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A new film brings to life ‘the largest single work of art created by a Jew during the Holocaust’
(New York Jewish Week) — While hiding from the Nazis, the German Jewish artist Charlotte Salomon began a series of autobiographical paintings and texts with a painfully simple description of her aunt, and namesake’s, suicide: “Scene 1: 1913. One November day, a young girl named Charlotte Knarre leaves her parents’ home and jumps into the water.”
Intense and memorable, that image is the launching point for “Life? or Theatre?”, a series of hundreds of gouaches Salomon made between 1940 and 1942. Best described as an “autobiographical play,” it features personal stories illustrated with vibrant paintings and cues for music. Salomon, in her 20s when she made the body of work, called it a “singspiel,” a play with music.
And now, a new film directed by French sisters Delphine and Muriel Coulin, delivers a cinematic representation of her best-known work. “Charlotte Salomon: Life and the Maiden” will make its world premiere at Lincoln Center on Weds., January 18 as a centerpiece of the New York Jewish Film Festival.
The film lies somewhere between cinema and art installation: Aside from a brief opening and conclusion, Salomon’s expressive paintings take up most of the screen time. Sound design brings the paintings to life, as does the music Salomon indicated in her original script, along with text read by the actress Vicky Krieps (“Phantom Thread,” “Corsage”), who plays protagonist Charlotte.
“We didn’t want to make a pure documentary of her,” co-director Delphine Coulin told the New York Jewish Week. “What had never been done was to make a true film with the painting, the music and the text, and to imagine what Charlotte was visualizing when she was painting… Because the neighbors said they could hear her singing while she was painting.”
French sisters Muriel Coulin, left, and Delphine Coulin are co-directors of “Charlotte Salomon: Life and the Maiden.” (Richard Schroeder)
These days, Salomon — who died at Auschwitz at age 26 in 1943 — is something of a cult favorite among art lovers and Jewish historians. In a 2017 New Yorker article, writer Toni Bentley notes that “Life? or Theatre?” is “the largest single work of art created by a Jew during the Holocaust.” She is also sometimes compared to Anne Frank. Critics have noted this comparison does neither artist justice, distinguishing between the youthful directness of Frank’s writing as an adolescent in hiding with the more mature, sophisticated representations made by Salomon as a young artist.
Born in Berlin in 1917, Salomon grew up in a cultured German Jewish family. Her mother died when she was 8. She studied at the German capital’s prestigious Academy of Arts until the Nazis’ rise to power made it impossible for her to continue. In 1938, her father spent a brief period in an internment camp — after his release, he sent his daughter to stay with her grandparents in the south of France, where he hoped she’d be safe.
After Salomon’s arrival at Villefranche-sur-Mer in 1939, her grandmother attempted suicide and eventually died. Only then did Salomon learn that her mother had died by suicide as well, and that the women in her family had a history of depression (though it isn’t covered in the film, there is some evidence that her grandfather may have been abusive).
In “Life? or Theatre?” Salomon writes: “My life began when my grandmother ended hers, when I learned that my mother too had ended her life, and that deep down I felt the same predisposition to despair and death. I thought to myself: either I kill myself too, or I create something really crazy and extraordinary.”
For the next two years, Salomon did just that, creating some 1,300 paintings about her life in exile. She accompanied these paintings with text and musical cues that included Bach, Schubert, Mahler and the German anthem “Deutschlandlied,” creating an entire multimedia body of work.
As the Nazi grip tightened in France, Salomon, realizing the danger she faced, brought a box containing all her paintings to a friend, the town’s doctor. The film recounts what she tells him: “Take care of it. This is my whole life.” Just weeks later, Salomon, five months pregnant, was sent to Auschwitz, where she died on Oct. 10, 1943.
While Salomon’s work includes depictions of Nazis, antisemitism and persecution, the majority of “Life? or Theater?” — and therefore the film — is dedicated to the explosive inner life and autobiography of its creator. She explores suicide, Freudian lust, psychological distress, music, philosophy and her own artistic impulses.
Yet “Life? or Theatre?” is unmistakably a product of its time, and as such the film includes historical images of Hitler’s rise. Though the French filmmakers don’t identify as Jewish themselves, Delphine said that she and her sister have some Jewish family, and she noted the film’s content is more relevant than ever. “Antisemitism never did end, but now in France and in Europe, it is stronger and stronger than ever, since 1945,” she said. “We really see it and we talk to it nearly each day. We can’t ignore it.”
“With all these strange times we’re living in, Charlotte gives you strength, because she really crossed the times with a strong belief in art and love,” she added.
The film ends with astonishing footage from the early 1960s of Salomon’s father and stepmother, who survived hiding in the Netherlands, looking through their daughter’s paintings as they are interviewed about her. “I was surprised when I discovered her work,” says her father Albert Salomon. He had known nothing of his late daughter’s project until the couple visited Villefranche-sur-Mer after the war, hoping to find some traces of Charlotte’s life.
“The work is very, very vivid — very expressive of life in all its aspects,” said Delphine of Salomon’s art — and the Coulin sisters, in turn, were inspired to bring the work to a broader audience. In 2019, Muriel directed her first theater piece, “Charlotte,” a rendition of Salomon’s work for the stage that played in Paris at the Théâtre du Rond Point. When the COVID-19 pandemic shut down the production, the Coulins transposed their medium to film.
Delphine added that they were also drawn to what she called the “poignant story” of Salomon’s brief life, now immortalized by her singular creative impulse in the face of adversity.
“In difficult times — and her times were probably the most difficult times ever — she really believed in art,” she said. “How art makes you survive. How it can give you a piece of eternity. We wouldn’t speak about her this way if she had not been able to make this wonderful work.”
“Charlotte Salomon: Life and the Maiden” will screen on Weds., January 18 at 12:00 p.m. and 6:00 p.m. at the Walter Reade Theater at 165 West 65th St. For additional information on the New York Jewish Film Festival, which runs through Monday, January 23, click here.
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Africa Becomes Center of Global Terrorism Amid ISIS Revivals, Al Qaeda Alliances
Islamic State – Central Africa Province released documentary entitled “Jihad and Dawah” covering group’s campaigns in northeastern Democratic Republic of Congo and battles against Congolese and Ugandan armies. Photo: Screenshot
Both independent analysts and the United States government have identified rising Islamist terrorist threats across Sub-Saharan Africa as a growing concern, now positioning the region at the center of attention regarding global jihadist terrorism.
Gen. Dagvin Anderson, commander of US Africa Command (AFRICOM), has started a series of visits to African partners, starting with Ethiopia, Somaliland, and Puntland.
“The whole reason I came here is because we have shared threats,” Anderson said. “I’m not new to this region; I understand what the issues are, and we’re here to help empower our African partners to address these threats in a united way.”
Just last week, AFRICOM coordinated with the government of Somalia to strike Islamic State (ISIS) and al-Shabaab targets.
“As we face the growing security threats, including the rise of terrorist activities in East Africa, the Sahel, and West Africa’s coastal regions, the collective efforts are more important than ever,” Anderson said. “Together we can build a more prosperous and secure future for the United States, for Africa, and most importantly, for our children.”
Anderson’s trip came after the Combating Terrorism Center at West Point released a report last month showing that, last year, 86 percent of all terrorism-related deaths occurred in just 10 countries, with seven of them in Africa and five in the continent’s Sahel region.
The report explained how the Sahel — a belt that runs across the African continent and is also called the Sahelian acacia savanna — dominates the map of terrorism deaths today.
“Where once the global terror threat was concentrated in the Middle East and North Africa, today it is centered in the Sahel, specifically in the tri-border region between Burkina Faso, Mali, and Niger,” the report’s four authors wrote before noting that, according to the 2025 Global Terrorism Index, the region comprised more than half of all terrorism-related deaths last year.
“The data shows that while countries such as Pakistan, Afghanistan, Syria, Somalia, and Nigeria have been largely steady when it comes to significant impact by terrorism over recent years, Sahelian countries (Burkina Faso, chief among them) have experienced a steep increase,” the analysts assessed. “In 2023 and 2024, Burkina Faso was most impacted by terrorism globally.”
Regarding the specific groups responsible for these slayings in the Sahel, the Africa Center for Strategic Studies primarily blamed an al-Qaeda-affiliate, Jama’a Nusrat ul-Islam wa al-Muslimin (JNIM), which it identified as being responsible for 83 percent of deaths in the region.
In August, a report from the Observer Research Foundation argued that “the African continent remains the principal theater of global jihadist activity.”
Colin Clarke and co-author Anoushka Varma, both of the Soufan Group, described the threat of JNIM. The group “has entrenched its position as the deadliest terrorist group in the Sahel, escalating attacks across Burkina Faso, Mali, and Niger, while making inroads into Benin, Ghana, and Togo — countries that had largely avoided jihadist violence until now,” they wrote. “In the first half of 2025, JNIM claimed to have carried out at least 280 attacks in Burkina Faso — double the number recorded during the same period in 2024 — and was responsible for approximately 8,800 fatalities across the Sahel that year.”
Another region of the continent drawing the concern of counter-terrorism analysts is the Horn of Africa (HOA), where the West Point researchers identified the “critical case” of the “the triangular confluence that has developed between the Houthis, al-Qaeda in the Arabian Peninsula (AQAP), and al-Shabaab.”
Despite the Houthis being backed by Shi’ite Iran and operating primarily out of Yemen, the West Point report noted that “there is even evidence that the Houthis have collaborated with Islamic State Somalia [a Sunni group], coordinating on intelligence and procurement of drones and technical training.”
Clarke and Varma also explained the unique threats operating in the HOA in their analysis, explaining that “both the Islamic State–Somalia Province (IS-Somalia) and al-Qaeda’s Somali affiliate, al-Shabaab, remain key drivers of regional instability.”
In April 2025, they wrote, al-Shabaab “launched a renewed offensive in Middle Shabelle, regaining territorial control not seen since the Somali federal government’s counteroffensive in 2022.” The analysts also identified that “IS-Somalia has attracted foreign fighters from Ethiopia, Djibouti, Kenya, and even among the Somali diaspora in the West.”
In addition to the increased violence in the HOA and Sahel African regions, two other alarming trends in terrorism that West Point’s researchers named are the wide involvement of Iran with organized crime gangs and the decreasing ages of first-time terrorist suspects.
The report stated that over the last five years, Iran has conducted 157 foreign operations, with 22 involving criminal groups and 55 involving terrorist groups. These range from “Hell’s Angels gang members in Canada to the Kinahan Cartel in Ireland.”
Likewise, the age range of terrorism offenders has transformed.
The authors stated that many analysts have identified “a new wave of extremism among children” and that “across Europe as a whole, nearly two-thirds of Islamic State-linked arrests in 2024 involved teenagers. This included the infamous August 2024 plot by three males aged 17 to 19 targeting a Taylor Swift concert in Vienna, Austria.”
In 2024, the United Kingdom reported that 20 percent of its terrorism suspects were legally classified as minors.
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Amid campus tensions, CUNY steps up outreach to Brooklyn yeshivas
The City University of New York is boosting its outreach to Jewish high schools as tensions over antisemitism allegations continue to flare on some of its 26 colleges across the five boroughs.
On Tuesday, CUNY chancellor Félix Matos Rodríguez and Brooklyn College president Michelle Anderson visited Yeshivah of Flatbush Joel Braverman High School, a Modern Orthodox school in Brooklyn where students study halacha, Talmud, and Tanakh alongside secular subjects.
Their visit focused on promoting a dual enrollment program that allows students to take Brooklyn College courses without leaving the building. Teachers at the high school were hired as adjunct faculty for Brooklyn College to teach college-level subjects including calculus, physics, English composition, algebra II, and “American pluralism.” Students who pass the courses earn college credit.
While CUNY has partnered with New York City public schools to offer the dual enrollment program since 2000, it opened the program to independent religious schools only last year. This fall, 78 students from religious schools participated, including students from Joel Braverman and Magen David Yeshivah School in Brooklyn.
The visit to a yeshiva from top-level CUNY administrators also came amid fallout from an interfaith event at CUNY’s City College last month, where a speaker urged Muslim students to leave in protest because a “Zionist” was present.
“You’re in shock? We’re not, we’re used to it,” a Jewish student says in a recording of the event reviewed by the Forward. “That’s how interfaith goes at CCNY.”
Ilya Bratman, Hillel director for multiple campuses in the CUNY system and the Jewish representative at the event, told the Forward in a phone interview that the incident unfortunately typified the climate Jewish students face at CUNY.
“Whenever the college has tried to create interfaith opportunities, they often end up in this kind of environment — terrible, overwhelming,” Bratman said.
In a statement, a City College spokesperson said the school “has zero tolerance for acts of hate or bigotry of any kind and will promptly take all necessary and appropriate actions to address any such discrimination and remedy its effects.”
During Tuesday’s visit, CUNY administrators did not directly discuss the incident but said the yeshiva partnership reflects a broader commitment to making campuses welcoming to Jewish students.
“The pilot shows that we want to be able to attract students from the yeshivas,” Matos Rodríguez said. “There’s things out there in the world that we have to navigate, but we want to continue to send signals about what we consider to be important.”
Anderson highlighted that Brooklyn College received an “A” from the Anti-Defamation League’s Campus Antisemitism Report Card. She touted the school’s active Hillel, Judaic Studies department and accommodations for Jewish holidays.
Jacob Hanan, a Joel Braverman junior taking four dual-enrollment classes, said Jewish life is central to his college search — and Brooklyn College is currently at the top of his list.
“I look for programs that have a healthy environment, not that much antisemitism going around, as well as other Jewish students on campus I can interact with, and maybe a Hillel to make it easier to practice,” he said in an interview with the Forward.
Rebecca Weinwurzel, another junior in the program, told the Forward she’s been grateful for the opportunity to take more challenging courses. She, too, is considering Brooklyn College, partly because of her experience in the dual enrollment program.
“I do see a lot that Brooklyn College is one of the schools that will knock down any antisemitism that comes their way very quickly,” she said. “And that is a very big plus for me.”
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I was interrogated by Israeli authorities — I know why they’re terrified of peace activists like me
Two weeks ago, I was on my way home from Israel after leading young Jewish activists across the country to meet with Israelis and Palestinians fighting for peace and justice. But just as my plane at Ben Gurion Airport was beginning to board, I was called to the gate desk, where I was told that I would be further questioned by airport security.
I was interrogated and searched for the next hour; one security agent accused me of having suspect political motivations because my checked luggage contained materials sympathetic to Israeli pro-democracy protesters and Palestinians living under Israeli military occupation. They were trying to scare me. I felt, viscerally, how much Prime Minister Benjamin Netanyahu’s government wants to deter American Jews from aiding Israelis and Palestinians working toward peace and shared security.
But it didn’t intimidate me. Instead, it left me feeling more convinced than ever that it’s crucial for Jews around the world to take direct action for equality and justice in Israel and the West Bank. Because for every American Jew who, like me, has to endure a little ordeal with airport security, there are millions of Palestinians and Israelis facing far worse repression. And it is our duty to stand with them.
As the director of young leadership and education at the New Israel Fund, an organization that has spent decades building movements that advance freedom, security and equality for all people under Israeli control, I had led a delegation of young people on a trip through Israel and the West Bank, where we met with Israeli peace activists who survived the Hamas attack of Oct. 7, 2023; Negev Bedouin communities demanding the government given them access to water and electricity; and humanitarian organizations fighting to bring desperately needed aid into Gaza.
In my luggage were materials that reflected my politics, among them a poster I had gotten at a protest in Tel Aviv that said, “Only peace will bring security,” and two books — the graphic novel Jerusalem: Chronicles from the Holy City and Daybreak in Gaza: Stories of Palestinian Lives and Culture — that I had purchased at The Educational Bookshop, a renowned Palestinian cultural center in East Jerusalem that Israeli authorities have raided multiple times since Oct. 7.
The first agent to examine me asked about those materials, as well as some T-shirts that referred to Israel’s far-right minister of national security, Itamar Ben-Gvir, with a profanity. “If you believe in peace and human rights for all people, then why are these messages so one-sided?” the security agent asked.
I said that I didn’t think they were. Israelis want peace: At well-attended protests led by the Hostage Families’ Forum throughout the war in Gaza, attendees demanded a deal to end the fighting in exchange for a return of the hostages. And most Israelis oppose Ben-Gvir, viewing his Jewish supremacist vision — which would see Israel annex the vast majority of the West Bank, and violent Jewish extremists given a pass — as a major threat to the future of their country.
Then, two agents led me into another room with an array of scanners and equipment. I started to sweat. Just before my trip, two Jewish American activists were deported after volunteering in the West Bank. They were slapped with a 10-year ban from entering Israel. Could that happen to me?
One agent asked me if I visited the West Bank, and who I’d met with. I thought of my friend Awdah Hathaleen, a Palestinian peace activist murdered by an internationally-sanctioned settler in July.
As soon as I had landed in Israel, I’d rented a car and drove to Awdah’s village of Umm al Khair, to visit his family, whom I’d gotten to know when I lived and worked there as a human rights activist in 2022. As Awdah’s three children, all under 5, ran around our feet, I handed a bouquet of flowers to his widow. Awdah’s cousin recounted how he and a dozen other members of the community had been arrested and tortured for days immediately after Awdah’s killing. With tears in his eyes, he told me how he had been forced to miss Awdah’s funeral — which took place only after a bureaucratic standoff with the authorities, who held Awdah’s body for 10 days before finally releasing it to his family.
His killer, in contrast, was detained for a single day. Upon his release, his gun was returned to him. The police claimed that they couldn’t pursue further investigation for lack of evidence, even though there were multiple videos of the shooting, including Awdah’s own.
Yes, I had visited the West Bank, I told the agent. I’d met with some friends who are struggling to be free.
What I didn’t say: Despite my fury over Awdah’s murder, when I visited Umm al Khair, and stood over the stain of Awdah’s blood on the concrete where he was killed, I felt an odd sense of calm wash over me.
Violence and hatred are magnetic: they have the power to call out the evil in all of us. I’ve felt that disturbing call myself. But I’ve also felt how nonviolence can counteract that dark magnetism. I’ve seen thousands of Jews from Israel and the diaspora choose to intercede in situations of oppression, to be a protective presence against settler and state violence, and to try to use our bodies to repel cruelty and domination. I’ve seen it work in places like Umm al Khair, and that’s why I have hope.
More people who believe in freedom, equality and security for all people need to engage in this work on the ground. Because the authoritarians and Jewish supremacists who wish to repress our movement are, in fact, scared of Jews and Palestinians who partner together. They’re scared because we are bonded not by blood and soil but values and visions of a shared future.
What we want is simple: a land where all Israelis and Palestinians can live free from repression and violence, build homes and watch their families flourish, and travel with whatever books they want. This is the future that my Israeli and Palestinian friends are fighting for. And I will, too, by any nonviolent means necessary.
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