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Kadima Dance Company receives rave reviews for Edmonton performance earlier this month
By BERNIE BELLAN Hadera Short has been dancing since the age of three. In an April 2022 story we wrote that Hadera told “The Jewish Post & News that she ‘started doing Israeli dance when I was six. I joined Chai when I was 16.’
“In 2014, at the age of 21, Hadera said, she ‘was accepted into the Jerusalem Academy of Music for a one-year intensive program, where,’ she adds, she ‘studied ballet, contemporary and Gaga styles of dance.’
“Upon returning to Winnipeg, Hadera rejoined Chai, becoming its dance director in 2016. In 2017, after eight years performing with Chai, she retired from the group.
“After a two-year hiatus from dance, however, Hadera said she realized how much she missed performing in front of a live audience. As a result, she had the idea of forming her own dance company.
“Hadera actually began choreographing in her mother’s living room. After sharing the idea of starting a new dance company with other dancers and discussing the concept of forming a new Israeli dance group, Hadera realized the potential success that this group could hold and Kadima Dance Company was born. Kadima, meaning ‘forward’ in Hebrew, had its first rehearsal at Kazka Dance Collective studio on December 1, 2019.
“Asked why she wanted to start her own Israeli dance company, Hadera explained that ‘I started Kadima because I wanted to create a new space for adult dancers who are passionate about Israeli dance and wanted the freedom to express themselves creatively. I encourage the dancers to select their own music to choreograph to, or come to me with potential performance ideas and opportunities. I want to show off everyone’s full potential as dancers, performers and choreographers. One of my primary goals for Kadima is encouraging a balance between professionalism, creativity and fun. Our rehearsals and our relationships outside of the studio are a reflection of just that.’
Just recently Hadera contacted us to inform about Kadima’s most recent experience, when members of the group travelled to Edmonton to perform in an Israeli dance festival, known as Festival Hatzafon, which was mounted by the Aviv Israeli Folk Dance Association (AIFDA) on the occasion of AIFDA’s 18th year anniversary. According to Hadera, “AIFDA was formed in 2006 by choreographer and artistic director Sari Uretsky.”
The festival, held in the Westbury Theatre in Edmonton,featured Kadima alongside other Israeli dancers and other cultural groups from across Canada in what Hadera said was a “sold out show.”
Currently Kadima has 20 dancers in the troupe, of whom 13 went to Edmonton.
Their performance elicited this reaction from Sari Uretsky: “You should be so proud!!! You guys are a strong, cohesive group in such a short time! And you’ve already accomplished so much! It was an honour to have you and your company! You are all gorgeous dancers and added so much to our festival! We cannot wait to collaborate with you in the future!”
In addition to having just performed in Edmonton, Kadima also performed in Vancouver last year in what is known as “Festival Harikud.”
Upcoming, according to Hadera, Kadima will also be performing at “MTYP April 4 for the Robyn Braha School of Dance show, and May 14 at the Rady JCC for the 3rd year in a row for Yom Ha’atzmaut.”
In the email Hadera sent to us informing about Kadima’s performing in Edmonton, she added this at the end: Follow Kadima on social media: Instagram @kadimadanceco and Facebook Kadima Dance Company, or email kadimadance@gmail.com for more information or if interested in auditioning.
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Talented Winnipeg composer Sara Kreindler teams up with her mother Reena Kreindler to create new satirical show to premiere here in May
By BERNIE BELLAN It’s been many years since I’ve heard from Sara Kreindler. Sara’s name first appeared in The Jewish Post & News in 2002 when a satirical musical titled “A Touch of Class” was reviewed by the late Arnold Ross. That particular production featured songs from popular Broadway shows that touched upon themes such as “greed, poverty, oppression, and social unrest.”
When she appeared in that show, Ross noted, Kreindler had just recently returned to Winnipeg from England, where she had obtained a doctorate in Social Psychology from Oxford University.
While at Oxford, Kreindler found time to compose a satirical musical titled “Charity,” which played to rave reviews there, and was performed five times.
Continuing in the theme of writing satirical musicals, Sara has now teamed up with her mother, Reena, to write a new musical titled “A Perfect Man,” which is set to run at the Gargoyle Theatre from May 6-17.
According to a press release we received, “A Perfect Man” is “a satirical musical, set on a fictional analogue of ‘The Bachelor’.
“The story follows an anthropologist who arrives to research TV’s hottest reality-dating show — only to discover she’s been made a contestant, and the bachelor is her high school crush. Past and present collide against an exuberant pastiche score that uses vintage musical styles to highlight modern absurdities.”
“Praised as ‘a musician [who] can make biofuels funny’ (CBC), Sara is known for whip-smart satire on a panoply of topics. Her digital musical, ‘Larry Saves the Canadian Healthcare System, created during her former life as an academic, has garnered over 84,000 YouTube views. Naturally, she had a field day with the subject of reality dating.
“The topic just begs for campy zaniness, which I think we all need in these times — but also for a more cerebral critique of what these shows say about the culture that spawned them,” says Kreindler. And thanks to the romance context, the satire is woven into a deeper, more personal story. “It’s satire with a heart.”
Here is some more information about Sara Kreindler, taken from a 2009 article I wrote about her:
“Born in Israel, Sara’s precocious talent was nurtured by her mother, Reena, whose own particular talent is literary, not musical. According to Reena, however, Sara was singing from the time she was a baby, and she began to study piano at the age of four.
“As a young girl, Sara began writing her own songs and poems, along with the “occasional musical”, notes Reena. Yet, Sara’s rare talent put her at odds with the typical interests of other children her own age, on top of which she attended a school to which she was exposed to a fair degree of antisemtism.
“As a result, Sara says, being bullied was a common aspect of her childhood. On one occasion, when she was nine, she notes, Sara fought back against one particular bully by reciting the following little ditty:
“I write so many epigrams to you that all the people laugh.
I’m tired of writing epigrams.
I want to write your epitaph!”
“Sara went on to compose a musical titled ‘Flutesong’ while she was a student at Vincent Massey Collegiate, she says. After doing her undergraduate work at the University of Manitoba, majoring in Psychology, Sara won a Rhodes Scholarship to attend Oxford University.
“Sara eventually earned a doctorate in Social Psychology and returned to Winnipeg, where she began teaching at the University of Manitoba, but she said she didn’t enjoy the “mass production” style of teaching upwards of 300 students at a time, so she switched careers and began doing health research for the Winnipeg Regional Health Authority.”
All the while Sara has been continuing to compose and perform her own songs, often teaming up with her mother, as she has for “A Perfect Man.”
Showtimes and ticket information for The Perfect Man are available at:
http://www.thegargoyletheatre.com/upcoming-events/the-perfect-man
Local News
Rabbi Kliel Rose to leave Congregation Etz Chayim for new post in Ottawa
The following email from Congregation Etz Chayim Executive Director Morissa Granove was sent to members of the congregation on Friday, April 10:
“Dear Members and Friends,
“As we know, Rabbi Kliel recently spent a weekend with Kehilllat Beth Israel where he has since been offered a position. After much thought and consideration, he has made the decision to sign a contract in Ottawa. He will continue to lead our congregation through Yom Kippur.
“This news marks a significant ending for our Etz Chayim community, and at the same time with change comes opportunity. Congregation Etz Chayim will soon embark on our own Rabbinical search with excitement as we look for our perfect candidates and explore the new possibilities that will help us to continue to shape a strong future for our synagogue and members.”
Kliel Rose took up the position of rabbi at Etz Chayim in August, 2018.
In an article announcing his appointment to the position in the June 6, 2018 issue of The Jewish Post & News, Myron Love wrote:
The congregation has been without a permanent rabbi since last summer when Rabbi Larry Lander chose to retire – after ten years here – and relocate to Toronto.
Kliel Rose is already a well-seasoned rabbi. He was ordained in 2004 by the Jewish Theological Seminary in New York.
He previously served as spiritual leader at the West End Synagogue in Nashville and Temple Enamu-El in Miami Beach. His current posting is Beth Shalom Synagogue in Edmonton.
Following the example of his parents, Kliel Rose has been active in interfaith dialogue and human rights work for which he was honoured in 2014 with the Human Rights Hero Award by Truah: The Rabbibic Call for Human Rights.
He has also participated in the Kellogg Management Education for Jewish Leaders program at Northwestern University and was most recently chosen to be among 20 rabbis from different denominations chosen to train in the Clergy leadership Incubator – a two-year program, under the leadership of Ranni Sidney Schwarz, intended to educate younger rabbis in innovative thinking, change management and institutional transformation.
In Edmonton, Rose also served as Jewish chaplain at the University of Alberta and took the lead on a program called “Faith and Inclusion”, whose mandate was to support individuals with cognitive and physical learning challenges to feel more welcome within various faith communities.