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Haifa University professor delivers presentation on malignant influence of AI in promoting growth of online anti-Semitism

Dr. David Barak-Gorodetsky

By MYRON LOVE For a lifelong journalist such as myself, the development of the internet has been a real boon. Long gone are the days when I would have to mail in my stories and photos – the latter after having to wait a week for the photos to be developed. With the click of a computer key or two, I can check the correct spelling of names and titles, the work and education history of almost anyone or any business or institution I am writing about.    There is a world of information at my fingertips.
Regrettably though, as with most things in life, there is potential for harm as well as good – and the internet – in particular, social media – is no exception. Malicious players can – and do – use social media to foment “misinformation” and hate with their efforts greatly enhanced by the ongoing development of AI (artificial intelligence) against Jews in general and Israel specifically. 
The scope of the problem was outlined a couple of weeks ago by University of Haifa  Professor Dr. David Barak-Gorodetsky during a presentation – “Anti-Semitism Unplugged: Can AI Combat Hate” – at the new Congregation Etz Chayim – under the auspices of Canadian Friends of Haifa University.  Gorodetsky’s presentation in Winnipeg was the first stop on a tour of Jewish communities in Western Canada with plans to also speak in Vancouver and Calgary.
The presentation – which attracted about 100 – began with a prayer for the People of Israel and the IDF and the safe return of the hostages, led by Etz Chayim’s spiritual leader Rabbi Kliel Rose.
Prior to introducing the guest speaker, former Winnipegger Ariel Karabelnicoff, the executive director of CFHU,  screened a video and provided an overview of Israel’s youngest university (which was founded in 1972).
In an interview earlier this year, Karabelnicoff  noted that the university has an enrolment of 18,000 students – with a student body that reflects the diversity of Israel’s population.  About 40% of the students come from the Druze, Circassian and Arab communities and – among the Jewish students – there are many whose families are from Ethiopia.
He pointed out that the university has several campuses. The original campus – a 30-floor structure on Mount Carmel, houses several  faculties – among them the Faculty of Law – in its  new building  – and the Leon H. Charney School of Marine Sciences that offers the only graduate program in Israel in that field. The Computer Science Faculty is located in the port area. . The faculty of Design and Architecture – formerly the Neri Bloomfield School of Design under Hadassah-WIZO hospices –  is situated in Haifa’s German Colony neighbourhood.
Coming soon for the University of Haifa,  Karabelnicoff reports, will be a new School of Medicine.  The school, he reported, will start teaching the first 50 students in October 2025. In subsequent years 150 students a year will be trained on a regular basis.
David Barak-Gorodetsky is a graduate of the University of Haifa – having earned his Ph.D. in 2016.  (He is also an ordained Reform rabbi – Hebrew Union College , 2017.) Barak-Gorodetsky is currently head of both the University’s Ruderman MA Program for Jewish American Studies within the Department of Jewish History and  the Elizabeth and Tony Comper Interdisciplinary Center for the study of Antisemitism and Racism.
One very concerning statistic that he cited, based on reports by CyberWell,  is that, previous to October 7, 75% of Arabic language posts on social media flagged as anti-Semitic focused on Jewish stereotypes, tropes and conspiracy theories.  Since October 7, that figure has dropped to about 25% – but now 60% are calling for violence against Jews – while many are also denying that the mass rapes happened or are blaming Israel for what happened.
“October 7 denial, spurred on by AI has become a  major issue,” he said.
At the same time, Barak-Gorodetsky pointed out, there is widespread indifference to the exponential increase in anti-Semitism on social media.  The scale of that indifference, he noted, is borne out by the fact that, while over 1,500 academic papers had been written about online hate, less than 1% of them deal with anti-Semitism. 
One of the major difficulties in combating AI-created anti-Semitism on social media, he pointed out, is that anti-Semitism is not always easy to define or recognize.   He cited the example of efforts by Holocaust deniers to discredit “The Diary of Anne Fran,” by suggesting that some of the pages were written with ball point pen ink. Ball point pen ink was not introduced until the 1950s.  The allegations are based on two scraps of paper that were added to the diary – most likely by Otto Frank – decades later.
He spoke about “dog whistles” – coded language such as substituting the term “Zionist” for “Jew,” chanting “from the river to the sea,” or comparing Israel to Nazi Germany.
Barak-Gorodetsky noted that a major challenge to removing anti-Semitic material is that the process is labour intensive.  “The rate of removal is only about 30%,” he reported.
“At the Universoty of Haifa,” he noted, “we have initiated a project whose focus is to create methods of detecting Anti-Semitism on social media and developing bots and other means to counter it or remove it.”
He added that among the project’s team members are individuals who specialize in certain languages and regions such as Russia and India.
Gorodetsky was asked what individuals can do in terms of online hate.  His response was: Strengthen one’s own Jewish identity. “Don’t just play defense,” he advised.  “Try to find joy in Judaism.”

The Canadian Friends of Haifa University, Ariel Karabelnicoff noted, has been in operation since 1973. The organization has been, until now, largely focused on Toronto. As executive director, he  is working to expand the CFHU outreach to other Canadian Jewish communities.
“There are a lot of Israelis living in Winnipeg, for example,” he said in that earlier interview. “I have begun reaching out to them.
“I would also like to see if we could negotiate some joint programming Between Haifa University and the University of Manitoba.”
For readers interested in contacting Ariel about supporting Canadian Friends of Haifa University, his email address is ariel.karabelnicoff@haifa-univ.ca.

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Nakba exhbit at CMHR – you can see it right here and make your own assessment

By BERNIE BELLAN (Posted June 26, updated July 19) The Nakba exhibit at the Canadian Exhibit for Human Rights opened to the public June 27. The morning before the exhibit was set to open to the public, (it had a private opening for invited guests the evening of June 26) we received a press release from the CMHR. That press release gave a very detailed description of what was in the exhibit, along with photos (supplied by Annie Kierans of the CMHR).

There is also a link right at the beginning of the press release that will allow you to watch the same videos that anyone attending the exhibit can watch. We reprinted what was sent to us without making one edit. We leave it to you to form your own opinion as to whether the exhibit is fair in its presentation, and whether it is lacking “context” – which is an accusation that has been levelled at the exhibit’s organizers by some representatives of Jewish organizations.

We have received many emails in reaction to the exhibit. If you have an opinion and would like to see it published on this website, you can send it to jewishp@mymts.net, but please indicate whether you would be willing to have it published on this website.

Here is what we received the morning of June 26:

Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
 
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
 
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.  

Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.

Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.

Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.

Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.

Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.  

Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
 
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit


“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted


“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
 
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
 
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”

  • – Isha Khan, CEO
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A photo that’s being circulated on the internet about me

For those of you not familiar with nutjob Michael Kalo – the psycho who created the notorious “$hitler’s List” years ago and the same psycho who went after Ben Carr, well – now he’s obviously taken a strong disliking to the stance I’ve taken on the Nakba exhibit at the Canadian Museum for Human Rights. (You can read elsewhere on this website how I simply posted the entire exhibit as it is – and asked readers to form their own opinions.)

Kalo likes to send out emails to various individual using phony names – such as Frank Ostrowski. When people ask me (or asked Ben Carr) why we don’t take action against him, my answer is: What’s the use? He only basks in the attention.

So Michael – enjoy the attention you’re receiving. I know how much of an embarrassment you are to your wonderfully talented daughters.

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Local News

Ami Hassan returning as owner of Falafel Place

By BERNIE BELLAN In a surprise move – and after more than a six-year absence as owner of Falafel Place (Corydon at Wilton) the legendary Ami Hassan has decided to return as owner of one of Winnipeg’s most famous eateries.

Long known for his sometimes irreverent attitude to his customers, e.g., “If you’re finished, get out!”, Ami decided to return to running Falafel Place after having retired years ago (or so he thought) from running the Corydon Avenue restaurant.

We asked Ami whether he’ll be sending a special invitation to Julia Roberts to come visit him at Falafel Place. He asked again: “Who’s Julia Roberts?” (Just kidding – he really does know how Julia Roberts is.) Read the story how Ami told her to leave the restaurant and come back later at Julia Roberts turned away from Falafel Place
Ami did note that when customers saw him inside the restaurant one recent day as he was getting it ready for the reopening Monday, August 10, over 20 of them came in asking him if he was open already.

We asked Ami whether the menu will be the same as it was when he last ran the place and he said everything will be the same.

Falafel Place will be open 7 days a week from 7 am – 2 pm. Remember, if you’re finished – get out!

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