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Israeli Consulate to screen incredible film about Israeli photographer Amos Nachoum – produced by Nancy Spielberg

Israeli underwater photographer
Amous Nachoum (right)
had a lifelong obsession
with photographing polar bears
in their natural environment – underwater!

By BERNIE BELLAN Two and a half years ago we published a story by Martin Zeilig about a new documentary produced by Nancy Spielberg about an incredibly brave Israeli deep sea photographer by the name of Amos Nachoum. From April 22-29 you can watch that amazing documentary at https://youtu.be/TCLUq_4BoFU. Click on Read more to find out about how this film was made and how you can interact with the film’s director, Yonatan Nir on April 29.

 

Here is the information we were sent by the Israeli Consulate in Toronto: “This film follows the journey of world-renowned underwater wildlife photographer Amos Nachoum in his effort to photograph a polar bear up close while swimming with it – an incredibly dangerous and nearly impossible feat – all the while painting a nuanced picture of Nachoum’s complex life and relationships. Nachoum is the only underwater wildlife photographer in the world to attempt (and succeed at) this shoot, with the help of a couple local Inuit. The film also reminds viewers of the disruptions these polar bears experience in their ecosystems due to environmental changes, and stresses the importance of preserving it.”

On April 29 the Consulate will be holding a webinar with Yonatan Nir. Register here: https://bit.ly/3ghPMJY

Here is the story that Martin Zeilig wrote in 2019 about the film and about his interview with the film’s director:PICTURE OF HIS LIFE (Directors: Yonatan Nir and Dani Menkin Hey Jude Productions Playmount Productions– Executive Producer: Nancy Spielberg 2019)
review/interview By Martin Zeilig
At one point in this remarkable and awe-inspiring documentary film, world renowned Israeli wildlife photographer Amos Nachoum is interviewed while sitting on a rock on the barren shores of Baker Lake, Nunavut.
“Believing in yourself, and going on with it, no matter what the obstacle, this all the power of being here. This is life,” the stocky 65 year old says with a deep-seated emotion in his voice, while raising a clinched fist in fierce determination as he shifts his gaze slightly to the camera.
It’s a stirring moment.
The film follows Nachoum in the Canadian Arctic, as he prepares for his decisive challenge- to photograph a polar bear underwater, while swimming alongside it.
“It’s his final remaining photographic dream,” says the film’s publicity material.
As the journey unfolds, so does an intimate and painful story of dedication, sacrifice and personal redemption.
“Amos to me is one of the best ambassadors of the ocean,” Jean Michel Cousteau, the celebrated Oceanographic Explorer, says in an off camera commentary. “He takes huge amount of risks to bring those images, which no one has ever been able to capture.”
“He comes back with images that no one has been able to get,” adds Adam Ravetch, Emmy Award winning cinematographer, who is part of the team filming the documentary. “He is probably the best underwater still photographer in the world.”
Marine biologist Sylvia Earle, the female chief scientist at the National Oceanic and Atmospheric Administration, also attests to Nachoum’s prowess as an underwater wildlife photographer.
We see some of the striking shots that Amos has captured over the years: an open jawed leopard seal moments before it’s about to chomp into a penguin in the waters of Antarctica; amazing (and chilling) close-ups of great white sharks; blue whales; anacondas in the Amazon; snow leopards in the Himalayas; a huge crocodile resting on the bottom of an African river, and much more.
The film’s US premiere was July 25 at the San Francisco Jewish Film Festival, with a follow-up screening July 28 and a separate screening in San Rafael on August 2, noted an article earlier this summer in The Times of Israel (In Arctic, polar bear is final frontier for famed Israeli wildlife photographer). Earlier this year, the film debuted at Docaviv in Tel Aviv, with Nachoum attending the screening.
‘“Be calm and collected with wildlife,”’ Nachoum, who was interviewed by The Times of Israel, said in the article. ‘“The biggest mistake all photographers do is be quite aggressive.”’
Nachoum has a fractious relationship with his father. On a visit home, the father belittles his son for not living up to his standards. He wanted his only son to become a carpenter and to settle down with a wife and children.
Another scene shows him on life support systems in a hospital room calling for Amos.
During the 1973 Yom Kippur War, Nachoum served with an elite unit. The experience left him shattered.
“Speaking about his service still left him “very emotional, my hair standing still,” he says in The Times of Israel article. He was also a war photographer in Israel.
He left for the United States shortly after his stint in the army to pursue his dream of becoming an underwater wildlife photographer.
“Calmness is important even when photographing the polar bear – which can include Homo sapiens as part of its diet,” he said in The Times of Israel story, and which Adam Ravetch emphasizes in the film.
A male polar bear can weigh up to 750 kilograms and are exceptional swimmers. “Polar bears usually dive 3 to 4.5 m i.e. 9.8-14.8 feet deep into the cold water of arctic and can hold their breath for Researchers really don’t know that actually how deep can a polar more than three minutes,” says the Zoologist website. “But they estimated that it can dive as deep as 6m i.e. 20 feet.”
Nachoum’s first effort at photographing a polar bear in arctic waters occurred in 2005. It “nearly proved deadly” for him, noted The Times of Israel .
‘“I was scared to death,”’ he said to the reporter. ‘“I was laughing about it, but I was scared. My heart was pounding. Yet, I wanted to do it again.”’
“His second attempt, in 2015, helped Menkin and Nir culminate what they describe as a 10-year odyssey to make the film,” the Israeli newspaper states.
Nachoum and his crew, including, of course, their Inuit guides, have a five day window in which to find and photograph a polar bear in the water.
Their first sighting takes place on Day two. It’s a big male polar bear.
Nachoum is ready to with full scuba gear. He plunges backwards into the icy waters from the side of the boat.
The aggressive bear dives after this camera totting intruder. It’s a heart stopping moment.
The screen goes blank for several seconds. But, Nachoum managed to elude Nanook in the nick of time.
He’s a bit shaken by the experience and disappointed.
Without giving away too much, success is achieved on the final day.
A mother bear and her two large cubs are spotted swimming in the lake. Nachoum dives into the water. It’s a miraculous moment.
The final scene shows Nachoum returning to Israel to visit his father’s gravesite. He places a special gift on the gravestone– a small framed photograph of the three bears taken underwater.
A voice over of the late Canadian poet/musician/novelist, Leonard Cohen, singing his song, Anthem, plays as the credits begin to roll: “There is a crack in everything. That’s how the light gets in.”

The directors agreed to an email interview with this newspaper.
The Jewish Post & News: 1)What were some difficulties involved in making this film?
Menkin: There are two sides to this question. One is technical and the other is psychological / personal. The technical issues were huge– starting with selling a film about a man who is 65 years old and wants to do something that no one ever done before him, and that when HE tried to do it before – he almost got killed.
So prior to the shooting in the Arctic many potential financiers said: “Please keep us posted, it sounds amazing – call us when you come back… alive….”
Then when we finally raised the money, we had to build the whole infrastructure for the production by ourselves. There are no diving clubs over there, no hotels or transportation. We had to ship compressors, ice diving equipment, generators, food, fuel, and so on. I had to fly on nine flights from Israel to the location of the shooting.
Then to live there in the middle of nowhere and to find the right bears and create the opportunity for Amos to get into the water and have a peaceful encounter with these magnificent animals… it is all very complicated.
We could not have done it without ADAM RAVETCH – who is not only the best Arctic Cinematographer in the world (and not only in my opinion), but also has 25 years of experience working with the Inuit people in the high Arctic.
Of course we could not have done it without the Kaludjack family. Two members of the family, Billy and Patrick Kaludjak, who were with us on the shoot, died a year and a half later when their snowmobile broke through the ice.
Our film is dedicated to the memory of these two wonderful human beings, who we had the privilege to know even if it was for a short period of time.
The other difficulty was to get our protagonist open up and talk about things that he kept inside for 40 years. It is always a complicated issue to get someone’s trust; it’s more complicated when it’s on film and it’s even more complicated when your protagonist is one of the best and most famous in his field.

JP&N: How long did it take to film?
Nir: It took us 10 years to get this movie off the ground. It was also how Yonatan and I have met, and started to work on this and DOLPHIN BOY (another of their films). The main reason it took us so long was that we had to raise a feature film budget for a documentary; and we were deferring to go with Amos all the way to the arctic and try to take his picture.

JP&N: Please share some anecdotes/incidents in the making of the Picture of His Life.
Menkin: One day, we left Adam and Billy Kauldjack RIP on a small island, maybe 50 meters by 10 meters with a camera and a drone.
We wanted to get a shot of Amos alone in the water in the empty Arctic sea… we never used that shot in the film BTW (by the way).
We sailed away from them (to allow) Adam to fly the drone back and forth above Amos with no boats in the frame. The time passed, strong winds, maybe 20 minutes (later).
When Adam reported to us that he got the shot, we sailed back to Amos to take him out of the water. He was very cold, so we warmed him up with some hot water and tea when suddenly I hear screaming from the little island.
I looked back terrified. I thought a bear got on the island or something like that, and to my amazement there was no island, literally.
The tide came in very fast and almost drowned Adam and Billy with our expensive gear. We sailed as fast as we could to get them out of there in the very last second.

JP&N: How long have you two been working together?
Nir: After (his first film) 39 POUNDS OF LOVE, I met Yonatan when I was approached by a producer to direct the film about Amos. We joined forces on DOLPHIN BOY and now PICTURE OF HIS LIFE while we both have our own films. Yonatan focuses on documentaries, like MY HERO BROTHER, and I’m writing and directing fiction and docs. We are good friends and both like road trip movies and wanted to give this story all the elements we have in our previous work.

JP&N: What has been the response in Israel to the film?
Menkin: The response is unbelievable. We are in cinemas all over the country, and sold out almost every screening. The story of Amos with the Yom Kippur war is the story of a whole generation.
People love adventures and inspiring human beings who chase their dreams and are fighting their own fears, doubts and inner demons. To my happiness, people in Israel are starting to care about the future of our planet more and more, and our film is also about that. There is something to relate to in our film for everyone.
The most touching feedback to the film was from my eight year old daughter who said, “Abba I liked the film very much. I just didn’t like it when Amos father was yelling at him and I didn’t understand why did you have to include wars in your film?”
I didn’t know how to answer that.

JP&N: Anything else you’d like to add?
Nir: We just premiered PICTURE OF HIS LIFE in North America, and got incredible reviews and standing ovations. We are excited to tour with it around the world (in Canada as well) and spread the message.

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 Gary Golden still rocking after 50 years

By MYRON LOVE Our Jewish community has produced several high profile musicians over the years.  Among more recent stars, the members of Finjan come to mind, as does Ariel Posen  – as well as Danny Greaves, Joey Serlin and Sammy Kohn of the rock band, “The Watchmen.”  Arguably though, no other Jewish musician has hit the heights that Gary Golden has.
“We were all learning to play something,” Golden recalls of his teen years at Grant Park High School.  “Everyone thought the guitar was really cool.”
(A an aside, I recently read an autobiography of the multi-talented Theodore Bikel who noted at one point that, by the early ‘60s, for the first time guitars outsold pianos.)
On Thursday, March 13, Golden and his band, Harlequin, celebrated their 50th anniversary as a band with a sold-out performance at Club Regent.
“It was wonderful,” says the veteran rocker.  “If anyone had told us when we started that we would still be going 50 years later, we probably would have laughed .”
The Golden family (including parents Don and Helen and older sister Darlene) were among the first wave of Jewish families to relocate to south River Heights in the 1950s.  Coming of age in the exuberant 1960s, Golden remembers that everyone his age was immersed in music.
 Golden notes that he learned to play the guitar through trial and error.He recalls that he joined his first band when he was 18.  “A couple of friends from high school were looking for a guitar player to join their band.  Our band played local venues as well as touring throughout the province.”
Through contacts he made in the local music business, Golden got to know the Murphy siblings and David Budzak. Together, they formed what Golden describes as Winnipeg’s “most progressive” band at that time.    Performing under the name Bentwood Rocker, the band toured from Northwestern Ontario to the West Coast.
In1975, Golden and Budzak hooked up with musicians Ralph James  and the late John Hanna – both recently having moved back to
Winnipeg from Toronto – to form a band called Holy Hannah.  The latter were looking for  a guitar and keyboard player – that would be Golden – and a drummer (Budzak).
“After six months, we added another two musicians (one being singer George Belanger another being guitar player Glen Willows) and changed our name to Harlequin,” Golden says.
It has been quite a ride for Golden and Harlequin.
“We gelled,” he recalls.  “We had the right people. And we started touring right away.”
“We were everywhere.  We toured throughout the United States. We were in Venezuela.  We performed in Puerto Rica in front of 35,000 people. We saw more of Canada than most politicians.
 “Everywhere we went, we met a lot of wonderful people.  Music is a universal language. We gave a lot of people a lot of joy.”
Along the way, the band put out six albums and was the subject of a documentary.
Golden reports that Willows and Belanger wrote most of the original material.   “While I contributed some music, I was satisfied playing  guitar,” he notes.
In 1987, however, Gary Golden stepped away from the band.  “I was tired,” he says.  “I also wanted to start a family.  I had seen too many of my colleagues get married and try to have a family life.  Too often, it didn’t work, The odds were against them.”
Golden was able to realize his new goal.  To earn a reasonable living, he first tried real estate. 
“It wasn’t for me,” he says.
He found his niche as a financial planner.  He worked for Investor’s Group for ten years – then moved to the credit union world.
“In the private sector, I found that there was too much of an emphasis on sales,” he observes.  “Working for the credit union, I had more scope to really advise people in terms of prudent investment. That better reflected my values.”
After 20 years or so, Golden notes, and having done reasonably well financially, Golden retired.
In 2007, George Belanger asked Golden to get back into the fray.  The two are the only original members of Harlequin who are still active.
“I said yes and here we are,” the long time guitar player says.
Gary Golden is now in his early 70s and not immune to the vagaries of aging.  “I try to be proactive,” he says.  “I don’t sit.  I work out regularly.  I walk and do the treadmill. And I practice guitar for at least an hour every day.
After 50 years, Golden says that he has no plans to retire any time soon.  “Being on stage is electric,” he notes.  “They may have to carry me off stage.”

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Monitored phone calls and fear of arrest: What life looks like for Iran’s Jews now

An Iranian-Jewish man looks at the ruins of a synagogue destroyed during recent U.S.-Israeli strikes on April 20 in Tehran, Iran. Photo by Majid Saeedi/Getty Images

This story was originally published in the Forward. Click here to get the Forward’s free email newsletters delivered to your inbox.

Amid the war in Iran, one Iranian Jewish woman who lives in the United States, but whose family remains in Iran, has been wracked with fear. Before the ceasefire, she spoke with her parents once a week for exactly one minute — both because of the exorbitant cost, about $50 per minute, and because of the fear of surveillance.

During one call a few days into the war, she said, something felt off.

“I could see that something is so wrong. It’s as if someone was there,” the woman, who moved to the U.S. in 2008, said in an interview with the Forward. “It seemed like my mom was actually reading from a note.”

She later learned that the Islamic Revolutionary Guard Corps had come to her parents’ home, questioning why they frequently called an American number. They instructed her parents to download Bale, an Iranian messaging app widely believed to be monitored by authorities, before making any further calls.

“It’s a spy app, and everyone knows that,” the woman said with a wry laugh. Her parents refused. Instead, they were told to call their daughter and read from a script while IRGC members watched.

“Basically, they said to prove that you are with us and not with Israel, read this when you call her,” the woman said. “After that day, they didn’t call for a long time.”

Eventually, she learned that her parents had fled to a safer part of the country to escape bombardment.

Her family are among the estimated 10,000 Jews who still live in Iran, in the largest Jewish community in the Middle East outside of Israel. Once numbering around 120,000, the community has dwindled significantly since the 1979 Islamic Revolution, when life for religious minorities fundamentally changed. Today, Jews who remain in Iran must carefully navigate life under the regime, publicly expressing loyalty to avoid being falsely accused of Zionist espionage.

Amid Iran’s war with the U.S. and Israel, that pressure has intensified.

With an ongoing internet blackout, communication is limited and closely monitored. To understand what life is like for Iranian Jews today, I spoke with several people in the U.S. who remain in sporadic contact with family members inside Iran. Everyone interviewed requested that they not be identified, fearing repercussions for either themselves or their families.

A synagogue vigil for the Supreme Leader 

On April 16, Tehran’s Yusef Abad synagogue held a memorial for Ayatollah Ali Khamenei, who was killed on the first day of the war. The event was attended and reported on by several state-affiliated media channels, filming as participants from Iran’s Jewish community shared their appreciation for the deceased Supreme Leader.

Inside and around the synagogue, posters featuring photos of Khamenei were displayed alongside Farsi slogans like “Unity of Iran’s faiths against aggression — condemnation of the attack on the Tehran synagogue by the child-killing Zionist regime and criminal America” and “The Jewish faith is separate from Zionism.”

Regime media pointed to the vigil as evidence of Jewish support for Iran’s theocratic government. But experts say that interpretation misses the reality.

Beni Sabti, an Iranian-born analyst at Tel Aviv’s Institute for National Security Studies, said displays like the synagogue vigil are often a matter of survival. Jews who remain in Iran are frequently compelled to demonstrate loyalty to the regime — and opposition to Israel — in order to avoid suspicion of having ties to Israel. Allegations of such ties have often led to imprisonment and executions following the Islamic Revolution in 1979.

To protect the community, Jewish leaders — especially rabbis — often participate in pro-regime events, including memorials for senior regime figures. In some cases, Iranian rabbis have even sat alongside members of Hamas and Hezbollah to pay their respects to senior IRGC commanders responsible for funding and training terror groups across the Middle East.

The regime exerts significant pressure to stage these displays, Sabti said, “because it’s good for them to show the world, ‘You see, we don’t oppress anyone.’”

Beyond public displays, much of Iran’s economy is tied to the state — what officials often describe as a “resistance economy.” In that system, some say, expressions of loyalty can become intertwined with economic survival.

The woman who left Iran in 2008 said one of her relatives was once pressured to confiscate land from dozens of people and transfer it to the government in order to keep his job — a loyalty test she says was especially harsh because of his Jewish identity. “In the job interview, they told him, you have a Jewish background, so you have to first prove how far you will go,” she explained.

Since the 12-Day War between Israel and Iran in June 2025, the situation has grown even more tense. More than 30 Jewish Iranians were reportedly detained during that conflict because of alleged contact with Israel. While some Jewish community members were arrested during the wave of anti-regime protests that occurred at the beginning of the year, Sabti said he has not heard of a similar wave of arrests during the current war.

Still, the fear remains.

Synagogues as shelter

Some Iranian Jews have managed to stay in touch with relatives via landline phones, although calls are expensive and likely monitored. Most avoid discussing politics, using their limited time simply to confirm they are alive.

​“After the 12-Day War, people really didn’t talk on the phone,” said the woman who moved to the U.S. in 2008. “We do talk, it’s not like they literally cannot, it’s just like they realized that the scrutiny was so high that no one has meaningful conversations.”

Even so, fragments of sentiment emerge.

One 25-year-old Iranian Jew from Los Angeles said his Jewish cousins in Iran cried tears of joy when they heard of the Ayatollah’s death.

​He said his great uncle and cousin told him over the phone, “I don’t care, whatever the cost. If you can eliminate Khamenei, if you can eliminate Mojtaba, his son, if you can eliminate any threat… do it.” He added, “Most Persian Jews in Iran are happy, is what I hear.”

Amid the current ceasefire, a 64-year-old Iranian Jewish woman from LA said her Jewish friends in Iran have expressed relief. “They are happy that the situation is calm, but on the other hand, nobody is happy. They all want it to get finished,” she said, adding that they hope for “regime change.”

For Nora, an Iranian Jew living in New York, the war has come at a time of crisis for her family in Iran. She says her aunt has been focused on caring for her son, who is suffering from bone marrow cancer. Because the family keeps kosher, her aunt has had to leave the house — even during bombardments — to ensure he has food and other necessities.

Around three weeks into the war, her house in Tehran was destroyed after a nearby police station was struck. She briefly moved into a local synagogue; now, she lives with another Jewish family who opened their home to her. Her son remains too sick to leave the hospital.

A synagogue destroyed

Nora’s aunt is not the only Iranian Jew to find shelter in a synagogue. Sabti heard from another Jewish family inside Iran that Jewish communities have been using synagogues as bomb shelters throughout the war. He recalled doing the same during his youth at the time of the Iran-Iraq war that began in 1980.

Beyond using the space for physical safety, synagogues have also become a place for Jews to be together during the difficult time. “They come just to gather there, passing the time, meeting and having a little bit better time together,” he said.

​For members of the Rafi’ Nia synagogue, a 150-year-old religious institution in Tehran, this sense of comfort has disappeared. On April 6, the community gathered there for Passover services. The next morning, they learned the building had been destroyed by an Israeli strike.

​The Israel Defense Forces said that the target of the strike was not the synagogue, but rather a top commander from Khatam al-Anbiya, Iran’s military emergency command. But Iranian media suggested that the IDF had intentionally targeted the building. The head of the synagogue made a statement condemning the attacks and wishing the Iranian regime success in the war.

​The woman who immigrated in 2008 had visited the Rafi’ Nia synagogue during Passover around 10 years ago. She described it as a beautiful old building. Seeing images of its destruction brought back painful memories of her family’s past.

She and her family were forcibly converted to Islam around 70 years ago, she said, with one uncle publicly hanged after he refused to convert. Her family continued practicing Judaism in secret — celebrating Shabbat behind locked doors and in her grandmother’s basement, always afraid.

She believes her family became a target for conversion after the synagogue in their area was destroyed, leaving them without formal affiliation to a recognized religious institution. On two occasions, she said, the IRGC raided their home during Jewish holidays, searching for evidence of religious practice. When they found a menorah, her father was detained. “When my dad came back, he was a ghost.” She fears that members of the destroyed synagogue could now face a similar vulnerability.

In Iran, certain religious minorities, including Jews, are constitutionally recognized. But she says that their protection is closely tied to existing institutions.

“When we talk about the lack of protection, it has a very nuanced meaning. In Iran, this doesn’t mean that the synagogues cannot exist, but it means that the existing synagogues are the only legal protection that Jews do have,” she said. “Good luck with rebuilding that place. Good luck with asking for a new synagogue.”

Sabti said the regime has already used the synagogue’s destruction as propaganda, publicly condemning the attack while reinforcing the state narrative of religious inclusion. “The head of the Islamic clerics condemned Israel and paid condolences to the Jews,” he said. “Everyone pays condolences and says, ‘Oh, sorry, we are in this together’ … but everyone knows that the other one also is lying.”

An American Jewish detainee

For one Iranian American Jew, the war has made a dire situation worse.

​Kamran Hekmati, a 70-year-old Iranian American from Great Neck, New York, traveled to Iran in June 2025 and was detained during the 12-Day War. According to advocates, his alleged crime was traveling to Israel 13 years earlier for his grandson’s bar mitzvah.

Kieran Ramsey of the Global Reach advocacy group, who represents Hekmati’s family, said in an interview that Kamran being the Iranian regime’s only Jewish American prisoner puts him in a particularly precarious position. “There can be risk of retribution or reprisals against him at any moment,” Ramsey said, “from prison guards or other prisoners…his identity certainly puts him at higher risk.”

On March 16, almost three weeks into the war, Secretary of State Marco Rubio designated Hekmati as wrongfully detained, a status that allows the federal government to deploy all possible levers — diplomatic, legal, and economic — to secure his release. Ramsey says that change in designation is helpful, but only goes so far.

His organization is now pushing for the release of all American prisoners in Iran to be an integral part of the U.S.-Iran negotiations to end the war.

“Our hope is that Kamran Hekmati and the other Americans that are being held are put to the front of the list in terms of issues to decide, and not as a deal sweetener,” he said adding, “We know the U.S. negotiators have a list of American names. We know Kamran is at the top of that list…. We also know there are some very rational actors inside the regime, and we are trying to convince them that you have a no-cost way to open doors. Use Kamran as that no-cost way.”

The last time the woman who emigrated in 2008 visited Iran was two years ago. Even then, she worried that photos taken of her in the U.S. wearing a Jewish star necklace might draw the regime’s suspicion.

Now, she believes whatever space existed for quiet concessions from the Iranian government to Jews may disappear. The regime’s efforts to retain a firm grip on the Iranian people following January’s massive anti-regime protest wave and the war pose new risks.

“Just because of everything that has happened… I’m sure that any type of like ‘OK, let this go,’ ‘Let this person go,’ will end,” she said.

“Now I know that I could not go back,” she added. “I really feel if the Islamic Republic stays — and they probably have a good chance of staying — I feel like I lost Iran.”

This story was originally published on the Forward.

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‘Don’t give up on us now’: Israel peace summit convenes thousands to aim for elusive progress

A concert featuring pop icon Dana international capped a day of discussion. Photo by Rachel Fink

By Rachel Fink April 30, 2026

This story was originally published in the Forward. Click here to get the Forward’s free email newsletters delivered to your inbox.

TEL AVIV, ISRAEL — On Thursday’s bright, sun-drenched morning during a rare pause in the multi-front war Israel has been locked into for nearly three years, in between the protests, funerals and steady drumbeat of violence and trauma, something decidedly more hopeful was taking place.

In one of the city’s largest conference centers, thousands gathered for the third annual People’s Peace Summit under the banner “It must be. It can be. It will be.” The event was organized by the It’s Time coalition, a partnership of more than 80 grassroots peacebuilding and shared society organizations.

Young activists in T-shirts representing their various causes stood alongside older attendees, some in kippot, others in hijabs. Diplomats in business attire moved through the crowd, as did the handful of Israeli politicians still publicly associated with the peace camp – familiar faces in a political landscape where their ranks have thinned considerably. Outside the main arena, Hebrew mingled with Arabic and English as participants strolled through art installations and an organizational fair showcasing the work of It’s Time’s partners.

While previous events took place at the height of war — while hostages remained in captivity and Gaza endured devastating destruction — this year’s summit unfolded during a fragile lull in fighting, the tenuous ceasefires with Hamas, Hezbollah, and the Islamic Revolutionary Guard Corps allowing, however briefly, for conversations to move beyond issues of immediate survival. Speakers tackled settler violence in the West Bank, looming elections, the immense challenge of rebuilding Gaza and the broader question of how to move Israel and Palestine beyond its default state of perpetual conflict. Inside the packed sessions, the tone was equal parts practical, sober and hopeful.

After a quick coffee break, the thousands of participants came together for an evening of stirring speeches and raucous musical performances. When Israeli pop icon Dana International took the stage with a familiar anthem of peace, the crowd rose to its feet, wrapping their arms around one another and belting out the words.

Despite the joyous atmosphere, the event — and the coalition behind it — is not immune from criticism. Some critiques appear to have been internalized: this year’s programming leaned more heavily into policy, strategy and the hard realities of war than previous gatherings. Other issues remain unresolved. Palestinian participation, while present, was still markedly limited, which organizers attribute largely to government-imposed restrictions on movement rather than a lack of interest. Still, the question of whether a civil society movement like this can translate hope and optimism into concrete political change remains to be seen.

That tension between aspiration and reality extends well beyond Israel. In the United States, support for Israel, particularly among younger American Jews, is waning. A 2024 Pew survey found that fewer than half of American Jews under 30 say they feel “very attached” to Israel, while a JFNA poll released in February 2026, found that just 37% of all American Jews identify as Zionists. Both numbers represent a sharp decline from older generations.

For Shira Ben Sasson, Israel director of the New Israel Fund, it is precisely the peace camp which could hold the answer to this growing disillusionment. If the state itself no longer reflects the values that once anchored many American Jews’ connection to Israel, she suggests, perhaps their more natural partner is the small but determined coalition of Israelis working to change it.

“I appreciate how difficult it is to be a Jew who cares about Israel right now,” she told the Forward as the conference, which New Israel Fund helped support and coordinate, got underway. “People are struggling with what they are seeing — the way Israel is conducting itself. Its policies. They are watching the value set that once connected them so strongly to the Jewish state disappear.”

Her response is one of both reassurance and redirection.

“Thank you for continuing to care,” she said. “But remember — the Israeli government is not your partner. We are. Pro-democracy civil society is your partner. Those of us who are fighting for equality here, for the rights of non-Israeli Jews and the rights of non-Jewish Israelis are your partners. This is where those shared values still live.”

If that message feels unfamiliar to those in the diaspora, Ben Sasson suggests the reason ultimately comes down to lack of exposure.

“We, the Israeli peace camp, need to be in many more places than we are right now,” she said. “We must get the word out that while we might not be the majority here, we are not only growing in number, we are expanding our diversity as well.”

She pointed to the rising number of Orthodox Jews, like herself, who have joined the movement as one example.

Ben Sasson also emphasized that, as with any strong partnership, the relationship must move in both directions. Israeli peace activists, she said, must make themselves more visible to American Jews. But American Jews also need to be willing to open their eyes.

“The mainstream Jewish community has to challenge itself,” she said. “They have to be able to voice their concern for Israeli democracy, for the violence in the occupied territories. And they have to be willing to engage in an honest discussion about peace.”

She is less worried about reaching individuals whose support for Israel may be wavering — many of whom, she believes, will connect with the movement’s vision — than she is about the institutions that have long shaped American Jewish engagement with Israel. Those institutions, she said, have been slow to open themselves to this kind of messaging.

“I think there’s fear,” Ben Sasson explained. “The word ‘peace’ has come to sound political. And once something is labeled political, these legacy institutions don’t want to touch it.”

But that avoidance, she warned, comes at a cost.

“They cannot afford to just stick with the same old stale perception of Israel,” she argued. “If you aren’t willing to talk about the real-life issues that Israelis are facing, you simply won’t be relevant anymore — particularly for the young people in your community.”

“Do not be afraid of controversy,” she added. “Do not be afraid to invite an Arab and a Jew to your event, where there may be disagreement. That’s okay. Struggling and wrestling is a core part of our identity.”

While Ben Sasson contends there is a critical mass of people who are hungry for an alternative way to relate to Israel, the question of feasibility remains; the same question that follows the peace movement inside Israel: Does its growing visibility reflect real political momentum, or is it simply too late to reverse course?

To those who are ready to walk away altogether, Ben Sasson points out that Israel stands to lose not only their support, but also the values and organizing traditions American Jews have long brought to the relationship.

“You’ve helped us achieve so many things in Israel for decades,” she said. “You helped us get a state. And now we need a different kind of support. The Jewish values that you offer — the concept of tikkun olam, which is not at the heart of Israeli Judaism but is at the heart of American Judaism — this is the support you can offer us right now.”

Her final plea was simple.

“Do not give up on Israel,” Ben Sasson said. “There have been so many times when things felt insurmountable and you did not give up on us. Don’t give up on us now.”

Rachel Fink is a Tel Aviv-based journalist covering Israel and the Jewish world. Her work has appeared in Haaretz, The Times of Israel, The Jerusalem Report, and Kveller.

This story was originally published on the Forward.

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