Connect with us

Uncategorized

A Brazilian, Moroccan and Israeli singer brings her unique North African sound to NYC

(New York Jewish Week) — Though she grew up in Israel, Tamar Bloch’s childhood was a mishmash of cultures. With a Moroccan mother and Brazilian father, Bloch often heard Portuguese and Arabic alongside Hebrew, and felt connected with the music from all three cultures.

It wasn’t until she was in her early 20s, however, that Bloch discovered the language and culture of “Haketia,” a Romance language once spoken by Sephardic Jews in North Africa. Haketia has elements of Darija (Moroccan Arabic), Spanish and Ladino.

“I was hooked immediately,” Bloch, 33, told the New York Jewish Week. She could only find ethnographic recordings of Haketian songs at the Israel State Archives and at Hebrew University in Jerusalem, which she painstakingly transcribed and re-recorded herself — becoming the first modern artist to record an album in Haketia.

Over the last decade, Bloch — who goes by the stage name Lala Tamar; Lala is a Moroccan honorific meaning “Lady” or “Miss” — has traveled the world touring her music, working with bands and promoting the language and sound of Haketia.  

This weekend, Bloch is traveling to New York from her home in Essouria, Morocco to perform several concerts at Lincoln Center for the Performing Arts. The New York Jewish Week caught up with her to talk about her performances in the United States and what Haketia means to her.

New York Jewish Week: How did you become aware of Haketía and then decide to pursue it in your music?

Bloch: I did not know it as a kid. I grew up with a mom who did speak Darija, which is Moroccan Arabic, which integrated and mixed inside Haketia, and with a dad who was born in Brazil, so there was Portuguese and a lot of Latin music in the house.

So I grew up with the basics of Haketia at home — the words and the Latin languages and the Arabic languages surrounding me. But I never really spoke it because they were speaking it with the older generations, with my grandparents and not with us, the kids.

When I grew up a bit I fell in love with Moroccan music. I happened to hear Haketia music. Immediately, I was hooked. For me, it was a very condensed cultural combination of my background, of the way I grew up. Not only literally, with the words and the language, but also musically because it has this combination of Spanish and Andalusian music and North African music. It’s all fused together in Haketia. I decided that I needed to investigate and to search for more of this music. These songs were never really recorded in an artistically contemporary way. If anything, they were recorded for the sake of preservation as a part of ethnographic research for universities. But it was not out there as music for everybody. I felt that this music deserves to be heard and to be served to everybody. It doesn’t have to be a part of a long forgotten tradition that’s lost in the archives. 

What has been like the most meaningful part of the last decade of bringing Haketia back into the modern world and of touring your music around the globe?

I think that the biggest moment was when I got into the playlist of Galgalatz in Israel, which is one of the country’s most popular radio stations. One of the singles got into a playlist, and it was the first time that Haketia was played on contemporary, popular radio. That was really exciting. Also when we released our album. Even though it was in the middle of COVID, so it did not get any of the attention we were expecting for it, it was still exciting to to release an album in this in this lost language, and to hear people play it at parties and to have people sending me videos in restaurants. It’s always exciting to hear it.

I didn’t feel like I had a mission to make Haketia or this music more mainstream. It just happened because I felt that this music was relevant for me. I felt very much connected to it in a way that made me just release it as if there was nothing different about it, as if I would be singing anything else.

Why did you decide to move to Morocco from Israel during the pandemic?

I started performing in Morocco and realized that it’s always been the source of my inspiration, the fountain of my creation. At one of the festivals that I did there, I met Maalem (Master) Seddik, a Muslim musician that teaches Gnawa, a specific style of religious Moroccan music that I was fascinated by and, also, I was fascinated by the connection with the Jewish history in Morocco. I was waiting for the opportunity to go and study with him and then COVID struck and I had no job, of course.

Also, my inspiration and everything in my life that I create comes from Morocco. (During the 18th and 19th centuries, Jews made up nearly half of the population of Essouira — then called Mogador.) So when I was not singing I felt that my fountain was being dried out, so I already had this dream of going to study with him and I managed to find a way to get into Morocco which was really complicated at the time. He [Seddik] was waiting for me and welcomed me in. I started studying with him and he really adopted me, almost as a daughter, cooking for me, making me all these Jewish foods that he knows how to make from his neighbors and all his Jewish friends, and I just stayed. I have a lot of followers and an audience in Morocco as well as a lot of musicians that I work with so for me, it really felt like home from the beginning.

How does it feel to be performing in New York for the first time?

I have been doing online shows for Lincoln Center, but I’ve never performed physically in New York. It’s really exciting. I can’t describe how blissful we feel to come all this way. It’s a really big honor for my band’s first live performance in the United States to be at Lincoln Center.

I can only imagine how it will be because I don’t know. I can say I perform around the world, more than in Israel these past few years. I feel that this music has something that just can reach people from whatever background they come from. I hope that’s going to be the case as well, here in New York and New Yorkers are very open minded, very aware of what’s happening around the globe culturally. 

Lala Tamar will perform a series of five concerts between May 5-7 at Lincoln Center for Performing Arts (113 West 60th St.). To find concert times and purchase tickets (choose-what-you-pay), visit their website


The post A Brazilian, Moroccan and Israeli singer brings her unique North African sound to NYC appeared first on Jewish Telegraphic Agency.

Continue Reading

Uncategorized

Synagogue protests have shocked NYC and LA. This Michigan congregation has faced them for 22 years

Protests outside prominent synagogues in New York City and Los Angeles have roiled the Jewish community in recent weeks, prompting scrutiny of how authorities respond when demonstrators at a house of worship frame their actions as Israel-related political speech.

Rabbi Nadav Caine of Beth Israel Congregation in Ann Arbor, Michigan has some experience with that: Every Shabbat for the past 22 years, protesters have shown up to Beth Israel holding signs with slogans like “Jewish Power Corrupts” and “No More Holocaust Movies.”

After years of legal battles that consistently sided with the protesters, Caine has been forced to accept that the courts view their actions as protected speech. More than two decades on, he has come to terms with the protesters’ enduring presence.

“There are long time members who come as little as possible, or who left the congregation, but for the most part, people have learned to ignore it,” Caine said.

‘Unseemly and distasteful’

The man behind the protests, Henry Herskovitz, was raised Jewish, had a bar mitzvah, and even attended Beth Israel for years. But he later adopted conspiracy theories blaming Israel for 9/11, became a Holocaust denier, and openly expressed hatred for Jews.

Starting in 2003, Herskovitz and a small group began protesting at the synagogue weekly during Shabbat, brandishing signs like “Antisemitism is earned, never given.”

In 2019, fed up with passing the demonstrators, a congregant and local Holocaust survivor sued the protesters and the city, arguing that their First Amendment rights to safely practice their religion were being violated. The American Civil Liberties Union represented the protesters, acknowledging the speech was “unseemly and distasteful,” but legally protected nonetheless.

Ultimately, the courts sided with the ACLU: A lower court dismissed the case, the Supreme Court declined to hear it on appeal, and a district judge ordered the congregants to pay nearly $159,000 in legal fees to the protesters — prompting the congregants’ lawyer, Marc Susselman, to accuse the judge of antisemitism.

Now, while the number of protesters has dwindled — it’s typically two people nowadays, Caine said — they still show up, week after week.

Caine said the sustained protests have affected membership, particularly as newcomers weigh which synagogue to attend. Some longtime members avoid in-person events, and others have left entirely. The display can also shock unsuspecting visitors attending bar or bat mitzvahs.

“Before you get used to it, it’s a little traumatizing and triggering,” he said.

‘A community issue’

Caine said he isn’t surprised by recent protests outside Park East Synagogue in Manhattan and Wilshire Boulevard Temple in Los Angeles. At Park East, demonstrators were protesting a synagogue event promoting immigration to Israel, chanting “death to the IDF” and “globalize the intifada.” At Wilshire Boulevard Temple, protesters took issue with the synagogue hosting speakers from the Israeli defense firm Elbit Systems.

Protesting at a synagogue is “not meant to raise consciousness about a human rights issue,” Caine said. “It’s about harassing a group.”

His advice for synagogues facing persistent protests: don’t engage. Beth Israel does not organize counterprotests, and Caine avoids posting about the protests on social media.

“These kinds of activists, they thrive on publicity. It’s their oxygen,” he said.

Still, Caine said he understands the desire to respond. One idea he finds promising: In New York City, two Jewish lawmakers introduced a bill that would ban protests within 25 feet of houses of worship. Mayor-elect Zohran Mamdani has reportedly been receptive to the legislation.

Caine also cautioned against turning the protests outside synagogues  into a political debate.

“I wouldn’t make it about the Israel issue,” he said. “I would make it about the fact that it’s a community issue.”

The post Synagogue protests have shocked NYC and LA. This Michigan congregation has faced them for 22 years appeared first on The Forward.

Continue Reading

Uncategorized

Israel has a crucial lesson to learn from apartheid South Africa. It isn’t what you think

Some years ago, I traveled to South Africa with a group of Israelis to study the anti-apartheid movement. On our first morning, our guide posed a question: Why did apartheid end?

We offered the standard answers: because internal resistance grew stronger, because international pressure mounted, because the regime lost legitimacy. The guide listened and then said: Apartheid didn’t end for any of those reasons. It ended when the Berlin Wall came down.

His point was not that South Africans were passive. It was that political change does not happen on timetables set by internal movements alone. Power shifts systemically and globally, and when it does, the outcome depends on whether societies are prepared to move when the moment comes. Movements cannot control when history accelerates, but they can determine whether they have built the moral clarity, political vision and organizational capacity to act when it does.

A few years later, I traveled with the same group to Serbia and met former student leaders of Otpor, the movement that helped unseat the dictator Slobodan Milošević. They described how they began as a marginal, improvisational group, driven more by urgency than structure.

What eventually changed their trajectory, they told us, was recognizing that mobilization only works if people can see not just what they are resisting, but what they are building toward. They developed a concrete vision of a democratic Serbia that people could recognize as an alternative—not just to the regime, but to permanent instability. When the political opening arrived, there was something ready to replace what had collapsed.

Political change begins with imagination — but that imagination must be taken seriously.

This past weekend in Israel, something shifted quietly, and if you blinked, you may have missed it.

At a meeting for its 10th anniversary Standing Together — the largest Jewish–Arab grassroots movement in Israel — formally adopted a framework for ending the Israeli–Palestinian conflict that proposes two states not as sealed national projects but as overlapping political realities.

That vision, put forward by the group A Land for All, would see Israelis and Palestinians both have freedom of movement and equal rights in the land between the Jordan River and Mediterranean Sea, and shared sovereignty in Jerusalem. It establishes mutual recognition of autonomy between the two peoples as a premise for peace, rather than as a final-status issue to address, as it was in previous peace efforts like the Oslo Accords.

This was not an organizational merger or a policy announcement. It was the articulation of a political horizon.

For most of its history, Standing Together has focused on equality within Israel itself: advocating for labor rights and a reasonable cost of living, combatting racism, and promoting shared civic life. Since the Hamas attack of Oct. 7, 2023, it has been one of the only Israeli movements willing to organize sustained opposition to the war in Gaza, engage in civil disobedience, and try to deliver humanitarian aid in the face of increasing hostility.

Through this vote, the movement sought to expand its domain of responsibility — from Israel’s internal democracy, to the scope of the Israeli-Palestinian conflict as a whole.

It’s just one group; just one vote. But it’s also a reframing of what the future is allowed to look like, and a landmark moment of Israelis and Palestinians engaging in a joint political process. Its importance lies less in its technical details than in its structural ambition: replacing separation as the organizing principle, and establishing equality as the baseline.

In a context where imagination itself has been steadily eroded, this matters.

Israeli life has been governed for years by a doctrine of management — managing conflict, managing unrest, managing despair. The public has been trained to treat war as permanent; inequality as unavoidable; and a punishing power hierarchy as necessary for survival. This is not an accident. It is a governing logic that eliminates alternatives by framing them as incoherent, naïve or dangerous.

The most lasting damage done by Prime Minister Benjamin Netanyahu to Israel may turn out not be the ways in which he’s degraded the country’s electoral system and democratic institutions. It may be psychological.

On his watch, Israel’s political culture has been systematically emptied of credible futures. What remains is a society fluent in fear, and increasingly unable to articulate what it is trying to become.

Comprehensive political visions change the conditions of organizing. When people can describe a wished-for future in concrete, realizable terms, political engagement stops being purely reactive and starts becoming constructive. It reshapes alliances, alters the language of debate, and changes the kinds of risks individuals and movements are willing to take.

South Africa understood this. Serbia understood it. Even New York City saw a version of this dynamic recently, when Mayor-elect Zohran Mamdani went from polling at around 1% in the early days of the primary to winning the general election on a platform of affordability and thriving that did not dilute its goals in exchange for political safety.

Israel’s ruling order will not last forever. Regimes built on a premise of permanent emergency aren’t sustainable. What matters is whether there will be anything ready to replace it when it cracks.

Standing Together did not change reality with its vote in favor of a different kind of future — but it clarified what that future could practically look like, and in a country trained to believe that no future exists. And that, on its own, is a political marvel.

The post Israel has a crucial lesson to learn from apartheid South Africa. It isn’t what you think appeared first on The Forward.

Continue Reading

Uncategorized

Lithuanian government party leader convicted of inciting hatred towards Jews

(JTA) — The leader of a Lithuanian party in the ruling coalition government was convicted on Thursday for inciting hatred towards Jews and grossly minimizing the Holocaust in a series of public statements and social media posts in 2023.

Remigijus Žemaitaitis, the head of the populist Nemuno Aušra party, was fined 5,000 euros, or $5,835, by the Vilnius Regional Court.

In her decision, Judge Nida Vigelienė said that Žemaitaitis had “publicly mocked, demeaned and encouraged hatred” toward Jews as well as “grossly minimised the Holocaust carried out by Nazi Germany on Lithuania’s territory in an offensive and insulting manner,” according to the Lithuanian public service broadcaster LRT.

Žemaitaitis’ conviction was related to statements he had issued in May and June of 2023, including social media posts, a speech delivered in Parliament and an exchange with a journalist, in which he falsely accused Jews of killing Lithuanians.

“How long will our politicians continue to kneel to the Jews who killed our countrymen, contributed to the persecution, torture and destruction of Lithuanians,” wrote Žemaitaitis in all-caps, according to the country’s constitutional court. “There was a Holocaust of the Jews, but an even greater Holocaust of Lithuanians was in Lithuania!”

In other posts, Žemaitaitis also baselessly blamed Jews for the 1944 Nazi massacres in the Lithuanian villages of Pirčiupiai and Kaniukai.

The ruling Thursday was not the first time that a Lithuanian lawmaker has come under fire for Holocaust distortion. In 2021, Valdas Rakutis, a member of Lithuania’s parliament, was criticized by the U.S. ambassador to Lithuania for claiming in a speech that there was “no shortage of Holocaust perpetrators among the Jews themselves.”

In another post about the demolition of a school building in the West Bank, Žemaitaitis quoted an antisemitic nursery rhyme that encourages children to kill a wounded Jew.

“I want to give you a chance, dear Jews of Israel, to apologize to Palestine and the EU for your disgusting actions in a foreign country,” he wrote. “And I will repeat, ‘After such events, it is no wonder why such sayings are born: A Jew climbed a ladder and fell by accident. Take a stick, children, and kill that Jew.’”

The lawmaker, who frequently posts about the war in Gaza on social media, resigned from Lithuania’s parliament in April 2024 after the country’s constitutional court found his rhetoric had violated his oath and its constitution.

But he was reelected in October 2024 and his party joined the country’s new coalition government led by the Social Democrats.

Žemaitaitis and his lawyer were not present during the ruling Thursday in Vilnius and are expected to seek an appeal. He told reporters after the ruling that “everybody understands that this is a politicized decision,” according to the Associated Press.

“Any form of antisemitism, hate speech, or Holocaust belittling is unacceptable to us and incompatible with our values,” wrote the Social Democrats party in a post on Facebook following the ruling. “We respect the decision of the court. Together we point out that this decision is not yet final.”

The post Lithuanian government party leader convicted of inciting hatred towards Jews appeared first on The Forward.

Continue Reading

Copyright © 2017 - 2023 Jewish Post & News