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Canadian survivor of Supernova Music Festival massacre Shye Klein recounts his story to Winnipeg audience
By MYRON LOVE Growing up in democratic countries in Western society, we are fortunate to be able to go about our lives oblivious to potential danger. We go to sporting events, concerts, folk festivals confident that there is nothing to worry about and we can have a good time.
Such was the thinking for about 3,500 young Israelis who converged on Kibbutz Re’im, near the border with Gaza, on Saturday, October 7, for the Supernova Music Festival. In the early morning hours, their idyll was shattered by an onslaught of Hamas and other Palestinian terrorists that resulted in the worst terrorist attack in Israel’s history.
The number of victims who were murdered was more than 350. Among those who survived was young Canadian photographer Shye Klein – who was in Winnipeg on Monday, March 11as part of a speaking tour of Canada and the United States – to give eye-witness testimony of what he experienced and share his photos and videos of hat horrific day.
Klein’s presentation – in the Rady JCC gym – in front of about 300 people – was sponsored by the Jewish Federation of Winnipeg, Hillel, and the Asper Foundation.
Prior to Klein’s testimony, those in attendance heard introductory remarks by Federation CEO Jeff Lieberman and Federation President Paula Parks, as well as StandWithUs Canada University of Manitoba representative Benjamin Margulets. The speaker was introduced by University of Manitoba student Matthew Morry.
Originally from Toronto, the 26-year-old Klein made aliyah last April. He noted that, initially, when his cousin Mordechai told him about the upcoming festival a few week s in advance, the idea of going didn’t appeal to him.
“Just thinking of the people crowding around the stage, the garbage, I wasn’t interested,” he recalled.
Mordechai asked hm again the day before though, and he changed his mind. “I didn’t know many people in Israel, yet,” he said. “I thought this might be a good way to meet people.”
Klein’s small party of eight arrived at the location around 1:00 A.M. on the morning of the festival, and set up their tent. “I had no idea how close we were to the Gaza border,” he noted.
So, while his cousin and friends were chilling and enjoying the scene, Klein grabbed his camera and began to mingle. At this point in the presentation, he showed on screen all of the concert-goers whose photos he took throughout the night and early morning – talking a little bit about each one.
He also described the layout, small stages and main stage and the “marketplace”.
He added that, typical of such raves, the smell of drugs was omnipresent.
It was about daybreak – about 7:30 in the morning – when, he noted, people began getting messages on their cell phones about incoming missiles aimed at Tel Aviv, Petah Tikvah and elsewhere.
“The music was so loud that it muffled the sounds of explosions,” he recounted. “While some people began packing up, the consensus still seemed to be that we were safe. There were no strategic targets anywhere around us.
“Then we start hearing gunfire. It didn’t sound like it was coming from the IDF (Israel Defense Forces). Then explosions. There was a lot of commotion.”
Klein’s party quickly got to their car. “Of the eight of us, only three were in shape to drive,” he recalled. “Mordechai drove while I started videotaping what was happening.”
He recalled that there was pandemonium – with people fleeing – in their cars or on foot – in every direction. Standing in front of a screen showing his video of his group’s frantic efforts to escape, he described bypassing a long line of cars and trucks by driving around through a farm field, when they approached an IDF checkpoint where they were advised to go no further in the direction they were driving and to stay in their car no matter what.
His videos showed cars along the side of the road to Tel Aviv pocked with bullet holes. Klein added that there were bodies in some of the cars and along the road.
“We were freaking out,” he said. “At one point, we were approaching three guys dressed in black and wearing masks. We drove right by them. Thank goodness,. they didn’t shoot.
“As we were driving, we could see smoke from burning houses.”
The group made it safely to Tel Aviv by about 9:45.
“While we were safe, I didn’t know what happened to all the people I had met and taken pictures of at the music festival,” he noted. “I had exchanged contact information with them so, over the next few weeks, I went about contacting them.”
Happily, he was able to report that almost all of them were safe. As he had done earlier – showing the photos of his new friends and acquaintances from the festival, he again posted their pictures on the screen and briefly told their stories. One young woman, for example, had found herself on one of the kibbutzim under attack and hid in a fridge for several hours until she was rescued. Others found safety in the nearby JNF forest until rescued by the IDF.
Five and a half months after that horrendous day, Klein observed, “many people in Israel aren’t doing so well, but we are doing the best we can. No one is alone. There is also a greater sense of togetherness than there was before the war.”
He also reported that his friends in Israel encouraged him to share his photos and video with the world. As a result, he is currently on a speaking tour of North American Jewish communities.
He said that he is scheduled to return to Tel Aviv on May1.
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Talented Winnipeg composer Sara Kreindler teams up with her mother Reena Kreindler to create new satirical show to premiere here in May
By BERNIE BELLAN It’s been many years since I’ve heard from Sara Kreindler. Sara’s name first appeared in The Jewish Post & News in 2002 when a satirical musical titled “A Touch of Class” was reviewed by the late Arnold Ross. That particular production featured songs from popular Broadway shows that touched upon themes such as “greed, poverty, oppression, and social unrest.”
When she appeared in that show, Ross noted, Kreindler had just recently returned to Winnipeg from England, where she had obtained a doctorate in Social Psychology from Oxford University.
While at Oxford, Kreindler found time to compose a satirical musical titled “Charity,” which played to rave reviews there, and was performed five times.
Continuing in the theme of writing satirical musicals, Sara has now teamed up with her mother, Reena, to write a new musical titled “A Perfect Man,” which is set to run at the Gargoyle Theatre from May 6-17.
According to a press release we received, “A Perfect Man” is “a satirical musical, set on a fictional analogue of ‘The Bachelor’.
“The story follows an anthropologist who arrives to research TV’s hottest reality-dating show — only to discover she’s been made a contestant, and the bachelor is her high school crush. Past and present collide against an exuberant pastiche score that uses vintage musical styles to highlight modern absurdities.”
“Praised as ‘a musician [who] can make biofuels funny’ (CBC), Sara is known for whip-smart satire on a panoply of topics. Her digital musical, ‘Larry Saves the Canadian Healthcare System, created during her former life as an academic, has garnered over 84,000 YouTube views. Naturally, she had a field day with the subject of reality dating.
“The topic just begs for campy zaniness, which I think we all need in these times — but also for a more cerebral critique of what these shows say about the culture that spawned them,” says Kreindler. And thanks to the romance context, the satire is woven into a deeper, more personal story. “It’s satire with a heart.”
Here is some more information about Sara Kreindler, taken from a 2009 article I wrote about her:
“Born in Israel, Sara’s precocious talent was nurtured by her mother, Reena, whose own particular talent is literary, not musical. According to Reena, however, Sara was singing from the time she was a baby, and she began to study piano at the age of four.
“As a young girl, Sara began writing her own songs and poems, along with the “occasional musical”, notes Reena. Yet, Sara’s rare talent put her at odds with the typical interests of other children her own age, on top of which she attended a school to which she was exposed to a fair degree of antisemtism.
“As a result, Sara says, being bullied was a common aspect of her childhood. On one occasion, when she was nine, she notes, Sara fought back against one particular bully by reciting the following little ditty:
“I write so many epigrams to you that all the people laugh.
I’m tired of writing epigrams.
I want to write your epitaph!”
“Sara went on to compose a musical titled ‘Flutesong’ while she was a student at Vincent Massey Collegiate, she says. After doing her undergraduate work at the University of Manitoba, majoring in Psychology, Sara won a Rhodes Scholarship to attend Oxford University.
“Sara eventually earned a doctorate in Social Psychology and returned to Winnipeg, where she began teaching at the University of Manitoba, but she said she didn’t enjoy the “mass production” style of teaching upwards of 300 students at a time, so she switched careers and began doing health research for the Winnipeg Regional Health Authority.”
All the while Sara has been continuing to compose and perform her own songs, often teaming up with her mother, as she has for “A Perfect Man.”
Showtimes and ticket information for The Perfect Man are available at:
http://www.thegargoyletheatre.com/upcoming-events/the-perfect-man
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Rabbi Kliel Rose to leave Congregation Etz Chayim for new post in Ottawa
The following email from Congregation Etz Chayim Executive Director Morissa Granove was sent to members of the congregation on Friday, April 10:
“Dear Members and Friends,
“As we know, Rabbi Kliel recently spent a weekend with Kehilllat Beth Israel where he has since been offered a position. After much thought and consideration, he has made the decision to sign a contract in Ottawa. He will continue to lead our congregation through Yom Kippur.
“This news marks a significant ending for our Etz Chayim community, and at the same time with change comes opportunity. Congregation Etz Chayim will soon embark on our own Rabbinical search with excitement as we look for our perfect candidates and explore the new possibilities that will help us to continue to shape a strong future for our synagogue and members.”
Kliel Rose took up the position of rabbi at Etz Chayim in August, 2018.
In an article announcing his appointment to the position in the June 6, 2018 issue of The Jewish Post & News, Myron Love wrote:
The congregation has been without a permanent rabbi since last summer when Rabbi Larry Lander chose to retire – after ten years here – and relocate to Toronto.
Kliel Rose is already a well-seasoned rabbi. He was ordained in 2004 by the Jewish Theological Seminary in New York.
He previously served as spiritual leader at the West End Synagogue in Nashville and Temple Enamu-El in Miami Beach. His current posting is Beth Shalom Synagogue in Edmonton.
Following the example of his parents, Kliel Rose has been active in interfaith dialogue and human rights work for which he was honoured in 2014 with the Human Rights Hero Award by Truah: The Rabbibic Call for Human Rights.
He has also participated in the Kellogg Management Education for Jewish Leaders program at Northwestern University and was most recently chosen to be among 20 rabbis from different denominations chosen to train in the Clergy leadership Incubator – a two-year program, under the leadership of Ranni Sidney Schwarz, intended to educate younger rabbis in innovative thinking, change management and institutional transformation.
In Edmonton, Rose also served as Jewish chaplain at the University of Alberta and took the lead on a program called “Faith and Inclusion”, whose mandate was to support individuals with cognitive and physical learning challenges to feel more welcome within various faith communities.