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Former Winnipegger Rabbi Shawn Zell’s new book a reflection on loss of loved ones
By MYRON LOVE Rabbi Shawn Zell’s newest publication, “Meaningful Mourning: Reflecting on the Life and Death of a Loved One,” is a thought-provoking and comprehesive contemplation of dealing with the process of grieving. In essence, “Meaningful Mourning” is a follow up to the former Winnipegger’s earlier book, “For Those Who Grieve,” which was published three years ago.
In an earlier interview with the Jewish Post regarding “For Those Who Grieve,”, Rabbi Zell noted that “one of the greatest frustrations when it comes to a shivah house is that, all too often, the atmosphere leaves much to be desired” – with people telling jokes, catching up on gossip and generally avoiding the subject of death and dying rather than rather than “sharing words of comfort and reflection and anecdotes and recollections of the deceased.”
“For Those Who Grieve,” he continues, aims to replace “tired and worn” readings in current shivah books with his own compositions which, he hopes, will give readers “new food for thought” that may “serve as a source of comfort to the bereaved and render the atmosphere of the shivah house more meaningful.”
‘What compelled me to write Meaningful Mourning”, Rabbi Zell says, “is to offer suggestions that may help clergy as well as others are uncomfortable dealing with.”
He cites, as an example, the funeral of a mentally-handicapped individual in our community roughly 50 years ago where Rabbi Peretz Weizman officiated. The individual was hit by a bus.
“I still recall Rabbi Weizman’s well-thought out words that the deceased had a tragic life and died a tragic death.”
Rabbi Zell also spoke of a more recent funeral at which he officiated where the widow was very angry that her husband had died. “The deceased had become involved in a dispute with the city over some property. His wife was adamant that he not try to fight city hall. He persisted and died of a heart attack. I tried to focus on appreciation of his life.”
In the introduction to “Meaningful Mourning,” he notes that “rifts in families are not uncommon. But how many readings in our canon broach such subjects?” he asks.
“And,” he continues, while Judaism makes it quite clear that you should choose life over death, there are occasions when one gives up one’s life to protect others.”
“Meaningful Mourning” consists of 15 chapters, each with a specific theme and each divided into a series of two-page readings – consisting of an exposition of how each day of the week, each month of the year, every Jewish festival, can provide comfort to mourners. Each reading also consists of a relevant poem and psalm.
In the first chapter, for example – which focuses on the daily order of creation, one comment in particular caught my attention – and made me think: When someone I know died suddenly, I sometimes wonder what that individual had planned for the rest of the day, what celebrations were coming up, what trip might the deceased have been looking forward to?
I recall one fellow coming to the evening minyans at my shul to say kaddish for his brother. Then, one day, he didn’t appear. I subsequently heard that he had developed an infection and died unexpectedly. I remember thinking that he wasn’t supposed to die. He still had several months left to say kaddish.
As Zell points out in “Meaningful Mourning,” “unlike the creation process, death does not necessarily wait for the deceased to complete everything he hoped to accomplish. In many cases, death has been compared to an unfinished symphony.
“From the Jewish perspective, the Angel of Death has little, if any, regard for projects yet to be completed, plans yet to be realized and dreams yet to be fulfilled.”
Another reading speaks of the signs of the zodiac and their connections to the equivalent Jewish months. “The sign for the month of Shvat is Aquarius, the water carrier,” Zell observes. “In Judaism, water is prayed for because water is seen as a blessing. But what happens when the natural flow of water is interrupted? How do we respond when tranquil water is usurped by troubled or turbulent water i.e., death?
“In a perfect world, the mourner would find solace in believing that he enriched with happiness and joy the one who was summoned from above.”
The accompanying reading with this topic is a poem intended to bring some comfort for mourners who are overcome with remorse or regret.
In “One Small Step,” Zell riffs on the immortal words of astronaut Neil Armstrong, the first man to step foot on the moon. “Little did Neil Armstrong realize that he was echoing the words of many a religious leader counselling a bereaved individual,” the rabbi comments. “Mourning that is proper and effective is a process of small steps and giant leaps.”
A leap of faith is necessary for several reasons, Zell adds, most of all so that the mourner is not consumed by pangs of guilt for not having been a better child, sibling or spouse. He quotes Ecclesiastes in saying that “when the dead is at rest, let his remembrance rest.”
“I hope that the readings in this book help to lessen the pain for the bereaved,” he writes.
Zell, who was formerly the spiritual leader of Congregation Tiferet Israel in Dallas, grew up in Winnipeg. The son of the late Ida and Phil Zell was initially ordained as a Conservative rabbi in the mid-1980s. He served in pulpits in that capacity in Sioux City, Iowa, and Clark, New Jersey. In 2004-2006 – while between congregations, he received his Orthodox smicha. He currently lives in retirement in New Jersey..
“Meaningful Mourning” is his fourth book – and his third focusing on different aspects of death and mourning. The book was published by Scribal Scion Publishers out of Teaneck, New Jersey.
Local News
Nakba exhbit at CMHR – you can see it right here and make your own assessment
By BERNIE BELLAN (Posted June 26, updated July 19) The Nakba exhibit at the Canadian Exhibit for Human Rights opened to the public June 27. The morning before the exhibit was set to open to the public, (it had a private opening for invited guests the evening of June 26) we received a press release from the CMHR. That press release gave a very detailed description of what was in the exhibit, along with photos (supplied by Annie Kierans of the CMHR).
There is also a link right at the beginning of the press release that will allow you to watch the same videos that anyone attending the exhibit can watch. We reprinted what was sent to us without making one edit. We leave it to you to form your own opinion as to whether the exhibit is fair in its presentation, and whether it is lacking “context” – which is an accusation that has been levelled at the exhibit’s organizers by some representatives of Jewish organizations.
We have received many emails in reaction to the exhibit. If you have an opinion and would like to see it published on this website, you can send it to jewishp@mymts.net, but please indicate whether you would be willing to have it published on this website.
Here is what we received the morning of June 26:
Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.
Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.
Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.
Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.
Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.
Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.
Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit
“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted
“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”
- – Isha Khan, CEO
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A photo that’s being circulated on the internet about me
For those of you not familiar with nutjob Michael Kalo – the psycho who created the notorious “$hitler’s List” years ago and the same psycho who went after Ben Carr, well – now he’s obviously taken a strong disliking to the stance I’ve taken on the Nakba exhibit at the Canadian Museum for Human Rights. (You can read elsewhere on this website how I simply posted the entire exhibit as it is – and asked readers to form their own opinions.)
Kalo likes to send out emails to various individual using phony names – such as Frank Ostrowski. When people ask me (or asked Ben Carr) why we don’t take action against him, my answer is: What’s the use? He only basks in the attention.
So Michael – enjoy the attention you’re receiving. I know how much of an embarrassment you are to your wonderfully talented daughters.
Local News
Ami Hassan returning as owner of Falafel Place
By BERNIE BELLAN In a surprise move – and after more than a six-year absence as owner of Falafel Place (Corydon at Wilton) the legendary Ami Hassan has decided to return as owner of one of Winnipeg’s most famous eateries.
Long known for his sometimes irreverent attitude to his customers, e.g., “If you’re finished, get out!”, Ami decided to return to running Falafel Place after having retired years ago (or so he thought) from running the Corydon Avenue restaurant.
We asked Ami whether he’ll be sending a special invitation to Julia Roberts to come visit him at Falafel Place. He asked again: “Who’s Julia Roberts?” (Just kidding – he really does know how Julia Roberts is.) Read the story how Ami told her to leave the restaurant and come back later at Julia Roberts turned away from Falafel Place
Ami did note that when customers saw him inside the restaurant one recent day as he was getting it ready for the reopening Monday, August 10, over 20 of them came in asking him if he was open already.
We asked Ami whether the menu will be the same as it was when he last ran the place and he said everything will be the same.
Falafel Place will be open 7 days a week from 7 am – 2 pm. Remember, if you’re finished – get out!
