Connect with us
Everlasting Memorials

Features

Interview with Daniel Levin – author of international best seller “Proof of Life”, the sensational true story of the hunt for a young man gone missing in Syria in 2012

Daniel Levin – his recently
released best selling book

By BERNIE BELLAN A couple of months back I had the opportunity to read and review an advance copy of a terrific new book titled “Proof of Life”, by Daniel Levin.
In it Levin tells the true story of a task he was given to try and find out what happened to a young man who disappeared in Syria during the early stages of what turned out to be a protracted struggle between the regime of Bashar Assad and the many different groups that emerged determined to fight him.

By now we know how incredibly vicious that fighting became – with all sides committing atrocities that shocked much of the world. Yet, despite the tremendous dangers he knew he would face in accepting his assignment, Levin was able to navigate some of the murkiest corners of the Middle East in pursuit of his goal.

Levin’s book was so completely riveting – and disturbing in many aspects, that when I was offered the opportunity to interview Levin himself, I immediately accepted. It took some time, however, to find a time where Daniel Levin could sit down and talk with me over the phone – about his life and his endlessly fascinating career which has involved his working in some of the world’s most dangerous areas.
Finally, on June 4, Levin was available – for what I originally thought was only going to be about 20 minutes, but when he told me that he actually had 45 minutes to spare, I took advantage to delve as much as I could into how he came to be doing what he does. I spoke with Levin, who was in his home somewhere in New York.

Levin’s early years took him all over the world
I had thought that what might follow would be a give and take, but in reality Levin operates in such a different world that would be so unfamiliar to most of us that he spent a good deal of his time explaining just what it is that he does. I began by saying to him: “Your background was as sort of as a negotiator – you were working to develop modes of democracy in states that had authoritarian-led governments. Is that correct?”
Rather than answer that question in a brief manner, however, Levin entered into a long and fairly complex explanation of what he does and how he ended up in the world of hostage negotiation, which is a byproduct of his primary work.
He began by informing me that he had read my review of his book, which, he said, was quite good, except that I had made one mistake. I had written that Levin was a “Swiss-born Jew”.
“I was actually Israeli-born,” he clarified – “in 1963. My father was an early founder generation – served in the Palmach, ended up going into politics, was close to Ben Gurion, became a diplomat, and in the mid-60s he was posted to Kenya – where my sister was born.
“We were there during the Six-Day War and after he returned – in 1969, his views diverged from those of his colleagues in the Labor Party. He favoured a negotiation with the Palestinians immediately – despite the Khartoum Resolution (which became famous for the “three nos: no peace with Israel, no recognition of Israel, no negotiations with Israel”), had a big clash with most of them, and decided to leave for a few years. And because my mother was from the Italian part of Switzerland, we moved to Switzerland in 1970. That’s how the Swiss angle started.
“We lived there for most of my school years – elementary and high school. After high school I came to the US, where I went to Yeshiva, also studied martial arts. I went back to Switzerland, went to law school, moved back to Israel in 1988, both to do my military service, also because I was working on my doctorate in law and my thesis was about clashes between religious and secular legal systems.
“I came to the States in 1992 – I’m basically anchored here since.

“The reason that I’m telling you all this is that my most of my work as a lawyer involved conflicts between different legal, religious, and political systems and how they can be reconciled.
“As an example, if you have a Jewish divorce that a secular judge has to evaluate for compliance with secular constitutional norms – does he just go into his American law – or his Swiss law or his French law, or does he look at the Jewish law and see whether it might provide suitable alternate solutions that would be more compliant with his secular law principles?
“That was my initial background and when I came to the States in the early 90s I did a post doctorate at Columbia, then ended up working in a large law firm, and most of our work was in developing countries, trying to develop their new financial markets and judicial systems. I did that for a few years until I decided I wasn’t interested in doing just the transactional part and I started my own law firm with some partners with the idea of initially helping countries – in Africa, South America, in the Middle East, help them emerge from poverty and high debt levels, and try to develop new political and economic structures.
“That was in the 90s. We developed essentially a development platform – at its core a non-World Bank approach. We didn’t just fly in experts and tell them what to do, but rather we developed a kind of knowledge platform – like a library, and we would provide that platform as a tool to local talent, to young professionals on the ground, and we would work with them to develop their own solutions.

Contacted by the Prince of Liechtenstein to help start a foundation
“That was the origin of our work and, around 2006 I was contacted by a head of state – a monarch in Europe, the Prince of Liechtenstein, who said ‘I really like your approach to development. What I’d like to do is start a not-for-profit foundation and you’ll use your methodology as a way to work in failed states, conflict zones, war torn areas, to help rebuild them by helping with the next generation of leaders to develop solutions that might work – so that, for example, if you go to a country like Yemen, which has been shattered by civil war and by tribalism – 187 tribes, can we figure out different political systems, different constitutional systems – rotation governments for example – not what you have in Israel right now, but rotations among tribes, and can those solutions work?’ ”
Levin continued: “We develop platform tools for training of next-generation leaders. We work with partners in the different regions. For Yemen, for example, we’re working with a partnership in Abu Dhabi. In Libya we’re working with a very high quality individual to develop a think tank outside of Libya, where we’re training young Libyans to take future leadership positions in the country.
“It’s not as if we’re coming into countries and telling people what their countries should look like. Our goal is to use our knowledge platform and our tools to help teams on the ground to develop their country based on their own preferences and traditions, but with the benefit of best practices from other countries and regions.”

Levin went on to describe the often painfully slow steps required in trying to develop democratic institutions within countries that have not had any sort of tradition of democracy. He said that his foundation tries to find young, uncorrupted individuals – not the sons and daughters of ruling elites, he emphasized – and teach them about such things as constitutions and a judicial system that will remain uncorrupted.
I wondered whether it was even possible to find – and train, young individuals, inside the countries themselves where Levin’s foundation might be attempting to develop basic democratic norms.
He admitted that, in many cases, it involves having to take individuals outside of their countries for training. “But,” he cautioned, “there is no way to replace the presence in the country itself. There is no way, for example, to avoid having to go to Syria in those early years and interact with people there.”
Levin added though, that the goal, “at some point, is to take the core team that you’re working with out of the country – and take them for further training, in the Syrian case – to Lebanon, because it’s just not safe for your own staff and for the individuals who you’re wanting to train to leave them there.”

Syria, 2015… By that
time Levin was no longer there

As much as one may harbour notions of glamorous international diplomacy – jetting into world hot spots – such as how American diplomat Richard Holbrooke was famous for doing, Levin said, he wanted to make sure to dispel any idea that what he and his small team do is anything except very hard work – often leading to total disappointment.
With that in mind, Levin launched into a more detailed explanation how he became involved in what was, at the time, a civil war in Syria between the Assad regime and a large number of factions opposed to that regime.
“That became the beginning of my work and, since the Arab Spring (which began in 2011), we’ve been so heavily involved in war zones – in Syria, for example, which is the basis of the book, that we were involved not just in developing these solutions, but in mediating between the war sides. This was early in the war – when it wasn’t clear how the war was going to end or that the regime would end up with the upper hand following the Russian intervention in 2015.

How Levin became a hostage negotiator in Syria
“It was in that context that I was approached by various families (including of the young man who went missing in Syria), who said: ‘You’re active in Syria, you’re active in Libya, can you help us find our missing son, our missing husband? That was the entry into the world of hostage negotiations.”
At that point I said to Levin that I was glad he provided context for how he ended up involved in trying to find out what happened to one young man in particular in Syria. I said to him that anyone who would read “Proof of Life” would find themselves plunged right into the harrowing tale of Levin being immersed in a very dangerous pursuit of information – without knowing all that much about Levin himself. In fact, I said to him, if he hadn’t made clear at the outset of the book that what the reader was about to read was all true, I’m sure that a great many readers would think that it’s a work of fiction.
I said to Levin that “the next question that would probably come to mind to any Jewish reader, for sure, and probably almost anyone for that matter, is how does a Jew – and you didn’t pretend to be anything other, gain entrée into all these countries where one would think a Jew – never mind an Israeli, would not exactly be received with open arms. Was it a problem at all?”

Never hid the fact he was a Jews – although he didn’t advertise his being Israeli-born
Levin responded: “There are a number of elements to that. First of all I never have hidden the fact that I’m Jewish; I did not advertise the fact that I’m Israeli. I have multiple citizenships, but I am Israeli-born. Israeli was my first one (citizenship) and the one I’m most attached to. I view myself as Israeli; I served in the army there, my father served in the army there; I was in combat multiple times. I didn’t advertise that and that is why I am very careful how I describe myself in the book.
“I do show how I recorded and documented everything in the book, but I didn’t want the book to be too much about myself. I am the protagonist in this, but I really wanted to tell the story of this war economy (in Syria) and some of its victims (some girls who were forced into prostitution in Dubai became subjects of Levin’s interest during the course of his investigation).
“As to my own background and my ‘Israeliness’, it shines through – and some of the things that I did in the army were tools that I needed to navigate these 20 days (Levin spent in pursuit of his goal) and some other scenarios.

I asked Levin this: “The way you were able to capture the dialogue (of the various characters who are introduced through the course of the book) – you weren’t carrying recording devices on you, were you? By the way, tell me if there’s anything you don’t want me to disclose.” (After all, I thought, wouldn’t it be detrimental to Levin’s future work in the Middle East if individuals with whom he might need to be in contact were aware that he might be revealing information about them the way he did in “Proof of Life”?)

Levin answered: “I never hide my Israeliness; I just don’t advertise it. If someone asked me I wouldn’t lie about it. Anything I’m telling you now – unless I say something is off the record, you can go ahead and write about.”

As for how Levin recorded actual conversations (which are often quoted verbatim in the book – and some of them are extremely frightening as he is able to get certain characters to open up about some terrifying incidents in which they have been involved, including murder) – “The way I recorded (conversations),” Levin explained, “was primarily with my phone. I created a short cut to my home screen. I didn’t have to open my phone; I just had to tap a button and start recording, and I had a separate recording device.
“Whenever I was able to record a conversation, I did that. There were several situations in which I was unable to do that – especially the night in Beirut where I had to surrender all my electronic devices. In those cases, I would take notes whenever I could and I’m careful in the book to indicate when I’m writing down from memory, also when the memory of others was different from the way I remembered moments, so that I try to be as honest as I can.
Levin said he “wanted to add (in response to my question how Levin was able to navigate some of the murkiest areas of the world in the Middle East) that I had lived in Africa as a kid, and one of the languages I learned was Swahili – and Swahili has a very strong Arabic base. It later helped me when I learned Arabic, much, much later in my professional career. So, part of the answer to your question is I was able to blend in, rather than stand out as Jewish or Israeli.”
I wanted to switch tacks from talking about “Proof of Life” to Levin’s experience as a negotiator in other venues. “Have you been asked by various governments to get involved in behind the scenes negotiations at other times?” I wondered.
“Yes – there are two angles to this. Usually – in the case of hostages, I get approached by families and then I coordinate with governments if it’s relevant – with the intelligence community or diplomats, but generally I get approached by families because they’re not getting anywhere with their home governments.
“With respect to mediation between the sides in the Middle East (and it’s usually the Middle East where Levin gets involved, he noted) it’s on our foundation’s platform either to mediate a conflict or to provide what I call a ‘Track 3 diplomacy’ channel, which is a very informal – with full plausible deniability, communication channel, so that the sides that might not otherwise be talking – and there are several of those in the Middle East, as you can imagine, have a way to communicate – not so much to sign some sort of peace agreement – that’s an illusion, but just, for example, to prevent unintended escalations.
“Very often Israel is one side of this equation – and an action gets misinterpreted as an intended act of aggression, and there’s a real need to have indirect conversation and make sure that it doesn’t trigger consequences. It’s something that I get very involved in as part of my daily work.”

I asked: “Given that, is there anything you’d like to say about the recent war between Israel and Hamas? If you had been involved, was there some sort of expertise that you might have been able to offer that could have prevented that war?”
“The short answer to your question,” Levin offered, “is no.
“I’ve been involved in escalations both between Israel and Palestinians and countries surrounding Israel. The issue in all the clashes between Israel and Hamas – as well as Israel in Lebanon, is: ‘Are you trying to mediate this for the sake of finding a solution or are you trying simply to mitigate the suffering or are you merely going through the motions based on your own particular identity – even if you look at the recent clash and, even if you try to avoid the particular tribal or political affiliation – Jewish, not Jewish, conservative, progressive – those types of discussions tend to be tedious and unproductive, because once people have identified who they are, their positions tend to flow from there without much flexibility or room for negotiation.
“My job is different because, in the case of Israel and Hamas, these types of escalations have clear political benefits for very specific individuals or parties. If you take the recent one, it’s very clear that Netanyahu’s political fortunes had reached an end…and obviously with this most recent case, it started with a very clear provocation by right wing Israeli groups in Sheikh Jarrah. If you want to start into a discussion about who’s been in the Middle East longer – 3,000 years, 5,000 years – I’m not interested in that.
“What I’m interested in is that people are suffering in the region and you have to make a decision whether you’re working toward a political solution or not. This particular escalation benefited Netanyahu – at least very temporarily, and it benefited Hamas. Hamas itself was starting to lose control over the street in Gaza. I’ve been to Gaza many times and Gaza today is not Gaza of 20 years ago – before Israel pulled out – in 2005. It’s also not Gaza of ten years ago.

Youth in Gaza feel oppressed by Hamas
“In Gaza today you have a youth fighting battles that were born after those conflicts of 20-25 years ago and they don’t feel the same allegiance to Hamas; they feel oppressed by Hamas. Hamas is starting to lose some of its authority and needs to resort to more and more oppression to stay in power. They had an interest in this escalation because they can present themselves as the protector of Al Aqsa Mosque in Jerusalem and responding to the provocation of Israeli policemen and soldiers with boots in the mosque. Those kinds of games and provocations have been going on for decades. There’s really nothing for me to do because no one is really trying to find a solution, through mediation or by other means – yes, there’s mediation for a cease-fire, but you’re never getting at the root of the conflict. I want to get involved when there’s a genuine desire to go beyond just repeating the same mistakes.”

I wanted to return to Levin’s experience in Syria, which, after all, led him to write “Proof of Life”. I asked him whether his involvement in mediating between various sides – both pro-regime and anti-regime, would also have led him to get involved with “Islamist groups” as well?
He answered: “No, not at the time. If you look at the timeline of the war in Syria, you have the uprising starting in 2011 – and it’s really starting over an increase in bread and food prices. And, instead of responding intelligently, they (the Assad regime) responded brutally – like many countries in the Arab Spring they started to slaughter children – 15-year-old boys spraying on a wall ‘We want cheaper food’ would be beaten to death in a police van, and that triggered huge uprisings and an insurgency started in September 2011.
“My involvement was primarily in 2012-13 in a mediating capacity. It was when the UN was trying to negotiate a cease-fire. It was before the rise of the Islamists in 2014, which also led to those gruesome executions of American and other Western hostages. It was also before the Russian intervention in September 2015, which completely tipped the war in favour of the regime.”
Levin also reminded me that there were no Islamist insurgents in 2011 in Syria, although Assad did release thousands of Islamists from prison at the very beginning of the insurgency – exactly the same way Saddam Hussein did during the American invasion of Iraq – and those released prisoners became the core of ISIS.
“At the point that we were involved, it was to see if we could deescalate the violence; the regime was not gaining the upper hand, the opposition was organized under the Free Syrian Army, and there were – within each camp, really genuine requests to see if there was a way that we could end this slaughter.
“When the whole thing collapsed – in 2014 and 15, we aborted our project there and stopped any form of mediation because the regime was no longer interested in a peaceful, negotiated solution. But I still remained involved in several matters in Syria, including the searches for missing persons and hostages.”

Levin’s current focus is on Libya and Yemen
I asked: “You say you’ve been involved in countries in Africa and the Middle East that could be described either as failed states or states attempting to emerge from authoritarian rule. Are there any other countries in which you’ve been involved?”
Levin said: “Yes, certainly in a development capacity, in Central America, Southeast Asia – Malaysia, Indonesia, but in terms of real conflict negotiation in the sense that I’ve been describing (during this conversation), it’s been primarily in north Africa, the Middle East, and the Gulf – from Yemen to Libya, even some aspects of the Iran conflict.”
“Libya and Yemen?” I said. “Those can best be described as failed states run by gangs and warlords. Is there anything you can offer as a ray of hope for the futures of those two countries?”

“Yes, I think so,” Levin replied. “Our foundation is actively involved in both those countries. In Libya, there is some hope – not so much because of the current temporary prime minister – (whose name is Dbeibeh), but rather because there is a weakening of the warlords, particularly the warlord in the east of the country, whose name is Khalifa Haftar, who is supported primarily by Egypt and the United Arab Emirates, and Russia. There is some form of reconciliation there, also encouraged and supported by European countries which finally recognized that the only way to stem the flow of African refugees coming to Europe through Libya was to have some form of stability in Libya.
“Yemen,” Levin observed, “is a very tribal society – some 187 different tribes – very fragmented, fragmented religiously between Sunni and Shia – fragmented between south and north. Yemen has been in a tenuous state since the 50s and every outside party that has tried to get involved in Yemen has failed. It’s sort of the Arab Vietnam. It’s a very complicated place to try to turn into a functioning state.

“There are very legitimate questions – and we’re working with groups, trying to figure out whether Yemen should be one nation or should it be a confederation of states or even tribes? Yemen was also a terrible mistake by the Saudi Crown Prince who thought he could prove his manhood with a quick win in Yemen and didn’t realize he would face the same fate as Nasser did 65-70 years ago (when Egypt’s then President Nasser also intervened in Yemen).
“So, Yemen is in far worse shape than Libya, I would say in answer to your question.”

As much as reading “Proof of Life” led me to want to find out quite a bit more about Daniel Levin, talking to him about the book and his career led me to ask him whether there might be more books in the works.
He said that in September a book called “Milena’s Promises” will be released in German (“Milenas Versprechen”). “It’s a crime story, a dialogue between an Israeli woman and a young man in the U.S. in the form of an email exchange. It’s all about the question of God’s existence and omnipotence, the suffering of innocent people, and the meaning of being a “chosen” people.”
“Proof of Life”, which was released on May 18th, has garnered a myriad of sensational reviews – including my own. As a result, I can hardly wait to read “Milena’s Promises” once it comes out in English.

 

Continue Reading

Features

So, what’s the deal with the honey scene in ‘Marty Supreme?’

Timothée Chalamet plays Jewish ping-pong player Marty Mauser in Marty Supreme. Courtesy of A24

By Olivia Haynie December 29, 2025 This story was originally published in the Forward. Click here to get the Forward’s free email newsletters delivered to your inbox.

There are a lot of jarring scenes in Marty Supreme, Josh Safdie’s movie about a young Jew in the 1950s willing to do anything to secure his spot in table tennis history. There’s the one where Marty (Timothée Chalamet) gets spanked with a ping-pong paddle; there’s the one where a gas station explodes. And the one where Marty, naked in a bathtub, falls through the floor of a cheap motel. But the one that everybody online seems to be talking about is a flashback of an Auschwitz story told by Marty’s friend and fellow ping-ponger Béla Kletzki (Géza Röhrig, best known for his role as a Sonderkommando in Son of Saul).

Kletzki tells the unsympathetic ink tycoon Milton Rockwell (Kevin O’Leary) about how the Nazis, impressed by his table tennis skills, spared his life and recruited him to disarm bombs. One day, while grappling with a bomb in the woods, Kletzki stumbled across a honeycomb. He smeared the honey across his body and returned to the camp, where he let his fellow prisoners lick it off his body. The scene is a sensory nightmare, primarily shot in close-ups of wet tongues licking sticky honey off Kletzki’s hairy body. For some, it was also … funny?

Many have reported that the scene has been triggering a lot of laughter in their theaters. My audience in Wilmington, North Carolina, certainly had a good chuckle — with the exception of my mother, who instantly started sobbing. I sat in stunned silence, unsure at first what to make of the sharp turn the film had suddenly taken. One post on X that got nearly 6,000 likes admonished Safdie for his “insane Holocaust joke.” Many users replied that the scene was in no way meant to be funny, with one even calling it “the most sincere scene in the whole movie.”

For me, the scene shows the sheer desperation of those in the concentration camps, as well as the self-sacrifice that was essential to survival. And yet many have interpreted it as merely shock humor.

Laughter could be understood as an inevitable reaction to discomfort and shock at a scene that feels so out of place in what has, up to that point, been a pretty comedic film. The story is sandwiched between Marty’s humorous attempts to embarrass Rockwell and seduce his wife. Viewers may have mistaken the scene as a joke since the film’s opening credits sequence of sperm swimming through fallopian tubes gives the impression you will be watching a comedy interspersed with some tense ping-pong playing.

The reaction could also be part of what some in the movie theater industry are calling the “laugh epidemic.” In The New York Times, Marie Solis explored the inappropriate laughter in movie theaters that seems to be increasingly common. The rise of meme culture and the dissolution of clear genres (Marty Supreme could be categorized as somewhere between drama and comedy), she writes, have primed audiences to laugh at moments that may not have been meant to be funny.

The audience’s inability to process the honey scene as sincere may also be a sign of a society that has become more disconnected from the traumas of the past. It would not be the first time that people, unable to comprehend the horrors of the Holocaust, have instead derided the tales of abuse as pure fiction. But Kletzki’s story is based on the real experiences of Alojzy Ehrlich, a ping-pong player imprisoned at Auschwitz. The scene is not supposed to be humorous trauma porn — Safdie has called it a “beautiful story” about the “camaraderie” found within the camps. It also serves as an important reminder of all that Marty is fighting for.

The events of the film take place only seven years after the Holocaust, and the macabre honey imagery encapsulates the dehumanization the Jews experienced. Marty is motivated not just by a desire to prove himself as an athlete and rise above what his uncle and mother expect of him, but above what the world expects of him as a Jew. His drive to reclaim Jewish pride is further underscored when he brings back a piece of an Egyptian pyramid to his mother, telling her, “We built this.”

Without understanding this background, the honey scene will come off as out of place and ridiculous. And the lengths Marty is willing to go to to make something of himself cannot be fully appreciated. The film’s description on the review-app Letterboxd says Marty Supreme is about one man who “goes to hell and back in pursuit of greatness.” But behind Marty is the story of a whole people who have gone through hell; they too are trying to find their way back.

Olivia Haynie is an editorial fellow at the Forward.

This story was originally published on the Forward.

Continue Reading

Features

Paghahambing ng One-on-One Matches at Multiplayer Challenges sa Pusoy in English

Ang Pusoy, na kilala din bilang Chinese Poker, ay patuloy na sumisikat sa buong mundo, kumukuha ng interes ng mga manlalaro mula sa iba’t ibang bansa. Ang mga online platforms ay nagpapadali sa pag-access nito. Ang online version nito ay lubos na nagpasigla ng interes sa mga baguhan at casual players, na nagdulot ng diskusyon kung alin ang mas madali: ang paglalaro ng Pusoy one-on-one o sa multiplayer settings.

Habang nailipat sa digital platforms ang Pusoy, napakahalaga na maunawaan ang mga format nito upang mapahusay ang karanasan sa laro. Malaking epekto ang bilang ng mga kalaban pagdating sa istilo ng laro, antas ng kahirapan, at ang ganap na gameplay dynamics. Ang mga platforms tulad ng GameZone ay nagbibigay ng angkop na espasyo para sa mga manlalaro na masubukan ang parehong one-on-one at multiplayer Pusoy, na akma para sa iba’t ibang klase ng players depende sa kanilang kasanayan at kagustuhan.

Mga Bentahe ng One-on-One Pusoy

Simpleng Gameplay

Sa one-on-one Pusoy in English, dalawa lang ang naglalaban—isang manlalaro at isang kalaban. Dahil dito, mas madali ang bawat laban. Ang pokus ng mga manlalaro ay nakatuon lamang sa kanilang sariling 13 cards at sa mga galaw ng kalaban, kaya’t nababawasan ang pagiging komplikado.

Para sa mga baguhan, ideal ang one-on-one matches upang:

  • Sanayin ang tamang pagsasaayos ng cards.
  • Matutunan ang tamang ranggo ng bawat kamay.
  • Magsanay na maiwasan ang mag-foul sa laro.

Ang simpleng gameplay ay nagbibigay ng matibay na pundasyon para sa mas kumplikadong karanasan sa multiplayer matches.

Mga Estratehiya mula sa Pagmamasid

Sa one-on-one matches, mas madaling maunawaan ang istilo ng kalaban dahil limitado lamang ang galaw na kailangan sundan. Maaari mong obserbahan ang mga sumusunod na patterns:

  • Konserbatibong pagkakaayos o agresibong strategy.
  • Madalas na pagkakamali o overconfidence.
  • Labis na pagtuon sa isang grupo ng cards.

Dahil dito, nagkakaroon ng pagkakataon ang mga manlalaro na isaayos ang kanilang estratehiya upang mas epektibong maka-responde sa galaw ng kalaban, partikular kung maglalaro sa competitive platforms tulad ng GameZone.

Mas Mababang Pressure

Dahil one-on-one lamang ang laban, mababawasan ang mental at emotional stress. Walang ibang kalaban na makaka-distract, na nagbibigay ng pagkakataon para sa mga baguhan na matuto nang walang matinding parusa sa kanilang mga pagkakamali. Nagiging stepping stone ito patungo sa mas dynamic na multiplayer matches.

Ang Hamon ng Multiplayer Pusoy

Mas Komplikado at Mas Malalim na Gameplay

Sa Multiplayer Pusoy, madaragdagan ang bilang ng kalaban, kaya mas nagiging komplikado ang laro. Kailangan kalkulahin ng bawat manlalaro ang galaw ng maraming tao at ang pagkakaayos nila ng cards.

Ang ilang hamon ng multiplayer ay:

  • Pagbabalanse ng lakas ng cards sa tatlong grupo.
  • Pag-iwas sa labis na peligro habang nagiging kompetitibo.
  • Pagtatagumpayan ang lahat ng kalaban nang sabay-sabay.

Ang ganitong klase ng gameplay ay nangangailangan ng maingat na pagpaplano, prediksyon, at strategic na pasensiya.

Mas Malakas na Mental Pressure

Mas mataas ang psychological demand sa multiplayer, dahil mabilis ang galawan at mas mahirap manatiling kalmado sa gitna ng mas maraming kalaban. Kabilang dito ang:

  • Bilisan ang pagdedesisyon kahit under pressure.
  • Paano mananatiling focused sa gitna ng mga distractions.
  • Pagkakaroon ng emosyonal na kontrol matapos ang sunod-sunod na talo.

Mas exciting ito para sa mga manlalarong gusto ng matinding hamon at pagmamalasakit sa estratehiya.

GameZone: Ang Bagong Tahanan ng Modern Pusoy

Ang GameZone online ay isang kahanga-hangang platform para sa mga naglalaro ng Pusoy in English. Nagbibigay ito ng opsyon para sa parehong one-on-one at multiplayer matches, akma para sa kahit anong antas ng kasanayan.

Mga feature ng GameZone:

  • Madaling English interface para sa user-friendly na gameplay.
  • Real-player matches imbes na kalaban ay bots.
  • Mga tool para sa responsible play, tulad ng time reminder at spending limits.

Pagtatagal ng Pamanang Pusoy

Ang Pusoy card game in English ay nagpalawak ng abot nito sa mas maraming players mula sa iba’t ibang bahagi ng mundo habang pinapanatili ang tradisyunal nitong charm. Sa pamamagitan ng mga modernong platform tulad ng GameZone, mananatiling buhay at progresibo ang Pusoy, nakakabighani pa rin sa lahat ng antas ng manlalaro—mula sa casual enjoyment hanggang sa competitive challenges.

Mula sa maingat na pag-aayos ng mga cards hanggang sa pag-master ng estratehiya, ang Pusoy ay isang laro na nananatiling relevant habang ipinapakita ang masalimuot nitong gameplay dynamics na puno ng kultura at inobasyon.

Continue Reading

Features

Rob Reiner asked the big questions. His death leaves us searching for answers.

Can men and women just be friends? Can you be in the revenge business too long? Why don’t you just make 10 louder and have that be the top number on your amp?

All are questions Rob Reiner sought to answer. In the wake of his and his wife’s unexpected deaths, which are being investigated as homicides, it’s hard not to reel with questions of our own: How could someone so beloved come to such a senseless end? How can we account for such a staggering loss to the culture when it came so prematurely? How can we juggle that grief and our horror over the violent murder of Jews at an Australian beach, gathered to celebrate the first night of Hanukkah, and still light candles of our own?

The act of asking may be a way forward, just as Rob Reiner first emerged from sitcom stardom by making inquiries.

In This is Spinal Tap, his first feature, he played the role of Marty DiBergi, the in-universe director of the documentary about the misbegotten 1982 U.S. concert tour of the eponymous metal band. He was, in a sense, culminating the work of his father, Carl Reiner, who launched a classic comedy record as the interviewer of Mel Brooks’ 2,000 Year Old Man. DiBergi as played by Reiner was a reverential interlocutor — one might say a fanboy — but he did take time to query Nigel Tufnell as to why his amp went to 11. And, quoting a bad review, he asked “What day did the Lord create Spinal Tap, and couldn’t he have rested on that day too?”

But Reiner had larger questions to mull over. And in this capacity — not just his iconic scene at Katz’s Deli in When Harry Met Sally or the goblin Yiddishkeit of Miracle Max in The Princess Bride — he was a fundamentally Jewish director.

Stand By Me is a poignant meditation on death through the eyes of childhood — it asks what we remember and how those early experiences shape us. The Princess Bride is a storybook consideration of love — it wonders at the price of seeking or avenging it at all costs. A Few Good Men is a trenchant, cynical-for-Aaron Sorkin, inquest of abuse in the military — how can it happen in an atmosphere of discipline.

In his public life, Reiner was an activist. He asked how he could end cigarette smoking. He asked why gay couples couldn’t marry like straight ones. He asked what Russia may have had on President Trump. This fall, with the FCC’s crackdown on Jimmy Kimmel, he asked if he would soon be censored. He led with the Jewish question of how the world might be repaired.

Guttingly, in perhaps his most personal project, 2015’s Being Charlie, co-written by his son Nick he wondered how a parent can help a child struggling with addiction. (Nick was questioned by the LAPD concerning his parents’ deaths and was placed under arrest.)

Related

None of the questions had pat answers. Taken together, there’s scarcely a part of life that Reiner’s filmography overlooked, including the best way to end it, in 2007’s The Bucket List.

Judging by the longevity of his parents, both of whom lived into their 90s, it’s entirely possible Reiner had much more to ask of the world. That we won’t get to see another film by him, or spot him on the news weighing in on the latest democratic aberration, is hard to swallow.

Yet there is some small comfort in the note Reiner went out on. In October, he unveiled Spinal Tap II: The Beginning of the End, a valedictory moment in a long and celebrated career.

Reiner once again returned to the role of DiBergi. I saw a special prescreening with a live Q&A after the film. It was the day Charlie Kirk was assassinated. I half-expected Reiner to break character and address political violence — his previous film, God & Country, was a documentary on Christian Nationalism.

But Reiner never showed up — only Marty DiBergi, sitting with Nigel Tuffnell (Christopher Guest), David St. Hubbins (Michael McKean) and Derek Smalls (Harry Shearer) at Grauman’s Chinese Theater in Los Angeles. The interview was broadcast to theaters across the country, with viewer-submitted questions like “What, in fact, did the glove from Smell the Glove smell like?” (Minty.) And “Who was the inspiration for ‘Big Bottom?’” (Della Reese.)

Related

DiBergi had one question for the audience: “How did you feel about the film?”

The applause was rapturous, but DiBergi still couldn’t get over Nigel Tuffnell’s Marshall amp, which now stretched beyond 11 and into infinity.

“How can that be?” he asked. “How can you go to infinity? How loud is that?”

There’s no limit, Tuffnell assured him. “Why should there be a limit?”

Reiner, an artist of boundless curiosity and humanity, was limitless. His remit was to reason why. He’ll be impossible to replace, but in asking difficult questions, we can honor him.

The post Rob Reiner asked the big questions. His death leaves us searching for answers. appeared first on The Forward.

Continue Reading

Copyright © 2017 - 2023 Jewish Post & News