Uncategorized
A Brazilian, Moroccan and Israeli singer brings her unique North African sound to NYC
(New York Jewish Week) — Though she grew up in Israel, Tamar Bloch’s childhood was a mishmash of cultures. With a Moroccan mother and Brazilian father, Bloch often heard Portuguese and Arabic alongside Hebrew, and felt connected with the music from all three cultures.
It wasn’t until she was in her early 20s, however, that Bloch discovered the language and culture of “Haketia,” a Romance language once spoken by Sephardic Jews in North Africa. Haketia has elements of Darija (Moroccan Arabic), Spanish and Ladino.
“I was hooked immediately,” Bloch, 33, told the New York Jewish Week. She could only find ethnographic recordings of Haketian songs at the Israel State Archives and at Hebrew University in Jerusalem, which she painstakingly transcribed and re-recorded herself — becoming the first modern artist to record an album in Haketia.
Over the last decade, Bloch — who goes by the stage name Lala Tamar; Lala is a Moroccan honorific meaning “Lady” or “Miss” — has traveled the world touring her music, working with bands and promoting the language and sound of Haketia.
This weekend, Bloch is traveling to New York from her home in Essouria, Morocco to perform several concerts at Lincoln Center for the Performing Arts. The New York Jewish Week caught up with her to talk about her performances in the United States and what Haketia means to her.
New York Jewish Week: How did you become aware of Haketía and then decide to pursue it in your music?
Bloch: I did not know it as a kid. I grew up with a mom who did speak Darija, which is Moroccan Arabic, which integrated and mixed inside Haketia, and with a dad who was born in Brazil, so there was Portuguese and a lot of Latin music in the house.
So I grew up with the basics of Haketia at home — the words and the Latin languages and the Arabic languages surrounding me. But I never really spoke it because they were speaking it with the older generations, with my grandparents and not with us, the kids.
When I grew up a bit I fell in love with Moroccan music. I happened to hear Haketia music. Immediately, I was hooked. For me, it was a very condensed cultural combination of my background, of the way I grew up. Not only literally, with the words and the language, but also musically because it has this combination of Spanish and Andalusian music and North African music. It’s all fused together in Haketia. I decided that I needed to investigate and to search for more of this music. These songs were never really recorded in an artistically contemporary way. If anything, they were recorded for the sake of preservation as a part of ethnographic research for universities. But it was not out there as music for everybody. I felt that this music deserves to be heard and to be served to everybody. It doesn’t have to be a part of a long forgotten tradition that’s lost in the archives.
What has been like the most meaningful part of the last decade of bringing Haketia back into the modern world and of touring your music around the globe?
I think that the biggest moment was when I got into the playlist of Galgalatz in Israel, which is one of the country’s most popular radio stations. One of the singles got into a playlist, and it was the first time that Haketia was played on contemporary, popular radio. That was really exciting. Also when we released our album. Even though it was in the middle of COVID, so it did not get any of the attention we were expecting for it, it was still exciting to to release an album in this in this lost language, and to hear people play it at parties and to have people sending me videos in restaurants. It’s always exciting to hear it.
I didn’t feel like I had a mission to make Haketia or this music more mainstream. It just happened because I felt that this music was relevant for me. I felt very much connected to it in a way that made me just release it as if there was nothing different about it, as if I would be singing anything else.
Why did you decide to move to Morocco from Israel during the pandemic?
I started performing in Morocco and realized that it’s always been the source of my inspiration, the fountain of my creation. At one of the festivals that I did there, I met Maalem (Master) Seddik, a Muslim musician that teaches Gnawa, a specific style of religious Moroccan music that I was fascinated by and, also, I was fascinated by the connection with the Jewish history in Morocco. I was waiting for the opportunity to go and study with him and then COVID struck and I had no job, of course.
Also, my inspiration and everything in my life that I create comes from Morocco. (During the 18th and 19th centuries, Jews made up nearly half of the population of Essouira — then called Mogador.) So when I was not singing I felt that my fountain was being dried out, so I already had this dream of going to study with him and I managed to find a way to get into Morocco which was really complicated at the time. He [Seddik] was waiting for me and welcomed me in. I started studying with him and he really adopted me, almost as a daughter, cooking for me, making me all these Jewish foods that he knows how to make from his neighbors and all his Jewish friends, and I just stayed. I have a lot of followers and an audience in Morocco as well as a lot of musicians that I work with so for me, it really felt like home from the beginning.
How does it feel to be performing in New York for the first time?
I have been doing online shows for Lincoln Center, but I’ve never performed physically in New York. It’s really exciting. I can’t describe how blissful we feel to come all this way. It’s a really big honor for my band’s first live performance in the United States to be at Lincoln Center.
I can only imagine how it will be because I don’t know. I can say I perform around the world, more than in Israel these past few years. I feel that this music has something that just can reach people from whatever background they come from. I hope that’s going to be the case as well, here in New York and New Yorkers are very open minded, very aware of what’s happening around the globe culturally.
Lala Tamar will perform a series of five concerts between May 5-7 at Lincoln Center for Performing Arts (113 West 60th St.). To find concert times and purchase tickets (choose-what-you-pay), visit their website.
—
The post A Brazilian, Moroccan and Israeli singer brings her unique North African sound to NYC appeared first on Jewish Telegraphic Agency.
Uncategorized
US Hits Military Targets on Iran’s Kharg Island, Vance Says No Change to Strategy
US Vice President JD Vance delivers remarks at the Wilshire Federal Building in Los Angeles, California, US, June 20, 2025. Phone: REUTERS/Daniel Cole
US strikes on Iran’s Kharg Island do not represent a change in American strategy, US Vice President JD Vance said on Tuesday as a US official separately told Reuters the additional strikes on military targets did not impact oil infrastructure.
The official, who spoke to Reuters on condition of anonymity, described at least some of the strikes as targeting sites that had been previously struck before and said the attack occurred in the early morning hours of Tuesday.
Vance, speaking separately in Budapest, said the strikes were not a change in US strategy, with the Trump administration confident that it can get a response from Iran by 8 pm (0001 Wednesday GMT) in negotiations to end the conflict. US President Donald Trump is demanding Iran forswear nuclear weapons and reopen the Strait of Hormuz, a critical oil transit waterway.
“We were going to strike some military targets on Kharg Island, and I believe we have done so,” Vance said.
“We’re not going to strike energy and infrastructure targets until the Iranians either make a proposal that we can get behind or don’t make a proposal,” he added. “I don’t think the news in Kharg Island … represents a change in strategy, or represents any change from the President of the United States.”
Uncategorized
French Nationals Leave Iran After Three and a Half Years Amid Softer France Tone on War
A woman walks past posters with the portraits of Cecile Kohler and Jacques Paris, two French citizens held in Iran, on the day of support rallies to mark their three-year detention and to demand their release, in front of the National Assembly in Paris, France, May 7, 2025. The slogan reads “Freedom for Cecile Kohler and Jacques Paris.” Photo: REUTERS/Abdul Saboor
Two French nationals were heading home on Tuesday after Iran allowed them to leave the country following three and a half years in detention, a surprise move that came as Paris sought to distance itself from the war in the region.
Cecile Kohler and Jacques Paris had been confined to France‘s embassy in Tehran since November, after being held since 2022 in the notorious Evin prison on spying charges that France has said were unfounded.
“This is a relief for all of us and obviously for their families,” President Emmanuel Macron said in a post on X. “Thank you to the Omani authorities for their mediation efforts.”
Neither the French presidency nor the foreign ministry responded to requests for comment on what had been agreed between the two sides to ensure their release.
Iran‘s official news agency IRNA said the couple were freed following an understanding under which France would in turn release Mahdieh Esfandiari, an Iranian student living in the French city of Lyon, and withdraw a complaint against Iran at the International Court of Justice.
However, both assertions were unclear. Esfandiari, who was convicted at the end of February for glorifying terrorism in social media posts, was released after serving almost a year in prison but has appealed the conviction.
It was not clear whether she had left the country, as ordered by the February ruling. France dropped the ICJ complaint last September.
Iran‘s Foreign Minister Abbas Araqchi spoke with his French counterpart Jean-Noel Barrot on Sunday, confirming the pair’s imminent release.
Macron has criticized US President Donald Trump’s approach to the US-Israeli war on Iran and said France would only help restore freedom of navigation to the Strait of Hormuz once there is a ceasefire and after consultations with Tehran.
France last week refused Israel permission to transfer weapons through French airspace for the war and has led efforts to water down a draft UN Security Council resolution that could have opened the door to forceful action in the strait.
A French official briefing reporters after the release denied that France had a softer position towards Iran and said Paris had warned the Iranians about the safety of their citizens given the escalation in the war.
“I think the Iranians rightly considered that if anything happened to our compatriots, the reactions here would have been extremely catastrophic,” the official said, declining to comment on the details of the negotiation.
French officials have also refused to comment on why a container ship belonging to French shipping group CMA CGM was able to pass through the Strait of Hormuz, a sign that Iran may not consider France to be a hostile nation.
Uncategorized
Gunfight Outside Israeli Consulate in Istanbul Leaves One Attacker Dead
A drone view shows police officers and medics standing at the scene, after a gunfire was heard near the building housing the Israeli consulate, according to a witness, in Istanbul, Turkey, April 7, 2026. Photo: REUTERS/Mehmet Emin Caliskan
One attacker was killed and two others were wounded in an extended gun battle with police outside the tower building housing the Israeli consulate in Istanbul on Tuesday.
Footage showed the backpack-wearing attackers firing with automatic rifles and handguns, and police officers returning fire and seeking cover, as they maneuvered among parked white police buses near a checkpoint. One body lay on the street.
Shots rang out for at least 10 minutes among the glass towers in Turkey’s main financial district, Reuters witnesses said. One person was seen covered in blood.
No Israeli staff were at the consulate, which occupies a floor in one of the towers, at the time of the attack, Turkish and Israeli authorities said.
Israeli diplomats had left Turkey shortly after the Hamas-Israel war in Gaza began in late 2023, a conflict that prompted large pro-Palestinian protests outside the consulate and across the country, and a deep chill in Turkish-Israeli diplomatic ties.
US ENVOY SAYS CONSULATE WAS TARGET
The three attackers had links to an organization that “exploits religion,” Interior Minister Mustafa Ciftci said, without giving any name. Two of them were brothers, and they had traveled in a rented car from the city of Izmit, he added.
While Turkish authorities did not say what motivated the attackers, Tom Barrack, the US ambassador to Turkey, said on X that it was an attack on the Israeli consulate and he condemned it.
President Tayyip Erdogan said the “heinous terrorist attack” would not dent Turkey’s trust and security. Israel’s foreign ministry said it appreciated Turkish security forces’ “swift action in thwarting this attack.”
Two police officers were also lightly wounded, Istanbul Governor Davut Gul told reporters at the scene of the midday incident, which occurred next to a major motorway as thousands of nearby workers were breaking for lunch.
DIPLOMATIC CHILL AMID GAZA WAR
Turkey, a fierce critic of Israel’s military operations in Gaza as well as in Lebanon and Iran, had recalled its ambassador from Israel in November 2023, and diplomatic relations have been effectively frozen since then.
At the same time that year, Israeli diplomats left Turkey due to security concerns, including the protests. Since then, heavily armed police and armored vehicles have been stationed in a broad area surrounding the consulate.
Militant violence has mostly subsided in Turkey in recent years after a violent spate from 2015 to 2016 when Islamic, Kurdish, and leftist militants carried out attacks amid the spillover from the Syrian civil war.
The latest incident was late last year when three Turkish police officers and six Islamic State terrorists were killed in a gunfight in the town of Yalova in northwest Turkey, amid raids on militant cells believed to be planning Christmas and New Year attacks.