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10 months into leadership crisis, fighting has renewed over German rabbinical schools’ future
BERLIN (JTA) — A plan to get Germany’s non-Orthodox rabbinical schools back on track after nearly a year of tumult has hit a snag: the country’s main Jewish organization says it can’t fund the group that took control of the schools in January.
The Jewish Community of Berlin had announced in a surprise move that it had paid 25,000 euros to buy out the ownership stake of the schools’ founder and rector Rabbi Walter Homolka, who stepped down from almost all positions amid investigations into whether he abused his power.
The Central Council of Jews in Germany, the country’s main Jewish group, had been working on a plan to overhaul the schools and initially expressed skepticism about the Berlin Jewish community’s purchase. But the Central Council’s president, Josef Schuster, said he had been persuaded to work with the new owners after getting assurance that Homolka would have no role at the revamped schools.
Now, the Central Council says its auditors have advised that it cannot legally pass along government funds to the Jewish Community of Berlin. The Central Council announced on Thursday that it would instead create a new foundation to support the Reform Abraham Geiger College and Conservative Zacharias Frankel College, and it could move to reopen the schools with new names. (Both schools are named for prominent 19th-century German rabbis.) The Central Council has supported both schools to the tune of about $530,000 a year.
“The takeover of the rabbinical training centers by the Jewish Community of Berlin was done with the best of intentions,” Schuster said in a statement. “However, it is not possible for the Central Council to support rabbinical training in the present support structure.”
Jewish Community of Berlin President Gideon Joffe attacked the plan as an “abuse of power,” saying that his organization would “not bow to the feudal fantasies of omnipotence harbored by old white men.” Joffe and Schuster have sparred intensely over the future of the two seminaries.
Joffe said the Central Council already had ceased transferring funds to the seminaries, “massively hindering rabbinical education in Germany, which it actually claims to protect.”
In fact, it is usually an entity’s owner — which since January has been Joffe’s group — that would be responsible for securing funding. The three major and longtime funders of the seminaries — the Central Council, the Federal Ministry of the Interior and the Brandenburg Ministry of Science — have all been aligned, declaring together in December their support for an independent liberal rabbinical seminary under a new structure.
The Central Council was in the midst of devising that new structure when Joffe’s group swooped in and purchased a leadership stake in the schools. The council had hired Gerhard Robbers, an expert in religion and law, to develop a new model for the schools, after an initial version of its commissioned investigation reported that Homolka had created a “culture of fear” there. A final report of the investigation by the law firm of Gercke Wollschläger is due out soon.
The council released Robbers’ “roadmap” for the schools on Thursday. He recommended that the Central Council establish a foundation under which two independent seminaries and a cantorial program would operate, under the auspices of the University of Potsdam. A board including the elected president and appointed executive director of the Central Council as well as representatives of both the Progressive and Masorti (Conservative) movements — appointed by themselves — would make fundamental decisions together. In general, the roadmap is designed to ensure stability and quality of education, and to prevent any one person or group from monopolizing the structure, Robbers wrote.
“If bringing in existing institutions is not possible or proves inopportune, institutions could be newly established,” Robbers’ recommendation says. “Through them, existing tasks, staff and students could be taken over. Appropriate names for the institutions should be found in agreement with the stakeholders.”
Schuster said the dramatic changes were warranted by the recent findings against Homolka. The former rector announced this week that he would resign from the leadership of another institution he had created: The Ernst Ludwig Ehrlich Scholarship Foundation for talented Jewish students; he has also sought legal relief against the criticism against him, with some recent, albeit partial, success.
The Central Council aims to “offer students and employees a secure perspective, securing teaching in the long term and restoring lost credibility,” Schuster said. “With the present findings on the abuse of power, discrimination and the prevailing culture of fear at rabbinical training institutions, there can be no ‘business as usual.’ A new beginning is necessary.”
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
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