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Israeli Consulate to screen incredible film about Israeli photographer Amos Nachoum – produced by Nancy Spielberg

Israeli underwater photographer
Amous Nachoum (right)
had a lifelong obsession
with photographing polar bears
in their natural environment – underwater!

By BERNIE BELLAN Two and a half years ago we published a story by Martin Zeilig about a new documentary produced by Nancy Spielberg about an incredibly brave Israeli deep sea photographer by the name of Amos Nachoum. From April 22-29 you can watch that amazing documentary at https://youtu.be/TCLUq_4BoFU. Click on Read more to find out about how this film was made and how you can interact with the film’s director, Yonatan Nir on April 29.

 

Here is the information we were sent by the Israeli Consulate in Toronto: “This film follows the journey of world-renowned underwater wildlife photographer Amos Nachoum in his effort to photograph a polar bear up close while swimming with it – an incredibly dangerous and nearly impossible feat – all the while painting a nuanced picture of Nachoum’s complex life and relationships. Nachoum is the only underwater wildlife photographer in the world to attempt (and succeed at) this shoot, with the help of a couple local Inuit. The film also reminds viewers of the disruptions these polar bears experience in their ecosystems due to environmental changes, and stresses the importance of preserving it.”

On April 29 the Consulate will be holding a webinar with Yonatan Nir. Register here: https://bit.ly/3ghPMJY

Here is the story that Martin Zeilig wrote in 2019 about the film and about his interview with the film’s director:PICTURE OF HIS LIFE (Directors: Yonatan Nir and Dani Menkin Hey Jude Productions Playmount Productions– Executive Producer: Nancy Spielberg 2019)
review/interview By Martin Zeilig
At one point in this remarkable and awe-inspiring documentary film, world renowned Israeli wildlife photographer Amos Nachoum is interviewed while sitting on a rock on the barren shores of Baker Lake, Nunavut.
“Believing in yourself, and going on with it, no matter what the obstacle, this all the power of being here. This is life,” the stocky 65 year old says with a deep-seated emotion in his voice, while raising a clinched fist in fierce determination as he shifts his gaze slightly to the camera.
It’s a stirring moment.
The film follows Nachoum in the Canadian Arctic, as he prepares for his decisive challenge- to photograph a polar bear underwater, while swimming alongside it.
“It’s his final remaining photographic dream,” says the film’s publicity material.
As the journey unfolds, so does an intimate and painful story of dedication, sacrifice and personal redemption.
“Amos to me is one of the best ambassadors of the ocean,” Jean Michel Cousteau, the celebrated Oceanographic Explorer, says in an off camera commentary. “He takes huge amount of risks to bring those images, which no one has ever been able to capture.”
“He comes back with images that no one has been able to get,” adds Adam Ravetch, Emmy Award winning cinematographer, who is part of the team filming the documentary. “He is probably the best underwater still photographer in the world.”
Marine biologist Sylvia Earle, the female chief scientist at the National Oceanic and Atmospheric Administration, also attests to Nachoum’s prowess as an underwater wildlife photographer.
We see some of the striking shots that Amos has captured over the years: an open jawed leopard seal moments before it’s about to chomp into a penguin in the waters of Antarctica; amazing (and chilling) close-ups of great white sharks; blue whales; anacondas in the Amazon; snow leopards in the Himalayas; a huge crocodile resting on the bottom of an African river, and much more.
The film’s US premiere was July 25 at the San Francisco Jewish Film Festival, with a follow-up screening July 28 and a separate screening in San Rafael on August 2, noted an article earlier this summer in The Times of Israel (In Arctic, polar bear is final frontier for famed Israeli wildlife photographer). Earlier this year, the film debuted at Docaviv in Tel Aviv, with Nachoum attending the screening.
‘“Be calm and collected with wildlife,”’ Nachoum, who was interviewed by The Times of Israel, said in the article. ‘“The biggest mistake all photographers do is be quite aggressive.”’
Nachoum has a fractious relationship with his father. On a visit home, the father belittles his son for not living up to his standards. He wanted his only son to become a carpenter and to settle down with a wife and children.
Another scene shows him on life support systems in a hospital room calling for Amos.
During the 1973 Yom Kippur War, Nachoum served with an elite unit. The experience left him shattered.
“Speaking about his service still left him “very emotional, my hair standing still,” he says in The Times of Israel article. He was also a war photographer in Israel.
He left for the United States shortly after his stint in the army to pursue his dream of becoming an underwater wildlife photographer.
“Calmness is important even when photographing the polar bear – which can include Homo sapiens as part of its diet,” he said in The Times of Israel story, and which Adam Ravetch emphasizes in the film.
A male polar bear can weigh up to 750 kilograms and are exceptional swimmers. “Polar bears usually dive 3 to 4.5 m i.e. 9.8-14.8 feet deep into the cold water of arctic and can hold their breath for Researchers really don’t know that actually how deep can a polar more than three minutes,” says the Zoologist website. “But they estimated that it can dive as deep as 6m i.e. 20 feet.”
Nachoum’s first effort at photographing a polar bear in arctic waters occurred in 2005. It “nearly proved deadly” for him, noted The Times of Israel .
‘“I was scared to death,”’ he said to the reporter. ‘“I was laughing about it, but I was scared. My heart was pounding. Yet, I wanted to do it again.”’
“His second attempt, in 2015, helped Menkin and Nir culminate what they describe as a 10-year odyssey to make the film,” the Israeli newspaper states.
Nachoum and his crew, including, of course, their Inuit guides, have a five day window in which to find and photograph a polar bear in the water.
Their first sighting takes place on Day two. It’s a big male polar bear.
Nachoum is ready to with full scuba gear. He plunges backwards into the icy waters from the side of the boat.
The aggressive bear dives after this camera totting intruder. It’s a heart stopping moment.
The screen goes blank for several seconds. But, Nachoum managed to elude Nanook in the nick of time.
He’s a bit shaken by the experience and disappointed.
Without giving away too much, success is achieved on the final day.
A mother bear and her two large cubs are spotted swimming in the lake. Nachoum dives into the water. It’s a miraculous moment.
The final scene shows Nachoum returning to Israel to visit his father’s gravesite. He places a special gift on the gravestone– a small framed photograph of the three bears taken underwater.
A voice over of the late Canadian poet/musician/novelist, Leonard Cohen, singing his song, Anthem, plays as the credits begin to roll: “There is a crack in everything. That’s how the light gets in.”

The directors agreed to an email interview with this newspaper.
The Jewish Post & News: 1)What were some difficulties involved in making this film?
Menkin: There are two sides to this question. One is technical and the other is psychological / personal. The technical issues were huge– starting with selling a film about a man who is 65 years old and wants to do something that no one ever done before him, and that when HE tried to do it before – he almost got killed.
So prior to the shooting in the Arctic many potential financiers said: “Please keep us posted, it sounds amazing – call us when you come back… alive….”
Then when we finally raised the money, we had to build the whole infrastructure for the production by ourselves. There are no diving clubs over there, no hotels or transportation. We had to ship compressors, ice diving equipment, generators, food, fuel, and so on. I had to fly on nine flights from Israel to the location of the shooting.
Then to live there in the middle of nowhere and to find the right bears and create the opportunity for Amos to get into the water and have a peaceful encounter with these magnificent animals… it is all very complicated.
We could not have done it without ADAM RAVETCH – who is not only the best Arctic Cinematographer in the world (and not only in my opinion), but also has 25 years of experience working with the Inuit people in the high Arctic.
Of course we could not have done it without the Kaludjack family. Two members of the family, Billy and Patrick Kaludjak, who were with us on the shoot, died a year and a half later when their snowmobile broke through the ice.
Our film is dedicated to the memory of these two wonderful human beings, who we had the privilege to know even if it was for a short period of time.
The other difficulty was to get our protagonist open up and talk about things that he kept inside for 40 years. It is always a complicated issue to get someone’s trust; it’s more complicated when it’s on film and it’s even more complicated when your protagonist is one of the best and most famous in his field.

JP&N: How long did it take to film?
Nir: It took us 10 years to get this movie off the ground. It was also how Yonatan and I have met, and started to work on this and DOLPHIN BOY (another of their films). The main reason it took us so long was that we had to raise a feature film budget for a documentary; and we were deferring to go with Amos all the way to the arctic and try to take his picture.

JP&N: Please share some anecdotes/incidents in the making of the Picture of His Life.
Menkin: One day, we left Adam and Billy Kauldjack RIP on a small island, maybe 50 meters by 10 meters with a camera and a drone.
We wanted to get a shot of Amos alone in the water in the empty Arctic sea… we never used that shot in the film BTW (by the way).
We sailed away from them (to allow) Adam to fly the drone back and forth above Amos with no boats in the frame. The time passed, strong winds, maybe 20 minutes (later).
When Adam reported to us that he got the shot, we sailed back to Amos to take him out of the water. He was very cold, so we warmed him up with some hot water and tea when suddenly I hear screaming from the little island.
I looked back terrified. I thought a bear got on the island or something like that, and to my amazement there was no island, literally.
The tide came in very fast and almost drowned Adam and Billy with our expensive gear. We sailed as fast as we could to get them out of there in the very last second.

JP&N: How long have you two been working together?
Nir: After (his first film) 39 POUNDS OF LOVE, I met Yonatan when I was approached by a producer to direct the film about Amos. We joined forces on DOLPHIN BOY and now PICTURE OF HIS LIFE while we both have our own films. Yonatan focuses on documentaries, like MY HERO BROTHER, and I’m writing and directing fiction and docs. We are good friends and both like road trip movies and wanted to give this story all the elements we have in our previous work.

JP&N: What has been the response in Israel to the film?
Menkin: The response is unbelievable. We are in cinemas all over the country, and sold out almost every screening. The story of Amos with the Yom Kippur war is the story of a whole generation.
People love adventures and inspiring human beings who chase their dreams and are fighting their own fears, doubts and inner demons. To my happiness, people in Israel are starting to care about the future of our planet more and more, and our film is also about that. There is something to relate to in our film for everyone.
The most touching feedback to the film was from my eight year old daughter who said, “Abba I liked the film very much. I just didn’t like it when Amos father was yelling at him and I didn’t understand why did you have to include wars in your film?”
I didn’t know how to answer that.

JP&N: Anything else you’d like to add?
Nir: We just premiered PICTURE OF HIS LIFE in North America, and got incredible reviews and standing ovations. We are excited to tour with it around the world (in Canada as well) and spread the message.

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Features

MyIQ: Supporting Lifelong Learning Through Accessible Online IQ Testing

Strong communities are built on education, curiosity, and meaningful conversation. Whether through schools, cultural institutions, or family discussions at the dinner table, intellectual growth has always played a central role in local life. Today, digital tools are expanding the ways individuals explore personal development — including the ability to assess cognitive skills online.

One such platform is MyIQ, an online service that allows users to take a structured IQ test and receive detailed results. As more people seek accessible educational resources, platforms like MyIQ are becoming part of broader conversations about learning, intelligence, and personal growth.

Why Cognitive Self-Assessment Matters in Local Communities

Education as a Community Value

Across many communities, education is viewed not simply as academic achievement, but as a lifelong commitment to learning. Parents encourage curiosity in their children. Students strive for academic excellence. Adults pursue professional growth or personal enrichment.

Cognitive assessment tools offer a structured way to reflect on skills such as:

  • Logical reasoning
  • Numerical understanding
  • Pattern recognition
  • Verbal analysis

These are foundational abilities that influence academic performance and everyday problem-solving.

Encouraging Constructive Dialogue

Online discussions about intelligence often spark meaningful reflection. When handled responsibly, IQ testing can serve as a starting point for conversations about:

  1. Study habits
  2. Educational opportunities
  3. Strengths and challenges
  4. The balance between genetics and environment

MyIQ fits into this dialogue by providing structured results and transparent explanations.

What Is MyIQ?

MyIQ is an online IQ testing platform designed to measure reasoning abilities across multiple cognitive domains. Unlike casual internet quizzes, MyIQ presents an organized testing experience followed by contextualized reporting.

A public Reddit discussion that references the platform can be viewed here: MyIQ

In this thread, users openly discuss their results and reflect on possible influences such as family background and personal development. The transparency of this conversation highlights organic engagement and reinforces the platform’s credibility.

How the MyIQ Test Is Structured

Multi-Domain Assessment

MyIQ evaluates intelligence across several structured areas:

Logical Reasoning

Assesses the ability to analyze information and draw conclusions.

Mathematical Reasoning

Measures comfort with numbers, sequences, and quantitative logic.

Pattern Recognition

Evaluates the ability to detect visual or numerical relationships.

Verbal Comprehension

Tests interpretation and understanding of written material.

This approach ensures that results are not based on a single narrow skill set but on a broader cognitive profile.

Clear and Contextualized Results

After completing the assessment, users receive:

  • An overall IQ score
  • Percentile ranking
  • Explanation of score range
  • Identification of stronger and weaker domains

For individuals unfamiliar with IQ metrics, percentile ranking offers helpful context. Instead of viewing a number in isolation, users can understand how their results compare statistically.

Such clarity supports responsible interpretation and reduces misunderstanding.

Comparing MyIQ to Informal IQ Quizzes

FeatureMyIQInformal Online Quiz
Structured CategoriesYesOften Random
Percentile ExplanationIncludedRare
Balanced ReportingYesMinimal
Community DiscussionActiveLimited
Professional PresentationYesVaries

For readers interested in credible digital services, this structured approach stands out.

Responsible Use of IQ Testing

It is important to emphasize that IQ scores represent specific cognitive abilities measured under standardized conditions. They do not define:

  • Character
  • Work ethic
  • Creativity
  • Compassion
  • Community involvement

Many successful individuals contribute meaningfully to their communities regardless of standardized test scores. MyIQ presents results as informational tools rather than labels, encouraging thoughtful reflection.

The Role of Community Feedback

Trust in digital services increasingly depends on transparent user experiences. The Reddit thread linked above demonstrates:

  • Voluntary sharing of results
  • Open questions about interpretation
  • Constructive discussion about intelligence and background
  • Honest reflection on expectations

Such dialogue aligns with community values that prioritize conversation and shared understanding.

When users openly analyze their experiences, it adds authenticity beyond promotional claims.

Who Might Benefit from MyIQ?

Students

Students preparing for academic milestones may find value in understanding their reasoning strengths.

Parents

Parents curious about cognitive development may use structured assessments as conversation starters about learning habits.

Professionals

Adults seeking self-improvement can use IQ testing as one of many personal development tools.

Lifelong Learners

Individuals who enjoy intellectual exploration may simply appreciate structured insight into how they process information.

Digital Tools and Modern Learning

Community life increasingly intersects with technology. From online education platforms to digital libraries, accessible learning resources are expanding opportunities.

MyIQ fits into this landscape by offering:

  1. Online accessibility
  2. Clear and structured format
  3. Immediate feedback
  4. Transparent reporting

This accessibility allows individuals to explore cognitive assessment privately and thoughtfully.

Intelligence: Genetics and Environment

The Reddit discussion highlights a common question: how much of intelligence is influenced by genetics versus environment?

While scientific research suggests both play roles, IQ testing should not be viewed as deterministic. Education quality, nutrition, mental stimulation, and life experiences all contribute to cognitive development.

MyIQ does not claim to define destiny. Instead, it offers a snapshot — a moment of measurement within a broader life journey.

Final Thoughts: MyIQ as a Tool for Reflection

Communities thrive when curiosity is encouraged and learning is valued. In this spirit, structured self-assessment tools can serve as part of a healthy intellectual culture.

MyIQ provides an organized, transparent, and discussion-supported approach to online IQ testing. With contextualized results and visible community dialogue, the platform demonstrates credibility and accessibility.

For readers interested in exploring their reasoning abilities — whether for academic, professional, or personal reasons — MyIQ offers a modern digital option aligned with the principles of education, reflection, and lifelong growth.

Used thoughtfully, it becomes not a label, but a conversation starter — one that supports curiosity, awareness, and continued learning within any engaged community.

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Features

A Thousand Miracles: From Surviving the Holocaust to Judging Genocide

By MARTIN ZEILIG Theodor Meron’s A Thousand Miracles (Hurst & Company, London, 221 pg., $34.00 USD) is an uncommon memoir—one that links the terror of the Holocaust with the painstaking creation of the legal institutions meant to prevent future atrocities.
It is both intimate and historically expansive, tracing Meron’s path from a child in hiding to one of the most influential jurists in modern international law.
The early chapters recount Meron’s survival in Nazi occupied Poland through a series of improbable escapes and acts of kindness—the “miracles” of the title. Rendered with restraint rather than dramatization, these memories form the ethical foundation of his later work.
That moral clarity is evident decades later when, on the seventy-fifth anniversary of the liberation of Auschwitz, he addressed the UN General Assembly and reminded the world that “the German killing machine did not target Jews only but also the Roma, Poles, Russians and others,” while honoring “the Just—who risked their lives to save Jews.” It is a moment that encapsulates his lifelong insistence on historical accuracy and universal human dignity.
What sets this memoir apart is its second half, which follows Meron’s transformation into a central architect of international humanitarian law. Before entering academia full time, he served in Israel’s diplomatic corps, including a formative posting as ambassador to Canada in the early 1970s. Ottawa under Pierre Trudeau was, as he recalls, “an exciting, vibrant place,” and Meron’s responsibilities extended far beyond traditional diplomacy: representing Israel to the Canadian Jewish community, travelling frequently to Toronto, Montreal, and Vancouver, and even helping to promote sales of Israeli government bonds. His affection for Canada’s cultural life—Montreal’s theatre, Vancouver’s “stunning vistas”—is matched by his candor about the political pressures of the job.
One episode proved decisive.
He was instructed to urge Canadian Jewish leaders to pressure their government to move the embassy from Tel Aviv to Jerusalem—a request he found ethically questionable. His refusal provoked an attempt to recall him, a move that reached the Israeli cabinet. Only the intervention of Finance Minister Pinhas Sapir, who valued Meron’s work, prevented his dismissal. The incident, he writes, left “a fairly bitter taste” and intensified his desire for an academic life—an early sign of the independence that would define his legal career.
That independence is nowhere more evident than in one of the most contentious issues he faced as legal adviser to the Israeli Foreign Ministry: the legal status of Israeli settlements in the occupied West Bank. Meron recounts being asked to provide an opinion on the legality of establishing civilian settlements in territory captured in 1967.
His conclusion was unequivocal: such settlements violated the Fourth Geneva Convention as well as the private property rights of the Arab inhabitants. The government chose a different path, and a wave of settlements followed, complicating prospects for a political solution. Years later, traveling through the West Bank, he was deeply troubled by the sight of Jewish settlers obstructing Palestinian farmers, making it difficult—and at times dangerous—for them to reach their olive groves, even uprooting trees that take decades to grow.
“How could they impose on Arab inhabitants a myriad of restrictions that did not apply to the Jewish settlers?” he asks. “How could Jews, who had suffered extreme persecution through the centuries, show so little compassion for the Arab inhabitants?”
Although he knew his opinion was not the one the government wanted, he believed firmly that legal advisers must “call the law as they see it.” To the government’s credit, he notes, there were no repercussions for his unpopular stance. The opinion, grounded in human rights and humanitarian law, has since become one of his most cited and influential.
Meron’s academic trajectory, detailed in the memoir, is remarkable in its breadth.
His year at the Max Planck Institute in Heidelberg (1984–85) produced Human Rights Law–Making in the United Nations, which won the American Society of International Law’s annual best book prize. He held visiting positions at Harvard Law School, Berkeley, and twice at All Souls College, Oxford.
He was elected to the Council on Foreign Relations in 1992 and, in 1997, to the prestigious Institute of International Law in Strasbourg. In 2003 he delivered the general course at the Hague Academy of International Law, and the following year received the International Bar Association’s Rule of Law Award. These milestones are presented not as selfpromotion but as steps in a lifelong effort to strengthen the legal protections he once lacked as a child.
His reflections on building the International Criminal Tribunal for the former Yugoslavia (ICTY)—balancing legal rigor with political constraints, and confronting crimes that echoed his own childhood trauma—are among the book’s most compelling passages. He writes with unusual candor about the emotional weight of judging atrocities that, in many ways, mirrored the violence he narrowly escaped as a boy.
Meron’s influence, however, extends far beyond the Balkans.
The memoir revisits his confidential 1967 legal opinion for the U.S. State Department, in which he concluded that Israeli settlements in the territories occupied after the Six Day War violated international humanitarian law—a view consistent with the opinion he delivered to the Israeli government itself. His distress at witnessing settlers obstruct Palestinian farmers and uproot olive trees underscores a recurring theme: the obligation of legal advisers to uphold the law even when politically inconvenient.
The book also highlights his role in shaping the International Criminal Court (ICC). Meron recalls being “happy and excited to be able to help in the construction of the first ever permanent international criminal court” at the 1998 Rome Conference.
His discussion of the ICC’s current work is characteristically balanced: while “most crimes appear to have been committed by the Russians” in Ukraine, he notes that “some crimes may have been committed by the Ukrainians as well,” underscoring the prosecutor’s obligation to investigate all sides.
He also points to the ICC’s arrest warrants for President Putin, for Hamas leaders for crimes committed on October 7, 2023, and for two Israeli cabinet members for crimes in Gaza—examples of the Court’s mandate to pursue accountability impartially, even when doing so is politically fraught.
Throughout, Meron acknowledges the limitations of international justice—the slow pace, the uneven enforcement, the geopolitical pressures—but insists on its necessity. For him, law is not a cureall but a fragile bulwark against the collapse of humanity he witnessed as a child. His reflections remind the reader that international law, however imperfect, remains one of the few tools available to restrain the powerful and protect the vulnerable.
The memoir is also a quiet love story.
Meron’s devotion to his late wife, Monique Jonquet Meron, adds warmth and grounding to a life spent confronting humanity’s darkest chapters. Their partnership provides a counterpoint to the grim subject matter of his professional work and reveals the personal resilience that sustained him.
Written with precision and modesty, A Thousand Miracles avoids selfaggrandizement even as it recounts a career that helped shape the modern architecture of international justice.
The result is a powerful testament to resilience and moral purpose—a reminder that survivors of atrocity can become builders of a more just world.

Martin Zeilig’s Interview with Judge Theodore Meron: Memory, Justice, and the Life He Never Expected

In an email interview with jewishpostandnews.ca , the 95 year-old jurist reflects on survival, legacy, and the moral demands of international law.
Few figures in modern international law have lived a life as improbable—or as influential—as Judge Theodore Meron. Holocaust survivor, scholar, adviser to governments, president of multiple UN war crimes tribunals, Oxford professor, and now a published poet at 95, Meron has spent decades shaping the global pursuit of justice. His new memoir, A Thousand Miracles, captures that extraordinary journey.
He discussed the emotional challenges of writing the book, the principles that guided his career, and the woman whose influence shaped his life.
Meron says the memoir began as an act of love and remembrance, a way to honor the person who anchored his life.
“The critical drive to write A Thousand Miracles was my desire to create a legacy for my wife, Monique, who played such a great role in my life.”
Her presence, he explains, was not only personal but moral—“a compass for living an honorable life… having law and justice as my lodestar, and never cutting corners.”
Reflecting on the past meant confronting memories he had long held at a distance. Writing forced him back into the emotional terrain of childhood loss and wartime survival.
“I found it difficult to write and to think of the loss of my Mother and Brother… my loss of childhood and school… my narrow escapes.”
He describes the “healing power of daydreaming in existential situations,” a coping mechanism that helped him endure the unimaginable. Even so, he approached the writing with restraint, striving “to be cool and unemotional,” despite the weight of the memories.
As he recounts his life, Meron’s story becomes one of continual reinvention—each chapter more improbable than the last.
“A person who did not go to school between the age of 9 and 15… who started an academic career at 48… became a UN war crimes judge at 71… and became a published poet at the age of 95. Are these not miracles?”
The title of his memoir feels almost understated.
His professional life has been driven by a single, urgent mission: preventing future atrocities and protecting the vulnerable.
“I tried to choose to work so that Holocausts and Genocides will not be repeated… that children would not lose their childhoods and education and autonomy.”
Yet he is cleareyed about the limits of the institutions he served. Courts, he says, can only do so much.
“The promise of never again is mainly a duty of States and the international community, not just courts.”
Much of Meron’s legacy lies in shaping the legal frameworks that define modern international criminal law. He helped transform the skeletal principles left by Nuremberg into robust doctrines capable of prosecuting genocide, crimes against humanity, and wartime sexual violence.
“Fleshing out principles… especially on genocide, crimes against humanity and especially rape.”
His work helped ensure that atrocities once dismissed as collateral damage are now recognized as prosecutable crimes.
Even with these advances, Meron remains realistic about the limits of legal institutions.
“Courts tried to do their best, but this is largely the duty of States and their leaders.”
Justice, he suggests, is not only a legal project but a political and moral one—requiring courage from governments, not just judges.
Despite witnessing humanity at its worst, Meron refuses to surrender to despair. His outlook is grounded in history, tempered by experience, and sustained by a stubborn belief in progress.
“Reforms in the law and in human rights have often followed atrocities.”
He acknowledges that progress is uneven—“not linear,” as he puts it—but insists that hope is essential.
“We have ups and downs and a better day will come. We should work for it. Despair will not help.”
Judge Theodore Meron’s life is a testament to resilience, intellect, and moral clarity.
A Thousand Miracles is not simply a memoir of survival—it is a record of a life spent shaping the world’s understanding of justice, guided always by memory, principle, and the belief that even in humanity’s darkest hours, a better future remains possible.

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Gamification in Online Casinos: What Do Casino Online DudeSpin Experts Say

Gamification is one of the trends in modern game development. The technology allows players to interact with in-game elements and complete various tasks to earn additional rewards. Sites like casino online DudeSpin are eager to explore new technologies. Canadian players are particularly drawn to gamification for the opportunity to test their skills and have fun. Various development approaches allow for the implementation of much of this functionality already at this stage of development.
Core Elements of Gamification
Gamification is a technology that implements various elements to increase player attention. This mechanic not only attracts new users but also increases the time spent playing. This method rewards the most active players and also uses interactive elements that evoke certain associations and habitual actions.
Gamification elements include:
Achievement systems. Players earn special points and rewards for achieving certain goals. For example, unlocking a new level awards points and free spins on slot machines.
Leaderboards. Competitive rankings increase player attention and encourage active betting. Furthermore, healthy competition between participants improves their overall performance.
Progressive mechanics. Players consistently achieve higher results, which unlock additional privileges. Constant progression creates the effect of maximum engagement and attention to the user’s personality.
Challenges. Special quests and daily missions help players feel needed, and a structured goal system encourages active betting.
Sites like casino online DudeSpin utilize all these components to make players feel part of a unified, evolving system.
Psychological Appeal of Gamification
The key to gamification’s success is that every player wants to feel special and appreciated. A reward system stimulates dopamine, which creates additional rewarding gameplay experiences. This is how sites like casino online DudeSpin retain a loyal audience and build a strong community.

Stable player progress serves as a motivation to continue betting and unlocking new achievements. Furthermore, a certain level on the leaderboard provides an opportunity to showcase your skills and connect with others at your level. Personalized offers enhance the effect of this uniqueness, encouraging more active betting in games. Structured goals and achievements help players manage their time spent active, focusing only on activities that truly benefit them.
Canadian Perspective on Gamified Casino Experiences
Canadian casinos are using gamification techniques for a reason. They’re developing a legal and modern market that appeals to local audiences. Furthermore, operators like casino online DudeSpin operate in compliance with local laws, which fosters trust.

Another reason for gamification’s popularity is the localization of content. All games, prizes, and tournaments are tailored to the local market. A loyal community communicates in a clear language and interacts according to audience preferences.

Many casinos also integrate responsible options to help players manage their deposits and avoid overspending. This structure makes gamification attractive.
Finally, gamification is already a traditional element of gameplay in Canadian casinos, attracting new audiences and increasing loyalty among existing ones.

Technology evolves alongside new opportunities, and operators strive to offer the best benefits to their most active players. This interaction makes gamification a viable solution for gamblers. Leaderboards, achievements, and adaptive features are particularly popular with Canadian users due to their personalization.

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