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Prince and the Jews: The late rock star’s best Jewish friend tells all in new memoir

Neal Karlen
Neal Karlen (right) and cover
of his book about Prince

By STEPHEN SILVER
(JTA) — In the late 1960s, when Neal Karlen was not even 10 years old, he would spend time at the home of his grandparents, one of the few Jewish families that remained on the north side of Minneapolis. Karlen would play basketball and ride bikes with a group of African-American kids who lived in the neighborhood. One of them, he later realized, was a young Prince Rogers Nelson.

The two men would reconnect in the early 1980s, when Karlen was a magazine journalist and Prince one of the world’s most famous rock stars. Karlen wrote three Rolling Stone cover stories about the singer, some of them published at times when Prince wasn’t speaking to any other reporters. Karlen went on to collaborate with Prince on the 1994 direct-to-video rock opera “3 Chains o’ Gold” — which Karlen notes received “the worst reviews of anything [Prince] ever did” — and was eventually hired to write the singer’s “final testament,” which was said to have been buried in a time capsule on the grounds of Paisley Park, Prince’s legendary home and production facility southwest of Minneapolis.
“We were very similar, except that he was an international icon and I was some schmuck from St. Louis Park,” Karlen told the Jewish Telegraphic Agency.

Long after they stopped working together, Karlen and Prince remained in contact, speaking for the final time just weeks before Prince’s death in 2016 at the age of 57. Now, Karlen has published “This Thing Called Life: Prince’s Odyssey, On and Off the Record,” a memoir of his relationship with the enigmatic superstar.
“I was taking notes all the time,” Karlen said of the last years of his friendship with Prince. “But I didn’t know what it was for.”

What it was for turned out to be a mournful remembrance that provides new insight into the torments and mysteries of one of the most successful popular musicians of modern times. It also details a surprising number of connections between Prince and Judaism.
Prince had several Jews in his close circle, including several members of his best-known band, The Revolution. He was interested in a long list of Jewish subjects, including golems, dybbuks and the gangster Meyer Lansky. He was a huge fan of the television show “Seinfeld” and “The Big Lebowski,” the cult film in which John Goodman plays a Jewish Vietnam veteran who famously refuses to bowl on the Jewish sabbath. And Prince tagged along for meetings with rabbis conducted as part of Karlen’s research for his books.
“He liked Jews,” said Karlen, 60, who has authored several books with Jewish themes. “He did. Half the Revolution was Jewish. The guy who discovered him, Owen Husney, was Jewish. Mo Ostin and Lenny Waronker, who he really liked, his guys at Warner Brothers, were Jewish. He knew Jews, he liked them.”

But there was at least one ugly moment in Prince’s history with Jews, which Karlen discusses in the book: In the early 2000s, when a Revolution reunion was being proposed, Prince is said to have asked Wendy Melvoin, a key member of his band in the 1980s, to renounce her Judaism. Prince confirmed to Karlen that this was true.
“He may have just been just being an asshole that day,” Karlen says. “He could hurt people, and not realize it …. he just didn’t get that you shouldn’t turn your back on the people who love you. And I think those are the people who did love him, and why he really was alone at the end.”

The author of eight other books, Karlen couldn’t bring himself to listen to the tapes of his conversations with Prince for a long time after the singer’s death. Instead, he spent a year reading what others had written about Prince — everything except his own notes.
In the time between Prince’s death and the publication of the book, Karlen himself went through a great deal of personal trauma. His father died last September, and in April of 2017, nearly a year to the day after Prince’s death, he lost nearly all of his possessions in a fire. Luckily for him, the audio of his old interviews with Prince and other notes had been digitized just weeks earlier.
“I lost everything but my Prince stuff,” he said.

Karlen notes repeatedly in the book that Prince was very much unknowable, even to those who were close to him. Though he had long been vocal about hating drugs and even looked down on those who used them, Prince privately battled an opioid dependency that would eventually kill him. And like fellow Minnesotan Bob Dylan, he made a habit of saying things to the press about his upbringing that were contradictory or even outright untrue.
“He was inventing himself,” Karlen said. “The easiest way to reinvent yourself is to pretend you had no past.”

Karlen’s book also explores how Prince was shaped by the “Minnesota nice” stereotype of mild manners and passive aggression and how the state can often be an inhospitable place to those outside the dominant Scandinavian culture. Much of the music legend’s life was marred by his hostile relationship with his father and the death of his only child in 1996 — a tragedy, Karlen convincingly argues, Prince never really got over. Prince also had strained relationships with band members and his family, and he ended up dying alone at Paisley Park — the exact fate he had long feared.
“It breaks my heart, because I really did like him as a guy, but he was broken,” Karlen said. “I think his father did it, and I think it broke him as a human being, but it also sort is what propelled him into the next stratosphere…. I just wish he’d been happier more often.”

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What is the return on investment of US military spending on Israel?

By GREGORY MASON A recurring theme of Israel’s critics is that were it not for US spending on its war machine, it would be unable to wage genocide. I will leave the genocide issue (sic, I mean non-issue) aside as it has been well covered here and here.

Of course, right now (March 11), the war is going well for Israel and the US. In fact, the Israeli and American air forces are showing a level of coordination enabled by decades of close cooperation between the two militaries. I recall a conversation with an IDF colonel, the commander of a base near Eilat, in 2010, during a mission that gave participants access to high-level military briefings. Tensions between Israel and the US had soured, as they periodically do, and I asked whether this ebb and flow in political posturing affected military operations. The colonel said political leaders come and go, but the cooperation between the Israeli and American militaries is very tight. To quote him, “they need us as much as we need them. We are their eyes and ears in this part of the world.”

Many on both the right and left call for the US to disengage from Israel, especially with respect to defence spending. First, let us look at facts.

Table 1 readily shows the impact of the war in Ukraine, with Russia’s spending also reflecting wartime demands. Israel’s total commitment of 5-6% of GDP amounts to $45 billion in defence spending, reflecting its perpetual need to defend itself and maintain a permanent reserve force. Table 2 elaborates on defence spending as a share of public spending. Unlike other countries that have been free riding under the US military umbrella (and Canada is the most egregious of the lot), Israel has made very substantial commitments to its own defence. The $3.8 billion spent on hardware for US equipment is a fraction of Israel’s total defence budget of about $43 Billion. All U.S. financial aid to any country for military hardware must be spent on U.S.-manufactured equipment by law.

Critics of US defence funding for Israel miss two key points. First, as Table 3 shows, financing sent to Israel does not involve troop deployment. Israel does not want the US to station troops within its borders. The costs of maintaining troop deployments and all the associated support costs for NATO, Japan, and South Korea are orders of magnitude higher than the financing for the hardware it provides to Israel.

Second, and the current joint US/Israeli operations in Iran bear this out, Israel has dramatically improved the equipment platforms it purchased. Examples include:

  • The F-15 has benefited from Israeli wartime use, resulting in major improvements, including a redesigned cockpit layout, increased range through fuel redesign, improved avionics, new weaponry, helmet-mounted targeting, and structural strengthening.
  • Because Israel was an early partner in the fighter’s development and had access to its top-secret software suite, the Israeli version of the F-35 is a radically different plane than the model delivered. Improvements include increasing operational range, embedding advanced air defence detection, and integrating the fighter with Israel’s defence network, creating extensive system integration. This proved instrumental in the rapid establishment of air superiority in the 12-day war in 2025.
  • The THAAD (Terminal High Altitude Area Defence) program has benefited from a joint research and development relationship between Israel and the U.S.
  • Finally, Iron Dome has contributed to U.S. air defence development, particularly the Tamir interceptor technology, battle management, target discrimination, and the development of a layered air defence system.

No senior military or political official questions the return on investment American gains by funding Israel’s acquisition of U.S. military hardware.

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Why Returning Players Often Stick to a Few Favorite Games on Platforms Like Gransino Casino

Many online casino players develop clear preferences over time, and Gransino Casino highlights how familiar games often become the center of regular play sessions.

Online casinos typically offer large catalogs filled with hundreds of different slot titles. While this variety allows players to explore new experiences, many returning users gradually settle on a smaller group of games that they revisit regularly. This pattern appears across many digital gaming environments, where familiarity often becomes just as important as novelty.

Platforms such as Gransino Casino demonstrate how this behavior emerges in practice. Even though players have access to many different titles, returning visitors frequently gravitate toward games they already know and understand.

Familiar mechanics reduce learning time

One reason players return to the same games is that they already understand how those titles work. Each slot game has its own rules, bonus features, and payout structure. When a player first opens a new title, they often need a few minutes to understand the paytable, special symbols, and feature triggers.

Once that learning process has taken place, the game becomes easier to approach in future sessions. Players do not need to spend time reviewing instructions or exploring unfamiliar mechanics. Instead, they can begin playing immediately with a clear sense of how the game operates.

On platforms like Gransino Casino, this familiarity can make certain titles stand out as reliable choices. When players know what to expect from a game, the experience often feels smoother and more predictable during short play sessions.

Personal preferences shape long-term choices

Another factor influencing player behavior is personal preference. Some players enjoy specific visual themes such as mythology, adventure, or classic fruit machine designs. Others may prefer particular gameplay features, such as free spins, cascading reels, or bonus rounds.

Over time, players tend to identify the games that best match these preferences. Once they find titles that align with their interests, they are more likely to return to those games rather than start the search process again.

This pattern can be seen on Gransino Casino, where players browsing the lobby may explore different titles at first but eventually settle on a smaller group of favorites that suit their individual style.

Habit formation in digital gaming

Habit formation also plays a role in why players repeatedly choose the same games. In many digital environments, users develop routines that guide how they interact with a platform. This behavior is visible across streaming services, mobile games, and online casinos.

Once a player has established a routine, returning to familiar content often becomes part of that pattern. For example, a player might log in and immediately open the same slot they played during previous sessions. The familiarity of the interface, symbols, and features can make the experience feel more comfortable.

Platforms like Gransino Casino support this behavior by maintaining consistent game availability and allowing players to locate previously played titles easily within the lobby.

Exploration still remains part of the experience

Although many players develop favorite games, exploration remains an important part of the online casino experience. New titles continue to appear on casino platforms, introducing different mechanics, themes, and visual styles.

Players often alternate between their familiar choices and occasional experimentation with new games. A player might return to a favorite slot for most sessions while occasionally trying recently released titles to see if they offer something interesting.

The wide selection available on Gransino Casino allows this balance between familiarity and discovery. Players can continue returning to the games they enjoy while still having the option to explore new additions within the platform’s catalog.

Ultimately, the tendency to revisit favorite games reflects how players build their own routines within digital entertainment environments. Familiar titles offer a comfortable starting point, while new releases provide opportunities for occasional exploration, creating a mix of consistency and variety within each player’s experience.

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Why Jackpots Are A Whole Economy Inside A Casino

Jackpots look like a simple promise: one lucky hit, one huge payout, a story worth repeating. Yet jackpots are not only a feature on a screen. Inside a gambling ecosystem, jackpots behave like a miniature economy with its own funding, incentives, and feedback loops. Money flows in small pieces, gathers over time, and occasionally explodes into a headline-sized result.

In slots, that economy is especially visible because the format is built around repetition: spin, result, spin again. Jackpot slots turn that loop into a “contribution engine,” where thousands of tiny wagers quietly feed one giant number. The base game can be simple, but the jackpot layer changes how the whole product feels. A jackpot slot is not just entertainment. It is a pooled system that converts micro-stakes into a public, constantly growing figure that influences choices across an entire lobby.

In casino online games, jackpots also shape behavior at scale. They change what players choose, how long sessions last, and how marketing is framed. They influence which titles get promoted, how networks of operators cooperate, and how risk is distributed between game providers and platforms. A jackpot is not just a prize. A jackpot is a financial product wrapped in entertainment, and slot design is the packaging that makes it easy to keep funding that product.

How A Jackpot Is Funded

Most jackpots are funded through contributions. A small slice of each eligible bet is diverted into a pot. That slice can be tiny, but across many spins and many players it adds up quickly. This is why jackpots can grow even when individual stakes are small. In slots, this contribution is often invisible in the moment, which is part of the trick: the player experiences one spin, while the system quietly collects millions of spins.

There are different structures. A fixed jackpot is pre-set and paid by the operator or provider under defined conditions. A progressive jackpot grows with play and resets after a win. Some progressives are local to one site. Others are networked across many sites and jurisdictions, which is where the “economy” feeling becomes obvious.

Networked progressives behave like pooled liquidity. Many participants fund one shared pot. That pot becomes a big attraction, and it creates a shared interest in keeping the jackpot visible, trusted, and constantly active. In slot-heavy platforms, these networked jackpots can become the “main street” of the casino lobby: the place where traffic naturally gathers because the number looks like live news.

Jackpots Change Incentives For Everyone

A normal slot asks a simple question: is the gameplay enjoyable and is the payout profile acceptable? A jackpot slot adds another question: is the jackpot large enough to be exciting today? That question can dominate choice, even when the base game is average. It also pushes certain slot styles to the front: high-volatility titles, simple “spin-first” interfaces, and mechanics that keep eligibility easy.

For operators, jackpots can be acquisition tools. A giant number on the homepage is a billboard that updates itself. It can pull attention better than generic offers because the value looks objective: a big pot is a big pot. For providers, jackpot slots create long-tail revenue because contribution flow continues as long as the game remains active, even if the base game is no longer “new.”

For players, jackpots create a new reason to play: not just “win,” but “win the one.” That shift changes decision-making. Some players will accept lower base returns or higher volatility because the jackpot feels like a separate lane of possibility. In slots, that can show up as longer sessions with smaller bets, because the goal becomes staying in the “eligible” loop rather than chasing quick profit.

Before the first list, one practical insight helps: jackpots do not only pay out. They also steer traffic, and in slot lobbies, traffic is basically currency.

What Jackpots “Buy” For A Casino Ecosystem

  • Attention on demand: a visible number that feels like live news
  • Longer sessions: a reason to keep eligibility and keep spinning
  • Cross-title movement: players jump to jackpot slots even if they prefer others
  • Brand trust signals: a public payout can act like social proof
  • Operator cooperation: networked pools create shared marketing incentives

After the list, the economy metaphor makes sense. Jackpots function like a market signal that redirects time and money inside the product. Slots are the most effective delivery method for that signal because the spin loop is fast, familiar, and easy to keep going.

Questions Worth Asking Before Playing Jackpot Titles

  • What triggers the jackpot: random hit, specific combination, or side bet requirement
  • What counts as eligible: bet size, feature activation, or particular versions of the slot
  • How the pot is funded: local versus networked contributions
  • How often it resets: recent payout history can clarify the rhythm
  • What the base game pays: volatility and normal payout profile without the jackpot

After the list, the healthiest conclusion is clear. Jackpot excitement should not replace understanding of the base slot game, because the base game drives most outcomes.

A Jackpot Is A Financial System In Miniature

Jackpots behave like an economy because they collect micro-contributions, pool risk, steer attention, and create incentives for multiple parties at once. Slots make this system run smoothly because the product is built for high-frequency decisions, quick feedback, and long sessions.

In the long run, jackpots succeed because they offer a story that never gets old: a normal slot session can turn into a headline. The smarter way to engage with that story is to treat jackpots as rare extra upside, not as a plan. The pot is real, the excitement is real, and the odds remain stubbornly indifferent.

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