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A new film brings to life ‘the largest single work of art created by a Jew during the Holocaust’
(New York Jewish Week) — While hiding from the Nazis, the German Jewish artist Charlotte Salomon began a series of autobiographical paintings and texts with a painfully simple description of her aunt, and namesake’s, suicide: “Scene 1: 1913. One November day, a young girl named Charlotte Knarre leaves her parents’ home and jumps into the water.”
Intense and memorable, that image is the launching point for “Life? or Theatre?”, a series of hundreds of gouaches Salomon made between 1940 and 1942. Best described as an “autobiographical play,” it features personal stories illustrated with vibrant paintings and cues for music. Salomon, in her 20s when she made the body of work, called it a “singspiel,” a play with music.
And now, a new film directed by French sisters Delphine and Muriel Coulin, delivers a cinematic representation of her best-known work. “Charlotte Salomon: Life and the Maiden” will make its world premiere at Lincoln Center on Weds., January 18 as a centerpiece of the New York Jewish Film Festival.
The film lies somewhere between cinema and art installation: Aside from a brief opening and conclusion, Salomon’s expressive paintings take up most of the screen time. Sound design brings the paintings to life, as does the music Salomon indicated in her original script, along with text read by the actress Vicky Krieps (“Phantom Thread,” “Corsage”), who plays protagonist Charlotte.
“We didn’t want to make a pure documentary of her,” co-director Delphine Coulin told the New York Jewish Week. “What had never been done was to make a true film with the painting, the music and the text, and to imagine what Charlotte was visualizing when she was painting… Because the neighbors said they could hear her singing while she was painting.”
French sisters Muriel Coulin, left, and Delphine Coulin are co-directors of “Charlotte Salomon: Life and the Maiden.” (Richard Schroeder)
These days, Salomon — who died at Auschwitz at age 26 in 1943 — is something of a cult favorite among art lovers and Jewish historians. In a 2017 New Yorker article, writer Toni Bentley notes that “Life? or Theatre?” is “the largest single work of art created by a Jew during the Holocaust.” She is also sometimes compared to Anne Frank. Critics have noted this comparison does neither artist justice, distinguishing between the youthful directness of Frank’s writing as an adolescent in hiding with the more mature, sophisticated representations made by Salomon as a young artist.
Born in Berlin in 1917, Salomon grew up in a cultured German Jewish family. Her mother died when she was 8. She studied at the German capital’s prestigious Academy of Arts until the Nazis’ rise to power made it impossible for her to continue. In 1938, her father spent a brief period in an internment camp — after his release, he sent his daughter to stay with her grandparents in the south of France, where he hoped she’d be safe.
After Salomon’s arrival at Villefranche-sur-Mer in 1939, her grandmother attempted suicide and eventually died. Only then did Salomon learn that her mother had died by suicide as well, and that the women in her family had a history of depression (though it isn’t covered in the film, there is some evidence that her grandfather may have been abusive).
In “Life? or Theatre?” Salomon writes: “My life began when my grandmother ended hers, when I learned that my mother too had ended her life, and that deep down I felt the same predisposition to despair and death. I thought to myself: either I kill myself too, or I create something really crazy and extraordinary.”
For the next two years, Salomon did just that, creating some 1,300 paintings about her life in exile. She accompanied these paintings with text and musical cues that included Bach, Schubert, Mahler and the German anthem “Deutschlandlied,” creating an entire multimedia body of work.
As the Nazi grip tightened in France, Salomon, realizing the danger she faced, brought a box containing all her paintings to a friend, the town’s doctor. The film recounts what she tells him: “Take care of it. This is my whole life.” Just weeks later, Salomon, five months pregnant, was sent to Auschwitz, where she died on Oct. 10, 1943.
While Salomon’s work includes depictions of Nazis, antisemitism and persecution, the majority of “Life? or Theater?” — and therefore the film — is dedicated to the explosive inner life and autobiography of its creator. She explores suicide, Freudian lust, psychological distress, music, philosophy and her own artistic impulses.
Yet “Life? or Theatre?” is unmistakably a product of its time, and as such the film includes historical images of Hitler’s rise. Though the French filmmakers don’t identify as Jewish themselves, Delphine said that she and her sister have some Jewish family, and she noted the film’s content is more relevant than ever. “Antisemitism never did end, but now in France and in Europe, it is stronger and stronger than ever, since 1945,” she said. “We really see it and we talk to it nearly each day. We can’t ignore it.”
“With all these strange times we’re living in, Charlotte gives you strength, because she really crossed the times with a strong belief in art and love,” she added.
The film ends with astonishing footage from the early 1960s of Salomon’s father and stepmother, who survived hiding in the Netherlands, looking through their daughter’s paintings as they are interviewed about her. “I was surprised when I discovered her work,” says her father Albert Salomon. He had known nothing of his late daughter’s project until the couple visited Villefranche-sur-Mer after the war, hoping to find some traces of Charlotte’s life.
“The work is very, very vivid — very expressive of life in all its aspects,” said Delphine of Salomon’s art — and the Coulin sisters, in turn, were inspired to bring the work to a broader audience. In 2019, Muriel directed her first theater piece, “Charlotte,” a rendition of Salomon’s work for the stage that played in Paris at the Théâtre du Rond Point. When the COVID-19 pandemic shut down the production, the Coulins transposed their medium to film.
Delphine added that they were also drawn to what she called the “poignant story” of Salomon’s brief life, now immortalized by her singular creative impulse in the face of adversity.
“In difficult times — and her times were probably the most difficult times ever — she really believed in art,” she said. “How art makes you survive. How it can give you a piece of eternity. We wouldn’t speak about her this way if she had not been able to make this wonderful work.”
“Charlotte Salomon: Life and the Maiden” will screen on Weds., January 18 at 12:00 p.m. and 6:00 p.m. at the Walter Reade Theater at 165 West 65th St. For additional information on the New York Jewish Film Festival, which runs through Monday, January 23, click here.
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The post A new film brings to life ‘the largest single work of art created by a Jew during the Holocaust’ appeared first on Jewish Telegraphic Agency.
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University of Michigan in Row Over Professor’s Endorsement of ‘Pro-Palestinian Student Activists’
The University of Michigan Union. Photo: Dominick Sokotoff/Sipa USA via Reuters Connect
The University of Michigan in Ann Arbor is a house divided after a professor used his commencement speech to praise pro-Hamas activists, dozens of whom participated in a destructive wave of protests that scarred Jewish students and prompted the intervention of the federal government.
“Sing for the pro-Palestinian student activists who have over these past two years opened our hearts to the injustice and inhumanity of Israel’s war in Gaza,” university faculty Senate chair Derek Peterson, whose governance position makes him one of the powerful people on campus, said on Saturday.
Hours later, university president Domenico Grasso denounced the remarks for having “deviated” from what Peterson had submitted for review before taking the stage. Expressing regret that Peterson had caused “pain … on a day devoted to celebration and accomplishment,” he stated that the Senate chair’s expressed views do not represent the institution’s, and, moreover, violated its commitment to neutrality on divisive political issues.
“Commencement is a time of celebration, recognition, and unity,” Grasso continued. “The chair’s remarks were expected to be congratulatory, not a platform for personal political expression. Introducing such commentary in this setting was inappropriate and did not align with the purpose of the occasion. In the coming weeks, I will work with university leadership to review and refine future commencement programming.”
The matter did not end there. Grasso’s statement rankled the school’s anti-Israel element, and within just over a day some 1,000 professors signed a petition demanding that Grasso retract his commentary and apologize not to any Jewish students who were outraged by the speech but rather to Peterson, whom they thanked “for his care and insight.” Firing off a litany of anti-Israel accusations confected by the Jewish state’s enemies, the petition concluded by turning the table: Grasso, it charged, had violated the university’s commitment to institutional neutrality.
“We can only conclude that there is nothing neutral about the institution’s supposed commitment to institutional neutrality,” the petition stated. “The institution’s supposed principles on diversity of thought and freedom of expression cease to operate when a faculty member expresses a ‘forbidden’ view.”
Peterson responded to this outpouring of support on campus by doubling down.
“It should not be controversial to have one’s ‘heart opened to the inhumanity and injustice of Israel’s war in Gaza,’ which is what I credited activists with doing,” Peterson told The Michigan Daily. “Having an open heart to other people’s suffering is a fundamental human virtue, and it is a quality that I hope we teach our students, whatever their political posture might be.”
For several years, spanning before and after Hamas’s Oct.7, 2023, massacre across southern Israel, The Algemeiner has reported daily on campus antisemitism incidents which involved identity-based physical assaults, verbal abuse, and others acts of discrimination.
Committed by the “pro-Palestinian student activists” whom Peterson extolled, they included spitting on Jewish students at the University of California, Berkeley while calling them “Jew”; gang assaults at Columbia University’s Butler Library; swastika graffiti; the desecration of Jewish religious symbols; and the expulsion of a sexual assault survivor from a victim support group over her support for Zionism. In another incident, a Cornell University student threatened to murder Jewish men, whom he called pigs, and to rape Jewish women, and perpetrate a mass shooting at the campus’ kosher dining hall.
Professors, while operating largely behind the curtain, assumed roles as purveyors of anti-Jewish content too. At Harvard University, a “Faculty for Palestine” group shared an antisemitic political cartoon which named Jews and Israel as enemies Black and Brown people. At Cornell, a professor said Hamas’s Oct. 7 massacre, in which the group murdered children and pets while raping both women and men, as “exhilarating.”
On Tuesday, Alyza Lewin president of US affairs at the Combat Antisemitism Movement (CAM), told The Algemeiner that “the activists Derek Peterson endorsed are the same students responsible for normalizing a campus climate that equates with evil those who recognize Jewish peoplehood and the Jews’ ancestral connection to the Land of Israel.”
Lewin represents most of the Jewish community and its allies, many of whom have said in recent days that Peterson’s choosing commencement to proclaim solidarity with such a controversial and extremist political movement is indicative of a deeper problem in higher education.
“Protests on campus have repeatedly crossed the line: encampments, disrupted ceremonies, demonstrations at officials’ homes, clashes with police,” Nikki Haley, who previously served as governor of South Carolina and US ambassador to the United Nations, said in a statement on Tuesday. “The First Amendment must be protected, but it doesn’t absolve any one of consequences. Universities have deep culture problems they must address. If they don’t, they should face repercussions.”
Meanwhile, Ted Deutch, chief executive officer of the American Jewish Committee (AJC), said the “graduation is about more than commencement; it’s about campus culture.”
He continued, “Ensuring that moments like this and the broader campus environment reflect the university’s highest values require clear, consistent leadership from the university’s president and the Board of Regents, and I urge them to lead.”
Commencement speeches are a coveted theater for anti-Zionist activists searching for notoriety ahead of their transition to the real world. More often than not, the performances make them infamous, not least because pulling off the act requires deceiving the professors and administrators who approved their being conferred the high honor of addressing the graduating class.
Last year, New York University withheld the diploma of a Gallatin School of Individualized Study student who “lied” to the administration about the content of his commencement speech to conceal its claim that Israel is committing a genocide of Palestinians in Gaza, a falsehood parroted by both jihadist terrorist organizations and neo-Nazis. New York University promptly denounced the student.
Days later at George Washington University, one of its students, Cecilia Culver, not only uttered the same claim but added that her school’s hands are stained with “blood.”
George Washington University noted that Culver had been “dishonest” too and banned her from campus. The university also stripped Culver of her status as a “distinguished scholar.” Culver, whose misstep cost her a job Ernest & Young, is now suing the university for “defamation” and “retaliatory suppression of her protected expression.” The suit adds that her “professional reputation in the economics and policy community in Washington, D.C. and beyond … cannot be remedied.”
Follow Dion J. Pierre @DionJPierre.
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Tucker Carlson Praises JD Vance, Signals Increasingly Distant Relationship: ‘No One’s Seeking My Counsel’
Tucker Carlson speaks on first day of AmericaFest 2025 at the Phoenix Convention Center in Phoenix, Arizona, Dec. 18, 2025. Photo: Charles-McClintock Wilson/ZUMA Press Wire via Reuters Connect
Far-right commentator Tucker Carlson is signaling continued personal support for US Vice President JD Vance even as their differences over Israel and Iran come into sharper focus and questions arise about the current status of their relationship, a divide with implications for US national security policy and the future of Republican leadership.
In a new interview with The New York Times, Carlson reaffirmed his support for Vance, reinforcing a longstanding alignment and personal friendship between the two figures. But he also acknowledged that Vance is in a “tough spot” as part of an administration led by President Donald Trump that has taken decisive action, including military strikes, against Iran.
While praising Vance’s character, Carlson suggested that the vice president has been constrained by the limitations of his position. Nonetheless, the podcaster, former Fox News host, and outspoken anti-Israel voice speculated that Vance has tried to redirect the foreign policy objectives of the Trump administration in what he perceives as a more productive direction.
“I know him well and think so much of him as a person. And it is my guess that, based on his past behavior, that he’s doing everything he can to mitigate what he sees as the ill effects of [the Iran war]. But it’s kind of hard to call the shots when you’re vice president, because that’s not in the Constitution,” Carlson said.
Carlson, notably, did not indicate the last time he and the vice president spoke when asked, stoking speculation that the relationship between the two political power brokers has deteriorated.
“Oh, I don’t know. But I wouldn’t want to add to his problems at all,” said the online provocateur, who reportedly played a role in persuading Trump to name Vance as his running mate. “I would just say what’s obvious, which is that I’m hardly an adviser to this administration. And I think it’s also clear that Donald Trump makes these decisions.”
When Carlson was pressed to say the last time he spoke to Vance, he continued to avoid giving a direct answer.
“I don’t know. I mean, I would never characterize that,” he said. “I don’t want to cause him more problems. I would just say I’m not advising. No one’s seeking my counsel. I’m not trying to influence anything. I gave it my best shot. Didn’t work.”
While polling has shown Republicans overwhelmingly supportive of Trump’s military campaign against Iran, the tension between the Trump administration’s approach to Middle East and the Republican base is becoming increasingly central to inter-party discourse.
In the wake of the wars in Iraq and Afghanistan, many younger voters have, according to recent polling, expressed deep skepticism of US military operations abroad and support for certain traditional allies, especially Israel.
Vance rose politically in part on a more restrained foreign policy outlook, skeptical of overseas military engagement. Now, as vice president, he is tied to policies that emphasize confronting Iran’s regional aggression, including support for US actions aimed at degrading Tehran’s nuclear and ballistic missile capabilities and support for terrorist groups.
Carlson, by contrast, has intensified his criticism of such efforts, reflecting an isolationist strand of “America First” thinking that questions US involvement abroad. His rhetoric has raised alarm bells among many Republicans, including pro-Israel advocates, who argue that reducing pressure on Iran risks emboldening a regime that routinely chants “death to America, death to Israel” and has been, according to the US intelligence community, the world’s foremost state sponsor of terrorism for several years.
Carlson has gone further, however, to increase his criticisms of Israel in the two-and-a-half years following Hamas’s Oct. 7, 2023, massacre across southern Israel. He has alarmed and mystified establishment conservatives by condemning Israel’s military operations in Gaza, accusing the Jewish state of committing “genocide,” and seemingly defending Hamas and Qatar, the terrorist group’s long-time backer. The podcaster has even suggested that Israel oppresses and murders Christians, despite the fact that they enjoy full equal rights and high levels of education in the Jewish state. At the same time, he has noticeably not criticized many Islamic countries for persecuting Christians, failing to acknowledge the oppression of Christians throughout much of Africa and the Middle East.
During the Times interview, Carlson chided US Secretary of State Marco Rubio, accusing the official of engaging in “nonstop treachery” against the vice president in service of advancing his own goals.
“There are people in the White House who want to hurt JD Vance and have wanted that since the very first day. They were bitter. They wanted Marco Rubio to be the choice as vice president,” Carlson said.
Republican leaders including Rubio have pushed back forcefully on the view that the US should take an isolationist approach to foreign policy, maintaining that a strong US posture is indispensable.
Against the backdrop of a shifting ideological landscape within the Republican Party, the Carlson-Vance relationship is becoming a defining lens on the party’s internal debate. Carlson’s personal backing offers Vance credibility with a key segment of the Republican base, but their policy divergence, particularly on Israel, places Vance at the center of a contentious debate regarding the GOP’s future posture toward the closest US ally in the Middle East.
Vance has refused to outright condemn Carlson and, on several occasions, has dismissed concerns about rising antisemitism on the political right, where many young voters have increasingly embraced unfounded conspiracy theories regarding the Jewish state.
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Boulder hostage-march firebombing suspect to plead guilty to state charges
(JTA) — The man charged with firebombing a Boulder, Colorado, march for Israeli hostages in 2025 will plead guilty to killing one person and attempting to kill others in the incident, according to documents filed in the case over the weekend.
Mohamed Sabry Soliman, who was arrested at the scene of the June 1, 2025, attack, is asking for his ex-wife and children to be able to remain in the United States as a condition of his guilty plea, according to the documents.
His ex-wife and five children, like him all Egyptian nationals who came to the United States in 2022 via Kuwait, were arrested by immigration authorities shortly after the attack. They were detained until Thursday, when they were released from a detention center in Texas, then briefly detained again on Saturday in Boulder and, their attorneys say, put onto a plane bound for Egypt before being freed once again. His ex-wife, whom he divorced in April, has not been charged with a crime and said she did not know about Soliman’s planned attack.
Soliman is reportedly pleading guilty to all state charges but still faces federal charges in relation to the attack, which he allegedly said he staged to “wanted to kill all Zionist people and wished they were all dead,” according to an earlier court filing. He has previously pleaded not guilty to the federal charges, for which prosecutors could seek the death penalty.
Thirteen people were physically injured in the attack, which took place on a pedestrian mall in downtown Boulder where supporters of the Israelis then held hostage in Gaza marched weekly. One, 82-year-old Karen Diamond, died weeks later of her injuries.
The post Boulder hostage-march firebombing suspect to plead guilty to state charges appeared first on The Forward.