supportive environment,” Cohen recalled. When she returned to New York she sought something similar in Brooklyn, but didn’t find it. “That’s when I realized that if it doesn’t exist in my own neighborhood, then it’s my job to make it.”
At Muse Brooklyn, the seven current members are all part of the local Syrian Jewish community, and all are at least somewhat traditionally observant. (There’s room for twice as many members, Cohen added, and being Jewish, Mizrahi or religious is not required.) In the shared space, the women — who each pay $206 a month — can draw, paint, or work in any medium they like, as well as brainstorm ideas with each other in a supportive environment of a shared identity. And because the space is women-only, members never need to worry about issues of yichud, the Jewish laws prohibiting men and women who are not married to each other from being secluded together.
The idea for Muse predated the war in Gaza, but Cohen said the tense climate for some Jewish artists within the city’s existing cultural institutions that resulted fueled her drive.

Lenore Mizrachi-Cohen, artist and founder of Muse artist studio in Brooklyn, drafts a calligraphy project. (Jackie Hajdenberg)
Previously a member at a shared studio in Red Hook, Brooklyn, Cohen said that she had felt singled out there as a Jew, recalling that she was once asked if she was comfortable with another artist donating money to a pro-Palestinian children’s charity.
“A, that’s weird that you think I would have a problem with that. B, it’s already somewhat of an issue that they’re creating: ‘Oh, you’re Jewish, but I’m a ‘free Palestine’ person,’” Cohen said.
Cohen began looking for a space to execute her vision in September 2023. Muse Brooklyn officially launched exactly a year later, when she found a space to rent within a larger complex currently used as a music coworking space by another member of the Syrian community.
Aimee Swed, a 32-year-old content and marketing professional and mother of two young boys, joined Muse when it opened last fall. Swed said that, as a Shabbat-observant Jew, she felt “very discouraged from entering the art world.” Many galleries held openings on Friday nights, she explained, and workshops and classes were often on Saturdays.
An artist who works in watercolor, acrylics and multimedia, she said her work has been “transformed” by the shared Jewish space.
“The camaraderie kind of reinitiated my own artistic practice,” said Swed, whose work focuses on the food found on her Syrian Jewish Shabbat table, like her watercolors of kibbeh meatballs with rice and meat. “It’s really something that became very important to me, because it felt so good to create with others, and finally find a space that was very friendly towards what you were creating.”

Much of artist Aimee Swed’s work focuses on the foods of her Syrian-Egyptian Jewish heritage. (Courtesy Aimee Swed)
Now that she works in a studio with other Mizrahi Jewish artists, Swed, whose family is Syrian via Egypt, finds inspiration all around her, including Cohen’s Arabic calligraphy. “One of the first things that I made was [a painting of] some phrases, like, ‘yom asal, yom basal,’ — ‘one day onion, one day honey’ [which] is what my grandma would say,” she said.
Not everyone who comes to Muse is necessarily working on Jewish art. For Shelley Shamah, a 22-year-old illustrator, graphic designer and photographer, Muse is simply a safe space for artists who happen to be Jewish.
Shamah, who also joined last fall, was drawn to Muse because she needed “to be in a space that fuels creativity,” she said.
Part of that, she explained, is simply being around likeminded people. “Jews are a microcosm of the world, but Syrians are a microcosm of Jews,” she said.

Shelley Shamah paints a canvas for her dining room. (Jackie Hajdenberg)
On a recent Tuesday, Shamah, a recent graduate of the Pratt Institute, was working on a canvas for her dining room, which she will soon be sharing with her fiancé, a musician.
Shamah and another young Muse member, Allie Saada, a recent graduate of the Fashion Institute of Technology, consider themselves part of the “younger bunch” of artists in the group.
Not yet married or mothers, they feel they can take full advantage of the space, coming in at all hours of the day and night, where they often run into each other.
For Swed, whose sons are 4 and 5, the space provides almost the opposite advantage.
“It was really hard, like any working mom, trying to step back into another world once she’s had children,” Swed said. “So as a mom coming into an all-women space, that felt really good, too.”
The studio also functions as a space for the neighborhood to engage in the arts. Several times a month, Muse holds events such as art classes, paint-and-sip nights and museum tours, taught and led by its members, and always with the Jewish holiday schedule in mind. Shelley Shamah even had her 22nd birthday party, a drink-and-draw night, in the space with a dozen of her friends.
Ultimately, Cohen hopes that Muse will grow into a robust network of Jewish women artists. “The more people you have in the space who generate opportunities like this, the better it is for everyone concerned,” Cohen, who’s shown work at the Jewish Museum in Vienna, the Museo Ebraico in Lecce, Ital,y and the Jewish Museum in Amsterdam, said. “All your best opportunities in your career as an artist, at least for me, come from other artists.”
She added: “Create the conditions to be successful. Show up and watch what happens.”
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Georgia Gubernatorial Candidate Accuses Israel of ‘Genocide’ in Oct. 7 Anniversary Post

Georgia State Rep. Ruwa Romman speaks during a press conference on Day 4 of the Democratic National Convention (DNC) in Chicago, Illinois, US, Aug. 22, 2024. Photo: REUTERS/Vincent Alban
Georgia state Rep. Ruwa Romman, who last week joined the state’s race for governor, on Tuesday marked the two-year anniversary of Hamas’s Oct. 7, 2023, invasion of and massacre across southern Israel with a statement condemning Israel’s military response in Gaza as a so-called “genocide” and calling for an end to US military support for the Jewish state.
In her statement, Romman described the past two years as “atrocities beyond human comprehension,” accusing Israel and the United States of “perpetuating more death, destruction, and horror in Gaza.” She cited Hamas-produced casualty figures of “at least 67,000 Palestinians” killed in Gaza, despite experts casting doubt on the reliability of such statistics from the enclave, and called for the US to “stop sending bombs in violation of our laws.”
Romman’s remarks came as Israelis marked two years since Hamas-led Palestinian terrorists carried out the deadliest single-day massacre of Jews since the Holocaust, murdering 1,200 people, most of them civilians, while kidnapping 251 hostages and perpetrating widespread sexual violence.
Israel responded with a military campaign aimed at freeing the hostages and dismantling Hamas’s military capabilities and political rule in neighboring Gaza.
Romman referenced the “families desperate to be reunited with those taken hostage” and the “more than 1,100 Israelis” killed during the Oct. 7 atrocities in her statement but did not mention Hamas at all, including the terrorist group’s role in starting the war and continued refusal for two years to disarm and release the hostages. She also reaffirmed calls for a “lasting peace agreement.”
The Georgia Democrat also appeared to compare Israeli hostages who were abducted from their homes to Palestinian terrorist operatives who have been detained and imprisoned by Israel, demanding “for the release of Israeli and Palestinian hostages.”
Romman, 32, the first Muslim woman elected to Georgia’s legislature, has been an outspoken anti-Israel activist and critic of US foreign policy in the Middle East. Her comments underscore a widening divide within the Democratic Party over Israel, as progressives push to restrict US aid to the Jewish state while most lawmakers continue to back Washington’s alliance with Jerusalem. Romman criticized then- US Vice President Kamala Harris after her campaign rejected her request to speak at the Democratic National Convention (DNC) last year.
Last Monday, Romman announced her 2026 bid to become Georgia’s next governor.
Fellow state Rep. Esther Panitch, a Democrat and the legislature’s only Jewish member, said Monday that Romman “has no path to victory but is once again sabotaging the Democratic Party with her Mamdani-like, socialist platform,” referring to New York City mayoral candidate Zohran Mamdani. The Associated Press reported that Panitch also argued that Romman’s advocacy at the DNC “helped Donald Trump win,” potentially previewing a key attack against Romman by other Democrats.