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Israel report by former Winnipegger Bruce Brown

Bruce Brown

By BRUCE BROWN (posted Nov. 28/23) Was driving home from work the other day.  Pre-ceasefire.  Left the office early to reduce driving time in the evening hours.  Hamas likes their 6PM missile barrage and I’m honing my missile-avoidance routine.
 
Was listening to talk-radio… but kind of had enough of the news.  Too much war talk and its getting a bit overwhelming.  So switched to Spotify and up popped Supertramp – the Logical Song.  For sure how ‘wonderful, beautiful, magical’ life once felt.  Before Oct 7th.  Before Hamas. 
 
Then, as if on cue.  I gaze towards the sky.  And saw missiles flying overhead.  At first it didn’t really click. And then.  Yikes!  I quickly switched back to the news.  Where, in a very calming voice, they were announcing areas under missile attack.  Which is another reason to listen to the radio while driving during war – real-time information.  Lesson learned.
 
Suddenly my smartphone’s flashlight started flashing.  Which was pretty darn cool!  And there I was, on Star Trek.  Standing on the bridge.  Even recalled the vessel number – NCC-1701. There I was with Captain Kirk.  No!  I was Captain Kirk.  Dr. McCoy by my side.  Sulu and Chekov at the controls.  The Klingons were attacking.  And Mr. Spock -standing to the side- was calmy advising the attack coordinates.  No Wait!  That was the radio announcer.  Seriously.  This all took place within a split second in my over-active imagination.
 
The flashing continued.  Then I realized my cellphone was communicating with me.  Warning of danger.  I have the Home Front Command application which sounds an amazingly loud alarm during a missile attack in my area.  But changing between the radio and Spotify prevented the siren from going off.  So instead, the phone activated my flashlight.  Sending out an S.O.S.  Now how neat is that!  In a geeky sort of way.  Like for someone who imagines himself on Star Trek during a real-life missile attack.
 
Then.  Reality set in.  There were Home Front Command instructions to follow.  Momentary-panic set in.  Where was my wife.  To tell me what to do.  Like she always does…but that’s another story.  This time I wanted her there, instructing me. 
 
All these thoughts racing through my mind in milliseconds.  As I calmly slowed the car and veered to the shoulder.  Like other cars around me.  I put on the blinkers.  More flashing lights but the bridge of the U.S.S. Enterprise now a distant thought.  Looking both ways I left the car and hopped over the road- barrier.  Moving away from the car.  Although probably not far enough.  Because there was a steep decline just below.  It was getting dark and, suffering from poor night vision, I didn’t want to trip and hurt myself.  I heard my son laughing at me. “Nerd!” he called out.  But that was just my imagination.
 
I should have laid flat.  Prostrating myself for maximum protection.  But it rained earlier that day, the ground was wet and I didn’t want to get muddy.  ‘”Nerd!”  This time it was my daughter in my mind’s eye.  “Okay,” I said to no one in particular.  “I’ll squat.”  Good enough…but not really.
 
The family in the car ahead were huddling together but too close to their vehicle.  I shouted for them to move further away.  But they didn’t react.  Probably didn’t understand me, especially given my still heavily accented Canadian Hebrew.  This time I heard both my kids.  Teasing me – thirty years and still talk like an immigrant!  “Hey, they just don’t hear me.”  I said to the darkness.  Otherwise it was very moving seeing the father crouching down on top of his brood, in a protective sort of way.  “Isn’t that touching.” I said to my wife.  “For sure.” She said somewhat sarcastically in the back of my mind, “I know you’d do the same.”  
 
Then it was over.  The sky went quiet.  People returned to their cars.  The nestled family broke apart and entered theirs.  We should have stayed in place several more minutes.  Ten minutes is the recommended time.  But it was dark.  Getting late.  Also a bit cold.  I just wanted to get home.  Back to the real chiding of my kids and to my wife… somehow longing for her ordering me about.
 
A few minutes later my wife called.  Making sure I was safe.  And then routine set in.  “Don’t forget to pick up some milk and bread from the corner store.”  She instructed me.
 
Um Israel Chai
 
Bruce Brown.  A Canadian. And an Israeli.  Bruce made Aliyah…a long time ago.  He works in Israel’s hi-tech sector by day and, in spurts, is a somewhat inspired writer by night.  Bruce is the winner of the 2019 American Jewish Press Association Simon Rockower Award for excellence in writing.  And wrote the 1998 satire, An Israeli is….  Bruce’s reflects on life in Israel – political, social, economic and personal.  With lots of biting, contrarian, sardonic and irreverent insight.
 

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Nakba exhbit at CMHR – you can see it right here and make your own assessment

By BERNIE BELLAN (Posted June 26, updated July 19) The Nakba exhibit at the Canadian Exhibit for Human Rights opened to the public June 27. The morning before the exhibit was set to open to the public, (it had a private opening for invited guests the evening of June 26) we received a press release from the CMHR. That press release gave a very detailed description of what was in the exhibit, along with photos (supplied by Annie Kierans of the CMHR).

There is also a link right at the beginning of the press release that will allow you to watch the same videos that anyone attending the exhibit can watch. We reprinted what was sent to us without making one edit. We leave it to you to form your own opinion as to whether the exhibit is fair in its presentation, and whether it is lacking “context” – which is an accusation that has been levelled at the exhibit’s organizers by some representatives of Jewish organizations.

We have received many emails in reaction to the exhibit. If you have an opinion and would like to see it published on this website, you can send it to jewishp@mymts.net, but please indicate whether you would be willing to have it published on this website.

Here is what we received the morning of June 26:

Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
 
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
 
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.  

Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.

Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.

Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.

Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.

Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.  

Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
 
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit


“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted


“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
 
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
 
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”

  • – Isha Khan, CEO
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A photo that’s being circulated on the internet about me

For those of you not familiar with nutjob Michael Kalo – the psycho who created the notorious “$hitler’s List” years ago and the same psycho who went after Ben Carr, well – now he’s obviously taken a strong disliking to the stance I’ve taken on the Nakba exhibit at the Canadian Museum for Human Rights. (You can read elsewhere on this website how I simply posted the entire exhibit as it is – and asked readers to form their own opinions.)

Kalo likes to send out emails to various individual using phony names – such as Frank Ostrowski. When people ask me (or asked Ben Carr) why we don’t take action against him, my answer is: What’s the use? He only basks in the attention.

So Michael – enjoy the attention you’re receiving. I know how much of an embarrassment you are to your wonderfully talented daughters.

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Ami Hassan returning as owner of Falafel Place

By BERNIE BELLAN In a surprise move – and after more than a six-year absence as owner of Falafel Place (Corydon at Wilton) the legendary Ami Hassan has decided to return as owner of one of Winnipeg’s most famous eateries.

Long known for his sometimes irreverent attitude to his customers, e.g., “If you’re finished, get out!”, Ami decided to return to running Falafel Place after having retired years ago (or so he thought) from running the Corydon Avenue restaurant.

We asked Ami whether he’ll be sending a special invitation to Julia Roberts to come visit him at Falafel Place. He asked again: “Who’s Julia Roberts?” (Just kidding – he really does know how Julia Roberts is.) Read the story how Ami told her to leave the restaurant and come back later at Julia Roberts turned away from Falafel Place
Ami did note that when customers saw him inside the restaurant one recent day as he was getting it ready for the reopening Monday, August 10, over 20 of them came in asking him if he was open already.

We asked Ami whether the menu will be the same as it was when he last ran the place and he said everything will be the same.

Falafel Place will be open 7 days a week from 7 am – 2 pm. Remember, if you’re finished – get out!

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