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A new film brings to life ‘the largest single work of art created by a Jew during the Holocaust’
(New York Jewish Week) — While hiding from the Nazis, the German Jewish artist Charlotte Salomon began a series of autobiographical paintings and texts with a painfully simple description of her aunt, and namesake’s, suicide: “Scene 1: 1913. One November day, a young girl named Charlotte Knarre leaves her parents’ home and jumps into the water.”
Intense and memorable, that image is the launching point for “Life? or Theatre?”, a series of hundreds of gouaches Salomon made between 1940 and 1942. Best described as an “autobiographical play,” it features personal stories illustrated with vibrant paintings and cues for music. Salomon, in her 20s when she made the body of work, called it a “singspiel,” a play with music.
And now, a new film directed by French sisters Delphine and Muriel Coulin, delivers a cinematic representation of her best-known work. “Charlotte Salomon: Life and the Maiden” will make its world premiere at Lincoln Center on Weds., January 18 as a centerpiece of the New York Jewish Film Festival.
The film lies somewhere between cinema and art installation: Aside from a brief opening and conclusion, Salomon’s expressive paintings take up most of the screen time. Sound design brings the paintings to life, as does the music Salomon indicated in her original script, along with text read by the actress Vicky Krieps (“Phantom Thread,” “Corsage”), who plays protagonist Charlotte.
“We didn’t want to make a pure documentary of her,” co-director Delphine Coulin told the New York Jewish Week. “What had never been done was to make a true film with the painting, the music and the text, and to imagine what Charlotte was visualizing when she was painting… Because the neighbors said they could hear her singing while she was painting.”
French sisters Muriel Coulin, left, and Delphine Coulin are co-directors of “Charlotte Salomon: Life and the Maiden.” (Richard Schroeder)
These days, Salomon — who died at Auschwitz at age 26 in 1943 — is something of a cult favorite among art lovers and Jewish historians. In a 2017 New Yorker article, writer Toni Bentley notes that “Life? or Theatre?” is “the largest single work of art created by a Jew during the Holocaust.” She is also sometimes compared to Anne Frank. Critics have noted this comparison does neither artist justice, distinguishing between the youthful directness of Frank’s writing as an adolescent in hiding with the more mature, sophisticated representations made by Salomon as a young artist.
Born in Berlin in 1917, Salomon grew up in a cultured German Jewish family. Her mother died when she was 8. She studied at the German capital’s prestigious Academy of Arts until the Nazis’ rise to power made it impossible for her to continue. In 1938, her father spent a brief period in an internment camp — after his release, he sent his daughter to stay with her grandparents in the south of France, where he hoped she’d be safe.
After Salomon’s arrival at Villefranche-sur-Mer in 1939, her grandmother attempted suicide and eventually died. Only then did Salomon learn that her mother had died by suicide as well, and that the women in her family had a history of depression (though it isn’t covered in the film, there is some evidence that her grandfather may have been abusive).
In “Life? or Theatre?” Salomon writes: “My life began when my grandmother ended hers, when I learned that my mother too had ended her life, and that deep down I felt the same predisposition to despair and death. I thought to myself: either I kill myself too, or I create something really crazy and extraordinary.”
For the next two years, Salomon did just that, creating some 1,300 paintings about her life in exile. She accompanied these paintings with text and musical cues that included Bach, Schubert, Mahler and the German anthem “Deutschlandlied,” creating an entire multimedia body of work.
As the Nazi grip tightened in France, Salomon, realizing the danger she faced, brought a box containing all her paintings to a friend, the town’s doctor. The film recounts what she tells him: “Take care of it. This is my whole life.” Just weeks later, Salomon, five months pregnant, was sent to Auschwitz, where she died on Oct. 10, 1943.
While Salomon’s work includes depictions of Nazis, antisemitism and persecution, the majority of “Life? or Theater?” — and therefore the film — is dedicated to the explosive inner life and autobiography of its creator. She explores suicide, Freudian lust, psychological distress, music, philosophy and her own artistic impulses.
Yet “Life? or Theatre?” is unmistakably a product of its time, and as such the film includes historical images of Hitler’s rise. Though the French filmmakers don’t identify as Jewish themselves, Delphine said that she and her sister have some Jewish family, and she noted the film’s content is more relevant than ever. “Antisemitism never did end, but now in France and in Europe, it is stronger and stronger than ever, since 1945,” she said. “We really see it and we talk to it nearly each day. We can’t ignore it.”
“With all these strange times we’re living in, Charlotte gives you strength, because she really crossed the times with a strong belief in art and love,” she added.
The film ends with astonishing footage from the early 1960s of Salomon’s father and stepmother, who survived hiding in the Netherlands, looking through their daughter’s paintings as they are interviewed about her. “I was surprised when I discovered her work,” says her father Albert Salomon. He had known nothing of his late daughter’s project until the couple visited Villefranche-sur-Mer after the war, hoping to find some traces of Charlotte’s life.
“The work is very, very vivid — very expressive of life in all its aspects,” said Delphine of Salomon’s art — and the Coulin sisters, in turn, were inspired to bring the work to a broader audience. In 2019, Muriel directed her first theater piece, “Charlotte,” a rendition of Salomon’s work for the stage that played in Paris at the Théâtre du Rond Point. When the COVID-19 pandemic shut down the production, the Coulins transposed their medium to film.
Delphine added that they were also drawn to what she called the “poignant story” of Salomon’s brief life, now immortalized by her singular creative impulse in the face of adversity.
“In difficult times — and her times were probably the most difficult times ever — she really believed in art,” she said. “How art makes you survive. How it can give you a piece of eternity. We wouldn’t speak about her this way if she had not been able to make this wonderful work.”
“Charlotte Salomon: Life and the Maiden” will screen on Weds., January 18 at 12:00 p.m. and 6:00 p.m. at the Walter Reade Theater at 165 West 65th St. For additional information on the New York Jewish Film Festival, which runs through Monday, January 23, click here.
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How the Haskalah Changed the Way Jews Experienced Judaism
A Torah scroll. Photo: Wikimedia Commons.
The word “Haskalah” conjures up a period of upheaval in 18th century European Jewish life. If you were to ask anybody what the term Haskalah refers to nowadays, in Israel you will be told that “Haskalah Gevoha” means higher education. But once upon a time, Haskalah was a scandalous word to some, and stood for intellectual freedom to others.
It was Moses Mendelssohn (1729-1786) who was (perhaps unfairly) regarded as the founder of Haskalah — the attempt to combine the Jewish religion and its scholarship with secular cultural and scientific advances.
Mendelssohn was given permission to settle in Berlin, where he came into contact with non-Jewish scholarship. His brilliant philosophical mind soon led to him being accepted into the German cultural elite.
Mendelssohn saw the danger of Jews moving out of the ghetto to assimilate. He believed that by translating the Torah into German, the danger could be averted. He argued that Judaism did not conflict with modern states. It is worth reading his book, Jerusalem: Or on Religious Power and Judaism. In it, he claimed that Jews were not a threat to established societies and religions, and should be granted equality.
Sadly, although he remained completely Orthodox himself, within a generation, all his children married out and abandoned Judaism. At the time, this seemed to negate his position. But his position found support and admirers in much of Central Europe, even in rabbinic circles.
Back in Eastern Europe and Russia, the leaders of the Jewish world saw this trend of accepting and studying secular subjects as a threat to their Jewish life.
When Napoleon attacked Russia, many rabbis sided with the antisemitic tzar against Napoleon, because they feared that if Napoleon brought equality to the Jews, many would abandon Judaism altogether. They also believed that loosened restrictions in Central and Western Europe were leading to assimilation.
This era was described as a “Kulturkampf” (culture war) between the old and the new. And either way, Jews were seen as outsiders. This is why Theodor Herzl believed that Jews would always be alien, and only a Jewish state could keep the Jewish people safe.
Within the Jewish world, the desire for wider knowledge in the realms of medicine, mathematics, and philosophy had always been encouraged by great rabbinic authorities from Maimonides to the Vilna Gaon. But they were not approved for mass consumption.
The movement to open up to the cultural world became known as the Haskalah — with rival camps supporting their own systems of education, language, literature, drama, and ideology. But it often turned into an anti-religious mindset.
At the same time, the Reform movement began in Germany and headed in a different direction. The rivalry between rabbis of different persuasions fractured and altered Jewish communities fundamentally.
In the past, if you wanted to abandon Judaism, your only option was to become a Christian or a Muslim. Now, for the first time, there was a third option — embrace a different strand of Judaism. The cohesion that had been forced on the Jewish people since the Roman exile began to fragment.
Secular Judaism is strong and manifest in Israel. On the other hand, the Haredi world has doubled down on its separatism as the only way to combat the attraction of Western civilization.
Today, there are so many other factions and sects that have developed. And what is called Modern or Open Orthodoxy still adheres to the dream of combining two worlds that generated the Haskalah originally.
The Jewish people face constant challenges from the outside and within. Nothing reflects this more clearly than the history of Haskalah. I can only conclude that this division can be regarded as creative, forcing us to cope with different challenges and to examine our own lives and our own relationship with Judaism.
The author is a writer and rabbi based in New York.
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US Intelligence Raises Doubts About Venezuela Leader’s Cooperation
Venezuela’s interim president Delcy Rodriguez speaks during a press conference, more than a week after the US launched a strike on the country and captured President Nicolas Maduro and his wife Cilia Flores, at Miraflores Palace in Caracas, Venezuela, Jan. 14, 2026. Photo: REUTERS/Leonardo Fernandez Viloria
US intelligence reports have raised doubts about whether interim Venezuelan President Delcy Rodriguez will cooperate with the Trump administration by formally cutting ties with US adversaries, four people familiar with the reports said in recent days.
US officials have said publicly they want the interim president to sever relations with close international allies like Iran, China, and Russia, including expelling their diplomats and advisers from Venezuela.
But Rodriguez, whose swearing-in ceremony was attended by representatives of those countries early this month, has yet to publicly announce such a move. She became president after the US captured former Venezuelan President Nicolas Maduro on Jan. 3.
The US intelligence reports said it was not clear if she is fully on board with the US strategy in her country, according to the sources, who declined to be identified by name.
CIA Director John Ratcliffe traveled on Jan. 15 to Caracas, where he discussed the country’s political future with Rodriguez. Reuters could not determine if those conversations changed the intelligence agencies’ opinion.
Washington wants to rein in its foes’ influence in the Western hemisphere, including in Venezuela, where Trump seeks to exploit the OPEC nation’s vast oil reserves.
If Rodriguez were to break ties with the US rivals, it would open more opportunity for US investment in Venezuela’s energy sector. But failure to control Rodriguez could undercut Washington’s efforts to direct the country’s interim rulers from afar and avoid a deeper US military role.
The Central Intelligence Agency and the Venezuela government did not respond to requests for comment.
Asked for comment, a senior Trump administration official, who declined to be identified, said US President Donald Trump “continues to exert maximum leverage” over Venezuela‘s leaders and “expects this cooperation to continue.”
ABANDON LONGTIME ALLIES?
The CIA has previously assessed that officials loyal to Maduro, including Rodriguez, were best positioned to govern the country following his ouster.
But critics of Trump’s Venezuela strategy have expressed doubts about the wisdom of keeping Maduro’s loyalists in place as the country’s interim leaders. The concerns about Rodriguez’ reliability were present prior to the US military operation, said two sources.
For Venezuela, the US directive means abandoning its closest allies outside the region. Iran has helped Venezuela repair oil refineries while China has taken oil as repayment for debt. Russia has supplied weaponry, including missiles, to Venezuela‘s military.
Trump has also cited communist-led Cuba as another US foe he wants Venezuela to abandon. Havana has provided security and intelligence support while receiving cut-rate Venezuelan oil.
Since Maduro’s removal, Rodriguez, whose deep ties to the oil sector are crucial to keeping the country stable, has taken steps to stay in favor with Washington including releasing political prisoners and authorizing the sale of 30 million to 50 million barrels of oil to the United States.
In a speech on Sunday, Rodriguez said she has had “enough” of US intervention. Still, US officials have also held positive calls with her in recent days, according to two of the sources.
The Trump administration does not see an immediate alternative to working with Rodriguez, given it has publicly backed her so strongly, two of the sources said.
But US officials are developing contacts with senior military and security officials in case they decide to change their approach, a source briefed on Venezuela policy said.
MACHADO CONSIDERED A LONGER-TERM OPTION TO RUN VENEZUELA
The recent intelligence reports also found that opposition leader Maria Corina Machado is not currently able to run the country successfully in part because she lacks strong ties to the country’s security services or oil sector, the sources said.
Some observers and Machado’s movement say it won a 2024 election that year by a huge margin, though the state backed a Maduro victory. She remains popular with Venezuelans.
Trump told reporters last week he wanted Machado “involved” in the country’s leadership, without providing details.
One person familiar with the administration’s discussions with Machado said she is well-liked by the White House and is considered a longer-term option for a leadership position in Venezuela.
The separate source briefed on Venezuela policy suggested that for now, Machado could be considered for an advisory role but no firm decision had been made. Representatives for Machado did not respond to a request for comment.
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UN Experts Denounce Switzerland for Sentencing Students Over Anti-Israel Protest Activity
Illustrative: Youths take part in the occupation of a street in front of the building of the Sciences Po University in support of Palestinians in Gaza, during the ongoing conflict between Israel and Hamas, in Paris, France, April 26, 2024. Photo: REUTERS/Gonzalo Fuentes
UN human rights experts said on Tuesday they had protested to Switzerland after a group of students were sentenced for trespassing after taking part in anti-Israel sit-ins at a Swiss-funded university during the war in Gaza.
The students who took part in the protests in May 2024 were opposing the Swiss university ETH Zurich’s partnerships with Israeli universities, the UN experts said.
“Peaceful student activism, on and off campus, is part of students‘ rights to freedom of expression and peaceful assembly, and must not be criminalized,” the UN experts said, adding that they had written to the Swiss government and the university to raise the issue.
A spokesperson for the Swiss Foreign Ministry confirmed it had received the message and said it would respond in due course.
An ETH Zurich spokesperson said it had received the letter. It said that of the 40 people that were reported for trespassing, 11 were ETH members, including nine students and two employees.
“The claim that the two sit-ins were peaceful and aimed at dialogue does not match our perception,” the spokesperson said.
The spokesperson also said that the university and the police communicated to the sit-in protesters the potential consequences regarding charges and prosecution for trespassing and gave the demonstrators several deadlines to leave without consequences.
Five students have so far been sentenced for trespassing, resulting in suspended fines of up to 2,700 Swiss francs ($3,516), legal fees of over 2,000 Swiss francs and a criminal conviction on their records which could discourage future prospective employers, the UN experts said.
Ten others who appealed the charges await sentencing and two others were acquitted, they said.
($1 = 0.7679 Swiss francs)