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A new film brings to life ‘the largest single work of art created by a Jew during the Holocaust’
(New York Jewish Week) — While hiding from the Nazis, the German Jewish artist Charlotte Salomon began a series of autobiographical paintings and texts with a painfully simple description of her aunt, and namesake’s, suicide: “Scene 1: 1913. One November day, a young girl named Charlotte Knarre leaves her parents’ home and jumps into the water.”
Intense and memorable, that image is the launching point for “Life? or Theatre?”, a series of hundreds of gouaches Salomon made between 1940 and 1942. Best described as an “autobiographical play,” it features personal stories illustrated with vibrant paintings and cues for music. Salomon, in her 20s when she made the body of work, called it a “singspiel,” a play with music.
And now, a new film directed by French sisters Delphine and Muriel Coulin, delivers a cinematic representation of her best-known work. “Charlotte Salomon: Life and the Maiden” will make its world premiere at Lincoln Center on Weds., January 18 as a centerpiece of the New York Jewish Film Festival.
The film lies somewhere between cinema and art installation: Aside from a brief opening and conclusion, Salomon’s expressive paintings take up most of the screen time. Sound design brings the paintings to life, as does the music Salomon indicated in her original script, along with text read by the actress Vicky Krieps (“Phantom Thread,” “Corsage”), who plays protagonist Charlotte.
“We didn’t want to make a pure documentary of her,” co-director Delphine Coulin told the New York Jewish Week. “What had never been done was to make a true film with the painting, the music and the text, and to imagine what Charlotte was visualizing when she was painting… Because the neighbors said they could hear her singing while she was painting.”
French sisters Muriel Coulin, left, and Delphine Coulin are co-directors of “Charlotte Salomon: Life and the Maiden.” (Richard Schroeder)
These days, Salomon — who died at Auschwitz at age 26 in 1943 — is something of a cult favorite among art lovers and Jewish historians. In a 2017 New Yorker article, writer Toni Bentley notes that “Life? or Theatre?” is “the largest single work of art created by a Jew during the Holocaust.” She is also sometimes compared to Anne Frank. Critics have noted this comparison does neither artist justice, distinguishing between the youthful directness of Frank’s writing as an adolescent in hiding with the more mature, sophisticated representations made by Salomon as a young artist.
Born in Berlin in 1917, Salomon grew up in a cultured German Jewish family. Her mother died when she was 8. She studied at the German capital’s prestigious Academy of Arts until the Nazis’ rise to power made it impossible for her to continue. In 1938, her father spent a brief period in an internment camp — after his release, he sent his daughter to stay with her grandparents in the south of France, where he hoped she’d be safe.
After Salomon’s arrival at Villefranche-sur-Mer in 1939, her grandmother attempted suicide and eventually died. Only then did Salomon learn that her mother had died by suicide as well, and that the women in her family had a history of depression (though it isn’t covered in the film, there is some evidence that her grandfather may have been abusive).
In “Life? or Theatre?” Salomon writes: “My life began when my grandmother ended hers, when I learned that my mother too had ended her life, and that deep down I felt the same predisposition to despair and death. I thought to myself: either I kill myself too, or I create something really crazy and extraordinary.”
For the next two years, Salomon did just that, creating some 1,300 paintings about her life in exile. She accompanied these paintings with text and musical cues that included Bach, Schubert, Mahler and the German anthem “Deutschlandlied,” creating an entire multimedia body of work.
As the Nazi grip tightened in France, Salomon, realizing the danger she faced, brought a box containing all her paintings to a friend, the town’s doctor. The film recounts what she tells him: “Take care of it. This is my whole life.” Just weeks later, Salomon, five months pregnant, was sent to Auschwitz, where she died on Oct. 10, 1943.
While Salomon’s work includes depictions of Nazis, antisemitism and persecution, the majority of “Life? or Theater?” — and therefore the film — is dedicated to the explosive inner life and autobiography of its creator. She explores suicide, Freudian lust, psychological distress, music, philosophy and her own artistic impulses.
Yet “Life? or Theatre?” is unmistakably a product of its time, and as such the film includes historical images of Hitler’s rise. Though the French filmmakers don’t identify as Jewish themselves, Delphine said that she and her sister have some Jewish family, and she noted the film’s content is more relevant than ever. “Antisemitism never did end, but now in France and in Europe, it is stronger and stronger than ever, since 1945,” she said. “We really see it and we talk to it nearly each day. We can’t ignore it.”
“With all these strange times we’re living in, Charlotte gives you strength, because she really crossed the times with a strong belief in art and love,” she added.
The film ends with astonishing footage from the early 1960s of Salomon’s father and stepmother, who survived hiding in the Netherlands, looking through their daughter’s paintings as they are interviewed about her. “I was surprised when I discovered her work,” says her father Albert Salomon. He had known nothing of his late daughter’s project until the couple visited Villefranche-sur-Mer after the war, hoping to find some traces of Charlotte’s life.
“The work is very, very vivid — very expressive of life in all its aspects,” said Delphine of Salomon’s art — and the Coulin sisters, in turn, were inspired to bring the work to a broader audience. In 2019, Muriel directed her first theater piece, “Charlotte,” a rendition of Salomon’s work for the stage that played in Paris at the Théâtre du Rond Point. When the COVID-19 pandemic shut down the production, the Coulins transposed their medium to film.
Delphine added that they were also drawn to what she called the “poignant story” of Salomon’s brief life, now immortalized by her singular creative impulse in the face of adversity.
“In difficult times — and her times were probably the most difficult times ever — she really believed in art,” she said. “How art makes you survive. How it can give you a piece of eternity. We wouldn’t speak about her this way if she had not been able to make this wonderful work.”
“Charlotte Salomon: Life and the Maiden” will screen on Weds., January 18 at 12:00 p.m. and 6:00 p.m. at the Walter Reade Theater at 165 West 65th St. For additional information on the New York Jewish Film Festival, which runs through Monday, January 23, click here.
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Israel didn’t play in this World Cup. It has dominated the games anyway.
Sunday’s World Cup final has been billed as a contest between soccer powerhouses, colonizer versus colonized, and soccer’s past against its future. But the matchup of Spain and Argentina also represent two sides of today’s polarized global politics on Israel.
Under the leadership of President Javier Milei, Argentina has become one of Israel’s most steadfast supporters; the national team’s captain, Lionel Messi, a practicing Catholic, has made multiple trips to Israel.
Spain, on the other hand, styles itself as Israel’s most fervent Western adversary. It was among the first European countries to recognize a State of Palestine. There, too, politics have extended to the playing pitch: Spanish soccer prodigy Lamine Yamal — widely touted as Messi’s heir apparent — waved a Palestinian flag in May after his club team won the Spanish championship.
Their meeting in the final dovetails with a World Cup during which the Israeli-Palestinian conflict often felt unavoidable — even as neither of those teams appeared.
Throughout the six-week tournament, fans, players and national sporting bodies have used the World Cup as a platform to criticize Israel, highlight the suffering of Palestinians and call for Israel’s expulsion by FIFA, the soccer federation that organizes international competition. Marketed as a symbol of and catalyst for international unity, the 2026 World Cup also offered a reminder of Israel’s unique power to divide — and demonstrated that the wars raging in the Middle East remain fixed in the global popular imagination.
Much of the attention on Israel could be attributed to the Egyptian team, whose coach, Hossam Hassan, repeatedly foregrounded the Palestinian cause during his press conferences as the team forged into the tournament’s knockout rounds.
After Hassan in an interview dedicated Egypt’s victory to the Palestinian people, he said, “May God grant them victory, and may God have mercy on their martyrs.”
His comments decrying the situation in Gaza made him a hero in the enclave, where a mural depicting Hassan was painted on the rubble of a destroyed building. After Egypt’s ouster by Argentina, the coach confronted a fan who seemed to be taunting him with an Israeli flag; the referee of that game faced antisemitic smears afterward.
It was one of several incidents involving flags, as the stands became proxy battlegrounds for the conflict. One man waving an Israeli flag at an Iran game in Los Angeles had it confiscated, seemingly for provocation; the only official explanation reportedly provided was “security reasons.” with no mention of Israel’s war with Iran. Palestinian flags have flown in the terraces no matter who was playing, but especially at games involving first-time contestant Jordan.
There were larger protest actions, too: Thousands of Bosnian fans chanted “Palestina” in the streets of Toronto on their way to a game against Canada; Morocco fans broke out into “Free Palestine” chants in Houston. (There was a rumor that Morocco’s pro-Israel king, Mohammed VI, had a top player pulled from the team for waving a Palestinian flag on the pitch earlier this year.)
As the drama played out on fields across North America and in the concourses, a campaign to get Israel banned over the war from international soccer competition, which dates to 2024, continued apace. The national soccer federation of Norway, which became a tournament darling during the country’s first-ever run to the quarterfinals, joined several Middle Eastern nations in calls for Israel’s ouster from World Cup organizer FIFA and European soccer federation UEFA, citing those groups’ ejection of Russia following its invasion of Ukraine.
It was only logical that the relentless focus on Israel would culminate in Sunday’s final, where arguably the two biggest stars in the sport, Messi and Yamal, have played into the theme.
Messi’s appearances in Israel over the years on Barcelona and Argentina team trips — including a 2013 visit when he was photographed wearing a kippah at the Western Wall — have long made him a lightning rod for criticism and occasionally antisemitic slander from Arab leaders. Social media platforms filled with anti-Messi political sentiment in the last weeks as that photo recirculated.
The Argentine’s perceived Zionism — and if Yamal’s flag-waving is any indication, the apparent pro-Palestinian stance of Messi’s 19-year-old Spanish foil — mirrors the respective positions of the nations they play for. Spanish Prime Minister Pedro Sanchez has called to end arms sales to Israel and for travel bans on “anyone who has participated in the genocide.” Spain was also the site of the most successful anti-Israel protest in sports last year, when protesters repeatedly ground the Spanish Vuelta to a halt over the presence of an Israeli team.
On the other hand, breaking with its longstanding support for Palestinians, Argentina opposed their bid for statehood last September at the United Nations. Milei, who has described himself as the “most Zionist president in the world,” has proposed renaming Palestine Street in Buenos Aires to “Bibas Family Street” after the murdered Israeli hostages.
This simple but potent dichotomy has determined Sunday’s rooting interest for many neutral fans, and plenty non-neutral ones. Pro-Palestinian social media activists have built the case for Spain by pitting Messi against Yamal. Israelis — including Prime Minister Benjamin Netanyahu — have cited Milei’s support of Israel as a reason why they are rooting for Argentina. (To be sure, a lot of Israelis also just love the 39-year-old Messi because of what he can do with a soccer ball.)
The persistence of the conflict at the World Cup reflects the snowballing animus toward Israel in global cultural discourse. From Eurovision to literary societies to soccer, it’s all Israel all the time — an obsession that will feel disproportionate to the country’s supporters, but less so for Palestinians themselves. Saleem Al-Ashqar, a Palestinian goalkeeper, was shot dead by Israeli forces in Gaza last month; he is one of hundreds of Palestinian athletes who have been killed in the war that followed Oct. 7, 2023, according to Palestinian officials.
The international fixation on Israel at events like the World Cup is showing no signs of abating. The only thing that might dim the fervor is organizing bodies bowing to pressure to remove Israel — or the country itself altering course.
The post Israel didn’t play in this World Cup. It has dominated the games anyway. appeared first on The Forward.
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The real outrage of Rep. Ro Khanna’s West Bank visit
The settler violence that Rep. Ro Khanna experienced on his recent visit to the West Bank has made headlines. But what was most important about this trip wasn’t what his delegation — of which I was a part — went through, but rather the people we met in the West Bank and the truths they told.
It’s the daily humiliations and abuse they suffer at the hands of Israeli settlers. It’s the dehumanization they feel, and the silence they encounter when they try to tell their stories to the world.
I’m an Israeli-American, and I’ve known Khanna for a decade. During that time, we’ve often agonized together over how best to leverage United States foreign policy to achieve a resolution to the Israeli-Palestinian conflict. My family lived in Jerusalem for six generations; I emigrated to the U.S. 50 years ago. I am a peace activist who has spent the last two decades as a student of the conflict through my work with, among others, J Street and Combatants for Peace.
After years of deep engagement on these issues — including meetings with the families of multiple Israeli hostages and participation in several diplomatic trips to Israel — Khanna told me that he wanted to go see a part of the region that had been off limits with past delegations, and to truly understand the lives of Palestinians under Israeli occupation. As the stories of settlement expansion, movement restrictions, settler terrorism and home demolitions in the West Bank have grown louder and more intense in recent months, Khanna wanted to hear about life under occupation from people on the ground.
He especially wanted to meet members of marginalized Palestinian Christian communities, as well as Palestinian Americans living in the West Bank. He didn’t want a tour where someone else controlled the agenda. He wanted to see and hear the occupation for himself.
As we discussed this plan, it was clear that it was essential that the trip be Palestinian-led — a low-profile personal trip, not a diplomatic entourage. Many Palestinians will not meet with tours led by pro-Israel organizations. (Khanna’s staff was in touch with the U.S. Embassy in Jerusalem around the personal visit, despite Ambassador Mike Huckabee alleging otherwise.) Even a liberal Jewish organization like J Street, whose congressional delegations I’ve had the privilege of accompanying, is not welcome in many places in the West Bank.
The itinerary involved visits to three areas that would show life in distinct sections of the West Bank. We began by visiting Bethlehem, Beit Sahour and Beit Jala and meeting with their mayors. These are Christian communities with tourism economies. We heard about the water shortages with which they must contend, because Israel restricts the water supply to Palestinians. We heard about the Israeli settlement of Yatziv seizing Beit Sahour’s only remaining open land for its own construction. We heard about the difficulty of being a Christian minority in a place that is holy to all three religions.
From there we moved to Hebron and the South Hebron Hills. In Hebron, we visited streets that are open to Israeli Jews and tourists but closed to local Palestinians. We saw markets where violent Israeli settlers have thrown refuse, urine and sometimes even acid on Palestinians.
South of Hebron, we visited the village of Umm al-Khair, where we met Eid Suleiman, a Palestinian peace activist deported from San Francisco while on a humanitarian mission in 2025. His travel companion, his cousin Awdah Hathaleen, was shot and killed by Israeli settler Yinon Levi — who was filmed at the scene and never charged — in the summer of 2025.
We mourned Hathaleen. And we saw the sheer terror that continues to be inflicted on this village by the neighboring Israeli settlements — the daily violence, harassment, destruction of property and land confiscation.
On the last day, we visited Turmus Ayya in the north.
It is an amazing place, populated mainly by Palestinian Americans. These families have kept their homes and their land for generations. We spent hours with Palestinian Americans who live 11 months of the year in the U.S. and spend one month tending to their homes and land in the West Bank. In the U.S., they are police officers, doctors, psychologists — equal participants in a pluralistic democracy. When they return to their homeland, their rights are stripped away within minutes of landing in Tel Aviv.
They told us how they undergo intense interrogations and delays at Ben Gurion Airport. How, at checkpoints, many endure abuse for not speaking Hebrew. They told us how their towns and homes have been damaged and their cars burned by mobs of marauding settlers. They told us they feel human in the U.S., but subhuman in Palestine.
These are the important points of this trip. These are the things we should be talking about. The finger-pointing and accusations that have followed Khanna’s accurate account of having our road blocked by settlers are a distraction.
The life stories we heard from Palestinians over three days were jarring. These truths will reverberate in my mind for years, long after the finger-pointing is over.
The post The real outrage of Rep. Ro Khanna’s West Bank visit appeared first on The Forward.
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More Democrats than ever are voting against aid to Israel. That could actually be good for Israel
Israel is losing Democratic support in the same way a character in Ernest Hemingway’s The Sun Also Rises went bankrupt: “gradually and then suddenly.”
When 103 House Democrats voted for a resolution that would eliminate United States aid to Israel yesterday — that was the “suddenly.” Even though the resolution didn’t pass, what seemed unimaginable on a few years ago now, after a period of gradual change, looks inevitable. When the current $38-billion weapons aid agreement between the U.S. and Israel winds down in 2028, the next one will involve what House Minority Leader Hakeem Jeffries called “a major reset” in the relationship.
And you know what? It’s long overdue. This shocking, historic vote is an opportunity to redefine the U.S.-Israel relationship in a way that benefits the U.S., Israel, Palestinians and the region.
Proponents have always framed U.S. aid to Israel as a win-win. We give them money — most of which has to be spent on American-made weapons — and in exchange Israel serves as a kind of land-based battleship in the Middle East. It looks out for American interests in a volatile region.
But increasingly, Americans are failing to see the value in that bargain. A recent poll found that 48% of Americans feel the U.S. is too supportive of Israel. At least among young people, this antipathy doesn’t just exist on the left: 53% of Republicans under age 45 oppose renewing the current aid agreement.
The fact of Israel’s booming economy, driven by the high tech and weapons industries that make it a valuable U.S. partner, has fueled that opposition. Why, a growing number of Americans ask, should our tax dollars fund a country that ranks 24th in median adult wealth according to a newly released USB survey — while the U.S. itself ranks 28th?
But what opponents mostly object to is Israeli government policy under Prime Minister Benjamin Netanyahu, who has cashed American checks and carried on with policies in Gaza and the West Bank that most Americans — including most American Jews — reject. What defenders have long asserted is a mutually beneficial arrangement increasingly feels more like a teenager with a credit card and a bad attitude.
A better approach, the “reset” Jeffries speaks of, would adjust the relationship from one of parent and child to one of peers and partners.
Ensuring Israel’s long term security would continue to be a key goal of that partnership. The U.S. might stop funding Israeli weapons purchases, but it could still sell Israel defensive systems.
But the security of Palestinians and other Israeli neighbors would also be key. The U.S. ought to consider defense guarantees to Israel and certain neighbors, including the Gulf States and even, perhaps, a reformed Syria. Those guarantees should come with sanctions if any government misuses American-made weapons. Security also means funding humanitarian aid that is attached to rooting out extremism and promoting freedom and self-determination.
Such a reset could make Israel itself stronger: less reliant on the whims of U.S. foreign and domestic policy; better able to diversify its sourcing and sale of weapons; and a key player in a regional peace, which includes the Palestinians. All of those changes could help bring true security.
These outcomes may seem aspirational. But it’s not like the old and now defunct patterns of aid were bringing Israelis the security they need. Democrats and Republicans, by listening to changing public opinion, have a chance to establish a new relationship rooted in a new vision.
Make no mistake, this vision will not satisfy the hardcore anti-Israel crowd on either side of the aisle. They want no aid and no partnership. They want to boycott Israeli products, artists and academics and arrest Israeli leaders. Their solution is the dissolution of the Israeli state.
Some of the Democrats who voted for the resolution no doubt belong in this category — among them the bill’s sponsor, Republican Rep. Thomas Massie, who was the sole House member to vote “nay” on a Nov. 2023 resolution affirming Israel’s right to exist.
But many Democrats who voted for the Wednesday resolution said they did so despite their ongoing support for Israel, as a way to lodge their dissatisfaction with Netanyahu’s policies.
“We simply cannot continue to condone Netanyahu’s actions that are against our moral conscience and our own national security interests by perpetuating the status quo,” said Massachusetts Rep. Seth Moulton, who has a long record of support for Israel.
Rep. Jake Auchincloss, also of Massachusetts, voted for the bill, but said it “should not impair the state of Israel’s right to defend itself against the atrocities of the terrorist regimes that threaten it.”
Both Auchincloss and Moulton pointed out the bill’s flaws, among them that it would deny Israel purely defensive weapons systems, as well as humanitarian aid that also serves Palestinians.
But if Israel’s sensible supporters can, once the current agreement expires, put one in place that allows for defensive weapons and humanitarian aid, they’ll be on the way to promoting a more effective partnership than that we have now. Doing so could dampen the extremes both here and in Israel. It could be the beginning of a beautiful friendship.
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