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A Jewish expert on monuments on what Philly’s famous Rocky Balboa statue can teach us about memory
(JTA) — Paul Farber was shocked when he first watched “Rocky” and saw a Star of David on the grave of Rocky Balboa’s coach, Mickey Goldmill.
As a Jew and as the founder of the Philadelphia-based Monument Lab, which has explored collective memory through art installations across the country for over a decade, Farber was well positioned to think about the deeper meaning of that brief shot.
“Anytime I see a Jewish funeral in a film, there’s some kind of call to attention. And I always want to know what that means, especially for a Hollywood production, especially when it may not be branded as a Jewish story,” he told the Jewish Telegraphic Agency.
“We’re not there in a prolonged series of mourning, but in a split second, seeing a Jewish site of a memory is really fascinating,” he added.
That outlook lies behind Farber’s work as the host of the new NPR podcast “The Statue,” a deep dive into Philadelphia’s famed statue of Rocky Balboa, the fictional prizefighter at the center of “Rocky.” The series delves into what sports and society can convey about memory, and in his research, Farber discovered a few Jewish nuggets found in the film series — including the fact that Rocky’s love interest was originally supposed to be Jewish.
“They made an actual gravestone [for her character] and it’s in Philadelphia’s most famous cemetery, Laurel Hill. And you can go there and see this gravestone where a movie character is ‘buried,’” he said. “People leave offerings on the gravestone, including small pebbles as if it’s a Jewish site of memory.”
In an interview with JTA, Farber shared his inspiration for the series, how his Jewish upbringing informed his life’s work and the role statues — such as that of Jewish baseball legend Sandy Koufax — do, and should, play.
This interview was lightly edited for length and clarity.
Jewish Telegraphic Agency: To start off, I’d love to hear about how you first got interested in studying monuments.
Paul Farber: I’m really interested in the ways that, in cities, we innovate toward the future, and also come to terms with our past, and it happens often in the same exact places. That could be a statue, a street, a corner store. And so that’s a big part for me.
What really inspired this project is a conversation I had with my mother, quite a few years ago. My mother is a lifelong Philadelphian. Her parents were Jewish immigrants in South Philadelphia. And when I told her I was teaching a class at the University of Pennsylvania about Philly neighborhoods, she asked me if I was covering Rocky. When I said, “Oh, it’s not on the syllabus” — and I may have said it in a way that felt dismissive — she gave me this look that I think a lot of us know: “How could you.” So for her birthday, we watched “Rocky” and we went to see “Creed.” My grandfather went to South Philly High and was in the boxing club. He shared stories in our family about what it meant to have sport and culture and belonging go together in South Philly. I started to see that across generations, from long before “Rocky” to this moment now, almost 50 years after the release of the film, many people’s family stories could be channeled through this statue, including my own, and that was enough of a prompt to go dive in.
“Rocky” is obviously not a Jewish story, but there are some nuggets. There’s the funeral scene, and you mentioned something about Adrian almost being Jewish. I’m curious what you think about the little Jewish pieces you can pull out of this famous story, and what those mean to you as a Philly sports fan.
It blew me away that Rocky’s coach, Mick, passes away and the character Rocky goes to his funeral, and you see a Star of David. Anytime I see a Jewish funeral in a film, there’s some kind of call to attention. And I always want to know what that means, especially for a Hollywood production, especially when it may not be branded as a Jewish story. And it just opened up a whole set of questions for me that blurred between art and life, between the film series and the city of Philadelphia.
In episode two, we showcase this monumental art book that Sylvester Stallone [who played Rocky] created. There was this passage in it that just blew me away, about the first draft of “Rocky,” where he says, “As for Adrian, she was Jewish in the first draft.” And he got feedback and cut that character. We never hear about Mickey’s Judaism. We never hear about Rocky’s bond across culture. But the fact that the first scene in the “Rocky” series is in a place called Resurrection Gym — that is obvious Christian iconography — and to put Jewish characters in is really fascinating to me.
There is another famous grave that is involved in the series. The character Adrian eventually passes away, and like the statue, which was made as a bronze sculpture, for the “Rocky” film series they made an actual gravestone and it’s in Philadelphia’s most famous cemetery, Laurel Hill. And you can go there and see this gravestone where a movie character is “buried.” People leave offerings on the gravestone, including small pebbles as if it’s a Jewish site of memory.
People talk about representation on screen, and I’m not sure a Jewish funeral necessarily does that, but I would imagine for some people, seeing Rocky Balboa say the “Mourner’s Kaddish“ was maybe their first interaction with Judaism in some way. What do you make of that?
Every shot is deliberate. And it’s actually that kind of attitude and outlook that created the Rocky statue, because Sylvester Stallone was the director of that film, and they could have made a styrofoam version or a temporary one, but they spent over a year making a bronze version so that when the camera faced it, it would make contact. I think very similarly, this is part of the artistry of Stallone that plays out in our podcast series. We’re not with him when he sits shiva. We’re not there in a prolonged series of mourning, but in a split second, seeing a Jewish site of a memory is really fascinating. And to see the coach Mickey, to have his Wikipedia page say he’s Jewish, all that we have is mourning.
I think about how for immigrant Jewish communities, there are gaps in our narratives. Throughout the series, and one of the reasons I wanted to share my perspective as a queer Jewish person who grew up loving sports in Philly, I’ve been informed by my own family’s history, and what we’re able to recall and what gaps there are. And I see that being echoed for so many people in the Rocky story.
It’s clearly a very personal story for you. Why did you think it was important to start the podcast with your own identity, and to include your Jewish mother?
I think it’s important that when we talk about sites of memory, we understand that there are shared and collective ways that we bring the past forward, and there are others that are incredibly personal. My hope was to find, in this case, to spotlight, a significant site of memory in the city, but ask questions about it. And I think it was important to note what position I would take, because I don’t believe there’s one story to the Rocky statue. To tell a biography of a statue, you actually have to tell it of the people who make meaning from it. So in the series, we do a lot of work where we want to know other people’s stories and backgrounds, whether they are refugees from Afghanistan, or community organizers in Kensington [a neighborhood of Philadelphia]. My hope was by positioning this from my perspective, almost as a memoir in a way, that it opened up space for others to have their experiences be valued and made meaning of.
The official artwork for Farber’s podcast. (Courtesy)
Both with the podcast and in your work with the Monument Lab, how do you feel that your Jewish identity informs what you do? Do you see overlap between your Jewish values and the values you work on in your organization?
I absolutely think so. I grew up in a Jewish community in Philadelphia, and tikkun olam was a constant refrain. The work of tikkun olam meant a worldview that necessitated building coalitions and understanding across divides, to not diminish or under-emphasize them, but to appreciate how we work in solidarity, whether that’s around racial justice, gender justice, in various struggles. I am a co-founder and director of an organization that focuses on memory, and that I really get from the stories of growing up in a Jewish household, in a Jewish community, where memory lived in different ways. We were always aware of the stories of trauma and loss, as well as reconciliation and transformation, and how you work with the gaps that you have, and you listen, and you learn and you carry the story with you. Because that is the way to bond generations. Jewish memory really grounds what I do, and I seek to use it as a tool to learn more and to feed connection across divides.
Rocky takes on this almost mythical, godlike status, and his statue in Philadelphia is a bit of a pilgrimage site. Do you see any tension there as a Jew, given the prohibition against idol worship?
I think about the importance of memory, against forces of violence and erasure. I also understand that, in a world that is full of pain and difficulty and loss, we seek places to release that. And so I understand the pull to monuments. What I would like to see, and what we try to do through this series, “The Statue,” and also with the work of Monument Lab, is to look on and off the pedestal, and really think about how history lives with us. As we say in the series and other places, history doesn’t live inside of statues, it lives with people who steward them, who create other kinds of sites of memory, who are vigilant in their modes of commemoration. What I try to do in this work is understand the ambivalence around monuments, the pull to try to remember and be enduring through time, and just that constant reminder that whenever you try to freeze the past, or freeze an image of power, you cut out the potential to find connection and empowerment, and thus forms of survival.
In sports, there are so many ways to honor people, especially different ways that, like a statue, take on the idea of permanence. When Bill Russell died, the NBA retired his number 6 across the league. On Jackie Robinson Day, every April 15, the whole MLB honors Jackie Robinson by wearing his uniform number. But statues just have a different level of oomph. Sandy Koufax has a new statue in Los Angeles that was unveiled last year; Hank Greenberg has one. What do you think it should take for an athlete to reach that status?
The pinnacle in sports is to have a statue dedicated to you outside of the stadium. And I do believe the cultures of social media have amplified that, because we grew up with the story of Sandy Koufax not pitching in the World Series during the High Holy Days, and that wasn’t because we learned it from a statue or a plaque. We learned it because it was carried forward and put into different forms of remembering and recalling its importance. I went to several Maccabi Games in the U.S. — I used to be a sprinter. And the culture of memory and sport, they were one in the same.
In professional sports, the pinnacle is the statue, but I think you brought up other really important ways of remembering that operate in non-statue forms that feel like they are living memorials. The idea of retiring someone’s number, and keeping their number up, is a way to acknowledge, in this really public of all public spaces, an intimacy and a care, and especially when an athlete passes away, how that transcends the lines of city geography. Jackie Robinson Day is something that did not occur immediately after Jackie Robinson was the first Black player to play in the major leagues, but was a product of a later moment when people around Major League Baseball sought to activate his memory. So yes, a statue outside of a stadium is like a particular kind of professional accolade. But the other forms are really meaningful.
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British Jews could be offered asylum in the US, Trump’s UK-born Jewish lawyer says
(JTA) — The Trump administration might be considering granting asylum to British Jews, according to Trump’s personal lawyer, who said “the UK is no longer a safe place for Jews.”
Robert Garson, a Jewish attorney from Manchester, England, with rising influence in the Trump administration, said he proposed the move to the State Department in an interview with The Telegraph.
Garson said his proposal was well received despite the Trump administration’s general anti-immigration stance.
“I thought: Jews are being persecuted in the United Kingdom,” Garson said. “They fit a wonderful demographic for the United States. They are, on the whole, educated. They speak English natively. They’ve got businesses. They’re exactly the sort of immigrant the United States should want to attract. So, why not?”
Garson said his views on the future of Jews in Britain hardened after the terror attack on a synagogue in his hometown last year. Two people were killed at the Heaton Park Hebrew Congregation on Yom Kippur after a man rammed his car into a crowd of people and stabbed others.
In October, the White House announced that it would restrict the number of refugees admitted to the United States to 7,500 in 2026, mostly reserving those spots for white South Africans. The number represents a steep drop from former President Joe Biden’s ceiling of 125,000 in 2024.
The administration’s privileging of white South Africans has been widely criticized in South Africa, including by Jews. The country’s chief rabbi Warren Goldstein, otherwise a vocal Trump supporter, called the move a “mistake.”
Garson was hired by Trump in 2022 to sue investigative journalist Bob Woodward for $50 million over Woodward’s publication of Trump interviews in an audiobook. (The lawsuit was dismissed in July.) Donald Trump Jr. has also hired Garson as a lawyer for his publishing house, Winning Team Publishing, which has published the president, Charlie Kirk and other prominent conservatives.
Garson’s rise continued with an appointment to the United States Holocaust Memorial Council in May. He was among several Trump allies that the president named to replace members appointed by Biden, including Doug Emhoff, the Jewish husband of former Vice President Kamala Harris.
White House press secretary Karoline Leavitt said at the time, “President Trump looks forward to appointing new individuals who will not only continue to honor the memory of those who perished in the Holocaust, but who are also steadfast supporters of the State of Israel.”
Garson moved to New York in 2008 and now lives in Florida, where he is the head of armed security at his synagogue. After the Hamas attack on Israel on Oct. 7, 2023, Garson became a National Rifle Association-licensed instructor and has offered to train any Jews who are interested.
He believes that “if there had been 6 million guns in 6 million Jewish hands, there would have been 6 million fewer deaths” in the Holocaust, he told The Telegraph.
Garson laid much of the blame for dangers to British Jews at the foot of Prime Minister Keir Starmer, saying that he “allowed rampant antisemitism to become commonplace in society and has allowed it to come from those who really don’t have Britain’s best interests at heart.”
Garson has expressed particular concern about the influence of Muslim immigrants in England, charging that non-Jewish Brits would also soon face “sharia-compliant areas.” He said, “They are coming for the Jews and then they are coming for your pubs.”
Some British Jewish groups have rejected the idea that British Jews would seek to leave for the United States. The Community Security Trust, an antisemitism watchdog, told Haaretz that “Jews were murdered by hateful terrorists in the United States as well as in the United Kingdom” last year, so there was no refuge to be found there.
David Aaronovitch, a British journalist and broadcaster, also rebuked Garson’s proposal in a Jewish News op-ed addressed to Trump.
“British Jews wouldn’t be safer in the US, simply because no one is,” said Aaronovitch. “The homicide rate in your country is six times what it is here; in fact, in Mr Garson’s new domicile, Miami-Dade County, it’s over 20 times the rate here in London.”
He also noted the debate in Trump’s own party over its inclusion of avowed antisemites such as Nick Fuentes.
“It hasn’t escaped the notice of many British Jews that some of the most vocal and influential new media supporters of your administration have either given themselves over to overt, old-style antisemitism or have shown themselves happy to tolerate others who have,” said Aaronovitch.
Ofir Sofer, Israel’s minister of aliyah and integration, also responded dismissively to the idea that British Jews should leave for the United States. “The home of British Jewry, and of Jews around the world, is the State of Israel,” he said.
The post British Jews could be offered asylum in the US, Trump’s UK-born Jewish lawyer says appeared first on The Forward.
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How ‘a bundle of letters’ became a cornerstone of life advice for American Jews
January 20, 2026 marks the 120th anniversary of A Bintel Brief, the Forward’s advice column, launched in 1906 by the paper’s founder and publisher, Ab Cahan. Tackling the personal challenges of Eastern European Jewish immigrants, Cahan and the Bintel Brief columnists who followed him would dispatch their advice with humor, compassion, and honesty.
By 1906, Der Forverts, as the Forward is known in Yiddish, had grown over its initial three decades to become the leading Yiddish-language newspaper in the United States. But A Bintel Brief — Yiddish for “a bundle of letters” — was something the paper hadn’t tried before. Well, not exactly.
In his introduction to the very first Bintel Brief, which is preserved online at the National Library of Israel, Cahan explained that the new column had been inspired by a section of the paper devoted to letters to the editor that launched three years earlier.
A Bintel Brief, however, would be an advice column, focusing on letters “that expressed issues of … human interest,” Cahan explained. He continued, “Readers will find in the Bintel Brief letters an interesting turning of pages from the Book of Life … Hundreds of diverse emotions, interests and lost opportunities will be expressed here. Hundreds of various vibrations of the human heart will be heard here.”
History would prove him right. Over the next 120 years, A Bintel Brief would explore the “various vibrations of the human heart” with homespun Jewish advice, tens of thousands of times over, and along with its contemporary advice columnists like Dorothy Dix inspire countless advice columns across U.S. newspapers, including “Dear Abby” and Ann Landers (née Esther Friedman).
In his autobiography Pages from My Life, which Cahan published 100 years ago in 1926, he recalled, “I had always wished that the Forverts would receive stories from ‘daily life’ — dramas, comedies or truly curious events that weren’t written at a desk but rather in the tenements and factories and cafés — everywhere that life was the author of the drama … How to do this? Not an easy task — much harder than writing an interesting drama or comedy.”
“One day in January 1906,” he continued, “[my secretary, Leon] Gottlieb told me about three letters that had arrived which didn’t seem suited for any particular department … All three letters were of a personal nature rather than a communal one, and each told an individual story. I considered the three letters and my response was: Let’s print them together and call it A Bintel Brief.”
There’s also the apocryphal version of the story, illustrated by cartoonist Liana Finck while working on a series of cartoons inspired by A Bintel Brief that eventually became a book in 2014. “Rumor has it, the letter on the top of the pile Abraham Cahan’s secretary brought him that strange day in 1906 was two feet long and sewn together with scraps of industrial thread. The spelling was atrocious, but the tears that spewed out of the letter were real — Cahan tasted them to make sure.”
While perhaps nothing more than a mayse, the story rightly captures the willingness of Forverts readers to share their individual problems with A Bintel Brief and seek advice.
And some of them still resonate today.
For example, in the first edition of the column, a bride-to-be reached out because of a debate that erupted with her fiancé after she suggested that mothers are more faithful to their children than fathers because they are the ones saddled with the responsibility of childcare, to which the fiancé angrily replied that women make too big of a deal of their role as caregivers, and that fathers are more dependable. Cahan replied that “smart, serious minded parents raise children that are both truly loyal and have both feet on the ground” like the mother and father. To this, he added, “It’s best for your future children that you read all you can, attend as many lectures as possible, and develop together and grow intellectually. That will create a pair of parents who best know how to raise their children and will be of service in their devotion and love.”
It also did not take long for questions regarding interfaith relationships to emerge in the column. One letter that same year featured a newlywed Jewish man describing the fraying relationship with his Christian wife over the first year of marriage. “Mixed marriage between a Gentile and a Jew is a complicated affair,” Bintel acknowledged, before putting a spin on the then-common story of Jewish parents sitting shiva for their son marrying a Gentile woman: “Not enough has been said about the Gentile family. For while the parents of the Gentile girl may accept the Jewish son-in-law and tolerate the marriage, the girl loses many of her friends, former classmates and relatives.”
Writing for the Forward in 2014 about Finck’s book, Yevegeniya Traps noted that letters like these offered “a succinctly potent representation of the lives of Eastern-European immigrants trying to make their way in early-20th-century New York.” She added, “No artist or journalist could render the doubt, uncertainty and backbreaking work of life in the New World as clearly and honestly as the words of sufferers seeking wisdom” from A Bintel Brief.
Or as Cahan concluded in his autobiography, “Everyone wrote about that which was closest to their hearts. The result was that the Bintel Brief would be assembled out of those letters that revealed the most interesting nooks of people’s souls.”
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How Trump’s first year back in office destabilized our country — and our Jewish community
One year into President Donald Trump’s second term, the American Jewish community is reeling — just like the rest of the country.
For generations now, presidents have at least paid lip service to steadying the ship of state. Trump has taken an axe to the mast.
And as he has destabilized the United States since being sworn into office on Jan. 20, 2025, he has destabilized American Jews.
To mark the end of Trump’s first year back in office, I looked at how a series of his policies and pronouncements have exaggerated already-deep divides in the Jewish community — and bewildered his supporters and detractors alike.
Rooting out antisemitism, or nurturing it?
Trump’s approach to addressing antisemitism has shuttled between a slap and embrace, deeply unbalancing American Jews.
He correctly called out intimidation tactics on college campuses, especially during the anti-Gaza War protests, that violated the civil rights of Jewish students — preventing them from accessing parts of campus or speaking out freely as other students.
But the measures he took against those universities, which included cutting off funding for unrelated research, deporting foreign students for exercising their First Amendment rights, and undermining laudable efforts at diversity, alienated Jews with legitimate concerns about campus antisemitism.
A May 2025 poll from GBAO Strategies reflected the disconnect.
Some 65% of younger Jews expressed concern over antisemitism on college campuses, and 71% said deporting campus protesters made that antisemitism worse.
Any relief Jews felt that Trump was addressing a long-festering problem quickly morphed into the concern that he was using it to carry out an ideological score-settling that had nothing to do with Jews, and that could ultimately backfire on them.
Meanwhile, there’s Tucker Carlson. The ideological Svengali of the GOP, Carlson has used his popular podcast to give a platform to neo-Nazis, push ever more intricate antisemitic conspiracy theories, and suggest that Jews were behind the assassination of Charlie Kirk.
And more recently, he’s provided a serious hint that Trump’s focus on antisemitism isn’t particularly earnest.
“I think we don’t need them,” Trump recently told the New York Times about antisemitic elements in the GOP. “I think we don’t like them.” He thinks, because, well, sometimes he apparently does need them: Carlson lunched twice at the White House this week.
For Trump, antisemitism appears not to be an absolute evil, but yet another issue to use to his political advantage. And as he’s gambled with our community, he’s brought more strife to it. Now, we battle one another over the question of whether Trump has been just what we needed — or the very worst thing that could have happened to us.
Triumph in Gaza, despair in Iran
In October, Trump forged a ceasefire and hostage deal in Gaza that pleased liberal Jews even as it upset many on the Jewish right with its tacit endorsement of an eventual two-state solution. He cashed in the goodwill he had banked with Israel, and, through incessant horsetrading with the Gulf States, leveraged a diplomatic breakthrough.
“He did something so many of us yearned for in the last two years, and he made it happen, and Biden didn’t make it happen,” Abraham Foxman, former CEO of the Anti-Defamation League, told JTA at the time.
Yet Trump started the year making promises to assert U.S. control in Gaza and turn it into a land of luxe resorts, to the horror of many liberal Jews. What can we make of the fact that he then turned around and accomplished a diplomatic feat that so many of us yearned for?
Even this week I find myself rooting for Trump — not something I normally do — to push through his idea of an international Board of Peace to oversee Gaza reconstruction, over the opposition of Israel’s Prime Minister Benjamin Netanyahu.
Yet at the same time Trump has worked for peace between Israelis and Palestinians, his Iran strategy now verges on incoherent, if not cruel. He joined with Israel in attacking and degrading Iranian missile and nuclear ability, and bragged that doing so stripped decades of progress from Tehran’s nuclear program, though evidence suggests the operation brought much more moderate success.
He then threatened to attack again, to stop Iran’s bloody crackdown on protesters who have swarmed the streets this month. That issue is particularly close to the hearts of many American Jews, both because of the Iranian regime’s vehement antagonism toward Israel, and because so many Jews here have roots in Iran and have personal or familial experiences of the regime’s brutality. Then he backed down, convinced, reports say, of Iran’s promise not to execute its political opponents.
“It is unconscionable to say ‘Help is on the way’ and then do nothing,” Elliott Abrams, a senior fellow at the Council on Foreign Relations and a former Iran envoy in the first Trump administration, told Jewish Insider. “I hope the president will change his mind.”
Yes, intervention is a tricky business. But to those American Jews who would see Trump take decisive action to change the status quo in the Middle East, his choice to step aside from this fight seems baffling. And for all of us, it raises questions: Does he actually have a long-term vision for the region, and if so, is he able to commit to a path to deliver it?
The Minneapolis worry
The May GBAO survey found that 74% of American Jews disapproved of the job Trump was doing in office. That was five months into office, before the Gaza deal, but also before — the rest.
Signals differ about where, exactly, Trump stands in American Jewish public opinion. But there are some leading indicators, and they all center around Minneapolis.
The killing this month of Renée Nicole Good by an Immigration and Customs Enforcement agent there; Trump’s knee-jerk defense of the shooting; and his decision to flood the city with more ICE agents prompted a rare attack ad from the American Israel Public Affairs Committee, which does not normally weigh in on issues unconnected to, well, Israel.
The ad criticized former Democratic Rep. Tom Malinowski, who is running in a Feb. 5 primary for the House seat vacated by New Jersey Governor-elect Mikie Sherrill, for voting in favor of more ICE funding in a bipartisan 2019 border bill.
“We can’t trust Tom Malinowski” to stand up to Trump over ICE, said the ad.
Even if it was a cynical use of an issue to undermine a candidate AIPAC may oppose for other reasons — Malinowski is a former director of the nonprofit Human Rights Watch, which accused Israel of apartheid — AIPAC correctly understands how American Jews feel about Trump’s use of ICE: worried sick.
The abuse of state power, the breach in civil liberties, and the atmosphere of intimidation echoes some of the darkest times in Jewish history.
Nothing in Trump’s response to the situation — or his past efforts to engage with civil protest — suggests he will work to calm the situation, back down, or change the approach to international and domestic affairs that has unsettled Americans and American Jews.
And that suggests the most disorienting fact of all, for Jews as for all other Americans: There’s still three years left.
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