Uncategorized
Judaism doesn’t want you to wander and live just anywhere — or does it?
(JTA) — I was a remote worker long before the pandemic made it a thing, but it was only last month that I really took advantage of it. Early on the morning of New Year’s Day, I boarded a plane from Connecticut bound for Mexico, where I spent a full month sleeping in thatch-roofed palapas, eating more tacos than was probably wise and bathing every day in the Pacific. I’ll spare you the glorious details, but suffice it to say, it wasn’t a bad way to spend a January.
Perhaps unsurprisingly, I found myself again and again coming into contact with expats who had traded in their urban lives in northern climes for a more laid-back life in the tropics. There was the recently divorced motorcycle enthusiast slowly wending his way southward by bike as he continued to work a design job for a major American bank. There was the yoga instructor born not far from where I live in Massachusetts who owned an open-air rooftop studio just steps from the waves. There were the countless couples who had chosen to spend their days running beachfront bars or small hotels on the sand. And then there were the seemingly endless number and variety of middle-aged northerners rebooting their lives in perpetual sunshine.
Such people have long mystified me. It’s not hard to understand the lure of beachside living, and part of me envies the freedom to design your own life from the ground up. But there’s also something scary about it. Arriving in middle age in a country where you know nobody, whose language is not your own, whose laws and cultural mores, seasons and flora, are all unfamiliar — it feels like the essence of shallow-rootedness, like a life devoid of all the things that give one (or at least me) a sense of comfort and security and place. The thought of exercising the right to live literally anywhere and any way I choose opens up a space so vast and limitless it provokes an almost vertiginous fear of disconnection and a life adrift.
Clearly, this feeling isn’t universally shared. And the fact that I have it probably owes a lot to my upbringing. I grew up in an Orthodox family, which by necessity meant life was lived in a fairly small bubble. Our house was within walking distance of our synagogue, as it had to be since walking was the only way to get there on Shabbat and holidays. I attended a small Jewish day school, where virtually all of my friends came from families with similar religious commitments. Keeping kosher and the other constraints of a religious life had a similarly narrowing effect on the horizons of my world and thus my sense of life’s possibilities. Or at least that’s how it often felt.
What must it be like — pardon the non-kosher expression — to feel as if the world is your oyster? That you could live anywhere, love anyone, eat anything and make your life whatever you want it to be? Thrilling, yes — but also frightening. The sense of boundless possibility I could feel emanating from those sun-baked Mexicans-by-choice was seductive, but tempered by aversion to a life so unmoored.
The tension between freedom and obligation is baked into Jewish life. The twin poles of our national narrative are the Exodus from Egypt and the revelation at Sinai, each commemorated by festivals separated by exactly seven weeks in the calendar, starting with Passover. The conventional understanding is that this juxtaposition isn’t accidental. God didn’t liberate the Israelites from slavery so they could live free of encumbrances on the Mayan Riviera. Freedom had a purpose, expressed in the giving of the Torah at Sinai, with all its attendant rules and restrictions and obligations. Freedom is a central value of Jewish life — Jews are commanded to remember the Exodus every day. But Jewish freedom doesn’t mean the right to live however you want.
Except it might mean the right to live any place you want. In the 25th chapter of Leviticus, God gives the Israelites the commandment of the Jubilee year, known as yovel in Hebrew. Observed every 50 years in biblical times, the Jubilee has many similarities to the shmita (sabbatical) year, but with some additional rituals. The text instructs: “And you shall hallow the 50th year. You shall proclaim liberty throughout the land for all its inhabitants. It shall be a jubilee for you: each of you shall return to your holding and each of you shall return to your family.”
Among the requirements of the Jubilee was that ancestral lands be returned to their original owners. Yet the word for liberty is a curious one: “d’ror.” The Talmud explains its etymology this way: “It is like a man who dwells [medayer] in any dwelling and moves merchandise around the entire country” (Rosh Hashanah 9b).
The liberty of the Jubilee year could thus be said to have two contrary meanings — individuals had the right to return to their ancestral lands, but they were also free not to. They could live in any dwelling they chose. The sense of liberty connoted by the biblical text is a specifically residential one: the freedom to live where one chooses. Which pretty well describes the world we live in today. Jewish ancestral lands are freely available to any Jew who wants to live there. And roughly half the Jews of the world choose not to.
Clearly, I’m among them. And while I technically could live anywhere, I’m pretty sure I don’t want to. I like where I live — not because of any particular qualities of this place, though I do love its seasons and its smells and its proximity to the people I care about and the few weeks every fall when the trees become a riotous kaleidoscope. But mostly because it’s mine.
A version of this essay appeared in My Jewish Learning’s Recharge Shabbat newsletter. Subscribe here.
—
The post Judaism doesn’t want you to wander and live just anywhere — or does it? appeared first on Jewish Telegraphic Agency.
Uncategorized
VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.
Uncategorized
Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
Uncategorized
‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
