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Canadian survivor of Supernova Music Festival massacre Shye Klein recounts his story to Winnipeg audience
By MYRON LOVE Growing up in democratic countries in Western society, we are fortunate to be able to go about our lives oblivious to potential danger. We go to sporting events, concerts, folk festivals confident that there is nothing to worry about and we can have a good time.
Such was the thinking for about 3,500 young Israelis who converged on Kibbutz Re’im, near the border with Gaza, on Saturday, October 7, for the Supernova Music Festival. In the early morning hours, their idyll was shattered by an onslaught of Hamas and other Palestinian terrorists that resulted in the worst terrorist attack in Israel’s history.
The number of victims who were murdered was more than 350. Among those who survived was young Canadian photographer Shye Klein – who was in Winnipeg on Monday, March 11as part of a speaking tour of Canada and the United States – to give eye-witness testimony of what he experienced and share his photos and videos of hat horrific day.
Klein’s presentation – in the Rady JCC gym – in front of about 300 people – was sponsored by the Jewish Federation of Winnipeg, Hillel, and the Asper Foundation.
Prior to Klein’s testimony, those in attendance heard introductory remarks by Federation CEO Jeff Lieberman and Federation President Paula Parks, as well as StandWithUs Canada University of Manitoba representative Benjamin Margulets. The speaker was introduced by University of Manitoba student Matthew Morry.
Originally from Toronto, the 26-year-old Klein made aliyah last April. He noted that, initially, when his cousin Mordechai told him about the upcoming festival a few week s in advance, the idea of going didn’t appeal to him.
“Just thinking of the people crowding around the stage, the garbage, I wasn’t interested,” he recalled.
Mordechai asked hm again the day before though, and he changed his mind. “I didn’t know many people in Israel, yet,” he said. “I thought this might be a good way to meet people.”
Klein’s small party of eight arrived at the location around 1:00 A.M. on the morning of the festival, and set up their tent. “I had no idea how close we were to the Gaza border,” he noted.
So, while his cousin and friends were chilling and enjoying the scene, Klein grabbed his camera and began to mingle. At this point in the presentation, he showed on screen all of the concert-goers whose photos he took throughout the night and early morning – talking a little bit about each one.
He also described the layout, small stages and main stage and the “marketplace”.
He added that, typical of such raves, the smell of drugs was omnipresent.
It was about daybreak – about 7:30 in the morning – when, he noted, people began getting messages on their cell phones about incoming missiles aimed at Tel Aviv, Petah Tikvah and elsewhere.
“The music was so loud that it muffled the sounds of explosions,” he recounted. “While some people began packing up, the consensus still seemed to be that we were safe. There were no strategic targets anywhere around us.
“Then we start hearing gunfire. It didn’t sound like it was coming from the IDF (Israel Defense Forces). Then explosions. There was a lot of commotion.”
Klein’s party quickly got to their car. “Of the eight of us, only three were in shape to drive,” he recalled. “Mordechai drove while I started videotaping what was happening.”
He recalled that there was pandemonium – with people fleeing – in their cars or on foot – in every direction. Standing in front of a screen showing his video of his group’s frantic efforts to escape, he described bypassing a long line of cars and trucks by driving around through a farm field, when they approached an IDF checkpoint where they were advised to go no further in the direction they were driving and to stay in their car no matter what.
His videos showed cars along the side of the road to Tel Aviv pocked with bullet holes. Klein added that there were bodies in some of the cars and along the road.
“We were freaking out,” he said. “At one point, we were approaching three guys dressed in black and wearing masks. We drove right by them. Thank goodness,. they didn’t shoot.
“As we were driving, we could see smoke from burning houses.”
The group made it safely to Tel Aviv by about 9:45.
“While we were safe, I didn’t know what happened to all the people I had met and taken pictures of at the music festival,” he noted. “I had exchanged contact information with them so, over the next few weeks, I went about contacting them.”
Happily, he was able to report that almost all of them were safe. As he had done earlier – showing the photos of his new friends and acquaintances from the festival, he again posted their pictures on the screen and briefly told their stories. One young woman, for example, had found herself on one of the kibbutzim under attack and hid in a fridge for several hours until she was rescued. Others found safety in the nearby JNF forest until rescued by the IDF.
Five and a half months after that horrendous day, Klein observed, “many people in Israel aren’t doing so well, but we are doing the best we can. No one is alone. There is also a greater sense of togetherness than there was before the war.”
He also reported that his friends in Israel encouraged him to share his photos and video with the world. As a result, he is currently on a speaking tour of North American Jewish communities.
He said that he is scheduled to return to Tel Aviv on May1.
Local News
Nakba exhbit at CMHR – you can see it right here and make your own assessment
By BERNIE BELLAN (Posted June 26, updated July 19) The Nakba exhibit at the Canadian Exhibit for Human Rights opened to the public June 27. The morning before the exhibit was set to open to the public, (it had a private opening for invited guests the evening of June 26) we received a press release from the CMHR. That press release gave a very detailed description of what was in the exhibit, along with photos (supplied by Annie Kierans of the CMHR).
There is also a link right at the beginning of the press release that will allow you to watch the same videos that anyone attending the exhibit can watch. We reprinted what was sent to us without making one edit. We leave it to you to form your own opinion as to whether the exhibit is fair in its presentation, and whether it is lacking “context” – which is an accusation that has been levelled at the exhibit’s organizers by some representatives of Jewish organizations.
We have received many emails in reaction to the exhibit. If you have an opinion and would like to see it published on this website, you can send it to jewishp@mymts.net, but please indicate whether you would be willing to have it published on this website.
Here is what we received the morning of June 26:
Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.
Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.
Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.
Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.
Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.
Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.
Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit
“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted
“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”
- – Isha Khan, CEO
Local News
A photo that’s being circulated on the internet about me
For those of you not familiar with nutjob Michael Kalo – the psycho who created the notorious “$hitler’s List” years ago and the same psycho who went after Ben Carr, well – now he’s obviously taken a strong disliking to the stance I’ve taken on the Nakba exhibit at the Canadian Museum for Human Rights. (You can read elsewhere on this website how I simply posted the entire exhibit as it is – and asked readers to form their own opinions.)
Kalo likes to send out emails to various individual using phony names – such as Frank Ostrowski. When people ask me (or asked Ben Carr) why we don’t take action against him, my answer is: What’s the use? He only basks in the attention.
So Michael – enjoy the attention you’re receiving. I know how much of an embarrassment you are to your wonderfully talented daughters.
Local News
Ami Hassan returning as owner of Falafel Place
By BERNIE BELLAN In a surprise move – and after more than a six-year absence as owner of Falafel Place (Corydon at Wilton) the legendary Ami Hassan has decided to return as owner of one of Winnipeg’s most famous eateries.
Long known for his sometimes irreverent attitude to his customers, e.g., “If you’re finished, get out!”, Ami decided to return to running Falafel Place after having retired years ago (or so he thought) from running the Corydon Avenue restaurant.
We asked Ami whether he’ll be sending a special invitation to Julia Roberts to come visit him at Falafel Place. He asked again: “Who’s Julia Roberts?” (Just kidding – he really does know how Julia Roberts is.) Read the story how Ami told her to leave the restaurant and come back later at Julia Roberts turned away from Falafel Place
Ami did note that when customers saw him inside the restaurant one recent day as he was getting it ready for the reopening Monday, August 10, over 20 of them came in asking him if he was open already.
We asked Ami whether the menu will be the same as it was when he last ran the place and he said everything will be the same.
Falafel Place will be open 7 days a week from 7 am – 2 pm. Remember, if you’re finished – get out!
