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A new film brings to life ‘the largest single work of art created by a Jew during the Holocaust’
(New York Jewish Week) — While hiding from the Nazis, the German Jewish artist Charlotte Salomon began a series of autobiographical paintings and texts with a painfully simple description of her aunt, and namesake’s, suicide: “Scene 1: 1913. One November day, a young girl named Charlotte Knarre leaves her parents’ home and jumps into the water.”
Intense and memorable, that image is the launching point for “Life? or Theatre?”, a series of hundreds of gouaches Salomon made between 1940 and 1942. Best described as an “autobiographical play,” it features personal stories illustrated with vibrant paintings and cues for music. Salomon, in her 20s when she made the body of work, called it a “singspiel,” a play with music.
And now, a new film directed by French sisters Delphine and Muriel Coulin, delivers a cinematic representation of her best-known work. “Charlotte Salomon: Life and the Maiden” will make its world premiere at Lincoln Center on Weds., January 18 as a centerpiece of the New York Jewish Film Festival.
The film lies somewhere between cinema and art installation: Aside from a brief opening and conclusion, Salomon’s expressive paintings take up most of the screen time. Sound design brings the paintings to life, as does the music Salomon indicated in her original script, along with text read by the actress Vicky Krieps (“Phantom Thread,” “Corsage”), who plays protagonist Charlotte.
“We didn’t want to make a pure documentary of her,” co-director Delphine Coulin told the New York Jewish Week. “What had never been done was to make a true film with the painting, the music and the text, and to imagine what Charlotte was visualizing when she was painting… Because the neighbors said they could hear her singing while she was painting.”
French sisters Muriel Coulin, left, and Delphine Coulin are co-directors of “Charlotte Salomon: Life and the Maiden.” (Richard Schroeder)
These days, Salomon — who died at Auschwitz at age 26 in 1943 — is something of a cult favorite among art lovers and Jewish historians. In a 2017 New Yorker article, writer Toni Bentley notes that “Life? or Theatre?” is “the largest single work of art created by a Jew during the Holocaust.” She is also sometimes compared to Anne Frank. Critics have noted this comparison does neither artist justice, distinguishing between the youthful directness of Frank’s writing as an adolescent in hiding with the more mature, sophisticated representations made by Salomon as a young artist.
Born in Berlin in 1917, Salomon grew up in a cultured German Jewish family. Her mother died when she was 8. She studied at the German capital’s prestigious Academy of Arts until the Nazis’ rise to power made it impossible for her to continue. In 1938, her father spent a brief period in an internment camp — after his release, he sent his daughter to stay with her grandparents in the south of France, where he hoped she’d be safe.
After Salomon’s arrival at Villefranche-sur-Mer in 1939, her grandmother attempted suicide and eventually died. Only then did Salomon learn that her mother had died by suicide as well, and that the women in her family had a history of depression (though it isn’t covered in the film, there is some evidence that her grandfather may have been abusive).
In “Life? or Theatre?” Salomon writes: “My life began when my grandmother ended hers, when I learned that my mother too had ended her life, and that deep down I felt the same predisposition to despair and death. I thought to myself: either I kill myself too, or I create something really crazy and extraordinary.”
For the next two years, Salomon did just that, creating some 1,300 paintings about her life in exile. She accompanied these paintings with text and musical cues that included Bach, Schubert, Mahler and the German anthem “Deutschlandlied,” creating an entire multimedia body of work.
As the Nazi grip tightened in France, Salomon, realizing the danger she faced, brought a box containing all her paintings to a friend, the town’s doctor. The film recounts what she tells him: “Take care of it. This is my whole life.” Just weeks later, Salomon, five months pregnant, was sent to Auschwitz, where she died on Oct. 10, 1943.
While Salomon’s work includes depictions of Nazis, antisemitism and persecution, the majority of “Life? or Theater?” — and therefore the film — is dedicated to the explosive inner life and autobiography of its creator. She explores suicide, Freudian lust, psychological distress, music, philosophy and her own artistic impulses.
Yet “Life? or Theatre?” is unmistakably a product of its time, and as such the film includes historical images of Hitler’s rise. Though the French filmmakers don’t identify as Jewish themselves, Delphine said that she and her sister have some Jewish family, and she noted the film’s content is more relevant than ever. “Antisemitism never did end, but now in France and in Europe, it is stronger and stronger than ever, since 1945,” she said. “We really see it and we talk to it nearly each day. We can’t ignore it.”
“With all these strange times we’re living in, Charlotte gives you strength, because she really crossed the times with a strong belief in art and love,” she added.
The film ends with astonishing footage from the early 1960s of Salomon’s father and stepmother, who survived hiding in the Netherlands, looking through their daughter’s paintings as they are interviewed about her. “I was surprised when I discovered her work,” says her father Albert Salomon. He had known nothing of his late daughter’s project until the couple visited Villefranche-sur-Mer after the war, hoping to find some traces of Charlotte’s life.
“The work is very, very vivid — very expressive of life in all its aspects,” said Delphine of Salomon’s art — and the Coulin sisters, in turn, were inspired to bring the work to a broader audience. In 2019, Muriel directed her first theater piece, “Charlotte,” a rendition of Salomon’s work for the stage that played in Paris at the Théâtre du Rond Point. When the COVID-19 pandemic shut down the production, the Coulins transposed their medium to film.
Delphine added that they were also drawn to what she called the “poignant story” of Salomon’s brief life, now immortalized by her singular creative impulse in the face of adversity.
“In difficult times — and her times were probably the most difficult times ever — she really believed in art,” she said. “How art makes you survive. How it can give you a piece of eternity. We wouldn’t speak about her this way if she had not been able to make this wonderful work.”
“Charlotte Salomon: Life and the Maiden” will screen on Weds., January 18 at 12:00 p.m. and 6:00 p.m. at the Walter Reade Theater at 165 West 65th St. For additional information on the New York Jewish Film Festival, which runs through Monday, January 23, click here.
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Jewish Migration as an Oracle: What Jewish Migration Tells Us About the Fate of Nations
Masked radial pro-Hamas demonstrators in France on November 16, 2024. Photo: Romain Costaseca / Hans Lucas via Reuters Connect.
For generations, the movement of the Jewish people has served as a silent barometer for the stability of certain countries. It is a phenomenon that transcends simple demographics. When the Jewish community begins to leave a country where it had been settled for some time in significant numbers, they are not merely seeking better economic utility or responding to spiritual yearnings; they are signaling a major cultural and political shift that can precede a wider systemic failure.
To understand the future of Europe, Russia, and elsewhere, we must look at the benchmark of migration — and what it tells us about the crises of today.
How so?
When significant developments occur in the political arena, leaders and journalists often scramble for insights into whether a major shift is on the horizon. The Jewish community, however, asks a more visceral set of questions: What does this new reality promise? Is this the end of the chapter for Jews in this place? What is the right time to leave? Because Jews historically link uncertainty and suspected danger to migration, their movement becomes a signal — a mirror reflecting the strength and timing of a major political crisis.
History confirms that Jewish migration is not just a reaction to a crisis, but a predictor of its depth. It is a “canary in the coal mine.”
It is important to distinguish between routine migration and a mass migration, an avalanche. It is a sudden and unusually looking mass migration that is a signal of a terminal societal breakdown. And to capture that, we must establish a benchmark.
Historically, when a society is on the brink of or undergoing a total transformation or failure, we have seen between 50% and 75% of the Jewish population migrate within a five-to-ten-year window. The sample is small, but these figures are not speculative. They are the markers of history’s most significant ruptures:
- Nazi Germany (1933–1939): In the seven years following the rise of the Third Reich, 50% of the initial 503,000 Jews left the country.
- The Former Soviet Union (1989–1995): As the Soviet empire crumbled, 53% of its 1.5 million Jews migrated within seven years.
- North Africa (1960–1969): In Morocco and Tunisia, 72% of the Jewish population departed within a decade. In Algeria, that figure reached a staggering 75%.
These numbers represent more than just a move; they represent the liquidation of a presence. When 50% to 75% of a community leaves in a single decade, it is a definitive statement that the social contract in that nation has been broken. This is the benchmark against which all modern migration must be measured.
What does the oracle say about today’s realities then? In the aftermath of the October 7 attacks and the subsequent surge in global antisemitism, the media has often spoken in apocalyptic terms about the future of Jews in Europe and the West.
Questions like “Could it happen here?” have returned to the forefront of communal discourse across all Diaspora communities. Yet, if we look at the hard data of actual migration toward Israel, the “oracle” is telling a surprisingly different story.
Despite the ongoing conflicts and the visible rise in hostility, we are not seeing a mass movement of Jews of the Diaspora out of their countries at mass levels.
In Western Europe, the numbers of Jewish immigrants, to Israel and elsewhere, remain remarkably low. As of 2025, the projected percentage of would-be migrants over a seven-year period for the United Kingdom is only 3%. In France, a country often featured as the epicenter of European Jewish anxiety, the figure is 7%. Germany and the Netherlands sit at a mere 2% and 1% respectively. These figures are a far cry from the 50-75% threshold that signaled the end of Jewish life in 1930s Germany or 1960s Algeria.
In Russia, the initial shock of 2022 saw a spike where 68% of the population were considered would-be migrants — a figure that sat squarely within the benchmark of collapse. However, by 2025, that number had plummeted to 17%. Similarly, in Ukraine, the 2022 figure of 62% has dropped to just 7% by 2025.
All of this suggests that, for all the very real anxieties and the genuine rise in antisemitic incidents, the Jewish communities in the West still perceive a level of underlying stability in their host nations that is not reflected in the headlines.
If Jewish migration is a mirror of world peace, the current data suggests that while the mirror is cracked, the frame has not yet shattered. The mass exodus that characterizes the end of a chapter is simply not happening in London, Paris, or Berlin.
Equally importantly, the predictive power of this data remains a warning. The benchmark exists so that we can recognize the abnormal when it arrives. The fact that we have not reached the 50% threshold in Europe is categorically not an invitation for complacency; it is a baseline for measurement.
By monitoring these levels and intensities of migration and societal turmoil, we gain the ability to see the strength and timing of political shifts before they fully manifest. The oracle may be quiet for now, but its history tells us that when it speaks, the rest of the world ignores it at its own peril. Because Jewish migration is not about Jews, it is about the rest.
Dr. Daniel Staetsky is an expert in Jewish demography and statistics. He is based in Cambridge, UK.
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Israel Remembered the Shoah; Fatah Glorified a Palestinian Mass Murderer
Palestinian Authority President Mahmoud Abbas attends the World Economic Forum (WEF) in Riyadh, Saudi Arabia, April 28, 2024. Photo: REUTERS/Hamad I Mohammed
Earlier this week, Israel remembered the six million Jews murdered by the Nazis in the Holocaust, along with those who valiantly fought the Nazis.
Israel learned from the Holocaust that we must always remain vigilant, and this remains an absolute survival directive, living as we do next to the Palestinian Authority (PA), which, like the Nazis, celebrates the murder of Jews and Israelis.
One of the terrorists released by Israel in exchange for Israeli hostages in last year’s Hamas extortion deal was a Palestinian terrorist who murdered 12 people. He was expelled to Egypt, where he died from an illness last week. The mass murderer is now being eulogized by Palestinian Authority and Fatah officials as exemplifying the values cherished by all Palestinians.
The terrorist, Riyad Al-Amour, was no exception.
The PA honored the terrorist with a “mourning tent” — which was visited by top officials, including Fatah Central Committee Secretary Jibril Rajoub.
Official PA TV reporter: “The Fatah Movement, the Ramallah and El-Bireh District, the [PA-funded] Prisoners’ Club, the [PLO] Commission of Prisoners’ [Affairs] … set up a mourning tent for Martyr and released prisoner deported to Egypt Riyad Al-Amour, who died as a Martyr…”
Fatah Central Committee Secretary Jibril Rajoub: “The most sacred thing in the eyes of the Palestinians is those who sacrificed their lives and their freedom – our Martyrs.”
[Official PA TV News, April 9, 2026]
Fatah issued an official statement revering the terrorist as “an example of sacrifice, courage, and perseverance” who was imprisoned by Israel since he “did not hesitate to fulfill his national duty.” [emphasis added]
Posted text: “Fatah announces with sorrow the death of released deported prisoner Riyad Al-Amour…
Al-Amour died while being distanced from his homeland, after a path of struggle in which he constituted an example of sacrifice, courage, and perseverance.…
Martyr Al-Amour joined Fatah in his youth and added that he did not hesitate to fulfill his national duty against the occupation until he was imprisoned in the occupation’s prisons, where he spent 23 years.
Fatah expressed its sincere condolences to the family…
High-level Fatah officials also mourned the terrorist on social media:
Posted text:“Fatah Central Committee members Abbas Zaki and Tawfiq Tirawi expressed their condolences over the death of released prisoner Riyad Al-Amour during a visit to the mourners’ house in Bethlehem.
The delegation expressed its deep sorrow over the death as a Martyr of Al-Amour, and emphasized that the sacrifice of the prisoners [i.e., terrorists] will remain present in the hearts of our people and that the struggle for freedom and independence must continue.”
[Fatah Central Committee member Abbas Zaki, Facebook page, April 5, 2026]
The family of Al-Amour — a “Pay-for-Slay” millionaire — will now have to wait and see if they will qualify for continued payments as family members of a “Martyr killed resisting the occupation,” since many PA officials also libeled Israel as being responsible for his death.
The Palestinian salute to Al-Amour is shameless, but as we have seen time and time again, for the PA and its leadership, terrorism is never something to be embarrassed about or part of one’s past to run away from.
On the contrary, in the PA’s “terrocracy,” the more you kill, the greater the respect you are given in life — and in death.
An additional homage to Al-Amour was made by Fatah’s “Shabiba” youth movement:
Fatah Deputy Chairman and Fatah Central Committee member Mahmoud Al-Aloul: “These Martyrs, Rashida [Mughrabi], and Riyad [Al-Amour], are among the patient ones fighting for their people, seeking freedom and independence for this Palestinian people.” …
Fatah Shabiba Youth Movement Nablus District Coordinator Rawhi Oudeh: “The message is a message of loyalty to their sacrifices, and a message of loyalty to keep their wills, and it is also a message that if Rashida and Riyad have departed in body, they will remain as a path, an idea, and an essence in the eyes, hearts, and conscience of the Fatah youth.”
[Official PA TV News, April 4, 2026]
Itamar Marcus is the Founder and Director of Palestinian Media Watch (PMW). Ahron Shapiro is a contributor to PMW, where a version of this article first appeared.
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Proposed Antisemitism Laws in France, Italy Stir Free Speech Debate
Procession arrives at Place des Terreaux with a banner reading, “Against Antisemitism, for the Republic,” during the march against antisemitism, in Lyon, France, June 25, 2024. Photo: Romain Costaseca / Hans Lucas via Reuters Connect
French and Italian lawmakers are due to vote on new laws defining antisemitism, proposed in the wake of a surge in anti-Jewish incidents but which critics say could be used to censor criticism of Israel.
The French law, which is scheduled to be debated on Thursday, proposes to sanction “implicitly” justifying terrorism, calling for the destruction of a state recognized by France, and comparisons of Israel to the Nazis.
The Italian bill, if adopted, would make Italy the first country to write into law the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism, which lists certain criticisms of Israel as examples of antisemitism.
DEFINING ANTISEMITISM IN LAW
Proponents of the laws point to the historic rise in antisemitism after Israel began its military campaign in Gaza following the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
Critics – including some rights groups, academics, and left-wing politicians – say that they will censor legitimate activism for Palestinian rights and contribute to conflating Jews with the state of Israel.
“The [IHRA] definition confuses what is permitted speech – and that is criticism of Israel as a state – with what is prohibited speech, which is antisemitism and racial and religious incitement to violence,” UN special rapporteur on free speech Irene Khan said.
The French law, which references the IHRA definition without fully adopting it, contained vague language, she added.
The Italian bill was approved by a large majority in the Upper House last month and is expected to begin its passage through the Lower House on Thursday. The French law has lost some political backing following a petition on the French parliamentary website signed by more than 700,000 people.
SHARP RISE IN INCIDENTS SINCE OCT. 7 MASSACRE
In Italy over two years from 2023, antisemitism rose by 100 percent to a record 963 incidents in 2025, according to the Italian Antisemitism Observatory. By comparison, there were 877 recorded incidents in 2024, preceded by 453 such outrages in 2023 and just 241 in 2022.
In France, antisemitism remained at alarmingly high levels last year, with 1,320 incidents recorded nationwide, according to the French Interior Ministry. Although the total number of antisemitic outrages in 2025 fell by 16 percent compared to 2024’s second highest ever total of 1,570 cases and 2023’s record high of 1,676 incidents, the ministry warned that antisemitism remained “historically high.” There were 436 antisemitic acts recorded in 2022, before the Oct. 7 atrocities.
France’s human rights commission, the CNCDH, has said that antisemitic acts in France regularly peak in relation to operations carried out by the Israeli army.
The commission, which was not consulted for the law, wrote to MPs and the prime minister in January to warn of the dangers of conflating “the hatred of Jews and the hatred of the state of Israel.”
Responding to this warning, Caroline Yadan, the French MP proposing the law, said that her text aimed to tackle “new forms of antisemitism” and that the “essentialization that Jews equal Israel exists in today’s society.”
The Israel-Hamas war has led to a wave of anti-Israel, pro-Hamas demonstrations around the world, which Israel and its supporters say are antisemitic.
Protesters say their criticism of Israel and its actions in Gaza should not be conflated with antisemitism.
Livia Ottolenghi, representative of the Union of Jewish Communities in Italy, said the new law was necessary and did not prevent criticism of Israel.
“In Italy, we do not live well,” she said. “Our children have bars on their school windows; when they go out, they must be escorted.”
IHRA DEFINITION OF ANTISEMITISM
The IHRA working definition of antisemitism has been adopted by 45 countries as a guide but has not previously been written into law anywhere.
IHRA — an intergovernmental organization comprising dozens of countries — adopted the “working definition” of antisemitism in 2016. Since then, the definition has been widely accepted by Jewish groups and lawmakers across the political spectrum, and it is now used by hundreds of governing institutions, including the US State Department, European Union, and United Nations. Law enforcement also uses it as a tool for matters such as hate-crime investigations and sentencing.
According to the definition, antisemitism “is a certain perception of Jews, which may be expressed as hatred toward Jews. Rhetorical and physical manifestations of antisemitism are directed toward Jewish or non-Jewish individuals and/or their property, toward Jewish community institutions and religious facilities.”
It provides 11 specific, contemporary examples of antisemitism in public life, the media, schools, the workplace, and in the religious sphere. Beyond classic antisemitic behavior associated with the likes of the medieval period and Nazi Germany, the examples include denial of the Holocaust and newer forms of antisemitism targeting Israel such as demonizing the Jewish state, denying its right to exist, and holding it to standards not expected of any other democratic state.
The Council of Europe Human Rights Commissioner Michael O’Flaherty said he viewed the IHRA definition as a useful tool but was concerned about its application, especially in Germany.
“To somehow attribute responsibility for the actions of a government to the Jewish community in Europe is totally unacceptable, and indeed, it does raise the specter of antisemitism,” he said. “But to somehow conflate any criticism of Israel with antisemitism is ridiculous.”
Sarya Kabbani, a French-Syrian woman, was put on trial under existing laws on antisemitism over carrying banners that drew parallels between Israeli politicians and Nazi Germany at a protest in Paris in December 2023. The 67-year-old, whose husband is Jewish, was later acquitted by a court.
“It is freedom of expression to be able to say that Israel is committing war crimes, is committing genocide, is carrying out ethnic cleansing, is occupying,” said the activist, who will join demonstrations against the French law this week.