Uncategorized
A Jewish expert on monuments on what Philly’s famous Rocky Balboa statue can teach us about memory
(JTA) — Paul Farber was shocked when he first watched “Rocky” and saw a Star of David on the grave of Rocky Balboa’s coach, Mickey Goldmill.
As a Jew and as the founder of the Philadelphia-based Monument Lab, which has explored collective memory through art installations across the country for over a decade, Farber was well positioned to think about the deeper meaning of that brief shot.
“Anytime I see a Jewish funeral in a film, there’s some kind of call to attention. And I always want to know what that means, especially for a Hollywood production, especially when it may not be branded as a Jewish story,” he told the Jewish Telegraphic Agency.
“We’re not there in a prolonged series of mourning, but in a split second, seeing a Jewish site of a memory is really fascinating,” he added.
That outlook lies behind Farber’s work as the host of the new NPR podcast “The Statue,” a deep dive into Philadelphia’s famed statue of Rocky Balboa, the fictional prizefighter at the center of “Rocky.” The series delves into what sports and society can convey about memory, and in his research, Farber discovered a few Jewish nuggets found in the film series — including the fact that Rocky’s love interest was originally supposed to be Jewish.
“They made an actual gravestone [for her character] and it’s in Philadelphia’s most famous cemetery, Laurel Hill. And you can go there and see this gravestone where a movie character is ‘buried,’” he said. “People leave offerings on the gravestone, including small pebbles as if it’s a Jewish site of memory.”
In an interview with JTA, Farber shared his inspiration for the series, how his Jewish upbringing informed his life’s work and the role statues — such as that of Jewish baseball legend Sandy Koufax — do, and should, play.
This interview was lightly edited for length and clarity.
Jewish Telegraphic Agency: To start off, I’d love to hear about how you first got interested in studying monuments.
Paul Farber: I’m really interested in the ways that, in cities, we innovate toward the future, and also come to terms with our past, and it happens often in the same exact places. That could be a statue, a street, a corner store. And so that’s a big part for me.
What really inspired this project is a conversation I had with my mother, quite a few years ago. My mother is a lifelong Philadelphian. Her parents were Jewish immigrants in South Philadelphia. And when I told her I was teaching a class at the University of Pennsylvania about Philly neighborhoods, she asked me if I was covering Rocky. When I said, “Oh, it’s not on the syllabus” — and I may have said it in a way that felt dismissive — she gave me this look that I think a lot of us know: “How could you.” So for her birthday, we watched “Rocky” and we went to see “Creed.” My grandfather went to South Philly High and was in the boxing club. He shared stories in our family about what it meant to have sport and culture and belonging go together in South Philly. I started to see that across generations, from long before “Rocky” to this moment now, almost 50 years after the release of the film, many people’s family stories could be channeled through this statue, including my own, and that was enough of a prompt to go dive in.
“Rocky” is obviously not a Jewish story, but there are some nuggets. There’s the funeral scene, and you mentioned something about Adrian almost being Jewish. I’m curious what you think about the little Jewish pieces you can pull out of this famous story, and what those mean to you as a Philly sports fan.
It blew me away that Rocky’s coach, Mick, passes away and the character Rocky goes to his funeral, and you see a Star of David. Anytime I see a Jewish funeral in a film, there’s some kind of call to attention. And I always want to know what that means, especially for a Hollywood production, especially when it may not be branded as a Jewish story. And it just opened up a whole set of questions for me that blurred between art and life, between the film series and the city of Philadelphia.
In episode two, we showcase this monumental art book that Sylvester Stallone [who played Rocky] created. There was this passage in it that just blew me away, about the first draft of “Rocky,” where he says, “As for Adrian, she was Jewish in the first draft.” And he got feedback and cut that character. We never hear about Mickey’s Judaism. We never hear about Rocky’s bond across culture. But the fact that the first scene in the “Rocky” series is in a place called Resurrection Gym — that is obvious Christian iconography — and to put Jewish characters in is really fascinating to me.
There is another famous grave that is involved in the series. The character Adrian eventually passes away, and like the statue, which was made as a bronze sculpture, for the “Rocky” film series they made an actual gravestone and it’s in Philadelphia’s most famous cemetery, Laurel Hill. And you can go there and see this gravestone where a movie character is “buried.” People leave offerings on the gravestone, including small pebbles as if it’s a Jewish site of memory.
People talk about representation on screen, and I’m not sure a Jewish funeral necessarily does that, but I would imagine for some people, seeing Rocky Balboa say the “Mourner’s Kaddish“ was maybe their first interaction with Judaism in some way. What do you make of that?
Every shot is deliberate. And it’s actually that kind of attitude and outlook that created the Rocky statue, because Sylvester Stallone was the director of that film, and they could have made a styrofoam version or a temporary one, but they spent over a year making a bronze version so that when the camera faced it, it would make contact. I think very similarly, this is part of the artistry of Stallone that plays out in our podcast series. We’re not with him when he sits shiva. We’re not there in a prolonged series of mourning, but in a split second, seeing a Jewish site of a memory is really fascinating. And to see the coach Mickey, to have his Wikipedia page say he’s Jewish, all that we have is mourning.
I think about how for immigrant Jewish communities, there are gaps in our narratives. Throughout the series, and one of the reasons I wanted to share my perspective as a queer Jewish person who grew up loving sports in Philly, I’ve been informed by my own family’s history, and what we’re able to recall and what gaps there are. And I see that being echoed for so many people in the Rocky story.
It’s clearly a very personal story for you. Why did you think it was important to start the podcast with your own identity, and to include your Jewish mother?
I think it’s important that when we talk about sites of memory, we understand that there are shared and collective ways that we bring the past forward, and there are others that are incredibly personal. My hope was to find, in this case, to spotlight, a significant site of memory in the city, but ask questions about it. And I think it was important to note what position I would take, because I don’t believe there’s one story to the Rocky statue. To tell a biography of a statue, you actually have to tell it of the people who make meaning from it. So in the series, we do a lot of work where we want to know other people’s stories and backgrounds, whether they are refugees from Afghanistan, or community organizers in Kensington [a neighborhood of Philadelphia]. My hope was by positioning this from my perspective, almost as a memoir in a way, that it opened up space for others to have their experiences be valued and made meaning of.
The official artwork for Farber’s podcast. (Courtesy)
Both with the podcast and in your work with the Monument Lab, how do you feel that your Jewish identity informs what you do? Do you see overlap between your Jewish values and the values you work on in your organization?
I absolutely think so. I grew up in a Jewish community in Philadelphia, and tikkun olam was a constant refrain. The work of tikkun olam meant a worldview that necessitated building coalitions and understanding across divides, to not diminish or under-emphasize them, but to appreciate how we work in solidarity, whether that’s around racial justice, gender justice, in various struggles. I am a co-founder and director of an organization that focuses on memory, and that I really get from the stories of growing up in a Jewish household, in a Jewish community, where memory lived in different ways. We were always aware of the stories of trauma and loss, as well as reconciliation and transformation, and how you work with the gaps that you have, and you listen, and you learn and you carry the story with you. Because that is the way to bond generations. Jewish memory really grounds what I do, and I seek to use it as a tool to learn more and to feed connection across divides.
Rocky takes on this almost mythical, godlike status, and his statue in Philadelphia is a bit of a pilgrimage site. Do you see any tension there as a Jew, given the prohibition against idol worship?
I think about the importance of memory, against forces of violence and erasure. I also understand that, in a world that is full of pain and difficulty and loss, we seek places to release that. And so I understand the pull to monuments. What I would like to see, and what we try to do through this series, “The Statue,” and also with the work of Monument Lab, is to look on and off the pedestal, and really think about how history lives with us. As we say in the series and other places, history doesn’t live inside of statues, it lives with people who steward them, who create other kinds of sites of memory, who are vigilant in their modes of commemoration. What I try to do in this work is understand the ambivalence around monuments, the pull to try to remember and be enduring through time, and just that constant reminder that whenever you try to freeze the past, or freeze an image of power, you cut out the potential to find connection and empowerment, and thus forms of survival.
In sports, there are so many ways to honor people, especially different ways that, like a statue, take on the idea of permanence. When Bill Russell died, the NBA retired his number 6 across the league. On Jackie Robinson Day, every April 15, the whole MLB honors Jackie Robinson by wearing his uniform number. But statues just have a different level of oomph. Sandy Koufax has a new statue in Los Angeles that was unveiled last year; Hank Greenberg has one. What do you think it should take for an athlete to reach that status?
The pinnacle in sports is to have a statue dedicated to you outside of the stadium. And I do believe the cultures of social media have amplified that, because we grew up with the story of Sandy Koufax not pitching in the World Series during the High Holy Days, and that wasn’t because we learned it from a statue or a plaque. We learned it because it was carried forward and put into different forms of remembering and recalling its importance. I went to several Maccabi Games in the U.S. — I used to be a sprinter. And the culture of memory and sport, they were one in the same.
In professional sports, the pinnacle is the statue, but I think you brought up other really important ways of remembering that operate in non-statue forms that feel like they are living memorials. The idea of retiring someone’s number, and keeping their number up, is a way to acknowledge, in this really public of all public spaces, an intimacy and a care, and especially when an athlete passes away, how that transcends the lines of city geography. Jackie Robinson Day is something that did not occur immediately after Jackie Robinson was the first Black player to play in the major leagues, but was a product of a later moment when people around Major League Baseball sought to activate his memory. So yes, a statue outside of a stadium is like a particular kind of professional accolade. But the other forms are really meaningful.
—
The post A Jewish expert on monuments on what Philly’s famous Rocky Balboa statue can teach us about memory appeared first on Jewish Telegraphic Agency.
Uncategorized
Democratic leader says GOP-led Congress boosted ICE funding while Jewish security is underfunded
House Democratic Leader Hakeem Jeffries used a Jewish gathering in New York on Sunday to spotlight what he described as an imbalance in federal priorities, building on outrage over the Trump administration’s violent crackdown in Minneapolis that resulted in two fatal shootings.
Jeffries criticized the Republican-controlled Congress for boosting immigration enforcement funding by billions while, he said, security funding for Jewish institutions continues to lag amid rising antisemitic threats. He said that in the One Big Beautiful Bill Act, which passed last July and included cuts to Medicaid, the Department of Homeland Security received an additional $191 billion, including $75 billion for ICE.
“If that can happen, then the least that we can do is ensure that this vital security grant program is funded by hundreds of millions of dollars more to keep the Jewish community and every other community safe,” Jeffries said.
The Nonprofit Security Grant Program, established by Congress in 2005 and administered by FEMA under the Department of Homeland Security, provides funding to nonprofits, including houses of worship, to strengthen security against potential attacks. Congress began significantly increasing funding in 2018 after a wave of synagogue attacks nationwide, bringing the program to $270 million today.
Major Jewish organizations are pushing to raise funding to $500 million amid rising antisemitic threats. Last year, the Trump administration briefly froze the program as part of broader agency cuts, and some groups have been reluctant to apply because applicants must affirm cooperation with federal immigration enforcement.
Jeffries said House Democrats strongly support an increase to $500 million annually to meet escalating security needs. “It’s got to be an American issue, because that is what combating antisemitism should be all about,” he said.
The breakfast, previously held at the offices of the UJA-Federation of New York, was held this year for the first time in the events hall at Park East Synagogue, which was the site of a pro-Palestinian protest last year that featured antisemitic slogans and posters.
Sunday’s program also included remarks from Senate Minority Leader Chuck Schumer, who told the audience that his support for Jewish security funding will only continue growing under his leadership, calling it his “baby.”
“As long as I’m in the Senate, this program will continue to grow from strength to strength, and we won’t let anyone attack it or undo it,” Schumer said.
Rep. Jerry Nadler, the co-chair of the Congressional Jewish Caucus who is retiring at the end of the year after 36 years in the House, also spoke at the event. Nadler, like several other Democrats in recent months, compared the actions of ICE agents to the Gestapo, Nazi Germany’s secret police. The comparison has drawn sharp criticism from Democrats, Republicans and Jewish leaders.
Support for Israel aid
Both Schumer and Jeffries vowed in their remarks to continue supporting U.S. military assistance to Israel, amid increasing calls within the party for sharper opposition to Israel. Polls show that Democratic voters are increasingly sympathetic to Palestinians. In July, a record 27 Senate Democrats, a majority of the caucus, supported a pair of resolutions calling for the blocking of weapons transfers to Israel.
“I think it’s the humane thing to do to ensure that Israel has a right to exist as a Jewish and democratic state and eternal homeland for the Jewish people,” Jeffries said. The House Minority Leader, who has cultivated close ties with Jewish leaders since his election in 2012, noted that he has visited Israel nine times. He recalled that on his recent trip, Israel’s ambassador to the U.S., Yechiel Leiter, joked that it might be time for Democrats to buy property in Jerusalem.
Schumer, the nation’s highest-ranking Jewish elected official, has seen his popularity decline and has faced calls to step down from his role as leader. On Sunday, he pledged that he “will always fight to give Israel what it needs to protect itself from the many who want to wipe Israel off the face of the map.”
The post Democratic leader says GOP-led Congress boosted ICE funding while Jewish security is underfunded appeared first on The Forward.
Uncategorized
Antisemitism speech sparks pushback from Jewish conservatives
(JTA) — When Orit Arfa read political theorist Yoram Hazony’s recent comments on antisemitism on the American right, she decided that her past admiration for him no longer justified staying silent about what she sees as a moral failure.
Arfa, who served until last month as a spokesperson for Hazony, responded Thursday with a deeply personal essay in Tablet magazine titled “Yoram Hazony’s 15 Minutes.” She wrote about her departure after four years from the Edmund Burke Foundation, the organization Hazony founded that is an institutional hub of the national conservatism movement. In her essay, she accused Hazony of erasing work she and others did under his leadership and of publicly faulting Jewish institutions for failures she says he knowingly helped create.
“I have known and admired Yoram for many years,” Arfa wrote, praising his scholarship and describing his 2015 book on the Book of Esther as one of the most influential works in her intellectual life. “It’s with a heavy heart, then, that I feel compelled to set the record straight.”
An Israeli conservative intellectual, Hazony is one of the architects of national conservatism, arguing for a politics grounded in nationalism, religion and tradition. His ideas have gained influence among Republican politicians, donors and movement strategists, particularly within the wing of the party associated with figures like Vice President JD Vance.
Hazony’s influence has placed him at the center of a growing dispute on the Jewish right, as the movement he helped shape confronts allegations of antisemitism in its orbit. Hazony has declined requests for an interview from the Jewish Telegraphic Agency in recent months.
Because of Hazony’s prominence, Arfa’s break with him has resonated well beyond their personal history, highlighting a broader debate among Jewish conservatives over how to confront antisemitism when it comes not from political opponents, but from figures embedded in the American right.
That debate was thrust into the open after Hazony’s keynote speech earlier this week at the Second International Conference on Combating Antisemitism in Jerusalem, where he forcefully condemned antisemitic rhetoric aired on the program of conservative media figure Tucker Carlson. Hazony described Carlson’s show as a “circus of aggressive anti-Jewish propaganda,” listing familiar antisemitic tropes aired by guests.
“These aren’t normal political messages, disagreeing with other members of the Trump coalition on legitimate policy issues,” Hazony said. “They’re abusive, wild slanders, and their repeated appearance on Tucker’s show has persuaded almost every Jew I know that the program’s purpose is to drive Jews—along with tens of millions of Zionist Christians—out of the Trump coalition and out of the Republican party.”
At the same time, Hazony argued that Jewish and Christian Zionist activists had failed to persuade Republican leaders to distance themselves from Carlson — not because Carlson was too powerful, but because critics had not presented their case professionally. He mocked the absence of a concise, evidence-based “15-minute explainer video” that could persuade conservatives unfamiliar with Carlson’s program, calling this a sign of “extreme incompetence” by what he labeled the “antisemitism-industrial complex.”
That claim became the focal point of Arfa’s response.
“The truth, as Yoram well knows, is that there is such a video,” she wrote. According to Arfa, she and other Edmund Burke Foundation staff members worked with Hazony to produce exactly such an explainer — a 14-minute, 57-second compilation of examples of antisemitic rhetoric aired on Carlson’s program.
Hazony, she said, chose not to make it public.
“He kept it unlisted in an obscure account,” Arfa wrote, adding that she was “flabbergasted” to hear Hazony publicly insist no such work existed. “It saddens me that he would diminish the work of his dedicated employees by erasing our efforts.”
A spokesperson for Hazony did not immediately respond to a request for comment.
The dispute over Hazony’s speech has become a proxy for a larger argument about responsibility and strategy. Hazony is urging Jews to focus on building alliances with what he describes as the dominant nationalist wing of the Republican Party, arguing that moralistic confrontations risk alienating potential allies and entrenching antisemitism.
“What would you find if you actually invested the time and effort, and opened those doors?” Hazony said in his speech. “Mostly, you’d discover that nationalist Republicans are not anti-Semites. That they are strongly committed to having Jews in their coalition. That they would like to have closer relations with the Jewish community. That many of them see Israel as an inspiration and wish America were more like Israel. In short, you’d discover that most of them are potential friends and allies.”
Critics counter that this approach shifts responsibility away from political leaders who tolerate antisemitism. Several commentators on the right have argued that treating antisemitism as a communications problem, rather than a moral red line, risks normalizing it.
Tablet, where Arfa’s essay was published, issued an unusually scathing response on social media, accusing Hazony of effectively blaming Jews for their own marginalization.
In a post on X directly responding to a Hazony, Tablet wrote, “Tucker Carlson could goose-step down Pennsylvania Avenue butt-naked with a swastika carved into his forehead and it would be the fault of ‘the anti-semitism industrial complex’ for not making the case ‘clear enough’ to ‘Republican nationalists.’”
Tablet’s post added, “The fault doesn’t lie with the Jews for being targeted by political arsonists. It lies with those people themselves, and with those who have given them political and intellectual cover, yourself included.”
The post went on to accuse Hazony of importing European-style ethnonationalist ideas into an American context defined by constitutional liberalism and religious pluralism, warning that such thinking risked alienating both Jews and the broader electorate.
Others focused less on ideology than on political accountability. Max Abrahms, a political scientist who studies extremism and political violence, argued that Hazony’s framing functioned as a defense of powerful allies who have declined to distance themselves from Carlson.“I interpret this as a defense for your political allies, especially J.D. Vance and Kevin Roberts who won’t ditch Tucker,” Abrahms wrote.
A broader critique came from Saul Sadka, a conservative writer and analyst, who accused Hazony of minimizing antisemitism in service of what he considered a marginal political project. Writing on X, Sadka argued that Hazony mischaracterized the Republican Party, overstated the influence of nationalist conservatives, and pressured Jews to align themselves with forces that, he said, are both electorally weak and tolerant of antisemitic rhetoric.
For her part, Arfa,wrote in Tablet that she’d prefer to stay out of the conversation now that’s stopped working for Hazony. Her focus is on studying to become a rabbi at the Abraham Geiger College in Potsdam, Germany, a seminary affiliated with Reform and liberal Judaism.
The post Antisemitism speech sparks pushback from Jewish conservatives appeared first on The Forward.
Uncategorized
What’s missing in our Jewish high schools
ווען איך בין געווען אַ קינד אין די 1960ער און 70ער יאָרן זענען געווען גאָר ווייניק טאָגשולן פֿאַר ייִדישע קינדער. האָבן ס׳רובֿ משפּחות געשיקט די קינדער אין די עפֿנטלעכע שולן, און ווי אַ צוגאָב — אין אַ תּלמוד־תּורה אָדער ייִדישער נאָכמיטאָג־שול צו קריגן אַ ביסל ייִדישע בילדונג.
הײַנט זענען אָבער דאָ אַ סך ייִדישע טאָגשולן, פֿון פּראָגרעסיווע ביז חרדישע. אין דעם אַרטיקל וועל איך זיך קאָנצעטרירן אויף די מאָדערן־אָרטאָדאָקסישע מיטלשולן, כאָטש מע וואָלט עס געקענט אויך ווענדן אויף אַלע שולן וואָס שטרעבן אײַנצופֿלאַנצן אין די תּלמידים אַ טיפֿע פֿאַרבינדונג מיט זייערע ייִדישע וואָרצלען.
אין 2013 האָט דער „פּיו‟־פֿאָרום פּובליקירט די רעזולטאַטן פֿון אַן אַרומנעמיקער שטודיע וועגן די אַמעריקאַנער ייִדן, וואָס האָט באַוויזן, שוואַרץ אויף ווײַס, עטלעכע בפֿירושע טענדענצן אין דער אַמעריקאַנער ייִדישער קהילה. איינס פֿון די געפֿינסן איז געווען דער ממשותדיקער וווּקס פֿון דער אָרטאָדאָקסישער באַפֿעלקערונג, בפֿרט אין ניו־יאָרק און ניו־דזשערזי.
איין סיבה פֿאַרן וווּקס, האָבן די פֿאָרשער משער געווען, איז ווײַל 48% אָרטאָדאָקסישע ייִדן האָבן פֿיר אָדער מער קינדער, בעת בלויז 9% אַנדערע ייִדישע עלטערן האָבן גרויסע משפּחות. אַ צווייטע סיבה: 98% אָרטאָדאָקסישע ייִדן האָבן אַ ייִדישן מאַן אָדער פֿרוי, בעת בײַ די קאָנסערוואַטיווע ייִדן האָבן 73% אַ ייִדישן זיווג, און בײַ רעפֿאָרם־ייִדן — 50%. אַ קינד וואָס ווערט דערצויגן בײַ צוויי ייִדישע עלטערן וועט געוויינטלעך זיך גיכער אידענטפֿיצירן ווי אַ ייִד איידער איינס בײַ וועמען איינער פֿון די עלטערן איז נישט קיין ייִד.
דער פּועל־יוצא פֿון דעם אַלץ איז אַז די ייִדישע טאָגשולן און מיטלשולן, בפֿרט די אָרטאָדאָקסישע, האָבן הײַנט מער תּלמידים ווי זיי האָבן ווען אַ מאָל געהאַט. עלטערן פֿון די פֿרומע שולן האָפֿן אַז דורכן שיקן די קינדער אַהין וועלן זייערע קינדער קריגן אַ געראָטענע ייִדישע בילדונג און במילא פֿאַרבלײַבן פֿרומע ייִדישע קינדער.
נישט תּמיד אַרבעט זיך עס אָבער אויס אַזוי. הינטער די קוליסן שושקען זיך די עלטערן, לערער און שול־דירעקטאָרן — גיכער בײַ די מאָדערן־אָרטאָדאָקסישע מיטלשולן איידער בײַ די חרדישע — וועגן אַן אָנגעווייטיקטן ענין: נישט געקוקט אויף זייערע גרעסטע באַמיִונגען, גייען געוויסע גראַדואַנטן פֿון די מיטלשולן „אַראָפּ פֿון דרך‟; דאָס הייסט — זיי היטן מער נישט קיין פֿרום לעבן.
ווען איך רעד וועגן דעם ענין מיט נישט־רעליגיעזע מענטשן, סײַ ייִדן סײַ נישט־ייִדן, וועלן זיי אָפֿט קוועטשן מיט די אַקסלען און זאָגן: „וואָס איז דאָ דער חידוש? מיר וווינען אין אַ פֿרײַער געזעלשאַפֿט, וווּ קינדער קענען אויסקלײַבן זייער אייגענעם לעבן־שטייגער. אויב דאָס קינד איז צופֿרידן מיטן לעבן וואָס ער האָט פֿאַר זיך אויסגעקליבן, דאַרפֿן די עלטערן אויך זײַן צופֿרידן.‟
ענטפֿער איך זיי, אַז ווען עלטערן גלייבן שטאַרק אין אַ געוויסער אידעאָלאָגיע, איז נאַטירלעך אַז זיי וועלן אַנטוישט ווערן אויב זייער קינד וואַרפֿן עס אָפּ. אַ מאַמע וואָס איז, למשל, זייער איבערגעגעבן צו געוויסע פּראָגרעסיווע אידעאַלן, וואָס מאַרשירט מיט אירע פֿרײַנד אויף פּאָליטישע דעמאָנסטראַציעס און ברענגט אַפֿילו מיט איר קינד — וועט זיכער אַנטוישט ווערן אויב דאָס קינד שליסט זיך שפּעטער אָן אין דער רעפּובליקאַנער פּאַרטיי. בײַ איר וואָלט דאָס אויך געהייסן אַז ער איז „אַראָפּ פֿון דרך‟.
די סיבות פֿאַר וואָס אַ קינד פֿון אַ פֿרומער היים וואָלט פֿאַרלאָזט אַזאַ לעבן־שטייגער זענען אָפֿט זייער קאָמפּליצירטע און אַ רעזולטאַט פֿון עטלעכע פֿאַקטאָרן. דורך מײַנע אייגענע שמועסן מיט מיטלשול־גראַדואַנטן האָב איך אַנטדעקט פֿיר מעגלעכע סיבות דערפֿאַר:
- נאָכן גראַדויִרן, פֿאָרט דער סטודענט אַוועק שטודירן אין אַ סעקולערן קאָלעדזש און דאָרט דערפֿילט ער אַז דאָס רעליגיעזע לעבן האַלט אים אָפּ פֿון זיך אויסלעבן ווי אַ פֿרײַער פֿויגל (ענלעך צום ייִנגל וואָס באַשרײַבט די דערשטיקנדיקע ליבשאַפֿט פֿון דער מאַמען אין איציק מאַנגערס ליד, „אויפֿן וועג שטייט אַ בוים‟).
- ער אָדער זי גלייבט נישט אין גאָט און זעט דערפֿאַר נישט קיין זינען אין היטן די מיצוות.
- ער אָדער זי האָט געליטן פֿון אַן אומגליקלעך משפּחה־לעבן און האָט דערפֿאַר נעגאַטיווע אַסאָציאַציעס מיט דער משפּחה, אַרײַנגערעכנט איר פֿרומקייט,
- ער אָדער זי איז „גיי‟ (האָט ליב דעם זעלבן מין) און פֿילט זיך אַרויסגעשלאָסן פֿונעם פֿרומען ציבור צוליב דער תּורהס פֿאַרווערן אַזוינע באַציִונגען.
שטעלט זיך די פֿראַגע: איז דאָ עפּעס וואָס די מיטלשולן וואָלטן געקענט טאָן פֿאַר יענע תּלמידים איידער זיי פֿאַרלאָזן דאָס רעליגיעזע לעבן? אויב מע האָט שוין אויסגעפּרוּווט אַלע קירובֿ־מיטלען און עס העלפֿט ווײַטער נישט, זאָל מען זיך פּשוט אונטערגעבן? איך האַלט אַז ניין. יעדעס קינד וואָס גראַדויִרט פֿון אַ ייִדישער מיטלשול, וואָלט געדאַרפֿט אַרויסקומען ווי אַ שטאָלצער ייִד, אַפֿילו אויב ער דריקט עס אויס אויף אַ נישט־רעליגיעזן אופֿן. און טאַקע דערפֿאַר דאַרפֿן די שולן אַנטוויקלען די ייִדישע אידענטיטעט פֿון די תּלמידים נישט בלויז אינעם רעליגיעזן זינען אָבער אויך אינעם נאַציאָנאַל־קולטורעלן.
איין אופֿן, וואָס ס׳רובֿ טאָגשולן טוען שוין, איז דורכן פֿאַרשטאַרקן די קינדערס אידענטיפֿיקאַציע מיט מדינת־ישׂראל. דאָס העלפֿט אויב דער בחור אָדער מיידל וועט שפּעטער טאַקע עולה זײַן. אין דער אמתן אָבער וועלן ס׳רובֿ תּלמידים זיך נישט באַזעצן אין ישׂראל, אַזוי אַז דאָס אַליין איז נישט קיין לייזונג.
וואָס מע דאַרף יאָ טאָן איז לערנען דעם תּלמיד די פֿילפֿאַרביקייט פֿון זײַן ייִדישן אָפּשטאַם, וואָס בײַ ס׳רובֿ ייִדן אין אַמעריקע איז דאָס אַ מזרח־אייראָפּעיִשער. אַחוץ די געוויינטלעכע ייִדישע לימודים ווי חומש, נבֿיאים און גמרא, דאַרף מען אויך אײַנפֿירן קורסן וואָס באַקענען די קינדער מיט דער רײַכקייט פֿון דער ייִדישער קולטור. ווען דער תּלמיד וועט זיך דערוויסן אַז ייִדישקייט נעמט אַרײַן נישט בלויז רעליגיע אָבער אויך די ייִדישע שפּראַך (ווײַל העברעיִש וועלן זיי זיך שוין במילא אויסלערנען), די געשיכטע, מאכלים און מוזיק פֿון אַמאָליקן ייִדישלאַנד, גיט עס אים אַ בעסערן פֿאַרשטאַנד פֿון וואָס עס הייסט צו זײַן אַ ייִד.
אַ צאָל מיטלשולן טוען דאָס שוין, אָבער בלויז אויפֿן שפּיץ מעסער. אינעם ענגליש־קלאַס, למשל, וועט דער לערער הייסן די תּלמידים לייענען אַן איבערזעצונג פֿון אַ באַשעוויס־דערציילונג. ליטעראַטור איז אָבער בלויז איין אַספּעקט פֿון קולטור. כּדי באמת אײַנצופֿלאַנצן אַן אינטערעס און ליבשאַפֿט צום עטניש־קולטורעלן אַספּעקט פֿון ייִדישקייט דאַרף מען אײַנפֿירן קורסן פֿון פֿאַרשיידענע מינים. למשל:
- אַ קלאַס וועגן דער געשיכטע פֿון די ייִדן אין מיזרח־אייראָפּע — און נישט בלויז וועגן דער ציוניסטישער באַוועגונג און דעם חורבן (דאָס לערנט מען שוין), נאָר וועגן די גרויסע אויפֿטוען במשך פֿון דער טויזנט־יאָריקער געשיכטע פֿון די ייִדן אין מיזרח־אייראָפּע: דער געבורט פֿון דער חסידישער באַוועגונג, די צעבליִונג פֿון דער ייִדישער און העברעיִשער ליטעראַטור, דער פּאָליטישער אַקטיוויזם פֿון די מזרח־אייראָפּעיִשע בונדיסטן, ציוניסטן און ייִדישיסטן, און ווי די ייִדן האָבן מיטגעבראַכט אָט די קולטור־ירושה קיין אַמעריקע.
- אַ קורס וועגן ייִדישן קינאָ, וווּ די קינדער קוקן אויף קלאַסישע ייִדישע פֿילמען ווי „דער דיבוק‟, „טבֿיה‟ און „ייִדל מיטן פֿידל‟ און דיסקוטירן סײַ דעם קולטור־היסטאָרישן קאָנטעקסט, סײַ די קונסט פֿונעם פֿילם.
- אַ קלאַס פֿון קלעזמער־מוזיק, און אַפֿילו אַ וואַרשטאַט וווּ די קינדער ברענגען זייערע אינסטרומענטן און לערנען זיך ווי אַליין צו שפּילן די אַלטע ייִדישע מעלאָדיעס (אָדער אַ קלאַס פֿון פֿאַרשידענע מינים ייִדישן פֿאָלקסמוזיק, אַרײַנגערעכנט די ספֿרדישע און תּימנער טראַדיציעס).
- אַ קאָכקלאַס וווּ די קינדער לערנען זיך אויס ווי צוצוגרייטן היימישע מזרח־אייראָפּעיִשע מאכלים ווי בלינצעס, קניידלעך און ראָגעלעך.
- ייִדיש־לעקציעס, ניצנדיק דעם אויסערגעוויינטלעכן קאָמפּיוטער־קורס, „ייִדיש פּאַפּ‟ וווּ קינדער לערנען זיך די שפּראַך דורך קוקן אויף די חנעוודיקע ייִדישע קאַרטונס פֿון נאָמי מיט איר ראָבאָט מאָבי— און וואָס איז, אַגבֿ, פֿרײַ פֿון אָפּצאָל.
געוויסע לערער און פּרינציפּאַלן וועלן טענהן, אַז צוליב דעם שוין געפּאַקטן לערנטאָג פֿון אַ ייִדישער מיטלשול (בפֿרט צוליב די אַוואַנסירטע סעקולערע לימודים וואָס די עלטערן פֿאָדערן כּדי זייערע קינדער זאָלן קענען אַרײַן אין די בעסטע אוניווערסיטעטן), איז פּשוט נישטאָ קיין צײַט צוצוגעבן אַזוינע קורסן. דאָס איז אָבער אַ תּירוץ פֿאַר די בענטשליכט. יעדער ווייסט אַז דאָס לערנען אַוואַנסירטע גמרא, למשל, איז נישט פֿאַר אַלעמען. אין דער זעלבער צײַט פֿונעם גמרא־קלאַס קען מען גיבן איינעם אָדער מער פֿון די קולטורקלאַסן ווי אַ ברירה.
דערצו קען מען אָפּהאַלטן די קלאַסן נאָך די געוויינטלעכע שול־שעהען. פּונקט ווי די מער אַטלעטישע תּלמידים גייען טרענירן אויף ספּאָרטמאַטשן, זאָלן תּלמידים מיט אַן אינטערעס צו קולטור זיך דערוויסן וועגן דער פֿילפֿאַרביקער קולטור־ירושה פֿונעם ייִדישן פֿאָלק און אַפֿילו גיין אויף שײַכותדיקע עקסקורסיעס צוזאַמען. די סטודענטן וואָס וווינען אין דער ניו־יאָרקער געגנט קענען, למשל, פֿאָרן צוזאַמען אין ייִדישן טעאַטער.
בקיצור, ווען מע פֿלאַנצט אײַן בײַ קינדער אַ ליבשאַפֿט צו זייער עטניש־קולטורעלן אָפּשטאַם, גיט עס זיי אַ געלעגנהייט צו בלײַבן שטאָלצע, גוט־אינפֿאָרמירטע ייִדן. נאָכן גראַדויִרן וועלן זיי קענען אויסדריקן זייער ייִדישע אידענטיטעט נישט בלויז דורך גיין אין שיל שבת און יום־טובֿ, נאָר דורכן ווײַטער זיך לערנען ייִדיש, זיך פֿאַרנעמען מיט אַקאַדעמישע פֿאָרשונגען פֿאַרבונדן מיט דער ייִדישער געשיכטע אָדער ליטעראַטור און גיין אויף ייִדישע קאָנצערטן, פֿעסטיוואַלן און קאָנפֿערענצן. דערבײַ וועלן אויך יענע קינדער, וואָס פֿאַרלאָזן דאָס רעליגיעזע לעבן, ווײַטער אָנהאַלטן אַ שטאַרקע פֿאַרבינדונג מיט ייִדן און ייִדישקייט און במילא וועלן זיי, כאָטש אינעם קולטורעלן זינען, קיין מאָל נישט אַראָפּ פֿון דרך.
The post What’s missing in our Jewish high schools appeared first on The Forward.