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A new film brings to life ‘the largest single work of art created by a Jew during the Holocaust’
(New York Jewish Week) — While hiding from the Nazis, the German Jewish artist Charlotte Salomon began a series of autobiographical paintings and texts with a painfully simple description of her aunt, and namesake’s, suicide: “Scene 1: 1913. One November day, a young girl named Charlotte Knarre leaves her parents’ home and jumps into the water.”
Intense and memorable, that image is the launching point for “Life? or Theatre?”, a series of hundreds of gouaches Salomon made between 1940 and 1942. Best described as an “autobiographical play,” it features personal stories illustrated with vibrant paintings and cues for music. Salomon, in her 20s when she made the body of work, called it a “singspiel,” a play with music.
And now, a new film directed by French sisters Delphine and Muriel Coulin, delivers a cinematic representation of her best-known work. “Charlotte Salomon: Life and the Maiden” will make its world premiere at Lincoln Center on Weds., January 18 as a centerpiece of the New York Jewish Film Festival.
The film lies somewhere between cinema and art installation: Aside from a brief opening and conclusion, Salomon’s expressive paintings take up most of the screen time. Sound design brings the paintings to life, as does the music Salomon indicated in her original script, along with text read by the actress Vicky Krieps (“Phantom Thread,” “Corsage”), who plays protagonist Charlotte.
“We didn’t want to make a pure documentary of her,” co-director Delphine Coulin told the New York Jewish Week. “What had never been done was to make a true film with the painting, the music and the text, and to imagine what Charlotte was visualizing when she was painting… Because the neighbors said they could hear her singing while she was painting.”
French sisters Muriel Coulin, left, and Delphine Coulin are co-directors of “Charlotte Salomon: Life and the Maiden.” (Richard Schroeder)
These days, Salomon — who died at Auschwitz at age 26 in 1943 — is something of a cult favorite among art lovers and Jewish historians. In a 2017 New Yorker article, writer Toni Bentley notes that “Life? or Theatre?” is “the largest single work of art created by a Jew during the Holocaust.” She is also sometimes compared to Anne Frank. Critics have noted this comparison does neither artist justice, distinguishing between the youthful directness of Frank’s writing as an adolescent in hiding with the more mature, sophisticated representations made by Salomon as a young artist.
Born in Berlin in 1917, Salomon grew up in a cultured German Jewish family. Her mother died when she was 8. She studied at the German capital’s prestigious Academy of Arts until the Nazis’ rise to power made it impossible for her to continue. In 1938, her father spent a brief period in an internment camp — after his release, he sent his daughter to stay with her grandparents in the south of France, where he hoped she’d be safe.
After Salomon’s arrival at Villefranche-sur-Mer in 1939, her grandmother attempted suicide and eventually died. Only then did Salomon learn that her mother had died by suicide as well, and that the women in her family had a history of depression (though it isn’t covered in the film, there is some evidence that her grandfather may have been abusive).
In “Life? or Theatre?” Salomon writes: “My life began when my grandmother ended hers, when I learned that my mother too had ended her life, and that deep down I felt the same predisposition to despair and death. I thought to myself: either I kill myself too, or I create something really crazy and extraordinary.”
For the next two years, Salomon did just that, creating some 1,300 paintings about her life in exile. She accompanied these paintings with text and musical cues that included Bach, Schubert, Mahler and the German anthem “Deutschlandlied,” creating an entire multimedia body of work.
As the Nazi grip tightened in France, Salomon, realizing the danger she faced, brought a box containing all her paintings to a friend, the town’s doctor. The film recounts what she tells him: “Take care of it. This is my whole life.” Just weeks later, Salomon, five months pregnant, was sent to Auschwitz, where she died on Oct. 10, 1943.
While Salomon’s work includes depictions of Nazis, antisemitism and persecution, the majority of “Life? or Theater?” — and therefore the film — is dedicated to the explosive inner life and autobiography of its creator. She explores suicide, Freudian lust, psychological distress, music, philosophy and her own artistic impulses.
Yet “Life? or Theatre?” is unmistakably a product of its time, and as such the film includes historical images of Hitler’s rise. Though the French filmmakers don’t identify as Jewish themselves, Delphine said that she and her sister have some Jewish family, and she noted the film’s content is more relevant than ever. “Antisemitism never did end, but now in France and in Europe, it is stronger and stronger than ever, since 1945,” she said. “We really see it and we talk to it nearly each day. We can’t ignore it.”
“With all these strange times we’re living in, Charlotte gives you strength, because she really crossed the times with a strong belief in art and love,” she added.
The film ends with astonishing footage from the early 1960s of Salomon’s father and stepmother, who survived hiding in the Netherlands, looking through their daughter’s paintings as they are interviewed about her. “I was surprised when I discovered her work,” says her father Albert Salomon. He had known nothing of his late daughter’s project until the couple visited Villefranche-sur-Mer after the war, hoping to find some traces of Charlotte’s life.
“The work is very, very vivid — very expressive of life in all its aspects,” said Delphine of Salomon’s art — and the Coulin sisters, in turn, were inspired to bring the work to a broader audience. In 2019, Muriel directed her first theater piece, “Charlotte,” a rendition of Salomon’s work for the stage that played in Paris at the Théâtre du Rond Point. When the COVID-19 pandemic shut down the production, the Coulins transposed their medium to film.
Delphine added that they were also drawn to what she called the “poignant story” of Salomon’s brief life, now immortalized by her singular creative impulse in the face of adversity.
“In difficult times — and her times were probably the most difficult times ever — she really believed in art,” she said. “How art makes you survive. How it can give you a piece of eternity. We wouldn’t speak about her this way if she had not been able to make this wonderful work.”
“Charlotte Salomon: Life and the Maiden” will screen on Weds., January 18 at 12:00 p.m. and 6:00 p.m. at the Walter Reade Theater at 165 West 65th St. For additional information on the New York Jewish Film Festival, which runs through Monday, January 23, click here.
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An op-ed compared an NBA team to Israel as underdog success stories. Then the threats poured in.
With the reigning champion Oklahoma City Thunder fighting to return to the NBA Finals, one bold writer dug deep for an analogy: The Thunder, he wrote, is like the state of Israel — a former underdog now despised for its success.
The Oklahoman, a daily newspaper, published the opinion column on its website Monday morning, hours before the Thunder began their semifinal series against the San Antonio Spurs. The story was accompanied by an image of a basketball with the Israeli flag painted on it.
It did not survive to the game’s opening tip; by then, The Oklahoman had taken the article down without comment, amid waves of online ridicule that came from well beyond Oklahoma, from readers who saw Israel as unworthy of the comparison.
Amid the uproar, The Oklahoman distanced itself from the piece. Its executive editor, Ray Rivera, said in a statement sent to the Forward that the column had been “mistakenly published because our approval policies were not followed.”
“After further review, our team determined the content did not align with our opinion standards,” the statement continued. “We’re strengthening our review process to prevent future errors and deeply regret any distress this may have caused.”
The writer, a freelance contributor named Eitan Reshef, had intended to flatter. Reshef wrote that he was both Jewish and Oklahoman, and couldn’t shake the similarities in his rooting interests.
When Israel was attacked on Oct. 7, 2023, the Thunder were coming off of a season in which the team had finished with a losing record. But they have grown into one of the league’s titans since then — during which time Israel has been at war virtually without pause.
Some fans have criticized Thunder players for their penchant for earning free throws, regarding the tactic as unsportsmanlike.
Reshef wrote that he was proud of both Israel and his favorite team for persisting over the din of their critics.
“The Thunder are not hated because they somehow gamed the system,” Reshef wrote. “They are hated because they mastered it. Israel is not obsessively scrutinized because it failed, but due to its success despite deeply-rooted envy and darker historical motives.”
Many were quick to point out other reasons Israel is hated, but they weren’t the ones Reshef had in mind. “My tally has Chet Holmgren guilty of zero baby murders,” wrote one critic on Bluesky. Jeopardy! host Ken Jennings piled on, joking on the same social media platform that Reshef had suggested that “it’s antisemitic to not root for the OKC Thunder.”
Reshef told the Forward he had expected to get some blowback for the piece. But he was not prepared for the deluge of personal attacks he received.
Reshef shared screenshots of messages he received on social media and via email, calling him various profanities. “I hope you feel shame,” one wrote in a direct message, adding that he should be institutionalized. An X user, tagging Reshef in a public post, wrote, “Don’t let me find you.” The same user previously posted that “now we know why Hitler killed Jews.”
And in the comments of the Oklahoman’s Facebook post, Reshef saw one person he knew from his childhood. “‘I grew up with the guy who wrote it. He’s a moron,’” Reshef said the comment read. “This is someone I haven’t spoken to in 25 years, and actually, I would have thought he was my friend. But I guess he’s not.”
Reshef, who works in marketing, had never written an article for publication before. But after coming up with the idea, he wrote the column and submitted it to the Oklahoman via email. He received a reply from an editor he declined to name, which said that the newspaper planned to run it online Monday and in print next week. Reshef was not paid for the piece.
The Oklahoman did not consult or inform him about taking down the piece, he said, and had not replied to his email seeking explanation. And he was not sure whether he was disappointed that the newspaper had removed it, considering that perhaps its editors had been looking out for his safety.
This isn’t the first time anti-Israel sentiment has resounded among basketball fans.
The league’s most prominent Israeli player, Deni Avdija, was frequently the target of anti-Israel and even antisemitic hate from basketball fans online amid his own recent playoff success. And the Thunder itself is known as an Israel-friendly team: star Chet Holmgren was once mockingly nicknamed “Chetanyahu” for practicing in a gym where an Israeli flag hung.
The Thunder are once again the underdog, having lost Monday’s game in double-overtime.
Whether on the team’s record or on Israel’s, Reshef he had no regrets about what he had written.
“We can disagree with each other — we should disagree with each other,” he said. “I treasure that value. I’m willing to step up to the plate, talk to anybody, just talk to me. But to make personal attacks on me, as if you know me, or make threats. It’s frightening that that’s the world that we live in right now.”
The post An op-ed compared an NBA team to Israel as underdog success stories. Then the threats poured in. appeared first on The Forward.
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Trump national Shabbat divides America’s Jews ahead of National Mall prayer rally
(JTA) — As part of a 250th anniversary celebration of the United States, President Donald Trump is calling on Americans to pray together in a nine-hour marathon on the National Mall Sunday featuring a host of Christian speakers — and one rabbi.
But first, Trump is calling on Jews to mark Shabbat, the Jewish day of rest from sundown Friday to nightfall Saturday, and encouraging other Americans to consider embracing the ritual as well.
“In special honor of 250 glorious years of American independence and on the weekend of Rededicate 250 — a national jubilee of prayer, praise, and thanksgiving — Jewish Americans are encouraged to observe a national Sabbath,” Trump said in his Jewish American Heritage Month proclamation on May 4.
“From sundown on May 15 to nightfall on May 16, friends, families, and communities of all backgrounds may come together in gratitude for our great Nation,” he continued. “This day will recognize the sacred Jewish tradition of setting aside time for rest, reflection, and gratitude to the Almighty.”
The call marked the first time that an American president has formally urged the celebration of Shabbat. Trump’s daughter Ivanka, who converted to Judaism before marrying Jared Kushner, now a prominent Trump advisor, reportedly observes Shabbat according to traditional interpretations of Jewish law.
Trump’s call echoes the legacy of conservative Christian activist Charlie Kirk, who was fatally shot in September. Kirk’s book detailing his own observance of a “Jewish Sabbath” every week was published posthumously.
The exhortation has received mixed reviews from the American Jewish community. Some Jews have said they appreciate the gesture and recognition of a central tradition to Judaism, and even are promoting their own Shabbat services as part of “Shabbat 250.”
Others say Trump is appropriating Judaism to promote conservative political goals and Christian nationalism, a movement backed by a portion of Trump’s base that scholars say could push the country in a direction that is less hospitable to Jews.
Support for the initiative has been strongest among Orthodox Jews, who tend to be more politically conservative. Rabbi Josh Joseph, executive vice president of the Orthodox Union, endorsed Trump’s call soon after it was made.
“This weekend, following President Trump’s encouragement, we will mark Shabbat 250,” he said in a statement earlier this week. “We will pause to acknowledge all the blessings that the Almighty has provided American Jews through the unique devotion to liberty embedded in this nation.”
Some Orthodox synagogues, including many affiliated with the Chabad Hasidic movement, have announced “Shabbat 250” programming, such as dinners and special speakers. The group Young Jewish Conservatives, meanwhile, doled out $180 grants to conservative Jews under 35 who committed to hosting at least five people for a Shabbat dinner in their homes.
More than 7,500 people have declared on a new website, Shabbat250.org, their intention to observe Shabbat. Some Orthodox commentators tied Trump’s proclamation to the week’s Torah portion, which describes how the Israelites, having been freed from Egypt, took a census of themselves in the desert as their new nation came into focus.
“Today we celebrate the numbers, the 250th anniversary, but like a census, this milestone must also be a springboard from which to consider where America is going,” wrote Jonathan Feldstein, president of the Genesis 123 Foundation, a nonprofit that aims to build ties between Jews and Christians, on his Substack.
On the other side, Rabbi Jonah Pesner of the Religious Action Center of Reform Judaism is among the faith leaders scheduled to participate in a virtual event Friday morning that organizers say will “explain why so many religious Americans of diverse faiths are alarmed and alienated by attempts to use America’s 250th birthday as an opportunity to frame the US as a ‘Christian nation’ and to misrepresent the approach to religious tolerance and freedom adopted by our founders and Constitution.”
The perspective is shared widely on the Jewish left, where many leaders say it is inappropriate and harmful for Trump to involve himself in Shabbat.
“When the state meddles in our sacred affairs, blurring the already fuzzy lines between church and state, it doesn’t elevate the Sabbath; it diminishes the democracy that 250 years of history were supposed to protect,” Rabbi Amichai Lau-Lavie of the progressive Lab/Shul wrote in a blog post Wednesday. “I suggest we each adapt this ‘National Shabbat’ in our own unique way – not because a leader commanded it, but because our humanity demands it.”
The debate comes ahead of the prayer rally planned for the National Mall on Sunday. The event, called Rededicate 250, is organized by a nonprofit called Freedom 250, which is advertising an event lineup featuring Christian music as well as “Freedom Trucks” that provide educational material provided by the conservative advocacy group PragerU and the Christian classical school Hillsdale College.
Organizers are also promoting performances by U.S. military bands as well as participation from several Trump administration officials, including Secretary of State Marco Rubio and Defense Secretary Pete Hegseth. Trump himself is set to appear by video, and House Speaker Mike Johnson, a Republican from Louisiana, will also take the stage.
Of the 33 prayer leaders set to appear, about half are of evangelical or non-denominational evangelical Christian practice. Baptist, Catholic and Seventh Day Adventist speakers will also speak.
The only non-Christian speaker on the lineup is Rabbi Meir Soloveichik, an Orthodox rabbi and senior scholar at the Tikvah Fund, a politically conservative Jewish think tank, who also sits on the Religious Liberty Commission that Trump created last year.
Rachel Laser, the Jewish CEO of Americans United for the Separation of Church and State, denounced the rally as part of a rising tide of Christian nationalism.
“If President Trump and his allies truly cared about America’s legacy of religious freedom, they would be celebrating church-state separation as the unique American invention that has allowed religious diversity to flourish in our country,” she said in a statement. “Instead, they continue to threaten this foundational principle by advancing a Christian Nationalist crusade to impose one narrow version of Christianity on all Americans.”
The rally comes as Americans are growing more appreciative of religion, even if they do not necessarily practice any themselves. A new Pew Research Center report out this week shows that an increasing minority of American adults say religion is “gaining influence in American life” and more than half of Americans say religion plays a positive role in society.
The proportion of Americans who believe Christianity should be declared the official religion of the United States has grown slightly in recent years and now stands at 17%, according to the survey. A much larger proportion of Americans, 43%, said they believe Christianity should not be an official religion but that the government should promote Christian moral values.
The White House will host a reception to mark the start of Shabbat 250 late Friday afternoon.
The attention to Shabbat jolted by Trump’s proclamation has spurred a wave of non-political attention to Shabbat, too. The writer Daniella Greenbaum Davis, for example, explained rabbinic teachings in a column in the Washington Post urging non-Jews to consider adopting Shabbat as a mindfulness practice.
“Shabbat is a Jewish tradition,” Davis wrote. “But the case for a weekly day of rest, taking a formal break from worldly concerns, is universal.”
This article originally appeared on JTA.org.
The post Trump national Shabbat divides America’s Jews ahead of National Mall prayer rally appeared first on The Forward.
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At California Universities, Students Rally to Support Terrorists and Criticize Victims
University of California, Berkeley students on March 11, 2025. Photo: Reuters via Reuters Connect
Universities are supposed to expose students to difficult perspectives, not shield them from uncomfortable ones. But on many campuses, Jewish and Israeli voices are increasingly treated not as viewpoints to engage with, but as problems to manage or condemn.
Few recent incidents captured that shift more clearly than the reaction to a former Israeli hostage speaking at the University of California, Los Angeles (UCLA).
On April 14, UCLA Hillel hosted former Israeli hostage Omer Shem Tov to speak about his experience being held captive in Gaza following the October 7 attacks.
For most universities, hosting a survivor of mass kidnapping and terrorist violence would not seem particularly controversial. At UCLA, however, the event triggered a formal condemnation from the student government that quickly made national headlines.
Rather than merely protesting the event or disagreeing with its message, UCLA’s Undergraduate Students Association Council accused the visit of promoting “one-sided narratives that erase systems of oppression and occupation.” Student leaders further expressed “concern” that having Omer on campus would somehow “marginalize” and “silence” Palestinian and Arab students.
Furthermore, the letter, which reportedly passed with unanimous consent, was drafted on Yom HaShoah, the day set apart to mourn the Jewish victims of the Holocaust. More disturbingly, the student government intentionally excluded USAC General Representative Talia Davood from discussions surrounding the letter, despite her direct involvement in organizing the event with Hillel.
This reveals that the people condemning the event had little interest in actually hearing from anyone who disagreed with them — and proves they clearly did not act in good faith.
Davood was later questioned regarding the funding for the event, even though it did not come from the student government’s budget. So what exactly was the concern supposed to be, other than hostility toward the community that she, Hillel, and Omer represent?
The students’ reaction to Omer’s appearance exposed that rather than engage with voices they disagree with, these liberal students are trying to silence any voices or viewpoints they oppose.
When UCLA organizations such as Students for Justice in Palestine are freely permitted to organize activism on campus while Jewish cultural events are scrutinized and condemned, it reveals a deeply ideological and hostile climate at UCLA.
When pro-Palestinian activists on campus engage in violence, prevent Jewish students from attending class, and destroy university property, the administration drags its feet. But when Jewish students try to invite a speaker to campus, the administration refuses to support them.
For UCLA student Amit Cohen, the message communicated something much larger than disagreement over Middle East politics. “What I took from the letter is that Jewish students don’t belong on campus,” he said. “They condemned our story. They didn’t want to listen to it. It’s the most hypocritical thing I’ve ever read.”
But this hypocritical hostility extends beyond UCLA.
In the same month, UC Berkeley students hosted a convicted failed suicide bomber and justified the event using the same language about standing in solidarity with Palestinians. Of course, the event did not receive condemnation from Berkeley’s student government either.
The contrast would be laughable if it were not so revealing.
A moral inversion of reality is beginning to dominate parts of university culture. Certain forms of violence are granted moral context and institutional patience, while Israeli and Jewish suffering increasingly appears politically inconvenient to acknowledge too sympathetically.
When platforming a literal terrorist is framed as giving voice to the marginalized while a former hostage speaking about his captivity is considered beyond the pale, something is deeply wrong with the culture of those academic communities.
Students at UCLA have the power to influence the culture of their campus. They should not only speak out against this letter, but actively refuse to participate in the atmosphere that these disappointing student leaders are helping to cultivate.
The good news is that Jewish students at UCLA remain undeterred. As Amit Cohen affirmed, “We’ve been keeping our heads up. The UCLA Jewish community is going to stay strong.”
Destiny Lugo is a third year International Relations and Journalism student at Oral Roberts University in Tulsa, Oklahoma. She is a fellow for the Committee for Accuracy in Middle East Reporting and Analysis (CAMERA). The views expressed are the opinion of the author, and don’t reflect those of CAMERA.