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A new film brings to life ‘the largest single work of art created by a Jew during the Holocaust’
(New York Jewish Week) — While hiding from the Nazis, the German Jewish artist Charlotte Salomon began a series of autobiographical paintings and texts with a painfully simple description of her aunt, and namesake’s, suicide: “Scene 1: 1913. One November day, a young girl named Charlotte Knarre leaves her parents’ home and jumps into the water.”
Intense and memorable, that image is the launching point for “Life? or Theatre?”, a series of hundreds of gouaches Salomon made between 1940 and 1942. Best described as an “autobiographical play,” it features personal stories illustrated with vibrant paintings and cues for music. Salomon, in her 20s when she made the body of work, called it a “singspiel,” a play with music.
And now, a new film directed by French sisters Delphine and Muriel Coulin, delivers a cinematic representation of her best-known work. “Charlotte Salomon: Life and the Maiden” will make its world premiere at Lincoln Center on Weds., January 18 as a centerpiece of the New York Jewish Film Festival.
The film lies somewhere between cinema and art installation: Aside from a brief opening and conclusion, Salomon’s expressive paintings take up most of the screen time. Sound design brings the paintings to life, as does the music Salomon indicated in her original script, along with text read by the actress Vicky Krieps (“Phantom Thread,” “Corsage”), who plays protagonist Charlotte.
“We didn’t want to make a pure documentary of her,” co-director Delphine Coulin told the New York Jewish Week. “What had never been done was to make a true film with the painting, the music and the text, and to imagine what Charlotte was visualizing when she was painting… Because the neighbors said they could hear her singing while she was painting.”
French sisters Muriel Coulin, left, and Delphine Coulin are co-directors of “Charlotte Salomon: Life and the Maiden.” (Richard Schroeder)
These days, Salomon — who died at Auschwitz at age 26 in 1943 — is something of a cult favorite among art lovers and Jewish historians. In a 2017 New Yorker article, writer Toni Bentley notes that “Life? or Theatre?” is “the largest single work of art created by a Jew during the Holocaust.” She is also sometimes compared to Anne Frank. Critics have noted this comparison does neither artist justice, distinguishing between the youthful directness of Frank’s writing as an adolescent in hiding with the more mature, sophisticated representations made by Salomon as a young artist.
Born in Berlin in 1917, Salomon grew up in a cultured German Jewish family. Her mother died when she was 8. She studied at the German capital’s prestigious Academy of Arts until the Nazis’ rise to power made it impossible for her to continue. In 1938, her father spent a brief period in an internment camp — after his release, he sent his daughter to stay with her grandparents in the south of France, where he hoped she’d be safe.
After Salomon’s arrival at Villefranche-sur-Mer in 1939, her grandmother attempted suicide and eventually died. Only then did Salomon learn that her mother had died by suicide as well, and that the women in her family had a history of depression (though it isn’t covered in the film, there is some evidence that her grandfather may have been abusive).
In “Life? or Theatre?” Salomon writes: “My life began when my grandmother ended hers, when I learned that my mother too had ended her life, and that deep down I felt the same predisposition to despair and death. I thought to myself: either I kill myself too, or I create something really crazy and extraordinary.”
For the next two years, Salomon did just that, creating some 1,300 paintings about her life in exile. She accompanied these paintings with text and musical cues that included Bach, Schubert, Mahler and the German anthem “Deutschlandlied,” creating an entire multimedia body of work.
As the Nazi grip tightened in France, Salomon, realizing the danger she faced, brought a box containing all her paintings to a friend, the town’s doctor. The film recounts what she tells him: “Take care of it. This is my whole life.” Just weeks later, Salomon, five months pregnant, was sent to Auschwitz, where she died on Oct. 10, 1943.
While Salomon’s work includes depictions of Nazis, antisemitism and persecution, the majority of “Life? or Theater?” — and therefore the film — is dedicated to the explosive inner life and autobiography of its creator. She explores suicide, Freudian lust, psychological distress, music, philosophy and her own artistic impulses.
Yet “Life? or Theatre?” is unmistakably a product of its time, and as such the film includes historical images of Hitler’s rise. Though the French filmmakers don’t identify as Jewish themselves, Delphine said that she and her sister have some Jewish family, and she noted the film’s content is more relevant than ever. “Antisemitism never did end, but now in France and in Europe, it is stronger and stronger than ever, since 1945,” she said. “We really see it and we talk to it nearly each day. We can’t ignore it.”
“With all these strange times we’re living in, Charlotte gives you strength, because she really crossed the times with a strong belief in art and love,” she added.
The film ends with astonishing footage from the early 1960s of Salomon’s father and stepmother, who survived hiding in the Netherlands, looking through their daughter’s paintings as they are interviewed about her. “I was surprised when I discovered her work,” says her father Albert Salomon. He had known nothing of his late daughter’s project until the couple visited Villefranche-sur-Mer after the war, hoping to find some traces of Charlotte’s life.
“The work is very, very vivid — very expressive of life in all its aspects,” said Delphine of Salomon’s art — and the Coulin sisters, in turn, were inspired to bring the work to a broader audience. In 2019, Muriel directed her first theater piece, “Charlotte,” a rendition of Salomon’s work for the stage that played in Paris at the Théâtre du Rond Point. When the COVID-19 pandemic shut down the production, the Coulins transposed their medium to film.
Delphine added that they were also drawn to what she called the “poignant story” of Salomon’s brief life, now immortalized by her singular creative impulse in the face of adversity.
“In difficult times — and her times were probably the most difficult times ever — she really believed in art,” she said. “How art makes you survive. How it can give you a piece of eternity. We wouldn’t speak about her this way if she had not been able to make this wonderful work.”
“Charlotte Salomon: Life and the Maiden” will screen on Weds., January 18 at 12:00 p.m. and 6:00 p.m. at the Walter Reade Theater at 165 West 65th St. For additional information on the New York Jewish Film Festival, which runs through Monday, January 23, click here.
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Lula’s reelection puts the brakes on Latin America’s pro-Israel shift
(JTA) — BUENOS AIRES – Brazilians reelected Luiz Inácio ‘Lula’ da Silva as president, defeating the center-right senator Flavio Bolsonaro, putting the breaks on a regional shift toward closer ties with Israel.
The current president, a left-wing leader of Partido dos Trabalhadores (Workers Party), obtained 51.79% of the valid votes, while Bolsonaro received 48.21%.
Bolsonaro, of the Liberal Party, had pledged a close diplomatic partnership with Israel and cultivated ties with Prime Minister Benjamin Netanyahu, while Lula has become a critic of Israel’s military campaign in Gaza. Bolsonaro said he did not accept the election results, although it is not clear how he could challenge them.
In January 2024, Lula’s government endorsed South Africa’s decision to bring a genocide case against Israel before the International Court of Justice. A month later, Lula compared Palestinian suffering in Gaza to Hitler’s murder of the Jews, triggering a diplomatic crisis between Brazil and Israel. Brazil’s Jewish umbrella organization, CONIB, publicly condemned the comparison as a distortion that offended the memory of Holocaust victims and their descendants.
The remarks were also criticized by the Holocaust Museum of Buenos Aires. Sen. Bolsonaro promised a big shift toward Israel when he spoke on June 28, 2026, in Buenos Aires in a meeting with Jewish leaders. “In 2027, Brazil will not only once again have an ambassador to Israel, but will also take the step of moving its embassy to Israel’s capital, Jerusalem,” he said.
That night he also lauded the 120,000 Jews in Brazil, saying, “They are men and women who rank among the brightest in Brazilian medicine, industry, science, culture and business.”
After Bolsonaro finished ahead of Lula in the first round on Oct. 4, Netanyahu sent a message the following day on X: “Congratulations @FlavioBolsonaro on yesterday’s vote and good luck in the final. I look forward to restoring the extraordinary friendship between Israel and Brazil. Best wishes for your great victory, my friend.”
Since 2023, several Latin American countries have strengthened ties with Israel, in some cases reversing policies adopted by their predecessors, among them:
Argentine President Javier Milei elected in 2023, who makes support for Israel central to his foreign policy and meets with families of hostages Hamas abducted in its deadly Oct. 7, 2023, raid on Israel, which launched the current war;
Bolivian President Rodrigo Paz Pereira, elected in 2025, who restored diplomatic relations with Israel severed by his predecessor;
President Nasry Asfura of Honduras, elected in 2025, who immediately formally recognized Israel’s new ambassador, a process his predecessor left in limbo;
Chilean President José Antonio Kast, elected in 2025, who is rebuilding ties with Israel diminished by his predecessor;
and Colombian President Abelardo de la Espriella, elected in May, who restored diplomatic ties with Israel severed by his predecessor, sent his foreign minister to inaugurate an embassy in Jerusalem and pulled out of the ICJ genocide case against Israel.
This article originally appeared on JTA.org.
The post Lula’s reelection puts the brakes on Latin America’s pro-Israel shift appeared first on The Forward.
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In anti-Muslim speech, Trump says Jews who support El-Sayed should be ‘ashamed’
(JTA) — President Donald Trump disparaged Jewish voters who support Abdul El-Sayed, Michigan’s Democratic Senate nominee, at a rally in Port Huron on Sunday.
“Any Jewish person that supports this guy should be ashamed of themselves,” Trump told some 4,000 supporters in the city north of Detroit, where he stumped for Republican nominee Mike Rogers. “You should never speak to them again.”
Hundreds of Michigan Jews have pledged to vote for El-Sayed, who polls indicate is narrowly leading Rogers in a race key to determining control of the Senate. Another subset of Jews has pressured El-Sayed, a staunch critic of Israel, to defend “Jewish safety — including for Zionist Jews” and “Jewish sovereignty in Israel.” Still others have urged their community members to reject El-Sayed outright and back Rogers.
El-Sayed opposes U.S. military aid to Israel, saying the country has committed genocide in Gaza and is “not an ally.” Those positions divided the Democratic party during his primary campaign against pro-Israel U.S. Rep. Haley Stevens, whom he narrowly bested in August. A former public health official, El-Sayed has also emphasized affordability in healthcare, housing and education. He has made a concentrated push to reach undecided Jewish voters in the homestretch before the Nov. 3 midterm election, hiring a Jewish outreach director last week.
Trump has in the past accused Jews who vote for Democrats of being “disloyal to Jewish people” and “disloyal to Israel.”
He said at the Port Huron rally that he is “polling at 99% in Israel,” which will hold national elections on Tuesday.
Trump did not cite evidence for the claim, which is unsupported by publicly available surveys. While he has historically scored high popularity among Israelis, a poll by the Jewish People Policy Institute in June found the Israeli public’s trust in him was declining. The poll said that 12% of Israelis reported having a great deal of trust in Trump, down from 21% in May, while the share of Israelis with complete distrust in him rose from 32% to 37%.
Trump joined his comments about Jews and Israel to anti-Muslim rhetoric about El-Sayed, who would become the first Muslim in the Senate if he is elected.
Trump baselessly called El-Sayed a “jihadist Muslim Brotherhood member” who was “on the side of the terrorists,” adding that he would “have to go through a metal detector before he’s allowed to go into the Senate.”
He threatened that “if Abdul and the Democrats win, they will open the floodgates and invite hordes of jihadists to our shores, creating a nightmare of violence and terror until you cannot even have a Christmas.”
Trump claimed that El-Sayed’s half sister, Eman Abdelhadi, celebrated the Hamas attacks on Israel on Oct. 7, 2023. On the first anniversary of the attack, Abdelhadi posted a video that said, “no matter how great the brutality, the oppression, the intensity of what we’re going through, the horizon of justice is just around the corner,” according to The New York Times. She did not directly mention or celebrate the violence.
Trump also said that El-Sayed’s mother had “worked for an organization that gave hundreds of thousands of dollars to Osama bin Laden and al-Qaeda.” A Times investigation reported that El-Sayed’s mother worked as a nurse in Missouri for a Muslim aid group that was later designated by the U.S. government as a supporter of terrorist groups. She was never accused of wrongdoing.
El-Sayed’s campaign has said that he “disagrees” with his sister on “a number of political positions and the rhetoric she’s chosen to use, including on foreign policy.” He was raised by his father and stepmother and has said that he had little relationship with his biological mother while growing up.
Former President Barack Obama campaigned with El-Sayed in Detroit on Saturday, saying the candidate was “fighting for change, real change, that will get money out of politics and put money in your pocket.”
This article originally appeared on JTA.org.
The post In anti-Muslim speech, Trump says Jews who support El-Sayed should be ‘ashamed’ appeared first on The Forward.
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CAIR Connecticut urges Greenwich schools to stop using Eisner Camp over Israel ties
(JTA) — GREAT BARRINGTON, Mass. – Greenwich Public Schools in Connecticut said it would proceed with a planned fall trip for sixth graders at a Jewish camp in Massachusetts as planned this week, despite pressure from a Muslim advocacy organization over the camp’s Israeli symbols and Israel-related programming.
CAIR Connecticut, the state chapter of the Council on American-Islamic Relations, objected to the trip, saying that programming at Eisner Camp in Great Barrington “incorporates connections to Israel,” the chapter’s board chair Farhan Memon wrote in a letter to Greenwich Superintendent of Schools Toni Jones dated Oct. 13.
The four-day Greenwich Schools field trip was organized by the Outdoor Classroom project, which works with seven locations in New England, including Eisner. Four of the camps are affiliated with Christian organizations, and two have no religious affiliation. With its clients, Outdoor Classroom coordinates nature-related learning programs for kids.
Memon wrote that some parents in Greenwich had viewed a video and photos of previous school events at Eisner and “identified Israeli flags and yellow ribbons prominently displayed in spaces used during school visits.”
“At the very least, spaces used by Greenwich students on any school trip should be free of national and political displays,” Memon wrote.
Eisner director Paul Isserles said in a statement shared with the Jewish Telegraphic Agency: “We welcome Outdoor Classroom to use our camp facilities. Throughout the year many outside organizations rent our facilities for various programs. URJ Eisner Camp is proud to have an Israeli flag displayed for our camp programs.”
When it comes to visiting groups, “Frankly, we are not regularly asked to do anything to remove those symbols or to cover them,” said Union for Reform Judaism president Rabbi Rick Jacobs in a telephone interview with JTA. “Because to be honest, we wouldn’t.”
Answering Memon’s letter on Oct. 14, Jones wrote in an email that her school district “acknowledges that individuals and families have vastly different views regarding global events” and that it intends to “provide an inclusive and safe educational environment for all Greenwich Public School students, including when they are on field trips under our care.”
She added that she had “made it clear to a few families that we will not take a political or religious stand.” JTA has seen both the CAIR letter and the email response.
CAIR Connecticut did not respond to JTA’s query.
CAIR’s national website says the organization promotes interfaith dialogue and “condemns all acts of violence against civilians by any individual, group or state.”
The Reform movement founded the 600-acre camp in 1958 as the Joseph Eisner Camp Institute for Living Judaism. It is located in the Berkshire Hills south of the town center of Great Barrington.
It is one of more than a dozen of the movement’s overnight camps in the North America. Many of those camps are rented throughout the year by groups that have nothing to do with Judaism, URJ’s Rabbi Jacobs said. “If a group rents the camp, they come up with their own agenda,” he said.
He added, “There are flags and other symbols of Judaism and of Israel in our camps, and we’re proud of that.”
Some parents had raised concerns about the venue as early as March. CAIR urged the district to stop using the camp in the Oct. 14 letter.
Removing decorations from the camp would not be enough, he said, noting that parents were upset after seeing promotional material about Eisner bringing Jewish campers to visit Israeli army bases under the Gadna, an Israeli military youth program.
A July 2019 post on Eisner Camp’s website says a group of participants in its Israel trip chose Gadna, stayed at an army base, practiced drills and learned to shoot at a target.
“URJ Eisner Camp participants who go to Israel have not participated in Gadna since 2023,” camp director Isserles said in a statement provided to JTA. “Our Israel programming at camp and in Israel is focused on Jewish identity, community, education, and connection to Israel.”
What CAIR is saying is that “A Jewish institution can be an unfit place for public-school children because it is visibly Jewish and identifies openly with Israel,” wrote blogger and Eisner alumnus Rabbi Jeff Salkin in his “Unfiltered” Substack on Oct. 19.
“A Jewish institution should not have to hide its Jewish identity to count as a fit place for other people’s children. You would not ask a church camp to remove a cross, or a Muslim camp to take down a crescent. A standard that demands such hiding makes Jewish identity itself the problem,” Salkin wrote.
This article originally appeared on JTA.org.
The post CAIR Connecticut urges Greenwich schools to stop using Eisner Camp over Israel ties appeared first on The Forward.
