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A family-friendly Jewish play explores themes of forgiveness with puppets, music and more
(New York Jewish Week) — Just in time for the High Holidays, a new, family-friendly Jewish play will make its Off-Broadway debut on Sunday, Sept. 10.
“Out of the Apple Orchard” is based on the first book of Yvonne David’s acclaimed “Apple Tree” series. The two-book series — a third is forthcoming — follows the Jewish Bieman family as they immigrate from a shtetl in Lithuania, first to New York City and then to the Catskill Mountains. Adam Bieman, the boy whose family life is chronicled in the series, is inspired by the author’s own son, who was coming of age when she began writing the books.
Premiering at Actors’ Temple Theater (339 West 47th St.) on Sunday, just days before Rosh Hashanah, “Out of the Apple Orchard” explores themes of forgiveness and reconciliation — perfectly timed for Judaism’s annual season of self-reflection. During the Jewish months of Elul and Tishrei, which fall in the late summer/early fall, Jews are encouraged to look within, connect to who they’ve been and who they want to be. “Out of the Apple Orchard” follows a Jewish family at the turn of the last century that is doing just that — and in doing so provides audiences with an opportunity for both fun and introspection.
“This play has so many layers,” director Nicole Raphael told the New York Jewish Week. “It’s all about unfolding the story and its complexities. We really see things from the children’s points of view. They see the sentimentality for the Old Country, but also the harsh reality of pogroms and Cossacks; the love that permeates family life, but also the very real mistakes both adults and children make.”
“The play really asks how to handle mistakes, how to mend your ways,” she added. “To me, this is such an important theme — and especially during Rosh Hashanah.”
The “Out of the Apple Orchard” script was crafted by Ellen W. Kaplan, professor emerita of acting and directing at Smith College, who worked closely with David and Raphael to create a staged version that would bring the philosophy behind the story to the fore.
The play opens with Adam Bieman dreaming that he and his Bubbe are in a sepia-toned photograph. The picture comes alive as the family matriarch relates tales of the shtetl — setting the scene for what is to come. When the play premiered in Orlando in 2016, the staging of this scene was reminiscent of the nightmare sequence from “Fiddler on the Roof.” In the New York production, however, the ancestors aren’t warning of changes to come. Instead, Bubbe is detailing the brutality of the pogroms and the importance of leaving Lithuania for a new life.
The year is 1910, and the Bieman family leave Europe to find their fortunes in America. After a time on the Lower East Side of New York City, though, Adam’s father becomes ill. The Biemans are advised to head to the Catskills, with the idea that mountain air will do Papa a world of good. So they head north.
But the Catskills are as harsh as the city or the shtetl, albeit in different ways. Poverty persists. Papa is still ill. The family is hungry. Adam, tempted by ripe red apples in a nearby orchard, shoves some pieces of fruit under his hand-me-down cap. Later, riddled with guilt, he becomes haunted by his thievery. Through this and other travails, Adam and his family are faced with a central question: How can they retain their moral understanding of the world when hardship abounds?
“The story is almost a continuation of ‘Fiddler on the Roof,’” Raphael said. “Imagine what would happen when Tevye arrived on the Lower East Side — you know, so many immigrants got sick at the turn of the last century. Adam’s Papa was a brilliant tailor, but now he’s sick. Still, he brought his family to America, did everything so they could to thrive. We want the audience to fall in love with Papa, to appreciate him for how he tries to support his family.”
And, indeed, Adam’s Papa cares deeply about his family. He worries about not being able to care for them, conceding eventually that they should help him sew the suits he was once famous for making. “With my family helping me finish the suits, we will not starve,” he says in his central scene. “My heart is kvelling and swelling with love.”
Throughout the play, a fiddler, portrayed by Victoria Chaieb (who both performs and wrote the violin music), follows Adam across the stage, emphasizing his internal process. Ben Rauch composed and orchestrated an original score inspired by traditional Yiddish and Jewish melodies and, to a lesser extent, vaudeville-inspired songs.
Extensive puppetry adds an otherworldly — even mystical — air to the staging, too. For example, as the young protagonist descends into a spiral of guilt over his thievery, a large red bird flutters around him. In the book, Adam simply glimpses a red bird as he dwells on his moral dilemma while at school. “It’s visually thrilling,” author David told the New York Jewish Week. “It represents Adam’s conscience.”
In addition to directing the play, Raphael has created an accompanying curriculum in partnership with Park Avenue Synagogue, where she’s a second-grade Hebrew school teacher. The lessons include themes of teshuva, or repentance, Yiddish culture and the Jewish history of the Catskill Mountains. Eventually, she envisions the play and the curriculum being distributed across the country and used in classrooms everywhere. “I see this as the continuation of our oral history, both for our communities and everyone else in the modern day,” she said. “I’ve been an educator in Manhattan for 15 years at different synagogues; I really feel that directing the play and developing the companion curriculum is like everything I’ve worked on all coming together.”
While the themes of the play are rooted in Jewish culture and history, Raphael and David both told New York Jewish Week they see the play’s overarching theme as a universal one.
“There’s so much upsetting divisiveness in this country,” David said. “I think we need to come together. We’re squandering our lives on anger and discrimination. In the end, we’re all in this world together and it’s up to us to make the best of everything, not the worst.”
“Out of the Apple Orchard” is playing at Actors’ Temple Theater (339 West 47th Street) from Sunday, Sept. 10 through Thursday, Sept. 14. Tickets and info here.
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The post A family-friendly Jewish play explores themes of forgiveness with puppets, music and more appeared first on Jewish Telegraphic Agency.
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US Says That Israel Accepts Gaza Ceasefire Plan; Hamas Cool to It
A picture released by the Israeli Army says to show Israeli soldiers conducting operations in a location given as Tel Al-Sultan area, Rafah Governorate, Gaza, in this handout image released April 2, 2025. Photo: Israeli Army/Handout via REUTERS
Israel has agreed to a US ceasefire proposal for Gaza, the White House said on Thursday, and Hamas said it was reviewing the plan although its terms did not meet the Palestinian terrorist group’s demands.
As a US-backed system for distributing food aid in the war-torn enclave expanded, Israeli media reported that Prime Minister Benjamin Netanyahu told the families of hostages held in Gaza that Israel had accepted a deal presented by US President Donald Trump’s Middle East envoy Steve Witkoff.
Netanyahu’s office did not confirm the reports, but White House spokeswoman Karoline Leavitt told reporters in Washington that Israel had signed off on the proposal.
She did not detail its contents. But the New York Times quoted an Israeli official familiar with the proposal as saying the initial phase would include a 60-day ceasefire and humanitarian aid flowing through UN-run operations.
Hamas said it was studying the proposal, and senior Hamas official Sami Abu Zuhri told Reuters the group was still discussing it.
But Abu Zuhri said its terms echoed Israel‘s position and do not contain commitments to end the war, withdraw Israeli troops, or admit aid as Hamas has demanded.
Deep differences between Hamas and Israel have stymied previous attempts to restore a ceasefire that broke down in March after only two months.
Israel has insisted that Hamas disarm completely and be dismantled as a military and governing force and that all 58 hostages still held in Gaza must be returned before it will agree to end the war.
Hamas has rejected the demand to give up its weapons and says Israel must pull its troops out of Gaza and commit to ending the war.
Witkoff told reporters on Wednesday that Washington was close to “sending out a new term sheet” about a ceasefire to the two sides in the conflict that has raged since October 2023.
“I have some very good feelings about getting to a long-term resolution, temporary ceasefire and a long-term resolution, a peaceful resolution, of that conflict,” Witkoff said then.
Israel has come under increasing international pressure, with many European countries that have normally been reluctant to criticize it openly demanding an end to the war and a major relief effort.
Israel launched its campaign in Gaza in response to the devastating Hamas attack in southern Israel on Oct. 7, 2023, that killed some 1,200 people and saw 251 taken hostage into Gaza.
The post US Says That Israel Accepts Gaza Ceasefire Plan; Hamas Cool to It first appeared on Algemeiner.com.
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‘A Slap in the Face’: Chicago Venue Cancels Plans to Screen Documentary About Antisemitism for Second Time
Israeli-American rapper Kosha Dillz performs his new song “Bring the family home,” his response to Hamas’s attacks, in front of a Jewish bakery in lower Manhattan, US, Oct. 11, 2023. Photo: REUTERS/Aleksandra Michalska
A Chicago theater that canceled the screening of a documentary about campus antisemitism and then agreed to reschedule a showing has now made the final decision not to screen the film at its venue after facing harassment, it announced on Tuesday.
The Facets Film Forum, which operates the Facets arts theater in Chicago’s Lincoln Park neighborhood, claimed in a statement that Israeli-American Jewish filmmaker and rapper Kosha Dillz and the Chicago Jewish Alliance (CJA) – which helped organize the original screening that was canceled — have allegedly engaged in harassment against the venue, making it “impossible” for the Facets to move forward with a showing of “Bring the Family Home.” The documentary covers the rise of antisemitism on US college campuses after the Hamas terrorist attack in southern Israel on Oct. 7, 2023. This is the first film directed by Kosha Dillz, whose real name is Rami Even-Esh, and it focuses largely on anti-Israel encampments and sentiments at DePaul University and Northwestern University. Facets is located down the street from DePaul.
A rough cut of “Bring the Family Home” was set to premiere at Facets on May 13, but mere hours before the screening, the venue canceled the event, citing safety and security concerns for its patrons and staff. After facing an abundance of criticism from Kosha Dillz, CJA, and their supporters, Facets agreed to work with the filmmaker to reschedule the screening for later this summer.
“Facets Film Forum respects the First Amendment, its protections of free speech and the right to express views through film,” Facets said in a statement on May 16. “We regret any unintended offense our decision to cancel a privately organized, public film screening caused the filmmaker, those seeking to attend the event, and members of our community who have experienced or witnessed oppression or discrimination in any form.”
However, this week the theater has backtracked on its decision to reschedule the screening, before it even announced a new date for the event.
“Rather than acknowledging the legitimacy of our concerns and decisions, CJA and the filmmaker, and individuals that appear to be their supporters, have engaged in harassing Facets,” the venue claimed. It alleged that supporters of the film were “vilifying” Facets in an email campaign targeting donors, arts groups, and others, and even shared “vicious” posts on social media “attacking Facets.” The posts allegedly included offers for a “bounty to anyone willing to burn down Facets’ building,” which Facets reported to authorities. The venue also claimed that supporters of “Bring the Family Home” recording a conversation with a Facets staff members without consent and then posted it online, sharing personal contact details.
CJA launched an email campaign earlier this month that urged its supporters to reach out to Facets about the cancellation on May 13. CJA claimed the venue called off the event “because of discomfort with Jewish visibility” and called the move “shameful” and “a disgrace.” Facets said on Tuesday that more than 2,500 emails were sent.
“Given these acts, we are ceasing any further discussions with CJA and Mr. Dillz. Facets will not tolerate harassment of its staff from any organization,” the theater said in the statement this week. “Facets will continue to remain committed to our mission and the safety of our staff and guests.”
Facets said that for five decades, it has “provided a safe space for the community to experience a vast variety of film perspectives.” The venue noted that it hosted an event as part of the Chicago Festival of Israeli Cinema’s 20th Anniversary Celebration in March. Earlier this month, the theater also screened “No Other Land,” the Oscar-winning documentary that heavily criticizes Israel’s demolition of a village in the West Bank. “Bring the Family Home” was originally meant to be mentioned on the marquee outside of Facets along with “No Other Land,” said Kosha Dillz.
In its statement, Facets also listed three Jewish or Israel-themed movies that it has screened in the past, including “Come Closer,” “In Between,” and “Zone of Interest.” None of those films depict pro-Israel sentiments or a condemnation of antisemitism like “Bring the Family Home.”
Kosha Dillz told The Algemeiner on Thursday he cannot believe that he has been canceled twice by the same venue, which has not screened his film even once. “I was quite shocked,” he said. “It’s exhausting to deal with this for the second time. How can they cancel a film twice that hasn’t been shown once. To me, that’s just representative of what the Jewish community has to deal with.”
He also denied taking part in the alleged harassment that Facets claimed it faced, including the email campaign and calls online to burn down the venue.
“The 2,500 emails — those are people that aren’t related to me. I don’t know them. Obviously, they know me,” he noted. “They made it seem as if I was the one who rallied people to email them and take away their funding. That’s obviously not true.”
Even now, after Facets made the final decision not to screen “Bring the Family Home,” Kosha Dillz does not support efforts to attack the venue for the move.
“I don’t think bullying people who have gotten bullied makes sense. I don’t think that’s a win-win situation,” he explained. “I don’t believe in people ganging up on them. I just think they were bullied by other bullies.”
Kosha Dillz had multiple Zoom meetings and sent several emails back and forth with leaders at Facet to reschedule a screening of “Bring the Family Home,” hoping to find a new date for the event. Following the decision by Facets this week to call off all efforts for a screening, Kosha Dillz told The Algemeiner that he is upset but will now focus his time and energy on finding a new venue to screen the documentary.
“It’s called selective Jewishness,” he said of the move by Facets. “They are picking which voices they get to hear and they’re letting other people define it for them. I was the one who offered for them to make it good [after the initial cancellation] and they took me up on it and then, you know … it’s kind of a slap in the face. But the first time, shame on them. The second time, shame on me.”
On Wednesday, CJA released a statement on social media in response to Facets decision this week and also the allegations against the Jewish group.
“We objected, respectfully and publicly, to the theater’s sudden about-face. We sent emails. We asked questions. We defended a Jewish voice that refused to conform to the approved script. For that, they accused us of harassment,” CJA said. “If Facets believes in free speech, it must apply to Jews who are visible, assertive, and yes, Zionist. Anything less is not inclusion. It’s performance. We remain proud partners of ‘Bring the Family Home’ and of every Jewish artist who refuses to stay quiet just to stay included.”
CJA also accused Facets of “cultural exclusion” and “soft censorship,” making “endless excuses” and “shifting standards for what qualifies as ‘appropriate’ Jewish expression.”
CJA said “Bring the Family Home” will be shown in Chicago on June 22, but a venue has yet to be secured.
The post ‘A Slap in the Face’: Chicago Venue Cancels Plans to Screen Documentary About Antisemitism for Second Time first appeared on Algemeiner.com.
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‘Part of Our Commitment to the Palestinian People’: Anti-Israel Group Vandalizes Jewish-Owned Business in London
Vandals targeted a Jewish-owned real estate business in London on May 28-29, 2025. Photo: Screenshot
A Jewish-owned real estate business in London was vandalized by a radical anti-Israel group overnight on Wednesday into Thursday in an attack that local Jewish leaders called a “traumatic antisemitic targeting.”
Video shows two masked people dressed in all black smashing the windows of the business — which is located in Stamford Hill, a heavily Orthodox Jewish neighborhood — and spraying it with red paint. Pictures in the aftermath of the vandalism show shattered glass and red paint all over the office, and other reports say computers and furniture were also wrecked.
Last night in London’s Stamford Hill: A Jewish business completely destroyed by vandals who spray-painted “Drop Elbit”—targeting a company with NO ties to Israel whatsoever. Jewish businesses. Jewish people. Targeted for being Jewish. pic.twitter.com/JruV4Si4J9
— Combat Antisemitism Movement (@CombatASemitism) May 29, 2025
“This should be treated as [an] antisemitic incident without any doubt,” Rabbi Herschel Gluck, president of Jewish security service Shomrim’s branch in Stamford Hill, told the Jewish Chronicle. “[The owners] are visibly Jewish; the people who run the business and this business itself have nothing to do with Israel.”
According to the Chronicle, the authorities were “called as soon as the damage was discovered on Thursday morning and the Metropolitan Police were notified shortly afterwards.”
The Metropolitan Police said in a statement that the investigation is ongoing and that no arrests have been made so far. “This incident is being treated as racially aggravated criminal damage,” the statement continued.
“We understand the concern this may cause members of the Jewish community,” the police noted. “Officers are working with community leaders and patrols have increased across the local area.”
Palestine Action, the group behind the vandalism, took responsibility for it on social media.
BREAKING: Palestine Action target the London-based landlords of Kent’s Elbit weapons factory, Instro Precision.
Instro Precision continues to export targeting gear to Israel, making both the Israeli weapons maker and its landlord, perpetrators of genocide. pic.twitter.com/TDN2yrEump
— Palestine Action (@Pal_action) May 29, 2025
“Palestine Action target[s] the London-based landlords of Kent’s Elbit weapons factory, Instro Precision,” the group posted on X. “Instro Precision continues to export targeting gear to Israel, making both the Israeli weapons maker and its landlord, perpetrators of genocide.”
Along with vandalism of the business itself, “Drop Elbit” was also spray-painted on the pavement outside it, referring to Elbit Systems, an Israeli defense firm that is an industry leader.
A spokesperson for the group said the attack was a “part of our commitment to the Palestinian people” because “we will not allow companies on our doorstep to profit from mass murder.” The real estate group, it claimed, is “the [landlord] of a Kent-based Israeli weapons factory which is exporting targeting gear for the Israeli military.”
However, according to Gluck, the attack “is pure antisemitism” because “the people have no connection to Israel at all. They [the vandals] are accusing this company of having a connection to an Israeli arms manufacturer, which is not true.”
The Campaign Against Antisemitism (CAA) responded to the vandalism on X, asking, “Why is Palestine Action still not banned?”
“Palestine Action is a criminal enterprise operating freely in the UK and terrorizing the Jewish community,” it wrote. “It must be banned and its organizers and activists prosecuted.”
This latest vandalism is part of a general spike in antisemitism in the UK.
The UK experienced its second-worst year for antisemitism in 2024, despite recording an 18 percent drop in antisemitic incidents from the previous year’s all-time high, according to a report released in February.
The Community Security Trust (CST), a nonprofit charity that advises Britain’s Jewish community on security matters, released data showing it recorded 3,528 antisemitic incidents for 2024, a drop of 18 percent from the 4,296 in 2023. These numbers compare to 1,662 antisemitic incidents in 2022, 2,261 in 2021, and 1,684 in 2020.
Last year’s total “is a reflection of the sustained levels of antisemitism that have been recorded across the UK since the Hamas terror attack in Israel on Oct. 7, 2023,” CST said of its findings. “CST’s Antisemitic Incidents Report 2023 charted the immediacy and scope of the rise in anti-Jewish hate following that attack, before Israel had set in motion any extensive military response in Gaza.”
The post ‘Part of Our Commitment to the Palestinian People’: Anti-Israel Group Vandalizes Jewish-Owned Business in London first appeared on Algemeiner.com.