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Local artist Randy Heidinger also offers specialized home repair service

By MYRON LOVE I last interviewed Rand Heidinger something like 30 years ago. Thus, it was nice to be able to catch up with the local artisan and learn how his career has evolved.
“Most people who know me think of me as an artist,” says Heidinger. “But I offer much more. I have developed what I consider a boutique business model. Repairing and restoring damaged and sentimental items I akin to a cosmetic surgeon.”
He notes that he is often called in when the client doesn’t know who else to turn to to fix a problem. “I get a lot of calls from moving companies and contractors,” he points out. “Maybe the movers scratched the wall or floor or chipped some furniture. I can fix the problem in a way that will make everyone concerned happy.”
He adds that he doesn’t consider himself a handyman. Coming out to fix one’s loose gate latch or painting a peeling gutter is not what his wheel house is about.
“My thing is to be superfocused on the issue and make what was damaged look new again,” he says.
One project he took on, for example, was an art collector who had an addition built onto his house to showcase his collection. The addition had a corrugated metal ceiling. “When the electricians installed the pot lightsthey butchered the ceiling by cutting circles for the lights,” Heidinger recounts. “The contractor called me in and I came up with a solution which didn’t require a brand new ceiling. I did the work myself. Everyone was satisfied.”
He tells of another project wherein movers managed to shatter the ornate cast metal legs of a marble table. “The legs were made of zinc, so I couldn’t weld them back on,” Heidinger recalls. “I figured out a way to rebuild them and re-attach them so that they looked just like the original legs and were a lot stronger.
“I have always had a curious interest in researching the many compounds, adhesives, fillers and more in order to be able to do the restorative work that I do,” he notes.
He will also tackle projects if the challenge attracts him. One job he is currently working on is the restoration of a set of damaged tiles that were created to honour the Dutch Resistance after World War II and commemorate the Dutch liberation.
“I like learning about the back story of some of the articles I work on,” he says. “The tiles were created in secret to honour Dutch liberation.”
And, not only is he repairing the tiles but he will also be mounting them in a way that will be a museum quality display.
Heidinger demonstrated his ability to improvise relatively early in life. Having left school at 17, his first job was working for relatives who operated a gallery showing abstract and contemporary works – in the early 1980s. “I first started out working for my uncle in the construction business he was operating,” the future artisan recalls.
“At the time, the gallery was having the framing for its paintings done by an outside company. My uncle wanted to have it done inhouse. He offered me the job. I ended up teaching myself the art of custom picture framing.”
Heidinger had already started painting, so framing for the gallery presented him with the opportunity to interact with potential buyers for his own works of art. “People would come in and notice my work. I learned how to communicate with clients, and satisfy their needs and wants,” he recalls. “Our gallery also offered to hang the pieces we sold. So I learned that skill as well.”
His restoration service, he notes -which he began 15 years ago, grew out of his art hanging for clients. “I would be hanging a piece and the client might mention a table that was scratched or a ceramic keepsake that was broken. I would offer to see what I could do. I kept taking on these side projects and it grew into a business. My clients have the peace of mind dealing directly with me on a project from start to finish.
“I get satisfaction out of helping people who are in a panic and restoring their peace of mind.”
To see the wide range of Randy’s problem solving solutions, go to CreativeFixer.com

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100-year-old Lil Duboff still taking life one day at a time

Lil Duboff (front row centre) surrounded by family at her 100th birthday party

By MYRON LOVE Last march, Lil Duboff celebrated her 100th birthday in a low key manner.
“I have always been a laid back kind of person,” says the Shaftesbury retirement home resident. “I just celebrated with my family.”
Lil Duboff’s life journey began in Russia in 1925. “I was six months old when we came to Winnipeg,” she says.  “Most of my extended family had come before.  We were supposed to leave Russia at the same time, but my mother was pregnant with me and my parents waited until after I was born.”
The former Lil Portnoy, the daughter of Hy and Pessie, grew up the youngest of five siblings in a large and loving family in the old north end Jewish community. Upon his arrival in Winnipeg, her father, Hy, joined his father, Jack, and his brothers, Nathan and Percy, in the family business, Perth’s Cleaners, which was established in 1914.
Following the education path of most Jewish Winnipeggers in the period between the wars and into the 1950s, Duboff started her schooling at Peretz School – although she attended William Whyte School for most of her elementary schooling, supplemented by evening classes at Peretz School – followed by Aberdeen School and St. John’s Tech for high school.
The family, she recalls, belonged to the Beth Jacob Synagogue on Selkirk Avenue.  
After completing high school, Duboff took a business course and joined the workforce. She first worked at Perth’s, then Stall’s, and lastly, Silpit Industries – which was owned by Harry Silverberg. (Harry Silverberg was one of the wealthier individuals in our community and a community leader who contributed generously to our communal institutions.)   
It was while working at Silpit Industries that Lil Portnoy met Nathan Duboff.  “Nathan worked in the shipping department,” she recalls.  “We dated for three or four years before getting married.”
They wed in 1953 at the Hebrew Sick Hall on Selkirk Avenue. The bride was pregnant soon after and quit work to look after her family. The couple had three children: Chuck, Neil and Cynthia.
The family lived in the Garden City area. While Nathan continued to work for Harry Silverberg for a time – at his Brown and Rutherford lumber business, he later moved to Portage Lumber as sales manager, and then Dominion Lumber, finally retiring as sales manager for McDermot Lumber in 1995.
During those years Lil did what many married Jewish women did and put her time in as a volunteer with different Jewish organizations.  She served as president of the Chevra Mishnayes Congregation sisterhood and the ORT chapter to which she belonged. She also volunteered with B’nai B’rith Women and Jewish Child and Family Service.  
Her leisure activities included playing mahjong with friends and enjoying – with Nathan – the ballet and the symphony.  There were also all the holiday gatherings with the extended family and summers spent at the family cottage in Gimli.
In the mid-1980s, Lil and Nathan sold their Garden City home and moved to a condo on Cambridge in the south end.  After Nathan’s sudden passing in 2003, Lil continued living at Cambridge Towers until three years ago when her declining physical health required her to move into assisted living at the Shaftesbury.
 While Lil Duboff suffers from many of the complaints of old age, such as limited eyesight and hearing, and other health issues, she retains a clear and positive frame of mind. She appreciates that her children all still live in Winnipeg and visit frequently. She happily reports that she also has five grandchildren and three great-grandchildren.
“It’s different living here (at the Shaftesbury),” she observes.  “I don’t see as many people as I used to. But I am accepting my limitations and take life one day at a time.  You never know what tomorrow might bring.”

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The First Time: A Memoir

David Topper

By DAVID R. TOPPER Nearly every life has a series of “first times,” no matter how long or short one lives. The first day of school, or the first bicycle – these quickly come to mind. Probably because of the deep and wide reading I’ve been doing for a story I wrote, I recalled another “first” in my life. It came to me with the same chill up my spine as on the day it happened. And that was long ago.
I’m now into my early 80s and this event is from the late 1960s when I was finishing my PhD, which required that I pass a second language test. It was the last essential test, since I was finishing up my dissertation. In the early 1960s, as an undergraduate, I had taken German for the language requirement and naturally I opted for German for the graduate requirement too. Relevant here is the fact that of all the undergraduate courses I took, the only subject for which I had poor grades was – you guessed it? – German, where I got less than As and Bs.
On the day appointed, I walked across campus to the German department and took the test. The task was to translate a page of text. I can’t recall the content or anything about it. But the result was sent to me and – I suppose not surprisingly – I didn’t pass. I was informed that I could make an appointment with a member of the department to go over the test and to get some tutoring to help me prepare for another try.
But where is the “first in my life” that this memoir is all about? As said above, I only recently recalled this “first.” The trigger was a newscast that Yale University professor Timothy Snyder was moving to the University of Toronto because of the recent presidential elections in the USA. This caught my attention because his monumental book, Black Earth, on the Holocaust in the shtetls of Eastern Europe during World War II, was so crucial to that story I wrote. Thus, my subconscious kicked in and that newscast led me back to when I met the tutor.
Frankly, I don’t remember much about that day. Not the time of year, or the weather. Except that I again walked across campus, this time to meet my German tutor. Even so, I only remember three things about the tutor – beyond the fact that it was woman. She was much older than me and she spoke with a thick accent.
We sat at a table, she to my left, and in front of us on the table was my translation sheet covered with corrections in red; the original German text was beside it, to the right. Slowly she went over my translation, pointing out my mistakes. I sat, focusing on what I did wrong and listening to her suggestions for what I should have done – when, for a brief moment, she reached across my sheet to point to a German word in the original text. With her left hand and her bare arm right in front of me – I saw something on the underside of that arm.
At the time, I knew about this. I had read about it. But back in the late 1960s I had never seen it for real – in the flesh. Really. Yes, “in the flesh” isn’t a metaphor. Indeed, I’m getting the same chill now just thinking about it, as I did when I saw it – for the first time.
On the inside of that arm, she had a tattoo – a very simple tattoo – just a five-digit number. Nothing else.
I was so rattled by this that I couldn’t focus on what she was saying anymore. The tattoo blurred out much of everything else for the rest of the day.
Fortunately, this happened near the end of our meeting, and I apparently absorbed enough of her help so that when I did take the test the second time – I passed. And here I am: a retired professor after many years of teaching.
Even today, that first tattoo is still seared in my mind. Oh, and that’s the third thing I’ll always remember about the tutor who helped me pass that key test on the road to my PhD.

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Features

Japanese Straightening/Hair Rebonding at SETS on Corydon

Japanese Straightening is a hair straightening process invented in Japan that has swept America.

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