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12-year-old Gregory Hyman really is a one-man band!

Gregory Hyman

By BERNIE BELLAN
At the beginning of May I posted to Facebook that anyone who had an interesting story about how someone was coping during this period of self-isolation could contact me and I would consider writing a story about that person.

That led to the following response from Rishona Hyman, who herself is well-known as the owner of Aqua Essence Swim Academy: “My 12 year old son is releasing his debut album next week called Basement. It will be available on all streaming platforms May 12th and presale starts May 5. On the album Gregory plays all the instruments and mixes all the music on his own. He does this all with no help from his non musical parents – who can’t even carry a tune.”
I contacted Rishona and asked her to have Gregory call me so that I could talk with him about his interesting solo project.
 
On Friday, May 1st, I talked with Gregory about what led to his interest in music – and how he went about acquiring the skills needed to produce his own digital recording.
Gregory told me that he is a student at St. Johns Ravenscourt. It turns out he discovered early on that he has a precocious ability to learn different musical instruments.
Gregory has not only taught himself how to play an assortment of different instruments, he also writes his own songs, and sings them as well, he proceeded to explain to me during the course of our conversation.
And, as Rishona noted in her email to me, Gregory was just about to release his first digital album – on May 12.

Gregory explained that “I’ve always been into music, but it really started when I started playing guitar (at age five). I started off by taking classical guitar lessons.”
Because of his classical guitar training, Gregory said, “I was able to teach myself acoustic guitar and electric guitar.”
“I started to get into rock and metal music,” he added, when his father (Hartley) began to introduce him to heavy metal bands, “such as Black Sabbath and Guns ‘n Roses”.
“I really wanted to be in a band – and be a musician,” Gregory noted, “and singing, at the time, came naturally for me because I would just sing along to music. I started taking voice lessons last year – which has also helped me as a musician.”

Gregory on drums

Because of his classical music training, Gregory observed, he was able to learn other instruments by going on Youtube and watching teach-yourself videos how to play those other instruments.
“One day,” he related, “we were out of town, at a friend of my father’s house, and the dad had a set of electric drums. I just went over and started playing them. He gave me a basic lesson how to play them – I fell in love with drums.
“Then, a few years ago,” Gregory explained, he got a drum set of his own and he’s been able to add drums to the musical instruments he had already learned to play.
I asked Gregory whether he’s learned any other instruments, in addition to three different types of guitar and drums. He answered that he’s been also able to teach himself “a little bit of piano – some basic chords.”
He added that “I don’t really play bass, but with the guitar training I’ve had I am able to play some things on the bass as well.” (Later during our conversation Gregory noted that “I also play tuba for band class.” I asked him, tongue in cheek, whether he plays tuba on the album that he was working on – and which has been released by now. His answer was “no”.)

We talked about his album (which will be available by the time this is read) “on all the major streaming platforms” (including “iTunes, Apple Music, Spotify, Google Play, Tik Tok”, Gregory added later during our conversation).
He explained that “during this time of self-isolation I decided I would record this entire album because I’ve been writing my own songs, I have all the equipment to record – I have a mixer, I have all the instruments…I’ve watched a lot of videos, so I learned how to put out my own album.”
“So, what I did is I spent the last four weeks tracking different instruments, finishing writing some songs (that he hadn’t quite completed when I spoke with him but which, he said, will be done by May 12).
“I was able to record 11 songs,” Gregory said. “I was able to record the entire album by myself – in my basement.

album cover“The album is called ‘Basement’ ” (for self-evident reasons). “The album is under the name ‘GMH Rocks’ because that’s my stage name that I chose years ago.”
Gregory noted though that, even though he is currently a “one-man band, I am looking for a bassist and a drummer to help me in the future.”
I asked him how he would describe the type of music on his album.
“I don’t know whether I would classify it as a certain style of music,” Gregory answered. “To me it’s a mixture of rock, indie music, and a little bit of punk, but it’s really just a chance for me to show what I can do.”
If you would like to see samples of Gregory’s music, go to
https://linktr.ee/gmhrocks

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New biography of Carole King explores the musical genius of America’s most successful female singer-songwriter

Reviewed by BERNIE BELLAN

Carole King (born Carol Klein in 1941) is arguably the most successful female singer-songwriter of all time. With over 75 million record albums sold and with 118 songs that she either wrote or co-wrote, King’s prolific and fabulously successful career has been the subject of several books and numerous articles, including her own memoir, published in 2012, which was titled “Carole King: A Memoir.”

Jane Eisner

Now, in a soon-to-be-released book, titled “Carole King: She Made the Earth Move,” journalist Jane Eisner takes a fresh look at King’s life, including her two most recent marriages (which King tends to gloss over in her own memoir, according to Eisner) to two men who were abusive to King, both physically and mentally.

Eisner herself has had a very successful career, having worked at the Philadelphia Inquirer for 25 years in various positions, including as a reporter, editor, and executive. Later, she spent 10 years as editor of The Forward, a leading American Jewish newspaper (which has now transitioned to an online version only and can be read for free at forward.com.)

The book is the latest addition to a series of books produced by Yale University Press titled “Jewish Lives.” According to the Jewish Lives website, “Jewish Lives is a prizewinning series of biography designed to explore the many facets of Jewish identity.
“Individual volumes illuminate the imprint of Jewish figures upon literature, religion, philosophy, politics, cultural and economic life, and the arts and sciences.
“Subjects are paired with authors to elicit lively, deeply informed books that explore the range and depth of the Jewish experience from antiquity to the present.”

In Carole King’s case, however, King has given very few interviews over the years and Eisner was not able to speak to King directly. In explaining how she approached this book, Eisner writes: ” I’ve taken on the challenge to write an interpretive biography of a musical icon who is brilliant, accomplished, and complicated.
“This book was quite a journey. Though I’ve admired her music since Tapestry was released, I wanted to understand it from the inside out. To do that, I studied piano for two years, which enabled me to dissect her musicality and describe what musicians call the ‘Carole King chord.’
“Carole King was her own kind of trailblazer — she often led recording sessions in a studio full of men as she defied expectations of what a woman can and should do. I can relate. Often being the only woman in the room deeply shaped my outlook, too. It made me aware of the stories we weren’t telling and the perspectives that escaped our attention; it also made me try hard to pay it forward, and to help younger women achieve their own professional dreams.
“Ambition and anxiety, accomplishment and regret – all those conflicting emotions have laced through my personal and professional lives. That’s one reason I was drawn to write about Carole King. She faced that juggling act from the highest levels in her field. ‘My baby’s in one hand, I’ve a pen in the other,’ as she memorably wrote.”
I hadn’t realized that Eisner did not have a background in music until after I finished reading her biography of King. That makes what she has produced all the more admirable, as a great many parts of the book dissect the song writing experience in great detail. In fact, if you don’t know how to read music (which, I admit, I myself don’t), you will probably be at a loss trying to understand many parts of this book. Eisner aims to do her best to explain the genius that lay behind KIng’s best works – and how incredibly varied her style was.
Anyone who has seen the Broadway musical about King, titled “Beautiful: The Carole King Musical,” would have an appreciation for just how gifted King was. As Eisner explains, King’s musical talent was on clear display from a very early age. Her mother, Eugenia (née Cammer) discovered that young Carol (who added an “e” to her name when she left home when she only 17 to try to forge a career in songwriting, and changed her name from Klein to King) was very gifted musically already by the age three. Eugenia taught Carol piano herself, including music notation and proper note timing.
In Eisner’s account of King’s childhood, her early years come across as very happy. The book’s introductory chapter delves into both Carole’s mother’s and father’s family histories, going all the way back to Europe in the 1800s. King’s father, Sidney, was a firefighter in Brooklyn, where the family lived but, along with several other Jewish firefighters, Sidney purchased land on a lake in Connecticut called Lake Waubeeka. Young Carol loved her summers spent in what were very rustic conditions – and Eisner suggests that early childhood experience played a pivotal role later in King’s life when, after having achieved fabulous success – beginning with the release of her seminal album, Tapestry, in 1971 – soon to be followed by a prodigious number of other albums, King threw it all away and went to live in the Idaho wilderness – with two different husbands in succession, as mentioned, who both treated her cruelly.
Since King has remained largely silent about what led her to take such a major shift in her life – when she was still only in her 30s, moving away from the vibrant music scene of Los Angeles, where King had produced her greatest work, only to virtually cut herself (and three of her four children) from the world, Eisner uses her reportorial skills to pore through previous accounts of King’s life (including, of course, King’s own memoir), along with first hand interviews of many of the individuals who played key roles in King’s life, to try to understand how King could have changed gears so dramatically.
Eisner also refers to King’s younger brother, Richard, who was intellectually disabled and shunted off to live in an institution when he was only three. Since King rarely referred to him, Eisner speculates that King was somewhat traumatized by that experience – and that it might have played a role in the trauma that surfaced later in her life when she entered into marriages to two different – and abusive men – along with the trauma she endured when she found out her first husband, Gerry Goffin, had been unfaithful to her.
Since this book is part of a series called “Jewish Lives,” Eisner spends a fair bit of time examining how much being Jewish meant to Carole King – when, in her early years, for instance, she met Gerry Goffin, who was her first husband and first songwriting partner – and whom she married in a typically Jewish ceremony. After she was finally able to put the disastrous marriages to her last two husbands behind her, King once again returned to her Jewish roots, albeit in a spiritual form, but not with any particular involvement in the Jewish community, per se.

Recent photo of Carole King


As Eisner writes toward the end of her book, “Throughout her very long career, King has displayed an anguished and conflicted attitude toward the public celebrity expected of her as an iconic musician. The yearning for privacy and the consequent fear of exposure, gripped her early on. Even though she had performed as a child, and sought the spotlight as a teenager, she often recoiled from it as an adult, especially as a mother. She complained about being so far away from her family when she was touring – indeed, wrote the definite song about just that experience – and yet grew to relish live performance with the same zeal and affection as she did when recording in a closed studio.”
The Broadway musical about King ends with the dissolution of her marriage to Goffin. Anyone who would have seen that show and might have been curious about what happened next in King’s life would find the answers in “Carole King: She Made the Earth Move.” Eisner notes that King’s second husband, Charles Larkey, was also Jewish and, like Goffin, was introduced to King through music, as Larkey was an accomplished musician who collaborated with King on many of her albums. But Larkey was five years younger than King, and Eisner speculates that the age difference played a major factor in their growing apart.
As talented as King was, she was also very much a devoted mother who was determined to stay at home with her children – two born while she was with Goffin, and two with Larkey. Eisner describes King’s initial reticence about playing her music in public – and the gradual ease she felt playing in front of larger and larger crowds, culminating in a concert in Central Park in 1973 with over 100,000 people in attendance.

“Carole King: She Made the Earth Move” is not meant to be an exposé of any sort. It’s written in a very professional, reportorial style. Eisner’s years of newspaper experience shine through, as she tells a very compelling story of genius punctuated by frequent heartbreak. Of course, anyone who has listened to Tapestry or some other of King’s albums of that era would be well aware that she fully used music to express her emotion. But Eisner also analyzes some of King and Goffin’s early – and greatest songs, such as “Up on the Roof,” “Will You Love Me Tomorrow?” and “You Make Me Feel Like a Natural Woman, ” to show that King was a musical genius from the very beginning – and that she knew exactly how to elicit an emotional response to her most heartfelt songs.
“Carole King: She Made the Earth Move” is set to be released September 16, according to information available online, but you can pre-order the book from a number of different sources.

“Carole King: She Made the Earth Move”
By Jane Eisner
Yale University Press
Set to be released Sept. 16, 2025

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Attention snowbirds: Palm Springs condo for rent available immediately through April

Beautiful pool side 2 bedroom 2 bathroom condo with attached 2 car garage located in the beautiful Cathedral Canyon Country Club. 3500 usd per month.

For more information contact James at 204-955-2484

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Haifa University launches $60 Million ‘Home Again’ Campaign to help rebuild war- devastated northern Israel

Canadian Friends of Haifa University Executive Director Ariel Karabelnicoff

By MYRON LOVE In early July, Haifa University announced a new campaign to help rebuild the war-devastated communities of northern Israel.  The “Home Again” campaign aims to raise $60 Million for regional recovery  – and the Canadian Friends of Haifa University is set to do its part.
“We at CFHU hope to raise $1-million or more from our donors  across Canada toward the campaign,” reports Ariel Karabelnicoff, executive director of Canadian Friends of Haifa University.
In an earlier interview that was published in this newspaper last year, the former Winnipegger – now in his third year with CFHU – noted that the University of Haifa is among the largest universities in  Israel, but is also the youngest.  Fully accredited in 1972, he said, the university has an enrollment of 18,000 students – with a student body that reflects the diversity of Israel’s population.  About 40% of the students come from the Druze, Circassian and Arab communities and – among the Jewish students – there are many whose families are from Ethiopia.
The University of Haifa, Karabelnicoff added, also boasts the highest percentage among Israeli universities of students who are the first generation in their families to attend university.
The new initiative, he reports, aims to “restore and revitalize the north through science, innovation, and data-driven research rooted in community priorities and focused on real-world outcomes. “
While the campaign, Karabelnicoff points out,  was originally conceived to address the cascading crises that first began on October 7, 2023, the urgency has become even greater due to  direct missile strikes on Haifa and surrounding areas during the short war with Iran in April.
“The devastation brought mass displacement, overwhelmed public services, and deepened strain on communities already struggling to recover from months of conflict,” Karabelnicoff notes. “The campaign now represents not just regional recovery, but a cornerstone of Israel’s national resilience strategy for the post-conflict era. “
Karabelnicoff quotes University of Haifa President Professor Gur Alroey as stating that “in this moment of national crisis, when Israel’s northern communities have been tested like never before, University of Haifa is stepping forward to turn trauma into transformation. What was already a crucial mission of recovery after October 7 has become an existential imperative following the devastation of recent weeks. We are not just restoring what was lost, we are building the foundation for Israel’s long-term future—something stronger, more resilient, and more just.”
In the aftermath of October 7, Alroey reports, Hezbollah rockets devastated northern towns, triggering the largest internal displacement in Israel in decades. More than 68,000 people—families, farmers, and seniors—became refugees in their own country. Today, less than half have returned home. As Iranian long-range missiles threatened the north, communities faced not just a security crisis but a comprehensive breakdown in public health, education, employment, and social cohesion. In rural and peripheral areas, rehabilitation beds are scarce, mental health services are overwhelmed, and economic life has ground to a halt.
Karabelnicoff  notes that the Home Again campaign is offering a coordinated, data-informed strategy, anchored in real-time research, local partnerships, and measurable programs across three core pillars.
The first is a multi-front recovery strategy – led by emotional and physical rehabilitation specialists affiliated with the university – for one of the region’s greatest invisible burdens –  trauma. 
“PTSD has surged by 33% among residents,” Karabelnicoff reports, “with children and parents bearing some of the deepest scars.”
Simultaneously, he continues, northern hospitals are ill-equipped to meet rising demands for complex rehabilitation care. The university is addressing both gaps. 
The university is addressing this issue through mental health teams operating rapid-response networks – including the establishment of 24/7 hotlines and mobile therapeutic units. As well, the university’s Cheryl Spencer Nursing School is training more frontline responders to assess and manage trauma – and a proposed Community Rehabilitation and Research Center, spearheaded by Dr. Hilla Sarig Bahat, would merge academic research with hands-on clinical care—the first model of its kind in Israel.
The second focus is aimed at restoring economic stability and regional capacity in the north.  With unemployment in the north spiking nearly 50%, Karabelnicoff points out, “the university is launching targeted workforce initiatives designed to meet immediate needs and build long-term regional capacity. These include specialized training programs for nurses, educators, trauma specialists, and environmental rehabilitation professionals. Additionally, discharged soldiers are being offered re-skilling opportunities in sustainable marine industries tied to Israel’s northern coastline, connecting economic recovery to national resilience.”
The final prong in the University of Haifa’s new initiative is focused on investing in community futures through real-time legal aid clinics, AI-assisted social service platforms, and coexistence-building programs that will bring Jewish and Arab residents together in the workplace.
“The university is working to restore both public trust and strategic cohesion,” Karabelnicoff says.  “Researchers are partnering with kibbutzim, regional councils, and national ministries to revitalize schools, renew cultural life, and strengthen the social fabric at a time when national solidarity is dangerously frayed.”
For readers interested in contacting Ariel about supporting this new Canadian Friends of Haifa University initiative, his email address is ariel.karabelnicoff@haifa-univ.ca.

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