Features
Israeli Consulate to screen incredible film about Israeli photographer Amos Nachoum – produced by Nancy Spielberg
By BERNIE BELLAN Two and a half years ago we published a story by Martin Zeilig about a new documentary produced by Nancy Spielberg about an incredibly brave Israeli deep sea photographer by the name of Amos Nachoum. From April 22-29 you can watch that amazing documentary at https://youtu.be/TCLUq_4BoFU. Click on Read more to find out about how this film was made and how you can interact with the film’s director, Yonatan Nir on April 29.
Here is the information we were sent by the Israeli Consulate in Toronto: “This film follows the journey of world-renowned underwater wildlife photographer Amos Nachoum in his effort to photograph a polar bear up close while swimming with it – an incredibly dangerous and nearly impossible feat – all the while painting a nuanced picture of Nachoum’s complex life and relationships. Nachoum is the only underwater wildlife photographer in the world to attempt (and succeed at) this shoot, with the help of a couple local Inuit. The film also reminds viewers of the disruptions these polar bears experience in their ecosystems due to environmental changes, and stresses the importance of preserving it.”
On April 29 the Consulate will be holding a webinar with Yonatan Nir. Register here: https://bit.ly/3ghPMJY
Here is the story that Martin Zeilig wrote in 2019 about the film and about his interview with the film’s director:PICTURE OF HIS LIFE (Directors: Yonatan Nir and Dani Menkin Hey Jude Productions Playmount Productions– Executive Producer: Nancy Spielberg 2019)
review/interview By Martin Zeilig
At one point in this remarkable and awe-inspiring documentary film, world renowned Israeli wildlife photographer Amos Nachoum is interviewed while sitting on a rock on the barren shores of Baker Lake, Nunavut.
“Believing in yourself, and going on with it, no matter what the obstacle, this all the power of being here. This is life,” the stocky 65 year old says with a deep-seated emotion in his voice, while raising a clinched fist in fierce determination as he shifts his gaze slightly to the camera.
It’s a stirring moment.
The film follows Nachoum in the Canadian Arctic, as he prepares for his decisive challenge- to photograph a polar bear underwater, while swimming alongside it.
“It’s his final remaining photographic dream,” says the film’s publicity material.
As the journey unfolds, so does an intimate and painful story of dedication, sacrifice and personal redemption.
“Amos to me is one of the best ambassadors of the ocean,” Jean Michel Cousteau, the celebrated Oceanographic Explorer, says in an off camera commentary. “He takes huge amount of risks to bring those images, which no one has ever been able to capture.”
“He comes back with images that no one has been able to get,” adds Adam Ravetch, Emmy Award winning cinematographer, who is part of the team filming the documentary. “He is probably the best underwater still photographer in the world.”
Marine biologist Sylvia Earle, the female chief scientist at the National Oceanic and Atmospheric Administration, also attests to Nachoum’s prowess as an underwater wildlife photographer.
We see some of the striking shots that Amos has captured over the years: an open jawed leopard seal moments before it’s about to chomp into a penguin in the waters of Antarctica; amazing (and chilling) close-ups of great white sharks; blue whales; anacondas in the Amazon; snow leopards in the Himalayas; a huge crocodile resting on the bottom of an African river, and much more.
The film’s US premiere was July 25 at the San Francisco Jewish Film Festival, with a follow-up screening July 28 and a separate screening in San Rafael on August 2, noted an article earlier this summer in The Times of Israel (In Arctic, polar bear is final frontier for famed Israeli wildlife photographer). Earlier this year, the film debuted at Docaviv in Tel Aviv, with Nachoum attending the screening.
‘“Be calm and collected with wildlife,”’ Nachoum, who was interviewed by The Times of Israel, said in the article. ‘“The biggest mistake all photographers do is be quite aggressive.”’
Nachoum has a fractious relationship with his father. On a visit home, the father belittles his son for not living up to his standards. He wanted his only son to become a carpenter and to settle down with a wife and children.
Another scene shows him on life support systems in a hospital room calling for Amos.
During the 1973 Yom Kippur War, Nachoum served with an elite unit. The experience left him shattered.
“Speaking about his service still left him “very emotional, my hair standing still,” he says in The Times of Israel article. He was also a war photographer in Israel.
He left for the United States shortly after his stint in the army to pursue his dream of becoming an underwater wildlife photographer.
“Calmness is important even when photographing the polar bear – which can include Homo sapiens as part of its diet,” he said in The Times of Israel story, and which Adam Ravetch emphasizes in the film.
A male polar bear can weigh up to 750 kilograms and are exceptional swimmers. “Polar bears usually dive 3 to 4.5 m i.e. 9.8-14.8 feet deep into the cold water of arctic and can hold their breath for Researchers really don’t know that actually how deep can a polar more than three minutes,” says the Zoologist website. “But they estimated that it can dive as deep as 6m i.e. 20 feet.”
Nachoum’s first effort at photographing a polar bear in arctic waters occurred in 2005. It “nearly proved deadly” for him, noted The Times of Israel .
‘“I was scared to death,”’ he said to the reporter. ‘“I was laughing about it, but I was scared. My heart was pounding. Yet, I wanted to do it again.”’
“His second attempt, in 2015, helped Menkin and Nir culminate what they describe as a 10-year odyssey to make the film,” the Israeli newspaper states.
Nachoum and his crew, including, of course, their Inuit guides, have a five day window in which to find and photograph a polar bear in the water.
Their first sighting takes place on Day two. It’s a big male polar bear.
Nachoum is ready to with full scuba gear. He plunges backwards into the icy waters from the side of the boat.
The aggressive bear dives after this camera totting intruder. It’s a heart stopping moment.
The screen goes blank for several seconds. But, Nachoum managed to elude Nanook in the nick of time.
He’s a bit shaken by the experience and disappointed.
Without giving away too much, success is achieved on the final day.
A mother bear and her two large cubs are spotted swimming in the lake. Nachoum dives into the water. It’s a miraculous moment.
The final scene shows Nachoum returning to Israel to visit his father’s gravesite. He places a special gift on the gravestone– a small framed photograph of the three bears taken underwater.
A voice over of the late Canadian poet/musician/novelist, Leonard Cohen, singing his song, Anthem, plays as the credits begin to roll: “There is a crack in everything. That’s how the light gets in.”
The directors agreed to an email interview with this newspaper.
The Jewish Post & News: 1)What were some difficulties involved in making this film?
Menkin: There are two sides to this question. One is technical and the other is psychological / personal. The technical issues were huge– starting with selling a film about a man who is 65 years old and wants to do something that no one ever done before him, and that when HE tried to do it before – he almost got killed.
So prior to the shooting in the Arctic many potential financiers said: “Please keep us posted, it sounds amazing – call us when you come back… alive….”
Then when we finally raised the money, we had to build the whole infrastructure for the production by ourselves. There are no diving clubs over there, no hotels or transportation. We had to ship compressors, ice diving equipment, generators, food, fuel, and so on. I had to fly on nine flights from Israel to the location of the shooting.
Then to live there in the middle of nowhere and to find the right bears and create the opportunity for Amos to get into the water and have a peaceful encounter with these magnificent animals… it is all very complicated.
We could not have done it without ADAM RAVETCH – who is not only the best Arctic Cinematographer in the world (and not only in my opinion), but also has 25 years of experience working with the Inuit people in the high Arctic.
Of course we could not have done it without the Kaludjack family. Two members of the family, Billy and Patrick Kaludjak, who were with us on the shoot, died a year and a half later when their snowmobile broke through the ice.
Our film is dedicated to the memory of these two wonderful human beings, who we had the privilege to know even if it was for a short period of time.
The other difficulty was to get our protagonist open up and talk about things that he kept inside for 40 years. It is always a complicated issue to get someone’s trust; it’s more complicated when it’s on film and it’s even more complicated when your protagonist is one of the best and most famous in his field.
JP&N: How long did it take to film?
Nir: It took us 10 years to get this movie off the ground. It was also how Yonatan and I have met, and started to work on this and DOLPHIN BOY (another of their films). The main reason it took us so long was that we had to raise a feature film budget for a documentary; and we were deferring to go with Amos all the way to the arctic and try to take his picture.
JP&N: Please share some anecdotes/incidents in the making of the Picture of His Life.
Menkin: One day, we left Adam and Billy Kauldjack RIP on a small island, maybe 50 meters by 10 meters with a camera and a drone.
We wanted to get a shot of Amos alone in the water in the empty Arctic sea… we never used that shot in the film BTW (by the way).
We sailed away from them (to allow) Adam to fly the drone back and forth above Amos with no boats in the frame. The time passed, strong winds, maybe 20 minutes (later).
When Adam reported to us that he got the shot, we sailed back to Amos to take him out of the water. He was very cold, so we warmed him up with some hot water and tea when suddenly I hear screaming from the little island.
I looked back terrified. I thought a bear got on the island or something like that, and to my amazement there was no island, literally.
The tide came in very fast and almost drowned Adam and Billy with our expensive gear. We sailed as fast as we could to get them out of there in the very last second.
JP&N: How long have you two been working together?
Nir: After (his first film) 39 POUNDS OF LOVE, I met Yonatan when I was approached by a producer to direct the film about Amos. We joined forces on DOLPHIN BOY and now PICTURE OF HIS LIFE while we both have our own films. Yonatan focuses on documentaries, like MY HERO BROTHER, and I’m writing and directing fiction and docs. We are good friends and both like road trip movies and wanted to give this story all the elements we have in our previous work.
JP&N: What has been the response in Israel to the film?
Menkin: The response is unbelievable. We are in cinemas all over the country, and sold out almost every screening. The story of Amos with the Yom Kippur war is the story of a whole generation.
People love adventures and inspiring human beings who chase their dreams and are fighting their own fears, doubts and inner demons. To my happiness, people in Israel are starting to care about the future of our planet more and more, and our film is also about that. There is something to relate to in our film for everyone.
The most touching feedback to the film was from my eight year old daughter who said, “Abba I liked the film very much. I just didn’t like it when Amos father was yelling at him and I didn’t understand why did you have to include wars in your film?”
I didn’t know how to answer that.
JP&N: Anything else you’d like to add?
Nir: We just premiered PICTURE OF HIS LIFE in North America, and got incredible reviews and standing ovations. We are excited to tour with it around the world (in Canada as well) and spread the message.
Features
Famous Gambling Scandals and Controversies: Allyspin Casino Opinion
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Cybersecurity plays an important role in online casino gambling. Modern sites implement the latest mechanisms to combat fraud, ensure fair gaming process and fully protect honest players.
Features
Canada Is Failing Its Students on Holocaust Education — Here’s What Must Change
By EMILY (surname withheld by request) We received the following article from a third-year Health Sciences student at Western University, who wrote that as “a Jewish student, I have seen firsthand how Holocaust education in Canada is falling short and how that failure is contributing to fear, misinformation, and rising antisemitism on campuses like mine.”
Despite curriculum requirements, Holocaust education in Canada is alarmingly inadequate. A recent survey found that nearly one in five young Canadians believe the Holocaust has been exaggerated. This highlights a dangerous gap in historical understanding, leaving students vulnerable to misinformation, denial, and rising antisemitism. If Canada is serious about combating hate, it must take Holocaust education far more seriously.
When asked whether Holocaust education in Canada is lacking, Professor Hernan Tessler-Mabe, historian and coordinator of Jewish Studies at Huron University, did not hesitate: “You are 100 percent correct.”
While most provinces claim to include Holocaust education in their curricula, the programming and implementation of curriculum tends to be inconsistent and inadequate. A student’s understanding of one of history’s greatest atrocities depends heavily on where they go to school, which teacher they have, and whether their school offers substantive instruction. The result is misinformation, denial, and rising antisemitism.
Avoiding Holocaust education allows dangerous myths and conspiracy theories to spread unchecked. Without an understanding of the Holocaust and the centuries of antisemitism that preceded it, students are ill-equipped to identify modern antisemitism in the world around them. This antisemitism manifests into everyday conversation, online spaces, and political discourse.
To address this crisis, Canada must act with urgency in three key areas. These include consulting experts, confronting difficult material, and properly training educators.
First, schools and provincial governments must consult those who specialize in Holocaust history and education. “It is the most important thing,” Dr. Tesler-Mabé, Associate Professor and Coordinator of Jewish Studies at Huron University says. He points out, “You cannot just throw it into a general history class and assume it will be taught well. You need people who understand both the history and how to teach it.”
Second, we must accept that the subject is deeply disturbing and cannot be made comfortable. Dr. Tesler-Mabé iterates, “We have to accept that parts of this will be traumatic or triggering.” “Obviously it depends on grade level, but if students do not feel disturbed by it, they will not understand it. That discomfort is part of the learning.”
Third, teachers must be prepared. Many educators may feel unequipped to teach this material and either gloss over it or skip it altogether. Training programs and partnerships are essential. In Ottawa, the Centre for Holocaust Education and Scholarship (CHES) works to connect schools with survivor testimonies and support resources, but broader reach and investment are needed.
Dr. Tesler-Mabé explains, “We have to teach the teachers, especially now that we are losing survivors. That raises a whole new concern. How do you teach something this heavy, this complex, without first hand testimony? Educators need the tools, the background, and the sensitivity to do it well.”
Some may argue that Canada already does enough in this area. After all, Holocaust education is present in some curricula, and many students visit Holocaust museums or hear from survivors. But occasional exposure is not enough. The widespread prevalence of Holocaust denial and the proliferation of antisemitic conspiracy theories underscore significant shortcomings in current systems designed to combat such misinformation. A 2022 report by UNESCO and the United Nations, in collaboration with the World Jewish Congress, found that 16.2% of Holocaust-related content on major social media platforms either denied or distorted fundamental facts about the Holocaust. A standardized, rigorous, and mandatory approach is the only way forward.
Holocaust education is not just about history, it is about safeguarding the future and combating antisemitism in modern manifestations. When students understand how propaganda, scapegoating, and dehumanization led to one of history’s darkest chapters, they are better equipped to recognize and reject hatred in all its forms. Without a solid foundation in Holocaust education, antisemitism continues to fester, not just in online spaces, but within universities, workplaces, and public discourse. We are already seeing the consequences of unchecked Holocaust denial and rising antisemitism, from bias in professional spaces to hostility on university campuses. As a Jewish student at Western University, I have seen fear take hold among my peers. Friends who once wore Stars of David or spoke openly about their heritage now hesitate to do so. I have also begun to question whether it is safe to express my identity. With the last generation of Holocaust survivors passing, the responsibility to preserve their stories and the lessons they teach rests with all of us. If we do not confront this crisis at its root, we risk allowing history to repeat itself in new and dangerous ways.
Canada is failing its students. In doing so, it is failing the promise of Never Again. The question is not whether we should strengthen Holocaust education, but why we have not already.
Features
Anna Kaplan one of Winnipeg’s youngest personal trainers
By MYRON LOVE It is always uplifting to read (or, from my perspective, to write) about people who have been able to reinvent themselves – and even more so when such an individual can use her own transformation to inspire others. Such is the case with Anna Kaplan, a young (21) personal trainer whose passion for physical fitness grew out of personal troubles as a teenager.
“I had a feeling of being excluded,” says the daughter of Kevin and Roxanne Kaplan. “I was afraid that I was missing out. I was losing friends. I had developed some bad habits and was at a real low point in my life – at rock bottom.”
At 18, Kaplan determined to change her life. She began working with a personal trainer and going to the gym. She also changed her dietary habits.
“Before long, I was feeling better mentally and physically,” she recalls.
Two years ago, wanting to help others struggling to improve their lives, Kaplan opened A Plus Fitness. On her Facebook page, she notes that “When you sign up for online training with A Plus Fitness, you’re not just getting a workout plan — you’re getting full access to our all-in-one training app designed to support your transformation every step of the way.”
Kaplan started A Plus Fitness strictly as an online business for which she developed her own app. “I started building my client base initially by contacting friends and acquaintances via a social media platform to see what interest there might be out there,” she says.
With demand for her services growing, about a year ago she began working with clients in person out of a gym on Portage Avenue. In just two years, she reports, business has grown to the point where she has had to hire a second trainer.
“I work with people ranging from 18 to 65 plus,” she says. “The number of clients has tripled in the last year and I have been able to help over 100 clients to get into shape and change their lives.”
The reviews have been outstanding with many giving the young fitness trainer a 5 out of 5 rating. Says one client: ”I’ve been training with Anna for a while now, and it’s been an amazing experience! She really takes the time to understand my goals and pushes me in the best way possible. Since working with her, I feel stronger, more motivated, and more confident in my workouts.”
Adds another: “Over the past year, A Plus Fitness has completely transformed my approach to working out, helping me tone my body and build strength in ways I never thought possible. Anna’s guidance and personalized training plans have made a huge difference in my progress, pushing me to achieve results faster than I expected.”
Kaplan feels good that among those she has been able to help have been her own mother, Roxanne Kaplan, who says that ”I’ve always had some sort of fitness routine in my life. I followed along with the fitness videos with the weights that were recommended – I’d go through phases but never stuck to it. With Anna’s coaching and sticking to her program, I see muscle definition that I’ve never had before. I feel better, more confident, and well rested.”
Kaplan further points out that, in additions to helping people through her business, she is also community minded. “I have helped with several fundraising events in the Jewish community,” she reports.
Most recently, she helped raise money for the Reid Bricker Mental Wellness Fund in memory of a relatively young member of our community who struggled with mental health for several years before committing suicide 10 years ago. The fund aims “to increase the availability of mental health supports and education across the province while ensuring that individuals and families facing mental health challenges receive the support they need when they need it the most.”
Next for Anna Kaplan and A Plus Fitness is to open her own location at some point in the next few years.
Readers can contact Anna at 204 391-5832 or mail her at admin@aplusfit.ca.
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