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Israeli Consulate to screen incredible film about Israeli photographer Amos Nachoum – produced by Nancy Spielberg

Israeli underwater photographer
Amous Nachoum (right)
had a lifelong obsession
with photographing polar bears
in their natural environment – underwater!

By BERNIE BELLAN Two and a half years ago we published a story by Martin Zeilig about a new documentary produced by Nancy Spielberg about an incredibly brave Israeli deep sea photographer by the name of Amos Nachoum. From April 22-29 you can watch that amazing documentary at https://youtu.be/TCLUq_4BoFU. Click on Read more to find out about how this film was made and how you can interact with the film’s director, Yonatan Nir on April 29.

 

Here is the information we were sent by the Israeli Consulate in Toronto: “This film follows the journey of world-renowned underwater wildlife photographer Amos Nachoum in his effort to photograph a polar bear up close while swimming with it – an incredibly dangerous and nearly impossible feat – all the while painting a nuanced picture of Nachoum’s complex life and relationships. Nachoum is the only underwater wildlife photographer in the world to attempt (and succeed at) this shoot, with the help of a couple local Inuit. The film also reminds viewers of the disruptions these polar bears experience in their ecosystems due to environmental changes, and stresses the importance of preserving it.”

On April 29 the Consulate will be holding a webinar with Yonatan Nir. Register here: https://bit.ly/3ghPMJY

Here is the story that Martin Zeilig wrote in 2019 about the film and about his interview with the film’s director:PICTURE OF HIS LIFE (Directors: Yonatan Nir and Dani Menkin Hey Jude Productions Playmount Productions– Executive Producer: Nancy Spielberg 2019)
review/interview By Martin Zeilig
At one point in this remarkable and awe-inspiring documentary film, world renowned Israeli wildlife photographer Amos Nachoum is interviewed while sitting on a rock on the barren shores of Baker Lake, Nunavut.
“Believing in yourself, and going on with it, no matter what the obstacle, this all the power of being here. This is life,” the stocky 65 year old says with a deep-seated emotion in his voice, while raising a clinched fist in fierce determination as he shifts his gaze slightly to the camera.
It’s a stirring moment.
The film follows Nachoum in the Canadian Arctic, as he prepares for his decisive challenge- to photograph a polar bear underwater, while swimming alongside it.
“It’s his final remaining photographic dream,” says the film’s publicity material.
As the journey unfolds, so does an intimate and painful story of dedication, sacrifice and personal redemption.
“Amos to me is one of the best ambassadors of the ocean,” Jean Michel Cousteau, the celebrated Oceanographic Explorer, says in an off camera commentary. “He takes huge amount of risks to bring those images, which no one has ever been able to capture.”
“He comes back with images that no one has been able to get,” adds Adam Ravetch, Emmy Award winning cinematographer, who is part of the team filming the documentary. “He is probably the best underwater still photographer in the world.”
Marine biologist Sylvia Earle, the female chief scientist at the National Oceanic and Atmospheric Administration, also attests to Nachoum’s prowess as an underwater wildlife photographer.
We see some of the striking shots that Amos has captured over the years: an open jawed leopard seal moments before it’s about to chomp into a penguin in the waters of Antarctica; amazing (and chilling) close-ups of great white sharks; blue whales; anacondas in the Amazon; snow leopards in the Himalayas; a huge crocodile resting on the bottom of an African river, and much more.
The film’s US premiere was July 25 at the San Francisco Jewish Film Festival, with a follow-up screening July 28 and a separate screening in San Rafael on August 2, noted an article earlier this summer in The Times of Israel (In Arctic, polar bear is final frontier for famed Israeli wildlife photographer). Earlier this year, the film debuted at Docaviv in Tel Aviv, with Nachoum attending the screening.
‘“Be calm and collected with wildlife,”’ Nachoum, who was interviewed by The Times of Israel, said in the article. ‘“The biggest mistake all photographers do is be quite aggressive.”’
Nachoum has a fractious relationship with his father. On a visit home, the father belittles his son for not living up to his standards. He wanted his only son to become a carpenter and to settle down with a wife and children.
Another scene shows him on life support systems in a hospital room calling for Amos.
During the 1973 Yom Kippur War, Nachoum served with an elite unit. The experience left him shattered.
“Speaking about his service still left him “very emotional, my hair standing still,” he says in The Times of Israel article. He was also a war photographer in Israel.
He left for the United States shortly after his stint in the army to pursue his dream of becoming an underwater wildlife photographer.
“Calmness is important even when photographing the polar bear – which can include Homo sapiens as part of its diet,” he said in The Times of Israel story, and which Adam Ravetch emphasizes in the film.
A male polar bear can weigh up to 750 kilograms and are exceptional swimmers. “Polar bears usually dive 3 to 4.5 m i.e. 9.8-14.8 feet deep into the cold water of arctic and can hold their breath for Researchers really don’t know that actually how deep can a polar more than three minutes,” says the Zoologist website. “But they estimated that it can dive as deep as 6m i.e. 20 feet.”
Nachoum’s first effort at photographing a polar bear in arctic waters occurred in 2005. It “nearly proved deadly” for him, noted The Times of Israel .
‘“I was scared to death,”’ he said to the reporter. ‘“I was laughing about it, but I was scared. My heart was pounding. Yet, I wanted to do it again.”’
“His second attempt, in 2015, helped Menkin and Nir culminate what they describe as a 10-year odyssey to make the film,” the Israeli newspaper states.
Nachoum and his crew, including, of course, their Inuit guides, have a five day window in which to find and photograph a polar bear in the water.
Their first sighting takes place on Day two. It’s a big male polar bear.
Nachoum is ready to with full scuba gear. He plunges backwards into the icy waters from the side of the boat.
The aggressive bear dives after this camera totting intruder. It’s a heart stopping moment.
The screen goes blank for several seconds. But, Nachoum managed to elude Nanook in the nick of time.
He’s a bit shaken by the experience and disappointed.
Without giving away too much, success is achieved on the final day.
A mother bear and her two large cubs are spotted swimming in the lake. Nachoum dives into the water. It’s a miraculous moment.
The final scene shows Nachoum returning to Israel to visit his father’s gravesite. He places a special gift on the gravestone– a small framed photograph of the three bears taken underwater.
A voice over of the late Canadian poet/musician/novelist, Leonard Cohen, singing his song, Anthem, plays as the credits begin to roll: “There is a crack in everything. That’s how the light gets in.”

The directors agreed to an email interview with this newspaper.
The Jewish Post & News: 1)What were some difficulties involved in making this film?
Menkin: There are two sides to this question. One is technical and the other is psychological / personal. The technical issues were huge– starting with selling a film about a man who is 65 years old and wants to do something that no one ever done before him, and that when HE tried to do it before – he almost got killed.
So prior to the shooting in the Arctic many potential financiers said: “Please keep us posted, it sounds amazing – call us when you come back… alive….”
Then when we finally raised the money, we had to build the whole infrastructure for the production by ourselves. There are no diving clubs over there, no hotels or transportation. We had to ship compressors, ice diving equipment, generators, food, fuel, and so on. I had to fly on nine flights from Israel to the location of the shooting.
Then to live there in the middle of nowhere and to find the right bears and create the opportunity for Amos to get into the water and have a peaceful encounter with these magnificent animals… it is all very complicated.
We could not have done it without ADAM RAVETCH – who is not only the best Arctic Cinematographer in the world (and not only in my opinion), but also has 25 years of experience working with the Inuit people in the high Arctic.
Of course we could not have done it without the Kaludjack family. Two members of the family, Billy and Patrick Kaludjak, who were with us on the shoot, died a year and a half later when their snowmobile broke through the ice.
Our film is dedicated to the memory of these two wonderful human beings, who we had the privilege to know even if it was for a short period of time.
The other difficulty was to get our protagonist open up and talk about things that he kept inside for 40 years. It is always a complicated issue to get someone’s trust; it’s more complicated when it’s on film and it’s even more complicated when your protagonist is one of the best and most famous in his field.

JP&N: How long did it take to film?
Nir: It took us 10 years to get this movie off the ground. It was also how Yonatan and I have met, and started to work on this and DOLPHIN BOY (another of their films). The main reason it took us so long was that we had to raise a feature film budget for a documentary; and we were deferring to go with Amos all the way to the arctic and try to take his picture.

JP&N: Please share some anecdotes/incidents in the making of the Picture of His Life.
Menkin: One day, we left Adam and Billy Kauldjack RIP on a small island, maybe 50 meters by 10 meters with a camera and a drone.
We wanted to get a shot of Amos alone in the water in the empty Arctic sea… we never used that shot in the film BTW (by the way).
We sailed away from them (to allow) Adam to fly the drone back and forth above Amos with no boats in the frame. The time passed, strong winds, maybe 20 minutes (later).
When Adam reported to us that he got the shot, we sailed back to Amos to take him out of the water. He was very cold, so we warmed him up with some hot water and tea when suddenly I hear screaming from the little island.
I looked back terrified. I thought a bear got on the island or something like that, and to my amazement there was no island, literally.
The tide came in very fast and almost drowned Adam and Billy with our expensive gear. We sailed as fast as we could to get them out of there in the very last second.

JP&N: How long have you two been working together?
Nir: After (his first film) 39 POUNDS OF LOVE, I met Yonatan when I was approached by a producer to direct the film about Amos. We joined forces on DOLPHIN BOY and now PICTURE OF HIS LIFE while we both have our own films. Yonatan focuses on documentaries, like MY HERO BROTHER, and I’m writing and directing fiction and docs. We are good friends and both like road trip movies and wanted to give this story all the elements we have in our previous work.

JP&N: What has been the response in Israel to the film?
Menkin: The response is unbelievable. We are in cinemas all over the country, and sold out almost every screening. The story of Amos with the Yom Kippur war is the story of a whole generation.
People love adventures and inspiring human beings who chase their dreams and are fighting their own fears, doubts and inner demons. To my happiness, people in Israel are starting to care about the future of our planet more and more, and our film is also about that. There is something to relate to in our film for everyone.
The most touching feedback to the film was from my eight year old daughter who said, “Abba I liked the film very much. I just didn’t like it when Amos father was yelling at him and I didn’t understand why did you have to include wars in your film?”
I didn’t know how to answer that.

JP&N: Anything else you’d like to add?
Nir: We just premiered PICTURE OF HIS LIFE in North America, and got incredible reviews and standing ovations. We are excited to tour with it around the world (in Canada as well) and spread the message.

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I know exactly why leftists aren’t celebrating this ceasefire

Palestinians walk among the rubble of destroyed buildings in Khan Yunis, in the southern Gaza Strip, on Oct. 10.

Relief that the fighting may be at an end is one thing. Joy — after all this suffering — is another

This story was originally published in the Forward. Click here to get the Forward’s free email newsletters delivered to your inbox.

“We can’t hear you, Zohran,” read one New York Post headline this week: “Pro-Hamas crowd goes quiet on Trump’s Gaza peace deal.”

“It seems awfully curious that the people who have made Gazans a central political cause do not seem at all relieved that there’s at least a temporary cessation of violence … Why aren’t there widespread celebrations across Western cities and college campuses today?” the article asked.

The Post wasn’t alone in voicing that question. A spokesperson for the Republican Jewish Coalition posted on X that “The silence from the ‘ceasefire now’ crowd is shameful and deafening.” Others went so far as to imply that the protesters had been lying and never actually wanted a ceasefire — because what they really wanted wasn’t freedom and security for Palestinians, but the ability to blame Israel. If pro-Palestinian voices had really wanted a ceasefire, the thinking went, they would be celebrating.

I read these various posts and articles and thought of Rania Abu Anza.

I have thought of her every day since I first read her story in early March 2024. Anza spent a decade trying to have a child through in vitro fertilization. When her twins, a boy and a girl, were five months old, an Israeli strike killed them. It also killed her husband and 11 other members of her family.

A year and a half later, a ceasefire cannot bring her children, her husband, or her 11 family members back. They were killed. They will stay dead. What is there to celebrate?

This does not mean that the ceasefire is not welcome, or that it is not a relief. On the contrary: It is both. Of course it’s a relief that the families of hostages don’t need to live one more day in torment and anguish. Of course it’s a relief that more bombs will not fall on Gaza.

But celebration implies, to me anyway, that this is a positive without caveats. And in this situation, there are so many caveats.

The families of the surviving hostages will still have spent years apart from their loved ones, in no small part because their own government did not treat the hostages’ return as the single highest priority. The families of those hostages who were killed in the war will never again sit down to dinner with their loved ones, who could have been saved. And it is difficult to fathom what’s been taken from the hostages themselves: time spent out exploring the world, or with family and friends, or at home doing nothing much at all but sitting safely in quiet contemplation.

And a ceasefire alone will not heal Israeli society, or return trust to the people in their government. It will not fix some of the deep societal problems this war uncovered. A Chatham House report this August found that: “Israeli television ignores the suffering of Palestinians in Gaza, while the rhetoric is often aggressive. Critical voices, from inside Israel or abroad, are attacked or silenced.” If the country is ever going to find its way back from Oct. 7 and this war, a ceasefire is a necessary precondition, but not a route in and of itself.

In Gaza, Palestinian health authorities have said that about 67,000 people — not distinguishing between combatants and civilians — have been killed by Israel’s campaign in response to Oct. 7. A full third of those killed were under the age of 18. The ceasefire cannot bring those children back to life.

It cannot turn back time and make it such that Israel admitted more than minimal aid to the embattled strip. It will not undo the damage that has been done to the people of Gaza who were denied enough to eat and drink and proper medical care. It will not give children back their parents, or parents back their children. It will not heal the disabled, or make it so that they were never wounded.

It will not change that all of this happened with the backing of the United States government. (This is to say nothing of the West Bank, which has seen a dramatic expansion of Israeli settlements and escalation of settler violence over the course of the war). And as American Jewish groups put out statements cheering the ceasefire, we should also remember that it does not reverse the reality that too many American Jews were cheerleaders for all this death.

Protesters calling for a ceasefire have regularly been denounced as hateful toward Jews or callous toward the plight of Israelis; American Jews who called for one were called somehow un-Jewish. (Yes, some pro-Palestinian protesters also shared hate toward Jews; the much greater majority did not.) The charge of antisemitism — toward those calling for a ceasefire, those calling for a free Palestine, and those who called attention to Israel’s abuses during this war — was used to silence criticism of Israel and of U.S. foreign policy. Some American Jews went so far as to call for the deportation of students protesting the war.

A ceasefire doesn’t change any of that. It can’t.

I have hopes for this ceasefire. At best, it will allow people — Israelis and Palestinians and, yes, diaspora Jews — to chart a new, better course going forward. But it almost certainly will not do that if we delude ourselves into thinking of this as a victory or a kind of tabula rasa, as though the lives lost and hate spewed are all behind us, forgotten, atoned for. The last two years will never not have happened. What happens next depends on all of us fully appreciating that.

This story was originally published on the Forward.

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New book about a man who helped to save the lives of 200,000 Hungarian Jews

Reviewed by BERNIE BELLAN I have to admit that, as much as I consider myself reasonably informed about the history of the Holocaust, I had never heard of Rudolf Vrba.

Further, when it comes to an understanding of what happened to Hungary’s Jewish population, it’s the story of Swedish diplomat Raoul Wallenberg that comes foremost to mind.

But now, after having read a new book by Canadian journalist Alan Twigg, titled “Holocaust Hero – The Life & Times of Rudolf Vrba,” I have a much better understanding of what happened to Hungarian Jewry.

There were approximately 800,000 Jews alive in Hungary at the beginning of World War II and, even though 63,000 Hungarian Jews had been murdered by their fellow Hungarians prior to Germany’s entry into Hungary in March 1944 (with the willing cooperation of Hungarian authorities), by the end of World War II only about 200,000 Hungarian Jews remained alive. Of the Jews who were murdered by the Nazis, 424,000 were sent to their deaths in Auschwitz-Birkenau – in a relatively short period of time: between April and July, 1944.

There would have been many more Hungarian Jews who would have been sent to Auschwitz-Birkenau, however, were it not for the heroism of two individuals who actually managed to escape from Auschwitz in April 1944: Rudolf Vrba and Alfred Wetzler.

While there have been many books written describing how those two brave men managed to escape Auschwitz (and there were only six individuals who managed to do that the entire time Auschwitz was in existence as the largest death camp in the history of the world), Rudolf Vrba’s story is one that should be of particular interest to Canadians because Vrba actually lived in Canada for 31 years of this life, when he was a very well respected professor of biochemistry at the University of British Columbia.

Now, with a recently released book by a well known Canadian historian and journalist by the name of Alan Twigg, a much more complete account of Vrba’s story, beginning with his childhood in Slovakia and ending with a long interview with Vrba’s second wife, Robin Vrba, is available.

Rudolf Vrba

Here are the first two paragraphs taken from Twigg’s introduction to the book, which describe in a nutshell why Vrba deserves to be celebrated: “This first volume of a two-volume biography asserts there was much more to Rudolf Vrba than his escape from Auschwitz and his subsequent report that saved 200,000 lives. An outstanding medical researcher, Vrba submitted testimony at the Eichmann trial, pursued war criminals, served globally as a riveting public speaker and combatted Holocaust denialists.

“Under his birth name Walter Rosenberg, he survived…24 near-death experiences over a three-year period as a teenager… At 20, he fought in ten life-threatening battles as a Partisan in the mountains of Slovakia and became a decorated war hero. Rudolf Vrba was a Jew who fought back.”

Twigg explains that this book deals mostly with Vrba’s life up to 1946 and that a second volume will explore his quite successful career as a biochemist.

What emerges though, from Twigg’s account of Vrba’s life is unbridled admiration for Vrba’s brilliance – as someone who could make instant assessments of life or death situations and, no matter how fraught with danger the wrong choice could entail, retained his composure and thought his way through to survival.

Born Walter Rosenberg, Vrba was eventually given the alias Rudolf Vrba by Jewish authorities in Slovakia, which is to where he escaped from Auschwitz with Wetzler in April 1944. Rather than reverting to Walter Rosenberg following the war he kept the name Rudolf Vrba.

Twigg provides a great deal of information about Vrba’s early life throughout the book, but what is sure to grab the reader’s attention and want to make even someone who might not be all that interested in reading something about a Holocaust survivor is the introduction in which Twigg lists the 24 different experiences that Vrba survived as a teenager, each of which – had they gone the wrong way, could very well have ended with his death.

The fact that Vrba was one of only six Jews to have escaped Auschwitz is amazing in itself, but it is what he – along with Wetzler, did after escaping that makes one wonder why he hasn’t received greater recognition in Canada – and which leads Twigg to want to correct that grave injustice.

Vrba and Wetzler wrote down what they had witnessed happening in Auschwitz-Birkenau in a 20-page report that was given to Slovakian Jewish authorities and which became known as the “Vrba-Wetzler Report.” It provided detailed information about the large scale extermination of what the report calculated were 1,765,000 Jews between April 1942 and April 1944, all of whom had been murdered in Auschwitz-Birkenau.

Vrba had an incredible memory for detail and it was the figures that he entered into the report that came to be accepted as quite accurate when they were later corroborated by the testimony of others, including the most notorious commandant of Auschwitz, Rudolf Hoss (or Hoess).

Although Vrba only arrived in Auschwitz in June 1942, he based his calculations on what he saw transpiring every day that he was there, when he witnessed the number of trains arriving daily, how many boxcars were part of each train (45 on average), and how many people were stuffed into each boxcar (60 on average).

While the report did receive dissemination among various Western European and American authorities, Twigg argues that it was deliberately suppressed by leaders of the Hungarian Jewish community – who had been well aware of the report around the same time mass deportations of Hungarian Jews began in April 1944. Germany had not entered into Hungary until March 1944 and the Hungarian Jewish community was the last Jewish community to be largely extinguished during the war.

A major part of Twigg’s book deals with Vrba’s contention that one man in particular, Rudolf Kastner, who was head of what was known as the Budapest Aid and Rescue Committee, and who was well aware of the Vrba-Wetzler Report, could have used his influence to warn Hungarian Jews about their impending fate at the hands of the Nazis but, for whatever reasons he may have had, chose not to do so. (Twigg does describe though, a deal Kastner made with Adolph Eichmann, who was in charge of Germany’s extermination program in Hungary, to save the lives of 1600 Hungarian Jews, many of whom were either friends or relatives of Kastner.) The contempt with which Vrba and, in turn, Twigg, held for Kastner and those who came to his defense – including one of Israel’s most respected historians, Yehuda Bauer, emerges clearly in the book.

Eventually, however, and in no small part, due to the failure of leaders of Hungary’s Jewish community to warn their fellow Jews what fate awaited them if they followed orders to board the trains, over 400,000 Hungarian Jews were sent to their slaughter. With the total cooperation of Hungarian authorities, Jews – as they were in every other jurisdiction where they were ordered on to trains, were misled into thinking that they were simply being deported, not headed for extermination.

It was only after the Vrba-Wetzler Report gained wide dissemination, a process which Twigg describes in some detail, that pressure began to mount on Miklos Horthy, the “Regent” of Hungary, to stop assisting the Germans in the deportation of Hungarian Jews. (After reading other information about Horthy, however, it is not clear the extent to which Horthy was aware Jews were being sent to their deaths prior to the publication of the Vrba-Wetzler Report. Twigg does not enter into that debate.)

While “Holocaust Hero – The Life & Times of Rudolf Vrba” does tell a fascinating story, at times it does lose momentum. Perhaps because Twigg makes quite clear from the outset that he is a journalist and a historian, not a novelist, he relies upon previously written accounts, including Vrba’s own autobiography, to cobble together a narrative from a variety of different sources. What results is a book that will probably be of great interest to students of history, but not as much to those who might prefer to read a story laden with graphic imagery.

There are many instances throughout the book where Twigg takes great pains to offer substantiation for what he says happened to Vrba during the Second World War – which was undoubtedly horrifying, but because the author is so dispassionate in his writing, what Vrba endured does not come across as chillingly as one might expect.

Reading about stacking bodies in advance of their being taken to a crematorium or of sorting through the possessions of the victims – all of which Vrba did, doesn’t quite deliver the gut punch that we’ve come to expect when we see actual visual representations of the same experiences – whether it be through documentary footage or dramatizations in such films as “Schindler’s List” or , to my mind, the most riveting film ever made about what life in Auschwitz was truly like – “Son of Saul,” a Hungarian film that won the Academy Award for best foreign film in 2015.

The book contains quite a bit more information than perhaps the average reader might need to know, including a very lengthy transcript of an interview Twigg had with Vrba’s widow, Robin Vrba. While it’s somewhat interesting to read about their life together, it’s hardly germane to the story how important a role Vrba ultimately played in saving the lives of 200,000 Hungarian Jews.

Still, as we approach the anniversary of Kristallnacht, which happened 87 years ago, and which was the harbinger of what was to come for European Jewry, reading a book that describes how one individual in particular, Rudolf Vrba, not only survived the Holocaust when almost anyone else in the same situations he repeatedly encountered would have succumbed to the easy way out and accepted death, it reminds us that stories of heroism on an unimaginable level can make us realize that whatever hardships we may face in our own lives pale in comparison to what someone like Vrba endured.

“Holocaust Hero – The Life & Times of Rudolf Vrba”

By Alan Twigg

153 pages

Published by Firefly Books, September 2025

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Bitcoin Price Volatility: WOA Crypto – Why Cloud Mining Becomes a Safe Haven for Investors

(Posted Oct. 10, 2025) Bitcoin once again attracted market attention today, with the price around $122,259, with an intraday high of $124,138 and a low of $121,141. Driven by capital flows, ETF inflows, and macroeconomic factors, Bitcoin recently hit a new high, but encountered retracement pressure today and fluctuated widely between $121,000 and $124,000 during the initial decline.
There have been no major structural changes in capital flows. For most investors, the best way to deal with volatility is not to try to precisely time peaks and troughs, but to let assets generate returns both in the ups and downs.
Cloud Mining: A New Approach Beyond “Observing the Charts”
In a constantly volatile market, checking charts, chasing peaks (and then cutting losses) is routine—actions that often lead to emotional exhaustion and poor decision-making. Cloud mining offers a solid, rules-based revenue model.
What is cloud mining?
Cloud mining allows you to mine Bitcoin and other altcoins without having to purchase, manage, or maintain any mining hardware. Simply invest your digital assets (e.g., BTC, ETH, XRP, USDT), and the platform will provide you with the computing power and handle all technical issues. Yes, the system will mine for you and pay you daily.
To summarize: you invest cash, the platform provides computing power, and your time pays off.

During periods of high prices and volatility, cloud mining (due to its daily payouts and weak correlation with price fluctuations) attracts more rational investors.
WOA Crypto Mining: Making Cloud Mining Practical
Among the many cloud mining services, WOA Crypto positions itself as a simple, secure, and transparent service—allowing investors to focus on more than just price monitoring.

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Transparent and secure system: Clear rules, an open profit structure, and a proven withdrawal mechanism.

Green energy and global deployment: Using efficient computing centers powered by renewable energy to increase stability and reduce costs

How to start your WOA Crypto mining journey
Visit the official WOA Crypto website.

Register using your email address and create a password.

Simply deposit BTC, ETH, XRP, or USDT, and your funds will be converted into computing power.

Choose a mining contract plan and start earning your first profit within 24 hours.

No technical knowledge or hardware required, no need to follow market trends: this simple-to-use app will give you a comfortable home cloud mining experience. Click here to get started.

Conclusion: Finding stability amidst volatility
While the price of Bitcoin has fluctuated between $121,000 and $124,000, the winners haven’t been those who perfectly timed the tops and bottoms, but rather those who consistently let the asset perform.

Cloud mining eliminates most of the emotional fluctuations in trading and provides a strategy that is easy to accumulate over the long term, which can continue to accumulate capital even in uncertain times. In times of market volatility, letting assets grow in value is undoubtedly the most resilient investment strategy.

Official email: info@woacrypto.com

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