Features
“Two Weeks in Toronto” is a sweet romantic novel, but with some major shortcomings
Review by BERNIE BELLAN As the former publisher of The Jewish Post & News, but still publisher of a popular website – jewishpostandnews.ca, I’ve long been inundated with requests to review books.
I tend to ignore almost all those requests – simply because I don’t have other reviewers available who are willing to review books – unlike years past when there were a few different individuals who would be willing to review books for the paper, so it falls on me to do all the reviewing.
Something else that’s happened more and more often in recent years is that authors become their own publicists and can be quite good at drawing attention to their books.
So it was that when I was contacted a month ago by a writer by the name of Amelia Doyle, who asked me whether I’d be interested in reading a book she’d written titled “Two Weeks in Toronto,” the name of that book was familiar to me as Amelia had contacted me last year to ask me whether I’d like to review her book back then.
I did take her up on her offer at that time – and began to read “Two Weeks in Toronto” but, if truth, be told, I lost interest in it. The book had some major flaws – and as romantic fiction I thought it lacked any real spark.
But, when Amelia contacted me again, this time her email noted that the book was a finalist in something called the Canadian Book Club Awards.
Really? I thought. Maybe I was too quick to put that book down – or to turn off my Kindle – as the case may be.
So, I began to read “Two Weeks in Toronto” all over again – with a promise to myself to finish it this time.
I should also add that of the many emails I’ve been receiving in recent years, many have been either from publicists for books or from the authors themselves, and many of the books I’ve been asked to review have been self-published.
It’s not all that difficult to publish a book nowadays and, in fact, many self-published books that I have read have been quite good.
In the case of “Two Weeks in Toronto,” after opening the book again many months after I had first taken a look at it though, I saw that it was published by something called “BRINKLEY Verlag.” I did some research on BRINKLEY Verlag and saw that it’s an Austrian publishing house, but with no information on its website whether it simply publishes books for a fee or whether it actually accepts manuscripts and publishes them without charging the author.
Also, on the title page of “Two Weeks in Toronto,” it says that the book was edited by someone by the name of Kelly McErlean.
Okay – the book had been published by some sort of publishing house and apparently, it had also been edited. I regarded both those things as pluses.
One more thing: I did do some research on Amelia Doyle and saw that she has authored at least a couple of other books: “A Dublin Love Story” and “The Rabbi’s Wife,” so she must have had at least some practice writing novels, I thought. By the way, if you Google Amelia Doyle and see what books she’s written, you can see they’re all described as “sweet romance.”
What does this have to do with my reviewing the book? you must be wondering.
Well, I’ve been in correspondence with Amelia Doyle and she seems such a nice person that I told myself I have to find something good to say about “Two Weeks in Toronto.”
But honestly, I tend to look at the novels my wife likes to read for guidance as to what women like when it comes to romance and many of the titles I see have a mystery element to them – or some rip roaring sex!
Here’s what AI says when you ask it what kind of romance novels women like to read: “Most women enjoy diverse romance novels, from steamy contemporary/spicy reads and funny rom-coms (like Emily Henry) to emotional historical sagas (like Outlander) or ‘romantasy,’ but popular choices often feature strong emotional connection, relatable characters, satisfying happily ever afters’ (HEA), and tropes like enemies-to-lovers or billionaire romance, with recent trends favoring diverse voices and escapism.”
So where does “Two Weeks in Toronto” fit into any of those descriptions, if any?
Well, it does have a romance at the centre of it, but the romance is so predictable that it hardly whets the appetite.
What it does have though, and which might make it of particular interest to Jewish readers, is a female Jewish protagonist by the name of Ciara Walsh. (Ciara, I had to look up, is an Irish name, and is pronounced Kee-ara. What a nice name!)
The person with whom you just know from the outset Ciara is going to fall in love is her dreamy Irish dentist, Ethan O’Leary, tall and blue-eyed – and strange as it may seem: unattached.
At a certain point we find out that Ciara is Jewish – when Ethan comments on the mezuzah on her door, but as to how Jewish she is – well, that was something I began to wonder about as the book went on.
Now, it’s important to note that the book is set right around Christmas – and Chanukah, and the juxtaposition of those two holidays enters into the plot time and time again. There seemed to be so little distinction between the atmosphere pervading both holidays – wintertime, gift giving, family get-togethers, that I wondered whether Amelia Doyle might not be Jewish, but was trying to attract a Jewish audience by injecting some Jewish notes into her book – so I asked her this question: “Are you Jewish in any way, e.g., have some Jewish family?”
Amelia answered: I’m halachically Jewish. “Both my parents come from observant Jewish families and I grew up in a Conservative home.
“Generally speaking, you can find anything from ultra-orthodox to atheist Jews in my family. As you can imagine, living in Europe is not easy as a Jewish person. (I should note that, after further researching Amelia, I discovered that she lives in Dublin.)
“The characters in ‘Two Weeks in Toronto’ were written on purpose in a matter that is more on the liberal side as many of my friends are Reform or in interfaith marriages. This is where the inspiration for this specific book came from.”
In the same email in which I asked Amelia whether she was indeed Jewish, I also noted that I thought the way she intermingled Christmas and Chanukah was deliberately intended to “resonate” with non-Jewish readers.
Amelia responded: “I’m Jewish and there are many ways of practicing Judaism. In this book I decided to write about a non-orthodox Jewish family.”
A “non-orthodox Jewish family?” There’s not much Jewish about them, other than the fact that Ciara’s father, Ian, decided to convert to Judaism when he was younger – for reasons that are totally unexplained. Ciara’s mother, Giuliana (which, apparently, is the Italian spelling for Juliana), is definitely not Jewish, although she doesn’t seem to have much religious orientation either way.
But, let’s not get lost in what is, in essence, a discussion totally irrelevant to this book.
My qualms with “Two Weeks in Toronto” have to do with the writing style – which could have used some good editing. I mentioned that in an email to the author when I was just getting into the book. I suggested that the dialogue could have been much improved had the characters used contractions when speaking, so that for instance, instead of a character saying “I am just stepping out” they could have said, “I’m just stepping out” – which sounds so much more authentic.
Another aspect of this book that drove me crazy is there no explanation for the behaviour of Ciara’s mother, Giuliana, or her sister, Gabriella. Cinderella’s stepmother comes across as kindly compared to Giuliana and, as for Gabriella, who is occasionally referred to as “Bridezilla” by others, well – to use the Cinderella comparison again, she is beyond detestable.
But why? What on earth could sweet, loving Ciara ever have done to provoke such unbridled hatred from her mother and sister? I kept waiting to read an answer – you know, like Ciara was so beautiful that her sister despised her or Giuliana was her stepmother – but no, it’s never explained.
And then there’s Ciara’s relationship with Ethan. Yes, it’s cute how they end up going to Toronto together – to attend Gabriella’s wedding, and they end up sleeping in the same bed together – but without having sex!
So, again, I had to ask Amelia why that was? Here’s what she answered: “In my opinion, most romance books these days are far too explicit. ‘Sweet Romances’ (also known as ‘Clean Romance’) are on the rise again at the moment and this is what my publisher asked me to write.
“Personally, I prefer to have the focus on the relationship and not any sexual relations.
“Not sure about how it is in Canada, but many publishers in Europe as well as the US started publishing ‘clean’ versions of steamier books, not to alienate readers who don’t want to read sexually explicit scenes.”
I’m shattered! “Clean romances” are “on the rise again?” (There’s almost a phallic pun in there, but we won’t go there.)
But hey, it’s almost Chanukah – and Christmas. “Two Weeks in Toronto” is set right around this time of year, so maybe this review is timely. As it’s referred to in the book, this is a book that might make a good read for “Chrismuakkah.”
“Two Weeks in Toronto”
By Amelia Doyle
Published by BRINKLY Vertag, 2024
179 pages
Available on Amazon
Features
ClarityCheck: Securing Communication for Authors and Digital Publishers
In the world of digital publishing, communication is the lifeblood of creation. Authors connect with editors, contributors, and collaborators via email and phone calls. Publishers manage submissions, coordinate with freelance teams, and negotiate contracts online.
However, the same digital channels that enable efficient publishing also carry risk. Unknown contacts, fraudulent inquiries, and impersonation attempts can disrupt projects, delay timelines, or compromise sensitive intellectual property.
This is where ClarityCheck becomes a vital tool for authors and digital publishers. By allowing users to verify phone numbers and email addresses, ClarityCheck enhances trust, supports safer collaboration, and minimizes operational risks.
Why Verification Matters in Digital Publishing
Digital publishing involves multiple types of external communication:
- Manuscript submissions
- Editing and proofreading coordination
- Author-publisher negotiations
- Marketing and promotional campaigns
- Collaboration with illustrators and designers
In these workflows, unverified contacts can lead to:
- Scams or fraudulent project offers
- Intellectual property theft
- Miscommunication causing delays
- Financial loss due to fraudulent payments
- Unauthorized sharing of sensitive drafts
Platforms like Reddit feature discussions from authors and freelancers about using verification tools to safeguard their work. This highlights the growing awareness of digital safety in creative industries.
What Is ClarityCheck?
ClarityCheck is an online service that enables users to search for publicly available information associated with phone numbers and email addresses. Its primary goal is to provide additional context about a contact before initiating or continuing communication.
Rather than relying purely on intuition, authors and publishers can access structured information to assess credibility. This proactive approach supports safer project management and protects intellectual property.
You can explore community feedback and discussions about the service here: ClarityCheck
Key Benefits for Authors and Digital Publishers
1. Protecting Manuscript Submissions
Authors often submit manuscripts to multiple editors or publishers. Before sharing full drafts:
- Verify the contact’s legitimacy
- Ensure the communication aligns with known publishing entities
- Reduce risk of unauthorized distribution
A quick lookup can prevent time-consuming disputes and protect original content.
2. Safeguarding Collaborative Projects
Digital publishing frequently involves external contributors such as:
- Illustrators
- Designers
- Editors
- Ghostwriters
Verification ensures all collaborators are trustworthy, minimizing the chance of intellectual property theft or miscommunication.
3. Enhancing Marketing and PR Outreach
Promoting a book or digital publication often involves connecting with:
- Bloggers
- Reviewers
- Book influencers
- Digital media outlets
Before sharing press kits or marketing materials, verifying email addresses or phone contacts adds confidence and prevents potential misuse.
How ClarityCheck Works
While the internal system is proprietary, the user workflow is straightforward and efficient:
| Step | Action | Outcome |
| 1 | Enter phone number or email | Search initiated |
| 2 | Aggregation of publicly available data | Digital footprint analyzed |
| 3 | Report generated | Structured overview presented |
| 4 | Review by user | Informed decision before engagement |
The platform’s simplicity makes it suitable for authors and publishing teams, even those with limited technical expertise.
Integrating ClarityCheck Into Publishing Workflows
Manuscript Submission Process
- Receive submission request
- Verify contact via ClarityCheck
- Confirm identity of editor or publisher
- Share draft or proceed with collaboration
Collaboration with Freelancers
- Initiate project with external contributors
- Run ClarityCheck to verify email or phone number
- Establish project agreement
- Begin content creation safely
Marketing Outreach
- Contact media or reviewers
- Verify digital identity
- Share promotional materials with confidence
Ethical and Privacy Considerations
While ClarityCheck provides useful context, it operates exclusively using publicly accessible information. Authors and publishers should always:
- Respect privacy and data protection regulations
- Use results responsibly
- Combine verification with personal judgment
- Avoid sharing sensitive data with unverified contacts
Responsible use ensures the platform supports security without compromising ethical standards.
Real-World Use Cases in Digital Publishing
Scenario 1: Verifying a New Editor
An author is contacted by an editor claiming to represent a small publishing house. Running a ClarityCheck report confirms the email domain aligns with publicly available information about the company, reducing risk before signing an agreement.
Scenario 2: Screening Freelance Illustrators
A digital publisher seeks an illustrator for a children’s book. Before sharing project details or compensation terms, ClarityCheck verifies contact information, ensuring the artist is legitimate.
Scenario 3: Marketing Outreach Safety
A self-publishing author plans a social media and email campaign. Verifying influencer or reviewer contacts helps prevent marketing materials from reaching fraudulent accounts.
Why Verification Strengthens Publishing Operations
In digital publishing, speed and creativity are essential, but they must be balanced with security:
- Protect intellectual property
- Maintain trust with collaborators
- Ensure financial transactions are secure
- Prevent delays due to miscommunication
Verification tools like ClarityCheck integrate seamlessly, allowing authors and publishing teams to focus on creation rather than risk management.
Final Thoughts
In a world where publishing is increasingly digital and collaborative, verifying contacts is not just prudent — it’s necessary.
ClarityCheck empowers authors, editors, and digital publishing professionals to confidently assess phone numbers and email addresses, protect their intellectual property, and streamline communication.
Whether managing manuscript submissions, coordinating external contributors, or launching marketing campaigns, integrating ClarityCheck into your workflow ensures clarity, safety, and professionalism.
In digital publishing, trust is as important as creativity — and ClarityCheck helps safeguard both.
Features
Israel’s Arab Population Finds Itself in Dire Straits
By HENRY SREBRNIK There has been an epidemic of criminal violence and state neglect in the Arab community of Israel. At least 56 Arab citizens have died since the beginning of this year. Many blame the government for neglecting its Arab population and the police for failing to curb the violence. Arabs make up about a fifth of Israel’s population of 10 million people. But criminal killings within the community have accounted for the vast majority of Israeli homicides in recent years.
Last year, in fact, stands as the deadliest on record for Israel’s Arab community. According to a year-end report by the Center for the Advancement of Security in Arab Society (Ayalef), 252 Arab citizens were murdered in 2025, an increase of roughly 10 percent over the 230 victims recorded in 2024. The report, “Another Year of Eroding Governance and Escalating Crime and Violence in Arab Society: Trends and Data for 2025,” published in December, noted that the toll on women is particularly severe, with 23 Arab women killed, the highest number recorded to date.
Violence has expanded beyond internal criminal disputes, increasingly affecting public spaces and targeting authorities, relatives of assassination targets, and uninvolved bystanders. In mixed Arab-Jewish cities such as Acre, Jaffa, Lod, and Ramla, violence has acquired a political dimension, further eroding the fragile social fabric Israel has worked to sustain.
In the Negev, crime families operate large-scale weapons-smuggling networks, using inexpensive drones to move increasingly advanced arms, including rifles, medium machine guns, and even grenades, from across the borders in Egypt and Jordan. These weapons fuel not only local criminal feuds but also end up with terrorists in the West Bank and even Jerusalem.
Getting weapons across the border used to be dangerous and complex but is now relatively easy. Drones originally used to smuggle drugs over the borders with Egypt and Jordan have evolved into a cheap and effective tool for trafficking weapons in large quantities. The region has been turning into a major infiltration route and has intensified over the past two years, as security attention shifted toward Gaza and the West Bank.
The Negev is not merely a local challenge; it serves as a gateway for crime and terrorism across Israel, including in cities. The weapons flow into mixed Jewish-Arab cities and from there penetrate the West Bank, fueling both organized crime and terrorist activity and blurring the line between them.
The smuggling of weapons into Israel is no longer a marginal criminal phenomenon but an ongoing strategic threat that traces a clear trail: from porous borders with Egypt and Jordan, through drones and increasingly sophisticated smuggling methods, into the heart of criminal networks inside Israel, and in a growing number of cases into lethal terrorist operations. A deal that begins as a profit-driven criminal transaction often ends in a terrorist attack. Israeli police warn that a population flooded with illegal weapons will act unlawfully, the only question being against whom.
The scale of the threat is vast. According to law enforcement estimates, up to 160,000 weapons are smuggled into Israel each year, about 14,000 a month. Some sources estimate that about 100,000 illegal weapons are circulating in the Negev alone.
Israeli cities are feeling this. Acre, with a population of about 50,000, more than 15,000 of them Arab, has seen a rise in violent incidents, including gunfire directed at schools, car bombings, and nationalist attacks. In August 2025, a 16-year-old boy was shot on his way to school, triggering violent protests against the police.
Home to roughly 35,000 Arab residents and 20,000 Jewish residents, Jaffa has seen rising tensions and repeated incidents of violence between Arabs and Jews. In the most recent case, on January 1, 2026, Rabbi Netanel Abitan was attacked while walking along a street, and beaten.
In Lod, a city of roughly 75,000 residents, about half of them Arab, twelve murders were recorded in 2025, a historic high. The city has become a focal point for feuds between crime families. In June 2025, a multi-victim shooting on a central street left two young men dead and five others wounded, including a 12-year-old passerby. Yet the killing of the head of a crime family in 2024 remains unsolved to this day; witnesses present at the scene refused to testify.
The violence also spilled over to Jewish residents: Jewish bystanders were struck by gunfire, state officials were targeted, and cars were bombed near synagogues. Hundreds of Jewish families have left the city amid what the mayor has described as an “atmosphere of war.”
Phenomena that were once largely confined to the Arab sector and Arab towns are spilling into mixed cities and even into predominantly Jewish cities. When violence in mixed cities threatens to undermine overall stability, it becomes a national problem. In Lod and Jaffa, extortion of Jewish-owned businesses by Arab crime families has increased by 25 per cent, according to police data.
Ramla recorded 15 murders in 2025, underscoring the persistence of lethal violence in the city. Many victims have been caught up in cycles of revenge between clans, often beginning with disputes over “honour” and ending in gunfire. Arab residents describe the city as “cursed,” while Jewish residents speak openly about being afraid to leave their homes
Reluctance to report crimes to the authorities is a central factor exacerbating the problem. Fear of retaliation by families or criminal organizations deters victims and their relatives from coming forward, contributing to a clearance rate of less than 15 per cent of all murders. The Ayalef report notes that approximately 70 per cent of witnesses refused to cooperate with police investigations, citing doubts about the state’s ability to provide protection.
Violence in Arab society is not just an Arab sector problem; it poses a direct and serious threat to Israel’s national security. The impact is twofold: on the one hand, a rise in crime that affects the entire population; on the other, the spillover of weapons and criminal activity into terrorism, threatening both internal and regional stability. This phenomenon reached a peak in 2025, with implications that could lead to a third intifada triggered by either a nationalist or criminal incident.
The report suggests that along the Egyptian and Jordanian borders, Israel should adopt a technological and security-focused response: reinforcing border fences with sensors and cameras, conducting aerial patrols to counter drones, and expanding enforcement activity.
This should be accompanied by a reassessment of the rules of engagement along the border area, enabling effective interdiction of smuggling and legal protocols that allow for the arrest and imprisonment of offenders. The report concludes by emphasizing that rising violence in cities, compounded by weapons smuggling in the Negev, is eroding Israel’s internal stability.
Henry Srebrnik is a professor of political science at the University of Prince Edward Island.
Features
The Chapel on the CWRU Campus: A Memoir
By DAVID TOPPER In 1964, I moved to Cleveland, Ohio to attend graduate school at Case Institute of Technology. About a year later, I met a girl with whom I fell in love; she was attending Western Reserve University. At that time, they were two entirely separate schools. Nonetheless, they share a common north-south border.
Since Reserve was originally a Christian college, on that border between the two schools there is a Chapel on the Reserve (east) side, with a four-sided Tower. On the top of the Tower are three angels (north, east, & south) and a gargoyle (west); the latter therefore faces the Case side. Its mouth is a waterspout – and so, when it rains, the gargoyle spits on the Case side. The reason for this, I was told, is that the founder of Case, Leonard Case Jr., was an atheist.
In 1968, that girl, Sylvia, and I got married. In the same year the two schools united, forming what is today still Case Western Reserve University (CWRU). I assume the temporal proximity of these two events entails no causality. Nevertheless, I like the symbolism, since we also remain married (although Sylvia died almost 6 years ago).
Speaking of symbolism: it turns out that the story told to me is a myth. Actually, Mr. Case was a respected member of the Presbyterian Church. Moreover, the format of the Tower is borrowed from some churches in the United Kingdom – using the gargoyle facing west, toward the setting sun, to symbolize darkness, sin, or evil. It just so happens that Case Tech is there – a fluke. Just a fluke.
We left Cleveland in 1970, with our university degrees. Harking back to those days, only once during my six years in Cleveland, was I in that Chapel. It was the last day before we left the city – moving to Winnipeg, Canada – where I still live. However, it was not for a religious ceremony – no, not at all. Sylvia and I were in the Chapel to attend a poetry reading by the famed Beat poet, Allen Ginsberg.
My final memory of that Chapel is this. After the event, as we were walking out, I turned to Sylvia and said: “I’m quite sure that this is the first and only time in the entire long history of this solemn Chapel that those four walls heard the word ‘fuck’.” Smiling, she turned to me and said, “Amen.”
This story was first published in “Down in the Dirt Magazine,”
vol, 240, Mars and Cotton Candy Clouds.