Local News
Adas Yeshurun Herzlia Synagogue hosts moving farewell for departing rabbi Yossi Benarroch
By MYRON LOVE It was a bittersweet evening Sunday, July 27, as about 300 members of Adas Yeshurun Herzlia and other community members gathered at the synagogue to express their appreciation to retiring Rabbi Yossi Benarroch for his service to the congregation – and the larger Jewish community – over the past nine years.
Although Benarroch had officially retired at the end of July, he had already returned to his family in Israel. The congregation paid to fly him, his wife, Elana, their daughters Ruchama and Tiferet and Tiferet’s infant daughter, Agam, back to Winnipeg for the moving tribute evening.
As this writer noted in an interview with Yossi Benarroch earlier this year, his assuming the spiritual leadership of Adas Yeshurun Herzlia was a match made in heaven. He grew up in our community, one of four sons of the revered Solomon and Mary Bennarroch. The future rabbi earned a physical education degree from the University of Manitoba in 1984, following which he made aliyah. He studied at the Mercaz Harav Yeshiva (among others), receiving smicha in 1991. In 1999, he and his wife, Elana, and their children moved to Vancouver.
He and his family were back living in Israel in 2016 when the Adas Yeshurun Herzlia pulpit became vacant. “I saw it as an opportunity to fulfil what I felt was my obligation to give back to the community which had given me so much in my early years,” he says.
A second motivation was that he would be able to spend more time with his aged parents and two brothers in Winnipeg.
In his remarks on the 27th, Rabbi Benarroch thanked many people in our community who had played an important role in his life. First and foremost, he thanked his wife, Elana. While she didn’t want to leave Israel, he noted, she understood how important this was to him.
The arrangement that they agreed upon was that he would spend blocks of nine weeks in Winnipeg followed by three in Israel. He always made sure to be home (Israel) for Pesach, Sukkot and half of Chanukah. Now, nearing 68 years old, and with his parents both having passed away, Yossi Benaroch feels that it is time to go back permanently.
“I really appreciate the sacrifice that Elana was willing to make – giving up the love of her life for nine months a year for nine years so that I could fulfill my lifelong dream to return to and give back to the community I love so dearly.”
It was also very important to him, Rabbi Benarroch added, that some of his children were able to meet his community in Winnipeg and see what this community meant to him.
Among the many individuals he thanked were the late Dr. Earl Hershfield who – as president of the congregation – persuaded him to come back here; current president Jack Craven; long time congregational leaders Abe and Barbara Anhang; and members of the congregation as a whole – who welcomed him into their homes and lives.
“I have felt a tremendous love here,” Rabbi Benarroch said. “I can honestly say that in nine years, I never had a single argument with anyone in the congregation.”
He noted how much he cherished being able to spend time with his family in Winnipeg – his late parents, his brothers, Michael and Albert, his nephews and nieces and cousins.
Rabbi Benarroch also spoke about his positive relationships – friendships – with his rabbinical colleagues and the leadership at the Federation.
While Rabbi Benarroch noted that he is happy that he is going to be home full time now with his family – including three other children and numerous grandchildren – in Efrat, he added that he is not finished here quite yet. He announced that he will be back one more time to lead yom tov services.
The tribute for Rabbi Yossi Benarroch and his family on July 27 was not the only reason for celebration. The evening also marked the rededication of three of the six Talmud Torah Beth Jacob Synagogue stained glass windows.
Five of the windows were installed at the Talmud Torah Beth Jacob Synagogue – which was then located on Matheson Avenue in the North End (where it shared space with what was then the Talmud Torah School) – in May of 1970. Three of the windows were in commemoration of the late Rabbi Avraham Kravetz, Cantor Benjamin Brownstone and philanthropist Joseph Wolinsky – all of whom played an outsized role in shaping Jewish education in our community. According to an article I wrote for the Jewish Post at the time, the windows were created by Ron Henig, a Toronto-based artist. Marcus Bressler, a Talmud Torah past president, had seen Henig’s work in Toronto and persuaded the Simkin and Chait families to memorialize their loved ones by funding the installation of two windows in the Matheson Avenue shul. So eye-catching were the windows, some other members of the shul decided to have three more windows created in memory of Rabbi Kravitz, Cantor Brownstone and Wolinsky.
The windows moved with the Talmud Torah Beth Jacob Synagogue in 1997 to its new location on north Main Street after the community sold the Talmud Torah/Joseph Wolinsky Collegiate building and centralized Jewish private education in our community at the new Asper Campus.
Winnipeg artist Irma Penn created a sixth stained glass window for the Talmud Torah about 20 years ago at the new location.
Two years ago, facing declining attendance over several years, the Talmud Torah congregation merged with the 53-year-old Chavurat Tefila congregation – which was also dealing with declining attendance – at the latter synagogue on the Corner of Hartford and McGregor.
After the Talmud Torah building was sold last summer, three of the windows – the Irma Penn window and those that were dedicated to Joseph Wolinsky and the Chait Family followed the congregation members to the new Chavurat Tefila – Talmud Torah shul.
The Rabbi Kravetz, Brownstone and Jean Simkin windows were passed on to the Adas Yeshurun Herzlia congregation, where the Rabbl Kravetz “Shoah” window was rededicated in memory of the late Leon and Faye Raber by their children, Frayda and Label Raber.
In rededicating the “Shoah” window n memory of their parents, Frayda Raber pointed out that the window incorporates the Gorenstein (Faye’s) family’s relationship with the Adas Yeshurun shul from its beginnings in 1909 and their father’s survival of the Holocaust.
“Label and I grew up at the Adas Yeshurun Herzlia,” recalled Raber. “We went to elementary school here, attended junior congregation here, Shabbat and Yom Tov services, and celebrated our life cycle events. Despite living away, Label in Vancouver and me in Ottawa, the synagogue has remained our home away from home all these years.”
She added that her mother maintained her membership even after moving away in 2017 after Leon’s passing, and remembered the synagogue in her will.
Faye Raber passed away last September at the age of 103.
Frayda thanked Rabbi Benarroch for bringing the opportunity to refurbish the Shoah window to the family’s attention. “I believe that having this stained glass window displayed so prominently will help keep this part of our history in the forefront for current and future generations,” she said.
Abe and Barbara Anhang rededicated the two other windows – the Or V’Talmud Torah and Shir U’Shvacha windows – in honour of the Benarroch Family. As Barbara Anhang noted in her remarks:
“It was Shammai in the first chapter of Pirkei Avot who pointed out the necessity of daily Torah study, of saying little and doing much, and of receiving everyone with a pleasant countenance. These traits were second nature to Mary and Solomon Benarroch, who, when learning of Winnipeg’s search for a community shochet (slaughterer), jumped at the chance to leave Morocco and came to Winnipeg.”
Shlomo Benarroch, she noted, served as one of Winnipeg Jewish community’s shochetim for over 50 years. He was also a Torah reader, sofer (scribe), mohel (as needed), chazan and educator.
“He was a soft-spoken gentleman who said little but did much,” Barbara said, “and cared deeply about serving his adopted community.”
She described Mary Benarroch as “the consummate Jewish homemaker who provided a loving, supportive home for her husband, twins Yossi and Yamin, Michael, Albert, and their extended Canadian family. Her sons were her treasures.
”She succeeded in nurturing them to grow into observant, caring people who excelled in education and community service.”
Barbara went on to thank “Rabbi Yossi for his inspiring Talmud and parsha classes, his kashrut supervision at Schmoozer’s and Gwen Secter kitchens, Gunn’s Bakery, and Sunday morning Maimonides classes, bar/bat mitzvah preparations and drashas.”
She further thanked Elana Benarroch for her love and devotion in caring for their family in Israel while he was here, that made it all possible.
“Elana, we are all eternally grateful,” Barbar said. “Thank you. Both of you have shown us by example the joy of performing a mitzvah and that Jewish life cannot be sustained without Israel at its core.
“We were blessed to have you as our role models. Every one who had the honour of getting to know you and your dear parents, and seeing how you and they chose to live your lives, was, and is, changed for the better.”
Sid Halpern added his praise for the Benarroch Family: “We are honoured to rededicate these windows in the name of the Benarroch Family,” he said.
“Several weeks ago,” Halpern continued, “in his usual inspiring droshe, Rabbi Yossi in Parsha Balak, taught us that G-d sends us messages in different means from different messengers. The stained glass windows we rededicate today represent passionate messengers – visionaries who built the community we enjoy today with messages if our ears and eyes and hearts are open and receptive. Among the most consequential of these messengers were Shhlomo and Mary Benarroch, who created a new world for themselves in our community just as their community in their native Morocco was being largely destroyed. Their sons, Yamin, Yossi, Michael, and Al, continue to revitalize and inspire communities in Israel, Canada and the world.”
Halpern reIated that, in a reply to a question from his late wife Esther to Mary Benarroch how Mary had achieved such overwhelming success in raising her family, Mary’s response was “with love” which, Halpern noted, is the strongest force on the face of the earth, according to none other than Albert Einstein.
Halpern also had kind words for Faye and Leon Raber – whom he remembered as supporters and builders of Herzlia. “While Leon always sat in the back benches,” he recounted, “he and Faye were always on the front benches when the shul needed their support.
“It is great to have their children, Label and Frayda, with us whom I remember as regular attendees in their younger years and who were always respectful to and caring for their parents.”
Addressing Elana Bennarroch, Halpern said: “While we knew and felt your pain of aloneness for the past nine years, Rabanit Elana – especially in such stressful times, we want you to know how grateful we are to you and your family for lending Reb Yossi to us.
“This is a a time not for farewell but, rather, for Lehitraut, Reb Yossi and Elana, till we meet again Thank you Reb Yossi for your beautiful messages. Keep them coming from Tziyon from whence the Torah will come.”
Speaking on behalf of the Benarroch Family, Kim Bailey, wife of University of Manitoba President Michael Bernarroch, talked about the family’s strong connection with the Talmud Torah Synagogue.
All four brothers had their bar mitzvahs at the synagogue, she noted, her fasther-in-law was the long time Torah reader, and her mother-in-law was a part of the shul’s Emunah women’s group..
“One of my favourite memories,” Bailey recalled, “was listening to my father-in-law read the Megillah every year at Purim.
“That synagogue was central to the whole Benarroch family and they were beloved pillars of the Talmud Torah community,” she added.
While Solomon and Mary moved with the Talmud Torah after the congregation was forced to relocate, Bailey noted, they did move eventually move south to be closer to their children and grandchildren.
“I can imagine the members of the Talmud Torah who are no longer with us would be pleased to see that these windows have found such a beautiful new home and that they are being dedicated to the Benarroch family,” she said. “These windows are a reminder that while many things have changed in our community, the essential things such as Torah, prayer, song, love and respect for family and community don’t.”.
Local News
Hundreds rally against opening of Nakba exhibit at Human Rights Museum
By NOAH STRAUSS Around 300 people gathered outside the Canadian Museum for Human Rights on Friday during the grand opening of the museum’s newest exhibit, “Palestine Uprooted: Nakba Past and Present.” (Ed. note: The CBC report on the protest said there were “100” people at the rally. I know there were more than 100, but I’m not sure there were 300 either.) The exhibit, which had a limited number of tickets available for opening night, sold out. The Canadian Palestinian Association of Manitoba had originally planned a rally in support of the exhibit’s opening, but it was cancelled just days before the event.
The Nakba, which means “catastrophe” in Arabic, refers to the displacement of an estimated 750,000 Palestinians during the 1947–1949 war surrounding the establishment of the State of Israel. The exhibit has drawn criticism from members of Winnipeg’s Jewish community and others who argue that it does not acknowledge the displacement and persecution of Jewish communities in many Arab and Muslim-majority countries following Israel’s independence and the 1948 Arab-Israeli War. Historians estimate that between 850,000 and 950,000 Jews left or were expelled from Arab and Muslim-majority countries during the decades surrounding Israel’s establishment. In countries including Iraq, Egypt, and Yemen, many had their property confiscated, while others left because of persecution or increasing hostility.
Supporters of the Jewish community came from all faiths and backgrounds. The Jewish Post spoke with Lisa Lewis, a longtime supporter of the Jewish community.
“I think there is a crisis of antisemitism happening right now,” Lewis said.
She was one of many non-Jewish community members who attended the rally. Lewis said she has been an active ally since the 2000s, helping Argentine immigrants come to Canada. Following the October 7 attacks on Israel, she said she has become a more vocal supporter of the Jewish community. During the rally, she wore a Magen David necklace.
Lewis also criticized the museum’s approach to the exhibit.
“The Jewish community organizations that represent the majority of the Jewish community weren’t consulted on something like this,” she said.
Cindy Clubb, another ally of the Jewish community who attended the rally, also voiced her concerns.
“I grew up with prominent businesspeople and members of the academic and medical communities. I don’t know what we would do without our Jewish cooperation. So I’m up here to support them, and I think all of Winnipeg should be out here,” Clubb said.
One protester, who identified herself as Michelle, said, “We are against the Nakba exhibit. It’s all lies.”
Gustavo Zentner, Vice President of CIJA Manitoba and Saskatchewan, said, “We are calling on Minister Miller to hold the museum leadership accountable. The Minister of Canadian Heritage needs to ensure that national institutions are not weaponized against Canadians to serve a one-sided political agenda. These concerns were expressed not only by the Jewish community, but by many concerned Canadians. At its core, this is a Canadian issue.”
Zentner did not participate in the community rally. He went on to say, “We are proud of the many community members, allies, and organizers who gathered at the museum before Shabbat began to demonstrate their concerns.”
The museum defended its decision to present the exhibit. CEO Isha Khan said that “human rights matter precisely when they are inconvenient.” She added that the museum “belongs in the collective memory of Canadians.”
The exhibit is scheduled to remain on display until November 2028.
Local News
Interviews with the curator of the Nakba exhibit and the CEO of the Human Rights Museum
By BERNIE BELLAN On June 26, I was invited to attend the Canadian Museum for Human Right to see the Nakba exhibit prior to its being opened to the public. While I was there I was given the opportunity to interview the curator for the exhibit, Isabelle Masson, along with CMHR CEO Isha Khan. What follows are the transcripts of those interviews (edited only to remove pause words like “uh” and phrases the were repeated). The first interview was with Isabelle Masson:
Jewish Post: Several representatives of Winnipeg Jewish community organization say that they weren’t fairly consulted on this exhibit. How do you respond to that?
Masson: We came to this project with an awareness that Palestinian voices are often marginalized, even silenced, and an awareness that Islamophobia and anti-Palestinian racism have an impact on whose voice is heard and whose suffering is recognized. And so we intentionally chose to centre Palestinian voices with this exhibition.
JP: But to the point that many Jewish representatives of organizations and people within the community at large feel that the Jewish community should have been consulted on an issue that had such a direct impact on the Jewish community – did you not feel an obligation to consult with the Jewish community?
Masson: I think the best person to talk further about this issue is our CEO, Isha.
JP: In terms of the exhibit itself, I must say it really stresses the suffering that Palestinians have endured. But, in looking at other refugee situations around the world, the Palestinian situation seems to me to be unique in that there has never been an effort to resettle Palestinians within the countries to which they were forced to flee.
Do you not think that separates their situation (from other refugee situations) and, in some ways, it has made their situation worse than it could have been?
Masson: Well, the exhibit not only centres that experience of forced displacement and disposition as a longstanding experience across five generation that you know is tied to human rights violations that are ongoing today, but it also I want to point out, you know, foregrounds beauty, foregrounds resilience, foregrounds the maintenance of identity and belonging across time and across that experience. So there’s also these elements about this exhibition because it was also about humanizing Palestinians – about people with families with stories, with creativity – and coming back to some of the videos what interviewees say, right, we hope that Palestinians can be seen as fully human and hope that they can see Palestinians as having human rights and this this story today in this gallery is is a story about human rights.
JP: If I can focus on one particular aspect of the exhibit that I read this morning when I was sent the preview, it referred to what happened between the years 2000 and 2005 as a Palestinian uprising. But the Israeli term would be the Intifada which for them meant large-scale attacks – terrorist bombings by some Palestinians. Did you not think it necessary to include that in a larger context?
Masson: Well, we use uprising because it’s the most more accessible term in the exhibition and we, you know, we’re focusing really here on an artwork by artists – Palestinian American artist Reggie Cook and with an artwork that was trying to translate the experience of of occupation into what is created. So that’s the context in which we talk about that.
JP: But to ignore what happened during the uprising seems to me to leave out a major part of the context.
Masson: I don’t think that we are ignoring that. This exhibit is not about the full story of what has happened in Palestine, in Israel. It’s not, you know, the scope of this small exhibition. This small exhibition has a scope and the scope was really to create an opportunity and a place for Canadians to be able to encounter Palestinian Canadians and hear their voices.
JP: Given the current mood in the Middle East and the ongoing tensions between Israel and various other actors, the concern among many in the Jewish community that this is going to lead to a heightening of antisemitism and an exhibit like this seems that it it’s not going to do much to improve relations between Jews and Palestinians when it focuses on only one side of the story. How do you respond to that?
Masson: Well, this is only one exhibit of of many, of many stories that we have.
Following is my interview with Isha Khan. Khan began by explaining that she is “the CEO at the Canadian Museum for Human Rights and I’ve been here as CEO of the museum since August of 2020. So almost six years.”
JP: So let’s get right down to discussing (the exhibit). I spoke to the curator. I asked a lot of questions about the exhibit itself. I’m more interested in asking (you) about the general context and the atmosphere in the community. The accusation has been made repeatedly by various leaders of Jewish organizations that you have not been willing to consult on this exhibit. How do you respond to that?
Khan: I think the word consult can mean many things. We have a community engagement practice. So for us that means that depending on the scope of the exhibit and this exhibit is about Palestinian Canadians and their experiences, the impacts of the human rights impacts, of forced displacement, which means we engage with that community as we share their stories. Many folks in the Jewish community will say we haven’t consulted with them and yet we have met with leaders of Jewish organizations from across Canada, main uh, major federations, foundations, local Jewish organization representatives many times to talk about this exhibit, to explain what its scope is, what it’s about, what it’s intended to do, and most importantly, what it isn’t. And unfortunately there continues to be misconceptions about what it is. So we hope people will come and see it.
JP: I think the fear in the community – and I think it’s well founded is that this will foment an increase in antisemitism. Can you understand that concern?
Khan: Absolutely. I personally and any member of our team who’s talked to folks about this has said that we unequivocally share the concern about antisemitism in Canada today. That is part of our mandate. And we will continue to do that work and we can also share these stories of Palestinian Canadians – you know, telling the story of one community’s human rights violation in no way should negate or minimize the experience of another community. That’s what this museum was designed to do….designed to build understanding of shared humanity and that’s what we believe we’re doing responsibly.
JP: Just before I began this interview, I was taken (down to the fourth floor; the Nakba exhibit is on the fifth floor) to see the gallery of other human rights violations. I’m not sure what it’s called. (It’s where there is a ) recitation of various human rights violations, including what happened in 1947 and 1948 (in Palestine). They offer passing reference to the displacement of both Jewish and Palestinian refugees. Would you consider ever having an exhibit about the displacement of Jewish refugees from Arab lands in 1948 and subsequent years?
Khan: We would absolutely consider it and in fact have shared with leaders of the Jewish organizations months ago that yes, these are important stories that need to be told (and) invited them to work constructively with us on developing that content. Unfortunately we didn’t really receive much response.
JP: How long is this exhibit supposed to be on for?
Khan: So this exhibit right now we’re saying is a minimum of two years. That’s because it is an exhibit in a standing gallery and so it also depends on our updating of our other galleries and, you know, exhibits take a bit of time. This one is four years in the making and so we’ve just committed that it’ll be a minimum of two years and we’ll see where things go.
JP: There are a lot of other refugee situations in the world – (for instance) South Sudan, and just this morning I was saying to Isabelle that I received an email about the situation for people from Burundi in the Democratic Republic of the Congo.
I didn’t realize that was a problem. I know that the Congo has had ongoing problems with displacement of populations. It it seems to me it’s not an unlimited number of stories like this you could tell, but there are a lot of others. How do you decide which ones take priority?
Khan: We’re often asked the question of how we decide, and it comes back to how this museum is designed. Each gallery is intended to tell a different story. It has an objective. So this exhibit, Palestine Uprooted, is in our Rights Today gallery. It’s to talk about global human rights issues. And we know that people want to better understand human rights of Palestinians. There’s no question. It’s being talked about, debated, discussed all over the world. And so we’re being responsive there to that need. And we know that Palestinian experiences were under represented in our galleries and have heard that for years. To your point though that there are other stories – the design of this museum is that you ought to be able to feel something, understand something about the forced displacement of one community and apply it to another. So now this story stands along the forced displacement of the Rwanda people, indigenous peoples, Ukrainian people, the Igbo people. You’ve named a number of others that we do need to develop content on over time, but it’s done depending on what gallery it is, what we are trying to invoke…because we’ll never be the encyclopedia of all human rights atrocities in the world. That’s actually why we’re called the Canadian Museum for Human Rights rather than the Canadian Museum of Human Rights.
We’re here to to develop an understanding through the stories that will impact people.
JP: Okay. I want to ask a politically loaded question.
Khan: Okay.
JP: The Jewish population of Canada is at best 450,000. In that range, Jews don’t have the political impact that they used to. At most, there are 12 to 16 ridings where the Jewish vote can make a difference. The Muslim population has grown substantially. It has a much larger political impact. Did that factor in to this exhibit being mounted in any way?
Khan: Absolutely not.
JP: So, I’ll ask the question that I asked the curator of the exhibit. Where did the impetus for this come from? Did it come from Palestinian Canadians?
Khan: The this exhibit came from a recognition, our decision. I hold responsibility ultimately for the decisions made by my team. It was made based on the recognition that Palestinian experiences were under represented in this museum. We absolutely heard from the Palestinian community organizations in Canada and had heard for many years that their stories were underrepresented. Ultimately, the decision was ours. And as we look at this gallery and updating our content, this is ‘rights today’ – global human rights. We know that the world is talking about Palestinian human rights and the stories of Palestinian Canadians naturally belong in our collective memory alongside many other stories that are told here.
JP: There was one particular aspect on one of the panels when I was sent a preview this morning and it referred to the Palestinian uprising from 2000 to 2005 which led to a lot of Israeli deaths that we generally refer to as the Intifada. There’s no mention of Israeli deaths on that panel. Would you agree that might have been an oversight?
Khan: I mean I know that there the factual point is absolutely accurate. The decisions on the curation of the exhibit are not ones that I make, but certainly if that is a concern that we will look at.
Local News
Nakba exhbit at CMHR now open – here’s what it looks like
By BERNIE BELLAN (Posted June 26)The following press release was sent to me early Friday morning June 26 (Photos supplied by Annie Kierans, CMHR) Nothing that follows has been edited. I leave it to you to form your own opinion:
Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.
Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.
Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.
Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.
Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.
Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.
Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit
“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted
“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”
- – Isha Khan, CEO
