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A new film brings to life ‘the largest single work of art created by a Jew during the Holocaust’
(New York Jewish Week) — While hiding from the Nazis, the German Jewish artist Charlotte Salomon began a series of autobiographical paintings and texts with a painfully simple description of her aunt, and namesake’s, suicide: “Scene 1: 1913. One November day, a young girl named Charlotte Knarre leaves her parents’ home and jumps into the water.”
Intense and memorable, that image is the launching point for “Life? or Theatre?”, a series of hundreds of gouaches Salomon made between 1940 and 1942. Best described as an “autobiographical play,” it features personal stories illustrated with vibrant paintings and cues for music. Salomon, in her 20s when she made the body of work, called it a “singspiel,” a play with music.
And now, a new film directed by French sisters Delphine and Muriel Coulin, delivers a cinematic representation of her best-known work. “Charlotte Salomon: Life and the Maiden” will make its world premiere at Lincoln Center on Weds., January 18 as a centerpiece of the New York Jewish Film Festival.
The film lies somewhere between cinema and art installation: Aside from a brief opening and conclusion, Salomon’s expressive paintings take up most of the screen time. Sound design brings the paintings to life, as does the music Salomon indicated in her original script, along with text read by the actress Vicky Krieps (“Phantom Thread,” “Corsage”), who plays protagonist Charlotte.
“We didn’t want to make a pure documentary of her,” co-director Delphine Coulin told the New York Jewish Week. “What had never been done was to make a true film with the painting, the music and the text, and to imagine what Charlotte was visualizing when she was painting… Because the neighbors said they could hear her singing while she was painting.”
French sisters Muriel Coulin, left, and Delphine Coulin are co-directors of “Charlotte Salomon: Life and the Maiden.” (Richard Schroeder)
These days, Salomon — who died at Auschwitz at age 26 in 1943 — is something of a cult favorite among art lovers and Jewish historians. In a 2017 New Yorker article, writer Toni Bentley notes that “Life? or Theatre?” is “the largest single work of art created by a Jew during the Holocaust.” She is also sometimes compared to Anne Frank. Critics have noted this comparison does neither artist justice, distinguishing between the youthful directness of Frank’s writing as an adolescent in hiding with the more mature, sophisticated representations made by Salomon as a young artist.
Born in Berlin in 1917, Salomon grew up in a cultured German Jewish family. Her mother died when she was 8. She studied at the German capital’s prestigious Academy of Arts until the Nazis’ rise to power made it impossible for her to continue. In 1938, her father spent a brief period in an internment camp — after his release, he sent his daughter to stay with her grandparents in the south of France, where he hoped she’d be safe.
After Salomon’s arrival at Villefranche-sur-Mer in 1939, her grandmother attempted suicide and eventually died. Only then did Salomon learn that her mother had died by suicide as well, and that the women in her family had a history of depression (though it isn’t covered in the film, there is some evidence that her grandfather may have been abusive).
In “Life? or Theatre?” Salomon writes: “My life began when my grandmother ended hers, when I learned that my mother too had ended her life, and that deep down I felt the same predisposition to despair and death. I thought to myself: either I kill myself too, or I create something really crazy and extraordinary.”
For the next two years, Salomon did just that, creating some 1,300 paintings about her life in exile. She accompanied these paintings with text and musical cues that included Bach, Schubert, Mahler and the German anthem “Deutschlandlied,” creating an entire multimedia body of work.
As the Nazi grip tightened in France, Salomon, realizing the danger she faced, brought a box containing all her paintings to a friend, the town’s doctor. The film recounts what she tells him: “Take care of it. This is my whole life.” Just weeks later, Salomon, five months pregnant, was sent to Auschwitz, where she died on Oct. 10, 1943.
While Salomon’s work includes depictions of Nazis, antisemitism and persecution, the majority of “Life? or Theater?” — and therefore the film — is dedicated to the explosive inner life and autobiography of its creator. She explores suicide, Freudian lust, psychological distress, music, philosophy and her own artistic impulses.
Yet “Life? or Theatre?” is unmistakably a product of its time, and as such the film includes historical images of Hitler’s rise. Though the French filmmakers don’t identify as Jewish themselves, Delphine said that she and her sister have some Jewish family, and she noted the film’s content is more relevant than ever. “Antisemitism never did end, but now in France and in Europe, it is stronger and stronger than ever, since 1945,” she said. “We really see it and we talk to it nearly each day. We can’t ignore it.”
“With all these strange times we’re living in, Charlotte gives you strength, because she really crossed the times with a strong belief in art and love,” she added.
The film ends with astonishing footage from the early 1960s of Salomon’s father and stepmother, who survived hiding in the Netherlands, looking through their daughter’s paintings as they are interviewed about her. “I was surprised when I discovered her work,” says her father Albert Salomon. He had known nothing of his late daughter’s project until the couple visited Villefranche-sur-Mer after the war, hoping to find some traces of Charlotte’s life.
“The work is very, very vivid — very expressive of life in all its aspects,” said Delphine of Salomon’s art — and the Coulin sisters, in turn, were inspired to bring the work to a broader audience. In 2019, Muriel directed her first theater piece, “Charlotte,” a rendition of Salomon’s work for the stage that played in Paris at the Théâtre du Rond Point. When the COVID-19 pandemic shut down the production, the Coulins transposed their medium to film.
Delphine added that they were also drawn to what she called the “poignant story” of Salomon’s brief life, now immortalized by her singular creative impulse in the face of adversity.
“In difficult times — and her times were probably the most difficult times ever — she really believed in art,” she said. “How art makes you survive. How it can give you a piece of eternity. We wouldn’t speak about her this way if she had not been able to make this wonderful work.”
“Charlotte Salomon: Life and the Maiden” will screen on Weds., January 18 at 12:00 p.m. and 6:00 p.m. at the Walter Reade Theater at 165 West 65th St. For additional information on the New York Jewish Film Festival, which runs through Monday, January 23, click here.
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For the Sake of the US-Crafted Ceasefire in Gaza, Israel Should Fortify the Yellow Line Immediately
A Red Cross vehicle, escorted by a van driven by a Hamas terrorist, moves in an area within the so-called “yellow line” to which Israeli troops withdrew under the ceasefire, as Hamas says it continues to search for the bodies of deceased hostages seized during the Oct. 7, 2023, attack on Israel, in Gaza City, Nov. 12, 2025. Photo: REUTERS/Dawoud Abu Alk
The Gaza ceasefire buckled last weekend. A Palestinian terrorist crossed the “Yellow Line” — which demarcates Israeli-held Gaza from territory held by Hamas — and fired at Israel Defense Forces (IDF) troops from a humanitarian access road.
Israel eliminated five senior Hamas figures in response, and the strikes were fully backed by the United States. The violence highlighted a key vulnerability for Israel: its exposed positions along Gaza’s Yellow Line.
To minimize the violence — and the chance of the ceasefire blowing up at the hands of Hamas terrorists — Israel needs to provide its soldiers with protection in the form of a strong barrier along that line.
The line was designed to serve as a temporary withdrawal point for the IDF, while Hamas released all remaining living and deceased hostages, according to President Donald Trump’s 20-point peace plan. The terrorist group still holds the remains of one hostage, weeks after the 72-hour deadline set in the ceasefire terms.
On November 22, Qatar urged the “full Israeli withdrawal from Gaza” — but Israel is not required to do so until Hamas has taken further steps toward peace, including disarming. An International Stabilization Force (ISF) is also supposed to be ready to take Israel’s place in Gaza, operating under a temporary Board of Peace, which would govern the Strip.
Instead, Hamas rejected the UN-endorsed plan.
In a statement on November 17, the terrorist group claimed that “assigning the international force with tasks and roles inside the Gaza Strip … strips it of its neutrality, and turns it into a party to the conflict in favor of [Israel].”
Hamas has also made it clear that the group likely will not agree to full disarmament, as stipulated by the Trump administration’s plan.
Instances of Palestinian terrorists firing across the Yellow Line at IDF troops have become a near-daily occurrence since the ceasefire’s inception on October 10. Palestinians have violated Phase One of the truce at least 32 times, according to IDF data, with a majority of those violations occurring when militants cross into Israeli-controlled areas east of the Yellow Line.
Despite some concerns about the potential for a permanent IDF presence in Gaza, Israeli Prime Minister Benjamin Netanyahu has said that Israel wants to “pass [Gaza] to a civilian governance that is not Hamas,” and doesn’t seek to “keep” Gaza long term.
For now, the situation leaves the IDF encamped in elevated positions along the Yellow Line. The border between those positions and the hornet’s nest of Hamas’ remaining forces in Gaza is marked with yellow cement blocks, while the IDF sits several hundred yards back from the line in positions dotted with large sand berms, supported by tanks and some electrical and water infrastructure. This is not like the high-tech border “Iron Wall” that separated Israel and Gaza before the October 7, 2023, attacks. Of course, even that was easily breached. But without something similar, the region is just one successful Hamas assault away from a return to war.
For the sake of the ceasefire, especially since Hamas continues to violate its terms, Israel should strengthen the Yellow Line: not to establish a permanent presence, but to provide cover for its troops in the near term, the ISF’s troops in the medium-to-long term, and to avoid the ceasefire’s collapse.
Israel’s reinforced border with Lebanon could serve as an example. The IDF could easily install concrete barriers along the Israeli side of the Yellow Line to reduce terrorist infiltration, while establishing checkpoints to lower troop exposure and allow Gazan residents to return to rebuilt homes in the future, in line with the Trump administration’s reconstruction plan for the areas of the enclave not under Hamas control.
The border could also isolate Hamas, piling diplomatic pressure on the terror group from mediators like Qatar, Egypt, and Turkey, to comply with the ceasefire to get Israel out of Gaza as soon as possible, per Doha’s demands. The border would protect troops from other nations involved in a future ISF, should it materialize. These nations have made it clear that they don’t want to volunteer soldiers to fight in armed engagements with Palestinians, and a fortified border may provide the necessary solution.
Aaron Goren is a research analyst and editor at the Foundation for Defense of Democracies (FDD).
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Hostage’s remains returned to Israel, as Trump says Gaza ceasefire’s next phase is ‘going to happen pretty soon’
(JTA) — Israel has identified the remains handed over Wednesday by Hamas as belonging to Sudthisak Rinthalak, a Thai agricultural worker murdered on Oct. 7, 2023.
Rinthalak had been working in Israel for years, sending money home to his family in Thailand, but had only been at Kibbutz Beeri for a few months on Oct. 7, when it became one of the hardest-hit communities during the Hamas massacre, with about 100 residents killed.
The release means there is just one Israeli hostage remaining in Gaza of the roughly 250 taken on Oct. 7: Ran Gvili, a police officer killed while defending Kibbutz Alumim.
Gvili’s family and the Hostages and Missing Families Forum has announced that the mass Saturday night demonstrations on behalf of the hostages, which began soon after Oct. 7, would shift to smaller gatherings on Friday afternoons.
The changes come as pressure mounts for Israel and Hamas to move into the second phase of the ceasefire plan that U.S. President Donald Trump brokered in October. Under the terms of the ceasefire, all living and dead hostages would be released before a second phase focused on Gaza’s postwar governance would be negotiated.
Trump insisted on Wednesday that the next phase was imminent, even as skirmishes continue in Gaza. Israel recently killed two children who crossed the “yellow line” separating Israel- and Hamas-controlled portions of the enclave, while gunmen emerging from the network of tunnels built by Hamas attacked and severely wounded Israeli soldiers in Rafah on Wednesday.
“Phase two is moving along. It’s going to happen pretty soon,” Trump told reporters on Wednesday, even as he acknowledged that Israel’s bombing response to the attack on the soldiers represented “a problem.”
Still, he said, “We have peace in the Middle East. People don’t realize it.”
Both Israel and Hamas would lose authority in Gaza during the next phase of Trump’s plan, which would establish a “Board of Peace” helmed by Trump to make decisions about Gaza’s future. It is expected that the Palestinian Authority will play a role in the board, which Israeli officials have said they oppose, and Hamas will face renewed pressure to disarm, which it does not want to do.
In a sign of how contentious each development is likely to be, Israel announced on Wednesday that it would reopen the Rafah crossing with Egypt — but only to Gazans leaving the enclave. Egypt, meanwhile, said it would not open the crossing on its side unless Israel accepts Gazans who seek to return.
The post Hostage’s remains returned to Israel, as Trump says Gaza ceasefire’s next phase is ‘going to happen pretty soon’ appeared first on The Forward.
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NYC synagogue protest leads to a new bill, and a rally by Jewish groups outside Park East shul
(JTA) — A demonstration outside Park East Synagogue two weeks ago, during which protesters shouted chants like “Death to the IDF” and “Globalize the Intifada,” has spurred major Jewish groups and lawmakers into action.
A coalition of Jewish groups are organizing a solidarity gathering on Manhattan’s Upper East Side Thursday night, outside the same synagogue where pro-Palestinian groups protested an event promoting immigration to Israel — a scene that NYPD commissioner Jessica Tisch later referred to as “turmoil.”
The rally “will bring our community together in that same sacred space to celebrate and defend our community’s values and support Israel’s right to exist as a Jewish homeland,” according to a press release from UJA-Federation of New York.
UJA is partnering on the rally with Park East Synagogue itself, as well as the Jewish Community Relations Council, the New York Board of Rabbis, and local branches of the Anti-Defamation League and the American Jewish Committee.
They’ve also listed dozens of Jewish organizations, schools and congregations as partners. Schools and synagogues around the city were sharing information with families about how to commute to the rally.
The gathering will feature live performances, community leaders and elected officials, according to UJA’s release, though it did not specify who would be present.
The rally is set to take place on the heels of newly introduced legislation, brought forward on Wednesday by a pair of Jewish lawmakers — Assembly member Micah Lasher and State Sen. Sam Sutton — that proposes banning protests within 25 feet of houses of worship.
“New York must always be a place where people can both exercise free speech and express their religious identity without fear or intimidation, and that balance broke down outside Park East Synagogue,” said Micah Lasher, who is running for Congress in New York’s 12th district, which includes Park East.
The bill was co-sponsored by fellow Jewish lawmakers Nily Rozic, a Democratic Assembly member, and Sen. Liz Krueger, who endorsed mayor-elect Zohran Mamdani in the general election.
Many Jewish groups were disappointed with the initial response to the incident by Mamdani’s spokesperson, who said that while Mamdani would “discourage the language used” at the protest, “these sacred spaces should not be used to promote activities in violation of international law.” The second clause was a reference to complaints that the synagogue event’s organizers facilitate immigration to the West Bank, which most countries consider illegally occupied by Israel under international law.
Critics said Mamdani’s statement drew an unfair comparison between menacing protesters and a synagogue exercising its commitment to Jewish communities in what the ADL referred to as their “ancestral homeland,” and that the protest made no distinction between immigration to Israel and the West Bank.
Rabbi Marc Schneier, who has been a harsh critic of Mamdani and is the son of Park East’s senior rabbi, said on WABC that he’s had multiple phone calls with the mayor-elect about legislation like the bill proposed by Lasher and Sutton.
Schneier said Mamdani was receptive to the idea during their discussions, and a Mamdani spokesperson told The New York Times that the mayor-elect “expressed his interest in hearing more details about the Schneier pitch.”
Jewish leaders say they are looking to Thursday as an opportunity to counter the rhetoric used outside Park East.
Chaim Steinmetz, a critic of Mamdani and the senior rabbi of a different Orthodox synagogue on the Upper East Side, shared a post about Thursday’s rally, calling it an opportunity to “stand up as proud Jews.”
“And now, with a new city administration about to take office, it is more important than ever that we bring our pride into the streets,” he wrote.
The post NYC synagogue protest leads to a new bill, and a rally by Jewish groups outside Park East shul appeared first on The Forward.