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A Jewish producer of ‘All Quiet On The Western Front’ sees his family history in the Oscar-nominated Netflix film
(JTA) — The film producer Daniel Dreifuss has only one surviving photo of a distant relative: his grandfather’s cousin, who fought for Germany in World War I and died in combat two days before the war’s end.
He has a few more photos of his grandfather, who also wore the German uniform in WWI — only to be rounded up by the Nazis two decades later during Kristallnacht and thrown into a concentration camp, as even the Jews who had fought for their country were not safe from its campaign of race extermination.
Dreifuss, who was raised in Brazil after his surviving ancestors fled the war to Uruguay, held up these weathered black-and-white photos to his Zoom camera as he spoke to the Jewish Telegraphic Agency from his home in Los Angeles. One shows his grandfather’s cousin in his military uniform, the other shows his grandparents posing together, between the wars.
“Twenty years later, your country, that you just gave your health for and your cousin for and your family for, sends you to a camp,” he said. “It’s a lot of trauma to have to go through in one lifetime.”
These family stories echoed through Dreifuss’ mind when he first read the script for a proposed modern take on “All Quiet on the Western Front,” the classic 1928 novel about the German army’s hellish experiences during World War I. Nearly a century later, author Erich Maria Remarque’s descriptions of trench warfare and of the utter lack of heroism, valor or patriotism felt by its soldier protagonists resonated with Dreifuss.
“I said, ‘I know these people,’” he recalled. “Not because they are some distant relatives that I’ve heard of, but because I am the grandson of one of those kids who were in the film.”
Dreifuss’ parents met at a Jewish youth group in Rio de Janeiro in the 1960s. “My father was my mother’s madrich,” he recalled, using the Hebrew word for a youth group counselor. After they were later married, they moved to Israel partially to avoid Brazil’s military dictatorship and became left-wing political activists. They left Israel just before the Yom Kippur War and relocated to Scotland, where Dreifuss was born, before returning to Brazil to raise him.
Dreifuss had his bar mitzvah in the city of Belo Horizonte before later moving to Rio, which has a much larger Jewish community. “My family was never at all religious, but culturally Jewish,” he said, recalling Passover celebrations and gefilte fish recipes. He did not have many Jewish friends growing up, but his Brazilian friends were interested in Judaism and would attend his family’s Jewish events.
Daniel Dreifuss, a producer of Netflix’s “All Quiet on the Western Front,” holds up a photo of his grandfather Max Dreifuss from 1919, recovering from his German military service in WWI. Max was sent to a concentration camp once the Nazis took power. (Courtesy of Daniel Dreifuss)
This global upbringing is reflected in Dreifuss’ interest in international film. It took a decade for him to mount his remake of “All Quiet,” which was eventually set up with a German production company and released by Netflix this past fall amid another endless military conflict in Europe. No one, he said, wanted to fund a resolutely anti-war film that refused to glorify its combatants, a film that was “never a hero’s journey, not the story of someone who came, you know, beat 1,000 people with their bare hands, triumphs and looks down on top of a hill at the end with some sweeping score.”
But that journey has been validated by the film’s impressive Oscar total, which surprised industry observers. At the nomination ceremony last month, “All Quiet” received nine total nods, the second most of any film this year, including for best picture — which the novel’s original 1930 Hollywood adaptation, directed by Jewish filmmaker Lewis Milestone, won. (This year’s Academy Awards will be held March 12.)
Considering the Nazis had once led a campaign of book burning against the source material and terrorized German movie theaters that showed the original movie adaptation, accusing it of being a “Judenfilm,” Dreifuss sees the new film’s success as a historical victory, too. “I love that my name will be associated with a story that was deemed degenerate by that regime,” he said.
When he was first presented with an early draft of the new “All Quiet” script, in 2013, Dreifuss was coming off of the success of another international historical film he had produced. “No,” a 1980s-set Chilean political drama, starred Gael Garcia Bernal as an ad executive tasked with convincing his country to vote the dictator Augusto Pinochet out of office. The film netted Chile’s first-ever Oscar nomination for international feature film, although Dreifuss himself is not Chilean.
In researching “No,” Dreifuss said, the film’s team had trouble finding Chileans who would admit to having cast their real-life vote in Pinochet’s favor — even though 40% of the population did so. “We couldn’t find one single person who supported him,” he recalled. “At some point, years later, no one wanted to say, ‘I supported it, I voted, I was on that side.’” He saw a parallel to the history of geopolitics in the run-up to WWII, when many Western countries — including his family’s adopted homeland of Brazil — were initially sympathetic to the Nazis.
When Hollywood studios turned down the proposed remake of “All Quiet,” forcing Dreifuss to turn to European financing, he saw an opportunity to mount the first-ever German adaptation of the property, which would allow the film to open up a “historical perspective” on how the aftermath of WWI led to the rise of the Nazis and the Holocaust.
German filmmaker Edward Berger, who also helmed several episodes of the espionage miniseries “Deutschland 83,” stepped into the director’s chair, and he also has a co-writing credit. German star Daniel Brühl, who has played many historical villains to the Jewish people in films ranging from “7 Days in Entebbe” to “The Zookeeper’s Wife,” took a key supporting role as the lead negotiator for the armistice agreements — the sole figure in the movie trying to find a peaceful resolution for his country. (The historical figure Brühl portrays, Matthias Erzberger, was vilified as a traitor by the German right and assassinated in 1921 by antisemitic nationalist radicals who were precursors to the Nazis.)
Though there are no explicitly Jewish characters in the film, Dreifuss believes it still speaks to the fate that would soon await Europe’s Jews.
“We know what followed in the decade in Germany,” he said. “So we could bring that to the film in subtle ways.”
He pointed to the armistice plotline that foreshadows how the Treaty of Versailles left Germany in a deeply disadvantaged position, creating an opportunity for Hitler’s brand of national populism. There are also scenes in which thoughtless German generals, driven by nationalistic fervor and wounded pride, send entire squadrons to their deaths mere minutes before the armistice is set to take effect. In one sequence, the film’s lead, the soldier Paul (Felix Kammerer), steals a goose from a French farming family of non-combatants and says: “It’s a hatred of the other, of not understanding, of being raised to have an enemy.”
Dreifuss is dipping into a different chapter of world Jewish history with his next project: a Showtime miniseries produced with the co-creators of the Israeli Netflix series “Fauda” that explores CIA operations in the Middle East and is partially set during the Lebanon War in which Israel had a heavy, and oft-criticized, military presence. The series will air this summer.
He has also been pitched a host of WWI and WWII-related projects in the wake of the success of “All Quiet.” But, he joked, “I would love for people to not only think of me as the war guy, or as the dictator guy.”
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Jewish students report intimidation and closures as Oct. 7 anniversary sparks campus unrest
The second anniversary of the Oct. 7 Hamas-led terrorist attack on Israel was marked by vigils, protests and heated confrontations that Jewish students say left them feeling unprotected on their own campuses, while administrators issued statements about safety and free expression.
In Montreal, one university pre-emptively shut down its downtown campus. At the University of Toronto’s Mississauga campus, a vigil honouring Palestinian ‘martyrs’ ended with Jewish students being escorted out a back door. In Toronto, a high school’s decision to play O Canada in Arabic on Oct. 7 earned a rebuke from Ontario’s education minister.
StandWithUs Canada called Oct. 7 “a challenging day for Jewish and pro-Israel students,” saying many “fell victim to targeted harassment from antisemitic protesters” as they tried to mark the anniversary by displaying hostage photos and Israeli flags.
Montreal: Concordia closes, McGill sees flag burning and police warnings
In Montreal, Concordia University took the extraordinary step of closing its downtown Sir George Williams campus on Oct. 7, citing “the threat of extreme disruption.”
In a letter to students, vice-president and vice-chancellor Graham Carr said the decision was made “to protect our entire community” after two non-students were arrested the previous day—one allegedly carrying “a metal bar and several incendiary devices.”
“With hundreds of protesters from other universities and CEGEPs expected, as well as counter-protesters not linked to the university planning to gather outside our downtown campus this afternoon,” Carr wrote, “the threat of extreme disruption is simply too high to operate as usual. Acts of intimidation and violence have no place in our society.”
Concordia’s communications office had already reminded students that violence would not be tolerated and that those who wished to attend classes should be able to do so “without disruption or harassment.” But for many Jewish students, the shutdown felt like capitulation.
“It really scared many normal students who just want to go to class,” said Anastasia Zorchinsky, founder and co-president of the Startup Nation Concordia chapter. “It shows the university is giving in to the violence.”
Hundreds of officers—more than 600, according to Montreal police—patrolled the downtown core, sealing off sections of Ste-Catherine Street.
Outside Concordia’s Hall Building, about 80 counter-demonstrators, including Jewish Montrealers, Quebec nationalists and students from both Concordia and McGill, rallied in support of Israel before marching east toward McGill behind a billboard truck streaming images from the Oct. 7 massacre and other global atrocities.
At McGill University, which remained open but under restricted access, tensions escalated quickly. Several hundred pro-Palestinian demonstrators pushed through security gates to occupy the main lawn, setting off smoke bombs and ignoring police orders to disperse.
Zorchinsky who visited McGill, said she saw “fireworks in the middle of campus” and “a bloody Israeli flag” being burned on the ground. “It was just unbelievable and the police did nothing,” she told The CJN.
When a Jewish student unfurled an Israeli flag nearby, she said, police confronted him. “They said, ‘You’re going to get arrested if you don’t leave now,’” she recalled. “Then a few other students got their Israeli flags out and police came to us. They said it’s an order, you must leave now. We’re not negotiating.” Officers then physically escorted them off campus.
She described the experience as “unbelievable,” adding, “in that moment I understood that things are much worse than before.”
A Quebec Superior Court judge had denied McGill’s request weeks earlier for an injunction to restrict campus protests, finding that while evidence of antisemitic incidents was “extremely troubling,” the proposed order would not prevent future harm and could infringe on free expression.
McGill said it had “enhanced campus security measures” and that “academic activities will proceed as planned.”
Students such as Drew Sylver, who attends Concordia, said those promises rang hollow. “Statements are great, but action is what’s needed,” he told The CJN on Oct. 6. “Without visible consequences, the scene just repeats.”
Mississauga: Jewish vigil ends in confrontation
At the University of Toronto Mississauga (UTM), Jewish students gathered for a small vigil to commemorate victims of the Oct. 7 massacre. Hillel Ontario and StandWithUs Canada said the group was surrounded by demonstrators and escorted out a back door by security, calling it “a disgrace that, on the anniversary of the worst mass murder of Jews since the Shoah, Jewish students had to be escorted out a back door to protect them from an angry mob.”
The organizations described the event as “a moral failure and an institutional disgrace,” urging UTM to “immediately and unequivocally condemn this hateful mob and take action to hold those responsible accountable.”
The CJN reached out to the University of Toronto Mississauga for comment but did not receive a reply.
Toronto: anthem in Arabic on Oct. 7 prompts outrage
In Toronto, controversy erupted at Earl Haig Secondary School, where the morning broadcast of O Canada was played in Arabic. In an email statement, a Grade 12 student at Earl Haig told The CJN the anthem was followed by an announcement recognizing Islamic Heritage Month, and that the principal’s later message urging kindness made no mention of Jews, Israel or the Oct. 7 anniversary.
“Many students and parents felt this was incredibly insensitive,” the student wrote in an email statement. “Our administration has continued to ignore Jewish and Israeli voices—this being yet another example.”
StandWithUs Canada said the decision “begs questions at the very least about the school’s sensitivities, and at worst, about an intentional desire to isolate and discriminate against Jewish students.” The group described the timing—on the day marking “the deadliest attack on Jews since the Holocaust”—as “a coincidence too uncanny to ignore.”
Ontario Education Minister Paul Calandra criticized the move on X, writing that he was “disappointed that I would have to direct school boards [to] demonstrate appropriate respect for our National Anthem by ensuring that it is played only in its official form.” He said the incident “underscores that school boards should be focused on creating safe learning environments for all students, never at the expense of one community over another.”
Legal push: Tafsik files complaints over Oct. 7 incidents
Tafsik, a Jewish civil-rights organization that describes itself as a grassroots network combatting antisemitism and hate crimes in Canada, responded to the day’s events by announcing a wave of legal complaints to the Human Rights Tribunal of Ontario.
The filings name several institutions, including Earl Haig Secondary School, the University of Toronto, and multiple school boards and student unions.
“Yesterday was a brutal day for our community,” the organization said. “The horror of the October 7th massacre still hangs over us … but it wasn’t just the memory of that bloodshed that left us reeling. It was the sickening reality that once again, universities, schools, and unions chose to rally against us.”
Tafsik vowed to pursue accountability “with maximum intensity,” declaring that “Jewish safety and dignity are non-negotiable.” It also warned that individuals who incite hate or issue threats online would face “real, legal, expensive, and lasting consequences.”
Tafsik is on a rampage! Enough is enough!
Today our legal task force mobilized to go after institutions that mocked our community and celebrated October 7th massacre on campuses and schools across Ontario.
We have filed cases with the Human Rights Tribunal of Ontario against… pic.twitter.com/evTa0RVgBj
— Tafsik Organization (@Tafsikorg) October 8, 2025
‘Campus is unsafe’
By the end of the day, downtown Montreal remained under heavy police watch, and McGill’s lawns were littered with protest debris.
For Zorchinsky, who watched police push back Jewish students for displaying Israeli flags at McGill, the anniversary reinforced a grim pattern. “Campus is unsafe,” she said. “We all have to go there every single day, and the university itself should be changing that. Not us.”
She and others say they want more than symbolic gestures—they want consistent enforcement. “Without consequences, statements mean nothing,” Zorchinsky said.
With files from Joel Ceausu
The post Jewish students report intimidation and closures as Oct. 7 anniversary sparks campus unrest appeared first on The Canadian Jewish News.
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Minneapolis synagogue targeted with antisemitic, pro-Hamas graffiti on Oct. 7 anniversary
Graffiti targeting “zionists” and praising Hamas was spray-painted on the preschool wing of a Minneapolis synagogue on Tuesday night, the second anniversary of Hamas’ Oct. 7, 2023, attack on Israel.
Rabbi Marcia Zimmerman said she was notified by one of Temple Israel’s neighbors about the vandalism. She said her first reaction was outrage and pain.
“This does not solve any problem, and blaming American Jews in Minnesota for what’s happening globally is hate speech, it’s antisemitism. It’s nothing different than that,” she said. “It’s not about political differences. It’s about hate.”
“Fuck Zionism” is spray-painted on the wall of Temple Israel. (Lonny Goldsmith/TC Jewfolk).
On the building was spray-painted “Watch out Zionists,” “Fuck Zionism,” and “Al-Aqsa Flood,” Hamas’ code name for the Oct. 7 attack. There were also 14 inverted red triangles spray-painted on the building — a symbol associated with Hamas, which has used it in videos produced by its military wing to signify Israeli targets. The symbol has appeared in other graffiti of Jewish institutions during theIsrael-Hamas war.
Zimmerman said a report has been filed with the Minneapolis Police Department and video footage has been turned over for the investigation. E-mails to the MPD seeking comment were not returned.
Steve Hunegs, the executive director of the Jewish Community Relations Council of Minnesota and the Dakotas, called the incident “harrowing.”
“It’s targeted and consciously imitating the mass terrorism of Oct. 7,” he said. “It doesn’t get much more antisemitic and violent than that, other than the actual perpetration of the horrific acts.”
Hunegs said the incident represents an escalation of anti-Israel rhetoric.
“We’re seeing that someone would take the time to, in the middle of the night on Oct. 7, to vandalize the synagogue with the most incendiary, venomous message you could possibly find,” he said. The perpetrators, Hunegs said, decided “terrorism against Jews is worthy of celebration, and [they’re] going to take that message to an iconic synagogue in the heart of Minneapolis.”
Zimmerman said that she heard from Gov. Tim Walz and Minneapolis Mayor Jacob Frey, who is Jewish and has attended services at Temple Israel. He said in a tweet that the vandalism was “a reminder that hate still tries to find a foothold” but that it would not find on in the city.
“People are reaching out and in that, you feel a connection and camaraderie and support,” Zimmerman said. “Which is very helpful, but it doesn’t take away the horror of the message. It does help to not feel so alone.”
Zimmerman said she is a proud Zionist who also wants to see an end to suffering in Gaza — something that she said whoever spray-painted the graffiti did not understand.
“If you do understand the nuance and the complicated realities of the world and see each other as human, then you don’t do this. It’s disregarding the humanity of others by promoting hate and promulgating hate,” she said. “But it’s not going to stop us from continuing to do our work and to do interfaith work and to move forward in being proud of being Jewish and teaching about Israel and making sure that we work towards peace and towards the mission of being in the city and supporting the city.”
This story originally appeared on TC Jewfolk, an independent publication covering Jewish life in Minneapolis.
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Jewish freelance journalist Emily Wilder is detained as Israeli military intercepts Gaza aid flotilla
(JTA) — Jewish freelance journalist Emily Wilder, reporting for Jewish Currents, a progressive Jewish publication, was detained by the Israeli military on Monday while covering an aid flotilla bound for Gaza.
Wilder set sail from Italy last week aboard The Conscious, one of dozens of boats that aimed to reach Gaza and deliver humanitarian aid to the besieged enclave.
But that effort was cut short when Wilder, along with the other journalists and aid workers on her voyage, was intercepted by the Israeli military and detained. The military has intercepted, detained and deported activists sailing to Gaza multiple times in recent weeks.
Jewish Currents has been staunchly against the war in Gaza, calling Israel’s campaign there a genocide and advocating for the Palestinian cause. In an email to subscribers, publisher Daniel May said the publication sent Wilder on a flotilla because of the value of the reporting she could produce.
“Jewish Currents commissioned Emily’s reporting because we know that Israel’s unprecedented restrictions on journalists have facilitated the war crimes perpetrated in Gaza,” May wrote. “We also know that the flotillas are an important story in themselves.”
Wilder was a member of Jewish Voice for Peace and Students for Justice in Palestine, both anti-Zionist groups, as a student at Stanford University, from which she graduated in 2020. The next year, she was fired from the Associated Press in 2021 due to her social media posts about the Israeli-Palestinian conflict. Since then, according to her LinkedIn, she has worked as a freelancer and a human rights researcher.
Wilder was also documenting the voyage on her Instagram account, which has not posted an update since she and her crew were detained.
“Today, the @gazafreedomflotilla’s Conscience sets sail from the boot of Italy, with hopes of bringing ~70 media and medical workers across the Mediterranean to Gaza’s shores amid Israel’s blockade on international press and killing of doctors and journalists,” wrote Wilder last week in a post.
Israel’s foreign ministry blasted the flotilla participants in a post on X Tuesday.
“Another futile attempt to breach the legal naval blockade and enter a combat zone ended in nothing,” the post read. “The vessels and the passengers are transferred to an Israeli port. All the passengers are safe and in good health. The passengers are expected to be deported promptly.’
In the email, May directed readers to sign a Change.org petition calling for her release and to urge the California native’s representatives, including Democratic Sens. Adam Schiff and Alex Padilla, to advocate for her.
Last week, dozens of other boats that were part of the Global Sumud Flotilla were also intercepted, and hundreds of participants were detained and later deported, including Swedish activist Greta Thunberg who alleged that she had been “kidnapped and tortured” by the Israeli military. (Another flotilla effort including Thunberg was intercepted by the Israeli military in June.)
“My office has now confirmed that a second flotilla carrying vital humanitarian aid … has been intercepted, and nearly 145 passengers and crew detained,” wrote California Democratic Rep. Jimmy Comez in a statement. “Among the detained is my constituent Emily Wilder, a member of the press, who was reporting on the flotilla’s attempt to bring humanitarian aid to the people of Gaza.”
The post Jewish freelance journalist Emily Wilder is detained as Israeli military intercepts Gaza aid flotilla appeared first on The Forward.