Local News
“Rainy River Girl” new account of growing up Jewish in non-Jewish environment
By MYRON LOVE In the first half of the last century, virtually every town and village in North America was home to at least one (and often several) Jewish families – be it the general store owner – or doctor – or, in the case of Toby Gershfield, the dentist.
In her memoir, “Rainy River Girl”, co-written by Gershfield and her, son, James, the daughter of the late Dr. Nathan and Sophie Helman (and granddaughter of the esteemed Rabbi Israel Kahanovitch – western Canada’s foremost rabbi in the interwar years and beyond) recounts her early life in Rainy River, Ontario – a small community about a two hour drive southeast of Winnipeg in the Lake of the Woods area.
For those of us of a certain age – myself included – “Rainy River Girl” brings back memories of growing up Jewish in rural communities where there were few if any other Jewish families. My father’s family, the Kanees, were most closely identified with Melville, Saskatchewan. MY grandparents also operated businesses in several other Saskatchewan communities and I spent my early years in the small town of Shoal Lake in Western Manitoba. We moved into Winnipeg in the mid-1950s just before I turned seven.
In “Rainy River Girl”, Toby Gershfield – who recently turned 91, begins by outlining her family’s origins in Poland and Lithuania, how her parents met, and their decision that her father should become a dentist. She further writes about the history of Rainy River. Then she proceeds to paint vivid pictures of the town and its people in the 1930s, her father’s dental office, the family home, her mother trying to encourage her to learn to play a musical instrument (piano), her father teaching her some Hebrew, her early schooling, and the challenges of a Jewish family trying to keep kosher and follow the traditions in such an alien environment.
She also has a chapter of anecdotes stemming from living with her illustrious zaida. In 19040, when she was 7, her parents sent her to Winnipeg for a year to get some proper Jewish schooling (at the Talmud Torah).
Finally, she writes about the family moving back to Winnipeg , her father enlisting in the Canadian dental corps in 1942 and going off to war in Europe, and his dental practice back in Winnipeg postwar.
“Rainy River Girl” is published by Scribal Scion Publishers, the publishing company that James Gershfield founded in Teaneck, new Jersey, just two years ago. His mother’s memoirs are the fifth book that Scribal Scion has published – the others being Ashkenazi and Sephardi versions of “The Illuminated Omer Counting Book”, “How Jewish laws and Customs Develop Over Time” and, most recently, Rabbi Shawn Zell’s “Meaningful Mourning” (see last issue of the Jewish Post).
James Gershfield has come rather late in life to publishing. Gershfield was born and raised in Manhattan where his father, Winnipeg-born Rabbi Edward Gershfield, was Professor of Talmud and Rabbinics at JTS (the Jewish Theological Seminary of America in Manhattan). Rabbi Gershfield received his ordination at the Jewish Theological Seminary in 1958. He followed that up with two MAs from Columbia and a P.hd from Oxford.
Rabbi Gershfield taught at JTS for four decades. He was also an expert in Jewish divorce, and administered and wrote thousands of Gittin during his career at JTS. Rabbi Gershfield passed away in 2019.
James Gershfield is a graduate of Yeshiva University High School and Columbia University, where he majored in computer science. For most of his career, he was a software developer. A couple of years ago, he decided to change direction and founded Scribal Scion Publishing LLC, a small publishing company dedicated to publishing – under the Scribal Scion imprint – Jewish books that inspire and comfort. Genres include memoir, biography, religion, and comfort for mourners.
Gershfield notes that he is particularly interested in books that bring together Ashkenazi and Sephardi traditions.
“I have always enjoyed books,” Gershfield says. “And with modern technology, it is not difficult to set up a publishing company. The challenge for a small publisher is marketing our books. I hope to grow not only by focusing on Jewish themes but also expanding into self-help and related books via other imprints within the company.”
He reports that he began working with his mother on her memoirs a couple of years ago – after she moved to New Jersey.
He says that his next project is a biography of his father – which is scheduled to be released at the end of this month. Readers who may be interested in buying “Rainy River Girl” can go to Amazon.com. Information about the company can be obtained at scribalscionpublishing.com.
Local News
Nakba exhbit at CMHR – you can see it right here and make your own assessment
By BERNIE BELLAN (Posted June 26, updated July 19) The Nakba exhibit at the Canadian Exhibit for Human Rights opened to the public June 27. The morning before the exhibit was set to open to the public, (it had a private opening for invited guests the evening of June 26) we received a press release from the CMHR. That press release gave a very detailed description of what was in the exhibit, along with photos (supplied by Annie Kierans of the CMHR).
There is also a link right at the beginning of the press release that will allow you to watch the same videos that anyone attending the exhibit can watch. We reprinted what was sent to us without making one edit. We leave it to you to form your own opinion as to whether the exhibit is fair in its presentation, and whether it is lacking “context” – which is an accusation that has been levelled at the exhibit’s organizers by some representatives of Jewish organizations.
We have received many emails in reaction to the exhibit. If you have an opinion and would like to see it published on this website, you can send it to jewishp@mymts.net, but please indicate whether you would be willing to have it published on this website.
Here is what we received the morning of June 26:
Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.
Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.
Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.
Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.
Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.
Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.
Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit
“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted
“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”
- – Isha Khan, CEO
Local News
A photo that’s being circulated on the internet about me
For those of you not familiar with nutjob Michael Kalo – the psycho who created the notorious “$hitler’s List” years ago and the same psycho who went after Ben Carr, well – now he’s obviously taken a strong disliking to the stance I’ve taken on the Nakba exhibit at the Canadian Museum for Human Rights. (You can read elsewhere on this website how I simply posted the entire exhibit as it is – and asked readers to form their own opinions.)
Kalo likes to send out emails to various individual using phony names – such as Frank Ostrowski. When people ask me (or asked Ben Carr) why we don’t take action against him, my answer is: What’s the use? He only basks in the attention.
So Michael – enjoy the attention you’re receiving. I know how much of an embarrassment you are to your wonderfully talented daughters.
Local News
Ami Hassan returning as owner of Falafel Place
By BERNIE BELLAN In a surprise move – and after more than a six-year absence as owner of Falafel Place (Corydon at Wilton) the legendary Ami Hassan has decided to return as owner of one of Winnipeg’s most famous eateries.
Long known for his sometimes irreverent attitude to his customers, e.g., “If you’re finished, get out!”, Ami decided to return to running Falafel Place after having retired years ago (or so he thought) from running the Corydon Avenue restaurant.
We asked Ami whether he’ll be sending a special invitation to Julia Roberts to come visit him at Falafel Place. He asked again: “Who’s Julia Roberts?” (Just kidding – he really does know how Julia Roberts is.) Read the story how Ami told her to leave the restaurant and come back later at Julia Roberts turned away from Falafel Place
Ami did note that when customers saw him inside the restaurant one recent day as he was getting it ready for the reopening Monday, August 10, over 20 of them came in asking him if he was open already.
We asked Ami whether the menu will be the same as it was when he last ran the place and he said everything will be the same.
Falafel Place will be open 7 days a week from 7 am – 2 pm. Remember, if you’re finished – get out!
