Uncategorized
A new film brings to life ‘the largest single work of art created by a Jew during the Holocaust’
(New York Jewish Week) — While hiding from the Nazis, the German Jewish artist Charlotte Salomon began a series of autobiographical paintings and texts with a painfully simple description of her aunt, and namesake’s, suicide: “Scene 1: 1913. One November day, a young girl named Charlotte Knarre leaves her parents’ home and jumps into the water.”
Intense and memorable, that image is the launching point for “Life? or Theatre?”, a series of hundreds of gouaches Salomon made between 1940 and 1942. Best described as an “autobiographical play,” it features personal stories illustrated with vibrant paintings and cues for music. Salomon, in her 20s when she made the body of work, called it a “singspiel,” a play with music.
And now, a new film directed by French sisters Delphine and Muriel Coulin, delivers a cinematic representation of her best-known work. “Charlotte Salomon: Life and the Maiden” will make its world premiere at Lincoln Center on Weds., January 18 as a centerpiece of the New York Jewish Film Festival.
The film lies somewhere between cinema and art installation: Aside from a brief opening and conclusion, Salomon’s expressive paintings take up most of the screen time. Sound design brings the paintings to life, as does the music Salomon indicated in her original script, along with text read by the actress Vicky Krieps (“Phantom Thread,” “Corsage”), who plays protagonist Charlotte.
“We didn’t want to make a pure documentary of her,” co-director Delphine Coulin told the New York Jewish Week. “What had never been done was to make a true film with the painting, the music and the text, and to imagine what Charlotte was visualizing when she was painting… Because the neighbors said they could hear her singing while she was painting.”
French sisters Muriel Coulin, left, and Delphine Coulin are co-directors of “Charlotte Salomon: Life and the Maiden.” (Richard Schroeder)
These days, Salomon — who died at Auschwitz at age 26 in 1943 — is something of a cult favorite among art lovers and Jewish historians. In a 2017 New Yorker article, writer Toni Bentley notes that “Life? or Theatre?” is “the largest single work of art created by a Jew during the Holocaust.” She is also sometimes compared to Anne Frank. Critics have noted this comparison does neither artist justice, distinguishing between the youthful directness of Frank’s writing as an adolescent in hiding with the more mature, sophisticated representations made by Salomon as a young artist.
Born in Berlin in 1917, Salomon grew up in a cultured German Jewish family. Her mother died when she was 8. She studied at the German capital’s prestigious Academy of Arts until the Nazis’ rise to power made it impossible for her to continue. In 1938, her father spent a brief period in an internment camp — after his release, he sent his daughter to stay with her grandparents in the south of France, where he hoped she’d be safe.
After Salomon’s arrival at Villefranche-sur-Mer in 1939, her grandmother attempted suicide and eventually died. Only then did Salomon learn that her mother had died by suicide as well, and that the women in her family had a history of depression (though it isn’t covered in the film, there is some evidence that her grandfather may have been abusive).
In “Life? or Theatre?” Salomon writes: “My life began when my grandmother ended hers, when I learned that my mother too had ended her life, and that deep down I felt the same predisposition to despair and death. I thought to myself: either I kill myself too, or I create something really crazy and extraordinary.”
For the next two years, Salomon did just that, creating some 1,300 paintings about her life in exile. She accompanied these paintings with text and musical cues that included Bach, Schubert, Mahler and the German anthem “Deutschlandlied,” creating an entire multimedia body of work.
As the Nazi grip tightened in France, Salomon, realizing the danger she faced, brought a box containing all her paintings to a friend, the town’s doctor. The film recounts what she tells him: “Take care of it. This is my whole life.” Just weeks later, Salomon, five months pregnant, was sent to Auschwitz, where she died on Oct. 10, 1943.
While Salomon’s work includes depictions of Nazis, antisemitism and persecution, the majority of “Life? or Theater?” — and therefore the film — is dedicated to the explosive inner life and autobiography of its creator. She explores suicide, Freudian lust, psychological distress, music, philosophy and her own artistic impulses.
Yet “Life? or Theatre?” is unmistakably a product of its time, and as such the film includes historical images of Hitler’s rise. Though the French filmmakers don’t identify as Jewish themselves, Delphine said that she and her sister have some Jewish family, and she noted the film’s content is more relevant than ever. “Antisemitism never did end, but now in France and in Europe, it is stronger and stronger than ever, since 1945,” she said. “We really see it and we talk to it nearly each day. We can’t ignore it.”
“With all these strange times we’re living in, Charlotte gives you strength, because she really crossed the times with a strong belief in art and love,” she added.
The film ends with astonishing footage from the early 1960s of Salomon’s father and stepmother, who survived hiding in the Netherlands, looking through their daughter’s paintings as they are interviewed about her. “I was surprised when I discovered her work,” says her father Albert Salomon. He had known nothing of his late daughter’s project until the couple visited Villefranche-sur-Mer after the war, hoping to find some traces of Charlotte’s life.
“The work is very, very vivid — very expressive of life in all its aspects,” said Delphine of Salomon’s art — and the Coulin sisters, in turn, were inspired to bring the work to a broader audience. In 2019, Muriel directed her first theater piece, “Charlotte,” a rendition of Salomon’s work for the stage that played in Paris at the Théâtre du Rond Point. When the COVID-19 pandemic shut down the production, the Coulins transposed their medium to film.
Delphine added that they were also drawn to what she called the “poignant story” of Salomon’s brief life, now immortalized by her singular creative impulse in the face of adversity.
“In difficult times — and her times were probably the most difficult times ever — she really believed in art,” she said. “How art makes you survive. How it can give you a piece of eternity. We wouldn’t speak about her this way if she had not been able to make this wonderful work.”
“Charlotte Salomon: Life and the Maiden” will screen on Weds., January 18 at 12:00 p.m. and 6:00 p.m. at the Walter Reade Theater at 165 West 65th St. For additional information on the New York Jewish Film Festival, which runs through Monday, January 23, click here.
—
The post A new film brings to life ‘the largest single work of art created by a Jew during the Holocaust’ appeared first on Jewish Telegraphic Agency.
Uncategorized
Egyptian-British Activist Apologizes for Antisemitic Social Media Posts as Police Launch Review
Prominent British-Egyptian activist Alaa Abd el-Fattah, who was released from prison after Egyptian President Abdel Fattah al-Sisi issued a presidential pardon for him, gestures as family and friends gather at home in Giza, Egypt, Sept. 23, 2025. Photo: REUTERS/Mohamed Abd El Ghany
Activist Alaa Abd el-Fattah, freed from prison in Egypt and now in Britain, apologized on Monday for his “shocking and hurtful” social media posts made more than a decade ago, which counter-terrorism police said they are assessing.
Abd el-Fattah, 44, became Egypt’s most prominent political prisoner after spending years in and out of detention and a rare symbol of opposition during a crackdown under President Abdel Fattah al-Sisi.
He arrived in Britain last Friday after obtaining British citizenship in 2021 through his mother, with Prime Minister Keir Starmer saying he was “delighted” by the news.
In the following days, British newspapers ran stories about antisemitic posts he made on the former Twitter platform between 2008 and 2014, seen by Reuters, which endorsed violence against “Zionists” and police.
In another he called British people “dogs and monkeys.”
Counter Terrorism Policing said the posts were being assessed following referrals from the public.
In a statement, Abd el-Fattah said many of his tweets had been misunderstood but that others were unacceptable.
“Looking at the tweets now – the ones that were not completely twisted out of their meaning – I do understand how shocking and hurtful they are, and for that I unequivocally apologize,” he said.
He added they were mostly “expressions of a young man’s anger and frustrations” at wars in Iraq, Lebanon, and Gaza, and “the rise of police brutality against Egyptian youth.”
Nigel Farage, leader of the right-wing Reform UK party which tops opinion polls, called for Abd el-Fattah’s deportation. Kemi Badenoch, the leader of the opposition Conservative Party, said the country should consider it.
A spokesperson for Starmer said he was not aware of the posts when he campaigned for Abd el-Fattah’s release and called the comments “abhorrent”.”
But the spokesperson added the government has a record of helping its citizens overseas.
Foreign Secretary Yvette Cooper later said she was also unaware of the posts and that her office would urgently review its processes after what she called “an unacceptable failure” of due diligence.
In a letter to lawmakers that was posted on X, Cooper said long-standing procedures and due diligence had been “completely inadequate” and promised changes to ensure accurate information and proper checks.
The Board of Deputies of British Jews said his posts were of “profound concern.”
Abd el-Fattah was most recently serving a five-year sentence in Egypt imposed in December 2021, after he shared a social media post about a prisoner’s death.
Uncategorized
Three Turkish Police, six Islamic State Terrorists Killed in Clash, Amid National Crackdown
Turkish gendarmerie special forces team leaves the site where Turkish security forces launched an operation on a house believed to contain suspected Islamic State militants, and where, according to state media, seven officers were wounded in a clash, in Yalova province, Turkey, Dec. 29, 2025. Photo: REUTERS/Umit Bektas
Three Turkish police officers and six Islamic State terrorists were killed in a gunfight in northwest Turkey on Monday, the Interior Minister said, a week after more than 100 suspected IS members were detained for planning Christmas and New Year attacks.
Interior Minister Ali Yerlikaya said eight police and another security force member were wounded in a raid on a property in the town of Yalova, on the Sea of Marmara coast south of Istanbul. More than 100 addresses were raided nationwide early on Monday.
Turkey has stepped up operations against suspected IS terrorists this year, as the group returns to prominence globally.
The US carried out a strike against the militants in northwest Nigeria last week, while two gunmen who attacked a Hanukkah event at Sydney’s Bondi Beach this month appeared to be inspired by IS, Australian police have said.
On December 19, the US military launched large-scale strikes against dozens of IS targets in Syria in retaliation for an attack on American personnel.
RAID LASTED HOURS
Police raided the house in Yalova on the suspicion that terrorists were hiding there overnight. Sporadic gunfire was heard during the operation, which lasted nearly eight hours, according to a Reuters photographer at the scene.
Last week, Turkish police detained 115 suspected IS members they said were planning to carry out attacks on Christmas and New Year celebrations in the country.
Yerlikaya told reporters that the militants killed in Monday’s attack were all Turkish citizens, adding that five women and six children were brought out of the property alive.
In the last month, police arrested a total of 138 IS suspects and carried out simultaneous operations on Monday morning at 108 different addresses in 15 provinces, he added.
In a post on X, President Tayyip Erdogan offered his condolences to the families of the police officers killed, and said Turkey’s fight with “the bloody-handed villains who threaten the peace of our people and security of our state” will continue “both within our borders and beyond them.”
WAVE OF IS ATTACKS IN 2015-2017
Police had sealed off the road approaching the house in the early hours and smoke was visible rising from a nearby fire, while a police helicopter flew overhead.
The Istanbul chief prosecutor’s office said last week that IS terrorists were planning attacks against non-Muslims in particular.
Almost a decade ago, the jihadist group was blamed for a series of attacks on civilian targets in Turkey, including gun attacks on an Istanbul nightclub and the city’s main airport, killing dozens of people.
Turkey was a key transit point for foreign fighters, including those of IS, entering and leaving Syria during the war there.
Police have carried out regular operations against the group in subsequent years and there have been few attacks since the wave of violence between 2015-2017.
Uncategorized
Australia Says Bondi Review to Check if Terror Attack Could Have Been Averted
People stand near flowers laid as a tribute at Bondi Beach to honor the victims of a mass shooting that targeted a Hanukkah celebration at Bondi Beach on Sunday, in Sydney, Australia, Dec. 16, 2025. Photo: REUTERS/Flavio Brancaleone
Australian Prime Minister Anthony Albanese said on Monday an independent review into law enforcement agencies set up after the Bondi mass shooting will assess whether authorities could have taken additional steps to prevent the terrorist attack.
Albanese said the review will examine whether existing laws or information gaps stopped police and security agencies from acting against the alleged attackers, a father and son, who police say were inspired by the terrorist group Islamic State.
Fifteen people were killed in the mass shooting at a Jewish Hanukkah celebration at Sydney’s famed Bondi Beach on Dec. 14, shocking a country with strict gun laws and fueling calls for tougher controls and stronger action against antisemitism.
Families of those killed and injured on Monday urged Albanese to set up a royal commission, the most powerful type of government inquiry, to probe the rise of antisemitism and any intelligence failures tied to the attack, Australian media reported on Monday.
“Announcements made so far by the federal government in response to the Bondi massacre are not nearly enough … You owe us answers. You owe us accountability. And you owe Australians the truth,” said a statement from the families of those involved in the mass shooting, according to media reports.
Reuters could not immediately contact the families for comment.
Albanese, who is facing mounting criticism from opponents who argue his government has not done enough to curb a rise in antisemitism, has been resisting calls to set up a royal commission into the attack. He reiterated it would take years for the inquiry to submit the report.
“The government is committed to making sure that we can’t wait years for answers. We need to get on with any changes that are required,” Albanese told reporters, while announcing the terms for the review into the attack.
Albanese said the independent committee will submit the report in April and the Parliament will resume as soon as possible next year to consider any legislation.