Connect with us

Local News

“The Soundtrack of our Lives”: JHCWC program leaves audience enthralled

Posted July 5 By BERNIE BELLAN (Note: This article first appeared in our June 7 issue but there’s nothing in it that doesn’t bear repeating now.)
Put an audience of aging baby boomers together with three also aging musicians who are experts on Winnipeg’s music scene – and all three great raconteurs besides, along with an MC who is also himself an aging musical aficionado – and what do you get? An afternoon of nostalgia mixed with great humour and the occasional anecdote that defied belief.
Such was the case on a glorious Sunday afternoon, May 28, when, despite the gorgeous weather outside, Temple Shalom was packed with many formerly hirsute men along with an assortment of graying (and a few nicely hair-dyed) women. They were there to attend what was billed as “The Soundtrack of our Lives: Jews in Winnipeg’s Music Industry.”
Although there had been a fair bit of advance billing for the program, including an excellent preview article in the Winnipeg Free Press, even the three experts who had been assembled on stage really had no idea what was going to ensue.
The event was sponsored by the Jewish Heritage Centre of Western Canada, which continues to come up with imaginative programming year after year (even if they haven’t yet agreed to follow up on my proposal to do a program on famous Jewish criminals in Manitoba’s history.)
The three expert panelists included, in order: Owen Clark, a musician of great repute (voted “Winnipeg jazz musician of the year” in 2009), also a historian of Winnipeg’s music scene going back to the 1920s; Len Udow, folk singer, cantor, seven-time performer at the Winnipeg Folk Festival, and recording artist – with three solo albums of his own; and John Einarson, former musician with a number of different bands and the writer of over 20 books telling the stories of a host of different Winnipeg musicians, including his opus, “Heart of Gold,” which is a comprehensive history of Manitoba musicians, and which is now in its fourth printing.
Keeping the entire affair coherent was MC Kinzey Posen, who was able to inject his own experiences as a band member into the proceedings – going back to a time when as, Jewish Heritage Centre former president Dan Stone noted, Kinzey not only had hair, he had lots of it.
Stone told this story about Kinzey (and, like a lot of the stories told that afternoon, it might have been greatly embellished): It seems that Kinzey (a.k.a. Martin) was kicked out of school for two weeks for having too long hair. His parents, Stone claimed, offered Kinzey a deal: “If you cut your hair, we’ll buy you a bass and amplifier.”
Owen Clark was the first of the panelists to talk about Jewish musicians of the past. He began by showing a 1920s era photo on the screen (next to the stage) of the “Minnedosa Little Symphony Orchestra,” led by Leon Asper and his wife, Cecilia.
Thus began a chronology of Jewish musicians and others associated with the music industry, including Harry Smith, owner of Club Morocco, whose real name, Clark revealed, was Herschel Shmudkin.
Among the musicians mentioned by Clark was Al Sprintz who, as Clark noted, “went to Club Morocco for two weeks and stayed for 22 years.”
Clark also discussed the integration of black musicians into bands that had Jewish musicians over the years, noting that, as members of two groups that suffered from discrimination, there was a kinship that led to the breaking down of barriers for both blacks and Jews.
Len Udow took a somewhat different tack than Clark – also later Einarson, as he focused primarily on his own history of growing up in a supremely musically talented family, including his mother Sarah, his aunt Belva, and uncle David, all of whom were talented opera singers.
Udow recounted his early childhood experiences of being in the Rosh Pina children’s choir and performing at the old YMHA on Hargrave as having been significant in his own development as a performer.
He told one story of having been a member of a group as a teenager known as the “Wayward Four Plus One.” According to Udow, the group was invited to appear on the CKY Amateur Hour one time, where they won the competition by beating out someone by the name of Burton Cummings (who played trumpet that day).
Later, Udow told of his many experiences on the stage of the Winnipeg Folk Festival, paying tribute to two pioneers of that festival, Mitch Podolak and Marvin Terhoch.
Speaking of Mitch Podolak (about whom Kinzey Posen wrote a moving tribute in our October 11, 2017 issue, which you can find on our website), John Einarson began his own remarks about Jews in Winnipeg’s music scene through the years by telling this story: It seems that Einarson and Podolak had never met until one day their paths happened to cross and Podolak told Einarson that he was thinking of starting a music festival for Winnipeg. He asked Einarson what he thought of the idea?
Einarson’s answer, he recounted was: “It’ll never work.”
Growing up in the 1950s, Einarson recalled, opened up a whole new world for him – and countless other youngsters, with the invention of the transistor radio.
“It made a great difference in listening to music,” he explained.
“It broke down barriers…Rock ‘n roll was a great equalizer” among kids in those days.
“I grew up with Jewish musicians,” Einarson continued. “They went on to become doctors and lawyers…The place to go for music was community clubs.”
Einarson took the audience through a Powerpoint presentation that showed pictures of bands from the 1950s, 60s and 70s that were either entirely Jewish or else had a majority of Jewish members.
He also paid tribute to others who played instrumental roles in promoting local talent, such as DJs Doc Steen and Howard Mandshein.
There were other notable figures who were important promoters, Einarson noted, including such individuals as Ivan Berkowits (who hit upon the idea of promoting his Monarch Wear brand of jeans known as TJs through music, with girls wearing TJs appearing at community clubs); Fred Glazerman; Frank Wiener (just recently passed), who opened the Hungry I booking agency; Terry Morris; Jerry Shore (who ran Celebrity Box Office); Roy Levin (of Transcontinental Productions, and who was the first to book the Guess Who here): Sam Katz (of Nite Out Entertainment); and Lorne Saifer (the longtime manager of the Guess Who).
Then, there were the club owners, Einarson told about: Jerry Huck (Jay’s Discotheque); Dick Golfman (The Twilight Zone); Bruce Druxerman (The Fireplace); Phil and Ray Kives (The Zoo, on Osborne); and the Gindin family (St. Vital Hotel).
There were also the record store owners: Murray Posner (Mother’s Records); Norman Stein (Opus 69); and Lilian Lewis (Lilian Lewis Records).
One more name Einarson mentioned was Harry Kreindler, of Banquex Amplifiers.
He told the story how former Manitoba Cabinet Minister Maitland Steinkopf had arranged to bring what was then one of the biggest bands in the world, Led Zeppelin, to play at the old Winnipeg Stadium in 1970 in celebration of Manitoba’s Centennial.
It started to rain, Einarson explained, and the band left the stage. “They had a clause saying they didn’t have to play if it started to rain,” Einarson continued.
But Steinkopf went to the hotel where the band was staying, accompanied by a well-known singer at the time, Diane Hetherington, in an attempt to persuade the band to come back and play inside the Winnipeg Arena.
Steinkopf was told the band wouldn’t do that unless he came up with $25,000US in cash. Somehow, he came back with a suitcase loaded with cash –and the concert did carry on – in the Arena.
Einarson also said that there was a story he had heard – which had never been corroborated, and he asked whether anyone had ever heard the same story: It revolved around well-known restaurateur Oscar Grubert and the Rolling Stones.
Apparently Grubert was the promoter who brought the Rolling Stones to Winnipeg. (Einarson said that Grubert had also tried to bring the Beatles to Winnipeg.) The story he had heard, Einarson said, was that the Rolling Stones stayed at Grubert’s Garden City home. (In later correspondence that I had with Einarson, Kinzey Posen, and Stan Carbone, curator of the Jewish Heritage Centre, when I asked all three of them whether they had heard anything more about that story, Stan Carbone suggested that the Stones had stayed at a hotel owned by Grubert and somehow it got misinterpreted that they had stayed at his home. John Einarson later emailed me to confirm that the Stones had stayed at the Champs Motor Inn on Osborne (which was later bought by the Kives brothers and became the Osborne Motor Inn.)
Too bad, it would have been more fun to think that one of the most famous rock ‘n roll bands in the world actually stayed on Forest Park Drive, no doubt eating only kosher food. (Oscar Grubert was at one time head of the Va’ad Ha’ir in this city.)
Speaking of wild misinterpretations, I interrupted Einarson with my own story, which was about Barbra Streisand. I said that, years ago, I was working for another well-known restaurateur (also nightclub owner), Auby Galpern.
By now, the story of Streisand either being fired by Galpern – or leaving Winnipeg of her own accord, is legendary. (She appeared at the Towers Nightclub in July 1961, when she was only 19, and just starting out in her career).
I said that Auby had told me that he fired Streisand because she was “a dirty hippie” and “sang too loud.” (Later Kinzey Posen told me that she couldn’t have been a “dirty hippie” in 1961; a “dirty beatnik” maybe. Why am I always being corrected?)
A very good website about the history of Winnipeg, known as “Local Dumplings” takes issue with that account of what happened: “Local lore says that Streisand was ‘fired’ by T & C co-owner Auby Galpern and told that she would never make it as a cabaret singer. That has recently been disputed by a couple of former senior T & C staffers who say that she was released early at the request of her agent to return to the U.S. for work.
“In an April 23, 1964 Gene Telpner column, Galpern said of Streisand’”I liked her but I thought she dressed very strangely (she bought her wardrobe at rummage sales to give her an eclectic look).”
In any event, my recalling the famous Barbra Streisand story set off a chain of comments – both from panelists and from audience members, but the wildest stories revolved around Barbra Streisand supposedly being set up on a blind date while she was in Winnipeg. (Later, John Einarson wrote me that would have been impossible because she was only here three nights and would have been performing each evening, so when would she have had time for a date?)
Regardless, the craziest story came from one audience member who said he had heard that Barbra was set up with Ron Braunstein who, at the time, was a very successful curler on his brother Terry’s team. According to what the audience member said, Ron Braunstein told Barbra that, unless she wanted to come to a curling match that night, he couldn’t make it. But this was July! See how tell tales get started! (In subsequent email correspondence with Einarson, Posen, and Carbone, I suggested that I wouldn’t be surprised if the two wild stories – about the Rolling Stones and Barbra Streisand, got so intertwined some day that someone would say they had heard that Barbra Streisand was set up on a blind date with Mick Jagger at Oscar Grubert’s house.)
Speaking of clubs, John Einarson recalled that Winnipeg musicians, after they had finished their gigs in various clubs, used to head over to the Club Morocco after 1 am because it was the only club still serving food.
Someone in the audience brought up the name of another club, The Fourth Dimension (later bought by Mickey Cooperband). Einarson said that many famous musicians had played there, including Stephen Stills, Joni Mitchell, Don McLean, and Neil Young. (Later, after the program was over, someone told me that a musician by the name of Bob Zimmerman (a.k.a. Bob Dylan) used to come to Winnipeg to visit relatives here and stay at Neil Young’s house.)
Len Udow told an amusing story about musician Bernie Senensky. Apparently Udow and Senensky were in a Grade 10 British History class together in high school.
“We were not great students,” Udow remarked. “We didn’t share our intellect with anyone.”
Still, Udow recalled, when he would look over at Senensky, he was busy arranging music rather than paying attention to what was going on in class. “He was so obsessed with music,” Udow said. You could see what lay ahead for Senensky, who went on to a great career as a jazz pianist and composer.
One final – and very astute observation was brought up by someone else in the audience who observed that, while community clubs might have been the venues of choice for rock ‘n roll, church halls were where folk music could be heard. Then, one election year in Manitoba, Gary Doer hit upon the idea of going after the youth vote by promising to lower the drinking age to 18 from 21 – and all of a sudden all those kids congregating in church halls listening to folk music were now able to hit the bars – “and that killed the folk music scene.”
It was truly a great afternoon of memories and anecdotes. I had noticed someone was videoing the program when I walked in, so I emailed Stan Carbone to ask whether a video of the program might be available for people to see. He said he’ll get back to me with further information.

Continue Reading
Click to comment

You must be logged in to post a comment Login

Leave a Reply

Local News

Inaugural Magen David Adom fundraising gala evening  recognizes generous donors Ida and the late Saul Alpern

Ida Alpern

By MYRON LOVE On Tuesday, May 7, the Winnipeg chapter of Canadian Magen David Adom (CMDA) hosted its first ever fundraising gala – billed as “A Night of Appreciation – honouring generous supporters Ida and the late Saul Alpern, as well as recognizing several other individuals who have contributed to the success of the local chapter.
The event helped to raise the profile of MDA in Winnipeg.  In addition to funds raised – going towards the purchase by the Winnipeg chapter of CMDA of an ambulance to be stationed in the northern IsraeI community of  Kiryat Shemona where a MDA ambulance was recently destroyed by a Hezbollah missile, the event also honoured the memory of  the late Yoram (Hamizrachi) East.
Ami Bakerman, the Winnipeg chapter president, reported that, to date, the local group has raised slightly more than $100,000 toward the $140,000 cost of the ambulance.
Over 200 members of the Jewish and Christian communities and other supporters of Israel came out for the evening at Caboto Centre to show their appreciation for the work of the Magen David Adom.
For readers who may be unfamiliar with MDA, the organization doubles as both Israel’s Red Cross and the country’s blood services organization. MC for the evening Kinzey Posen noted that MDA was founded on June 7, 1930 and acquired its first ambulance a year later.  The MDA has over 4,000 staff and has on its roster 26,000 volunteers.  The organization operates over 2,000 ambulances, first responder scooters, helicopters and life-saving boats. 
“It takes 8.2 seconds from the time a MDA dispatcher receives an emergency call to the time that the ambulance reaches the caller,” Posen noted.
The really remarkable fact is that the MDA operates without any financial support from the government of Israel. That is why it is so important that donors such as the Alperns have to step up.
Saul, who passed away in October, 2022, had a particularly strong connection to Israel.  His younger brother, Avrum, also the last surviving family member (the others died in the Holocaust) died fighting for the Jewish homeland in the War of Liberation in 1948.
Alpern published his autobiography – “No One Waiting For me” – in 1961.  Although most Romanian Jews living in Rumania proper were left in place, in 1941 the members of the Alpern family were among the thousands of Jews living in the northern  regions of Bessarabia and northern Bukavina – which had been recently annexed by Rumania – who were deported to neighbouring Transnistria. They were expelled from their homes and forced to walk all the way to Transnistria.   Saul Alpern’s parents and older sister died shortly after their arrival as a result of the hardships of the walk – leaving 12-year-old Saul and younger brother Avrum to fend for themselves.
“No One Waiting for Me” is largely an account of the two brothers’ struggle to survive in a hostile environment and desperate circumstances.\
After the war, while Avrum went to Palestine while Saul found his way to Winnipeg –  where he eventually  met and married Ida (Reiss) and built a successful business as a cattle buyer.
Ida was born in the Jewish farm colony at Edenbridge, Saskatchewan. She was youngest of four children and the own daughter of Ira and Raizel Reiss.  The family moved to Winnipeg around 1950.
In October 2020, Ida and Saul donated $160,000 to the MDA to buy a mobile intensive care unit.  At the time, Saul told The Jewish Post & News that the couple made the donation in memory of his parents and siblings ,who died in the Holocaust.
Saul added that the gift was “an expression of my love for my family and my love for Israel”.
The couple had been donating small amounts to the MDA for years before that.  And, just a few months before Saul’s passing, the couple donated another $170,000 toward the purchase of a second mobile intensive care unit with off-road capabilities.
Speaking on behalf of the family, Ida’s nephew, Cary Reiss, recounted how Sail and Ida met in 1963 and were engaged after just a three-week courtship.  “They were married for almost 60 years,” he noted. “They were a great couple.  They were always there for each other through good times and bad.”
Reiss further noted that he was in Israel last year with his Aunt Ida for the delivery of the second mobile intensive care unit.  He praised the MDA for the great work the organization does in Israel.
He also reminisced about the other focus of the evening, the late Israeli-born Winnipegger, Yoram East, who was a prominent social activist in the wider community.
In Ron East’s description of his father he painted a picture of man who was larger than life – and an individual who overcame early adversity.
Yoram was born in 1932 in Jerusalem to Jewish immigrants from Germany.  He struggled in school due to being dyslexic.  At 16. he dropped out of school and was accepted into the Israel Defense Forces based on false documents.
“In the IDF, he found a home and a purpose,” Ron East recounted. 
He rose through the ranks.  After taking a break from the military to  study art and build a career as a journalist, Yoram rejoined the IDF in the 1970s.  From 1976-82, Colonel Hamizrachi was the IDF liaison with the Christian communities  in southern Lebanon.
“My dad quit the IDF in 1982, when Israel went to war with Hezbollah in Lebanon,” Ron East recalled. “He strongly opposed the war.”
Hamizrachi moved his family to Winnipeg where he continued to work as a journalist – with regular columns on Israel in The Jewish Post.  He also became a social activist and did a lot of work with Indigenous communities.
“Two First Nations communities made him honorary chiefs,” Ron noted. 
In Winnipeg, he helped found the Manitoba Intercultural Alliance and became the co-director of the Winnipeg-based Counter-Terrorism Centre.
In addition to honouring Ida and Saul Alpert, CMDA also recognized several other individuals who have contributed to the growth of the CMDA chapter in Winnipeg – among them:Ami Ba kerman,  Ron East, donors Bill and Judy Mahon, Barbara Reiss (for organizing the event) and John  Plantz who, along with colleague Roy Hiebert – presented a cheque to the CMDA for $10,000 from the Christian Friends of Israel Ministry.
There was much more to the evening.  Sharon Fraiman, CMDA’s director for Western Canada, called for a moment of silence in memory of the MDA personnel who were murdered in the terrorist attack on Israel on October 7.  She also screened several short videos of the actions of heroic MDA staff and their actions on that horrific day in fighting back as well as rescuing those tthey could.
There were also remarks by Sidney Benizri, CMDA national executive  director, and Wayne Ewasko, PC MLA for Lac du Bonnet and interim Opposition leader.
The evening concluded with a half hour show by New York-based stand-up comic Talia Reiss – who happens to be married to the aforementioned Cary Reiss – riffing on Jewish themes contrasting Reform and Orthodox and Sephardi and Ashkenazi differences, reflecting the different backgrounds that she and her husband have brought to their relationship, as well as commentary on parenthood and schooling.  For good measure, she also threw in  some Winnipeg in-jokes.

Continue Reading

Local News

New JCFS program aims to help community members feeling fearful and hurt by the increase in antisemitism.

JCFS clinical supervisor Denise Rubin

By MYRON LOVE The Hamas-led attack on southern Israel on October 7 and ensuing exponential increase in open-antisemitism in what had been, prior to that fateful date, our generally peaceful Jewish communities, has created a great deal of anxiety in Jewish communities throughout the United States and Canada – and our community is no different.
“There is a lot of fear out there,” reports Denise Rubin, a clinical supervisor at Jewish Child and Family Service.  “People are fearful of the future. They are concerned for their safety.  They are hurt that some of their non-Jewish friends don’t understand their feelings of concern, that they are not receiving much support in their schools or workplaces, and in many ways have lost their sense of belonging.”
In order to help traumatized Jewish Winnipeggers, the Jewish Child and Family Service (JCFS) has created a new program that is open to people of all ages.
“We began getting calls to the office almost immediately after the attack” recalls Rubin, who had been in private practice offering psychotherapy counselling for a few years prior to joining the JCFS just over a year ago.  “We created a War Response Committee very soon after.”
Rubin notes that JCFS offers a variety of services for the community, including one-on-one counselling, workshops and even group events to bring the community together.
JCFS brought on a new counsellor, Brooke Zelcer, to take on the role of meeting with individuals for one-on-one counselling sessions to address, work through, and find support during this difficult time. For those who are feeling the effects of this war and the rise in antisemitism, JCFS offers 5 free one-on-one sessions with Brooke and Denise.
“In our one-on-one counselling, we focus on managing clients’ fears and worries, but also address some very real-life issues that many people in our community are facing ” Zelcer points out. As well, she adds, many members of our community have a more direct connection to the horrific events of October 7 in that they knew one or more of those who were murdered or taken hostage.
“If the client and I see that there is a need for further counselling services after the 5 free sessions, we will address that proactively with our counselling department.”
Support, events and workshops are intended to encourage clients to talk through their emotional issues and share their feelings to foster healing safety.
The next Unity in Community event is being held on May 29th, 2024 from 7-8:30PM at the Asper  Jewish Community campus
 To register for this event or if you have been impacted by the conflict in Israel and/or the rise in antisemitism and are in need of a safe space to talk, call 204-560-6736 or email bzelcer@jcfswinnipeg.org

Continue Reading

Local News

The Ashkenazie Synagogue is the last of the old North End synagogues still remaining – can it be saved? An imaginary proposal to do just that

artist's rendering of the existing Ashkenazie synagogue with new museum building to be built alongside it

By BERNIE BELLAN Two and a half years ago, in our Dec. 4, 2021 issue, we wrote about a proposal that was developed by the board of the Ashkenazie Synaogogue, Winnipeg’s oldest still-in-use synagogue building, and the last of what once were 18 synagogues dotting Winnipeg’s North End.
In that story we explained that Ashkenazie members were faced with some stark – and very difficult choices. As we wrote back then: “Unable to sustain a regular minyan and with a membership that is a mere fraction of what it once had, the few remaining members of the Ashkenazie are faced with a difficult choice: Either find a new use for the building or close it as a house of worship.”
We also noted that, under the leadership of Dr. Yosel Minuk, the Ashkenazie board had “come up with an imaginative proposal that would see the Ashkenazie retain a core area for services, while reconfiguring the rest of the building into a ‘living’ museum of Winnipeg’s Jewish North End.”
As Dr. Minuk wrote in a letter to us at that time,”the idea has been developed to reconfigure the Ashkenazie into a museum that commemorates all the previous (17) synagogues and at the same time, continue to offer services to its regular attendees, museum visitors and staff.
“Essentially, our ‘vision’ entails the following: the main body of the synagogue would remain intact for daily and/or holiday services. However, the flanking pews would be converted into cubicles that contain narratives, photos and 3 dimensional items recovered from previous synagogues in the area, largely drawing upon collections and exhibits previously displayed by the Jewish Heritage Centre. If the memorabilia exceeds the space available, the flanking pews of the upstairs ladies gallery could be utilized for the same purpose.
“Certain cubicles would also feature former North-Enders who went on to national or international acclaim (ex. Monty Hall, David Steinberg, Sydney Halter, etc.) and computer stations that would enable visitors to look up old relatives and friends who were amongst the first immigrants to the North-End. Similar information would be offered for Jewish owned North-End businesses that helped contribute to the area’s economy.

Proposed kosher café to be built in the new synagogue/museum


“In addition, the Chedar-shaynee (anteroom to the main synagogue) would be repurposed as a small café, gift shop and washrooms. Depending on public feedback, the kosher kitchen and undeveloped downstairs area would be renovated and used for either hosting exhibits/seminars/events/dinners.”

In that article, we also advised readers who were interested in commenting upon the proposal that they could do so by responding to an online survey. (We offered a link to the 8-question survey.)
In our Dec. 18, 2021 issue, Dr. Minuk noted that there had been 20 responses received as a result of the article we had published in the previous issue. He wrote the following:
“I’m pleased that our initiative to reconfigure the Ashkenazie synagogue into both a museum and synagogue has generated so much reader interest as it underscores the importance of what we hope to create: a site that offers visitors a historical account and pays tribute to these synagogues and the individuals who built and supported them.
“We were also very pleased with the feedback we received from readers who completed our on-line questionnaire Of the 20 respondents, 17 rated the initiative 10/10 in terms of being worth pursuing. There was one response in particular that we considered rather compelling: ‘Please do this before we lose our tradition.’ Some also offered memorabilia they had stored while others pledged financial donations, which we are not accepting – at this time. Overall, we were quite encouraged by the responses.”

Now, two and a half years later, that proposal still remains simply that: a proposal.
Dr. Minuk advises that a request to the Jewish Foundation for a grant to conduct a feasibility study of the proposal was turned down, although upon speaking with a member of the Board of the Jewish Foundation, we were told that the Foundation would certainly consider the request again if it were to be submitted a second time, but this time for less money.
In the meantime, upon speaking with Dr. Minuk via a Zoom meeting, we were able to see a very effective PowerPoint presentation he had prepared which fulyl outlined what the proposed reconfiguration of the Ashkenazie Synagogue would look like.
Yet, within that same PowerPoint presentation, Dr. Minuk also addressed head-on the many challenges that would accompany any plan to redevelop the Ashkenazie, including:

  • Engineering
  • Architectural Design
  • Curator
  • Safety
  • Parking
  • Appeal to youth
  • Inclusiveness (appeal to other communities that have strong roots in the North End, including First Nations, Filipino, Ukrainian, and others)
  • Business model (capital and operating costs)

  • I asked Dr. Minuk how much he sees this total project as costing?
    He answered that he thought it would be from $3-5 million.
    I said to him that the proposal reminded me of a story Bob Freedman, former CEO of the Jewish Federation, had told me years ago about how the federal government came to provide $3 million toward the construction of the Asper Campus.
    The very powerful federal minister from Manitoba in what was then the federal Liberal government under Prime Minister Jean Chretien was Lloyd Axworthy. When Freedman (accompanied by Marjorie Blankstein and Sheldon Berney) finally managed to corral Axworthy for a meeting (and in Freedman’s recounting of the story, it was when Axworthy was in a room at the Westin Hotel, getting ready to speak at some particular function there – and he met with the trio while he was stripped down to his underwear, putting his tux on – much to Marjorie Blankstein’s chagrin, Freedman said.)
    According to Freedman, Axworthy asked the three of them: “Are you going to have a museum there?”
    “Museum?” replied Freedman. “No, we don’t have plans for a museum.”
    “Well, put a museum in there and we’ll give you $3 million,” said Axworthy.
    And that’s how the federal government came to contribute $3 million toward the building of the Asper Campus.
    Unfortunately, as many readers are now probably aware, once the campus was built, the decision was taken to substantially reduce the amount of space that was to be given to the Jewish Heritage Centre of Western Canada and, rather than build a museum, those glass panels that house some permanent and some temporary exhibits along the corridor between the Berney Theatre and offices in the campus are what we have instead of a full-fledged museum.
    Many of the artifacts that were intended to be part of the JHCWC museum at the campus and which could be put on display in this new Ashkenazie “Musynagogue” (as Dr. Minuk puts it), are being held in storage in the basement of the Asper Campus.
    The point of my writing this is to illustrate how difficult it would be for the Ashkenazie proposal to get off the ground – unless there is federal government funding. (Despite the federal government continuing to run massive deficits, there is nothing governments like more than “shovel-in-the-ground” projects which can prominently display the federal government logo on a sign in front of the project. Also, think of the number of jobs a project like this can generate. It would be a lot cheaper than the billions the federal government has shelled out in recent years for pipelines, auto plants, and lithium battery plants.)
    Also, by including a variety of other ethnic groups in the project, especially First Nations – who have a long and storied connection to the North End, this proposal might just have a chance of succeeding.
    And, with a federal election required to be held no later than 2025, the timing is right to approach federal representatives for support.
    As for those naysayers who would dismiss the proposal outright on the grounds that the Ashkenazie is located in an unsafe area, can you imagine how an idea of this sort might help to revitalize that part of the North End?
    The fact is, however, that right now, it’s Dr. Yosel Minuk who’s carrying the ball on this one pretty much by himself. If he is able at least to obtain the funds to do a feasibility study then he can pursue the idea of the project more fully, but first he has to get past first base.

Continue Reading

Copyright © 2017 - 2023 Jewish Post & News