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A new musical spotlights the Nazi persecution of LGBTQ+ people
(New York Jewish Week) — Some 50,000 gay men and women were imprisoned by Nazis during the Holocaust. Of them, approximately 10,000 to 15,000 were held in concentration camps, and nearly all of those who were sent to the camps died there.
And yet, many stories of LGBTQ+ people who died in Nazi prisons are left untold. The numbers, while huge, shrink in comparison to the millions of Jewish people who died and were tortured at the hands of the Nazis.
This dynamic is why writer, director and actor Alan Palmer first learned about Nazi persecution of homosexuals completely by chance. In August 2016, Palmer — who is best known for his off-Broadway show “Fabulous Divas of Broadway” and his role on the “Mighty Morphin Power Rangers” — was performing at Edinburgh Fringe Festival when he stumbled upon an article about the specific targeting of gay men and women under Hitler. He found himself falling into a world of ever-deepening research, consumed by the idea that there were so many lost stories of LGBTQ+ people who died in concentration camps.
Inspired, Palmer decided to travel to Germany. There, he visited some concentration camps and saw pictures of the gay men who were imprisoned there. “I found these beautiful photos of these people who were Jewish and trans” and gay], Palmer said. “Being a writer of musicals by trade, the pictures started me on a journey of writing this new piece.”
This “new piece” is Palmer’s one-man play, “Chanteuse: A Survival Musical,” which he’s currently performing at Here Arts Center (145 Sixth Ave.). The play relates the story of Werner, a gay man in 1930s Berlin who assumes the identity of his landlady, a German woman who had died unexpectedly, in order to avoid persecution and imprisonment. A performer by trade, Werner reinvents himself as a chanteuse and begins singing for his supper, and survival, in the clubs of Berlin. “It’s fictional, in a way, because there’s no [single] person who had this experience,” Palmer told the New York Jewish Week. “However, each one of the pieces [in the play] is true.”
The play explores the precarity of survival and how intersecting identities complicate ideas about oppression and freedom. “There are heart-wrenching stories of Jewish families whose relatives were killed during these times. And some of those people were gay — but you don’t hear about them much,” Palmer said. “The reason is families didn’t talk about it back then. If Uncle So-and-so was sent away [before the round-ups of Jews intensified], no one talked about why. So all of these records of people who existed are just gone.”
Palmer plays Werner, a gay man in 1930s Berlin who assumes the identity of his landlady to escape Nazi persecution. (Russ Rowland)
Despite being raised in a Mormon community in Salt Lake City, Palmer said he’s long felt a kinship with Jews. “As soon as I left [home] I began to make lifelong friendships with Jewish people, mostly because of theater. You can’t have theater without Jewish people or gay people!” he said. “When I see the rise of antisemitism today I just think: ‘For gosh sakes, how can people keep attacking this group of people?’”
As “Chanteuse” unfolds, Werner, like so many gay men during that time, isn’t able to escape the long arm of the Nazi regime for long. He is eventually outed and imprisoned in a concentration camp, where he both experiences and witnesses brutal violence and dehumanization. “Even though the Jewish people are in another camp on the other side of the wall, there are still a small number of gay Jews on this side. On Friday evenings, the gay Jewish men pray,” he relates, in a touching monologue toward the end of the scene.
“Chanteuse,” written and performed by Palmer and directed by Dorothy Danner, is about memorializing those whose stories were lost. Throughout the play, Werner relates stories of LGBTQ+ prisoners as well as Romani people, people with mental and physical disabilities, and, of course, Jewish people he meets throughout his calamitous journey. It is also, however, about creating connections to the rise in anti-LGBTQ+ legislation and antisemitism in the current age.
To that end, Palmer curated a mini pop-up museum, displayed in the atrium outside the theater, that presents information about what happened to members of the LGBTQ+ community in Europe during World War II. “I envisioned people engaging before the performance and having the information sink in during the play,” Palmer said. “But it’s interesting to see how many people walk past all of these panels, and after the show they went out to the museum and actually spent time reading and viewing the history.”
According to the United States Holocaust Memorial Museum, gay men were “often subjected to physical and sexual abuse by camp guards and fellow inmates,” and some were “beaten and publicly humiliated.” Some of these prisoners were also subject to inhumane medical experiments or forced castration, according to the USHMM. These “pink triangle prisoners,” named for the badge they were forced to wear in the camps, were arrested for breaking an existing German law that made same-sex relations illegal in the country.
The exhibit draws direct connections between the use of the legal system and false medical science by the Nazis and the current rise in vitriol directed towards the LGBTQ+ community in America and around the world. While our government isn’t conducting forced castrations of gay men and women like the Nazis did, given the veritable flood of anti-LGBTQ+ (and particularly anti-trans) laws being passed by state governments across the United States, Palmer believes we should be paying very close attention to these legislative moves before it’s too late.
“History cannot repeat itself,” Palmer said. “People are being silenced. They’re being forced to hide. I’ve never lived in a closet, I’ve always been myself. My truth was always out there. The idea that people like me are being told they can’t live their whole truth is frightening to me.”
But bringing historical documentation into the experience isn’t the only way in which “Chanteuse” is a multimedia project — it’s also musical, with a score written by award-winning composer and arranger David Legg. “The music serves almost as a spoonful of sugar: It helps the information go down easier,” Palmer said.
Stylistically, the score implements melodic and harmonic elements of both early-‘30s-era jazz and traditional European Jewish music. The instrumentation (piano, tenor saxophone, percussion and upright bass) was chosen by Legg in order to facilitate this evocative musical landscape. “We ended up putting an underscore through the entire piece,” Palmer said. “It created a continuity, so you never feel it’s disjointed — dialogue, song, dialogue, song — the audience is never shocked out of the world we’re creating.”
And yet, Palmer insists that his created world is very relevant to the one we’re living in today. While it may seem unimaginable for something as horrifying as the Holocaust to repeat itself, Palmer said he and his co-creators want to remind audiences of the current trends towards authoritarianism around the world as they watch Werner navigate the terror of being gay in 1930s Berlin.
“Around the United States, we’re seeing more and more bans of drag performance, of gay media,” Palmer said. “And I think drag, like any other art form, is a way of storytelling. It isn’t anything people should be afraid of.”
“This is a moment in which it’s important to say, ‘We all need to work together,’” he added. “You know, if every persecuted group stood strong together, we’d be surprised at how quickly things would turn around in a positive way.”
“Chanteuse” is being performed at Here Arts Center (145 Sixth Ave.) on Tuesdays through Saturdays through July 30. For tickets and additional info, click here. In order to allow broader access to the musical, 10 tickets priced at $10 are available for each performance on a first come, first served basis.
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The post A new musical spotlights the Nazi persecution of LGBTQ+ people appeared first on Jewish Telegraphic Agency.
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University of California Rejects Ethnic Studies Admissions Requirement in Faculty Assembly Vote
Demonstrators holding a “Stand Up for Internationals” rally on the campus of the University of California, Berkeley, in Berkeley, California, US, April 17, 2025. Photo: Carlos Barria via Reuters Connect.
The University of California (UC) Faculty Assembly has rejected a proposal to establish passing ethnic studies in high school as a requirement for admission to its 10 taxpayer-funded schools for undergraduates.
As previously reported by The Algemeiner, the campaign for the measure — defeated overwhelmingly 29-12 with 12 abstaining — was spearheaded by Christine Hong, chair of the Critical Race and Ethnic Studies department at UC Santa Cruz. Hong believes that Zionism is a “colonial racial project” and that Israel is a “settler colonial state.” Moreover, she holds that anti-Zionism is “part and parcel” of the ethnic studies discipline.
Ethnic studies activists like Hong throughout the University of California system coveted the admissions requirement because it would have facilitated their aligning ethnic studies curricula at the K-12 level with “liberated ethnic studies,” an extreme revolutionary project that was rejected by California Gov. Gavin Newsom in 2023. Had the proposal been successful, school officials of both public and private schools would have been forced to comply with their standard of what constitutes ethnic studies to qualify their students for admission to UC.
Being indoctrinated into anti-Zionism and “hating Jews” would essentially have become a prerequisite for becoming a UC student had the Faculty Assembly approved the measure, Tammi Rossman-Benjamin, executive director of antisemitism watchdog AMCHA Initiative, told The Algemeiner on Friday. AMCHA Initiative first raised the alarm about the proposal in 2023, calling it “a deeply frightening prospect.”
“Ethnic studies never intended to be like any other discipline or subject. It was always intended to be a political project for fomenting revolution according to the dictates of however the activists behind the subject defined it,” Rossman-Benjamin explained. “And anti-Zionism has been at the core of the field, and this became especially clear after Oct. 7. Most of the anti-Zionist mania on campuses that day — the support for the encampments, the Faculty for Justice in Palestine chapters — it was a project of Ethnic Studies. At UC Santa Cruz, 60 percent of Faculty for Justice in Palestine members were pulled from the ethnic studies department.”
Founded in the 1960s to provide an alternative curriculum for beneficiaries of racial preferences whose retention rates lagged behind traditional college students, ethnic studies is based on anti-capitalist, anti-liberal, and anti-Western ideologies found in the writings of, among others, Franz Fanon, Huey Newton, Simone de Beauvoir, and Karl Marx. Its principal ideological target in the 20th century was the remains of European imperialism in Africa and the Middle East, but overtime it identified new “systems of oppression,” most notably the emergent superpower that was the US after World War II and the nation that became its closest ally in the Middle East: Israel.
UC Santa Cruz’s Critical Race and Ethnic Studies (CRES) department is a case study in how the ideology leads inexorably to anti-Zionist antisemitism, AMCHA Initiative argued in a 2024 study.
Following Hamas’s Oct. 7, 2023, massacre across southern Israel, CRES issued a statement rationalizing the terrorist group’s atrocities as political resistance. Additionally, the department days later participated in a “Call for a Global General Strike,” refusing to work because Israel mounted a military response to Hamas’s atrocities — an action CRES called “Israel’s genocidal attack on Gaza.” Later, the department held an event titled, “The Genocide in Gaza in our [sic] Classrooms: A Teaching Palestine Workshop,” in which professors and teaching assistants were trained in how to persuade students that Zionism is a racist and genocidal endeavor.
Imposing such noxious views on all California students would have been catastrophic, Rossman-Benjamin told The Algemeiner.
“The goal of admissions requirements is to make sure that students are adequately prepared for college,” she noted. “Their goal was to use their power to force students to take the kind of Critical Ethnic Studies that is taught at the university, with the goal of revolutionizing society. The idea should have been dead on arrival, being rejected on the grounds that there is no evidence that it is a worthwhile subject that should be required for admission to the University of California.”
Follow Dion J. Pierre @DionJPierre.
The post University of California Rejects Ethnic Studies Admissions Requirement in Faculty Assembly Vote first appeared on Algemeiner.com.
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Israeli FM Praises Paraguay Decision to Label Iran’s IRGC, Proxies Hamas and Hezbollah as Terrorist Organizations
Paraguayan President Santiago Peña praying at the Western Wall in Jerusalem on Dec. 12, 2024. Photo: The Western Wall Heritage Foundation
Israeli Foreign Minister Gideon Sa’ar praised Paraguay’s decision to designate Iran’s Islamic Revolutionary Guard Corps (IRGC) as a terrorist organization, and to broaden the country’s previous designation to include all factions of Hamas and Hezbollah.
The top Israeli diplomat congratulated the South American country and described President Santiago Peña’s decision as a “landmark move” in addressing security challenges and fostering international peace.
“Iran is the world’s leading exporter of terrorism and extremism, and together with its terror proxies, it threatens regional stability and global peace,” Sa’ar wrote in a post on X. “More countries should follow suit and join the fight against Iranian aggression and terrorism.”
I commend Paraguay and @SantiPenap for the landmark decision to designate the Iranian Revolutionary Guard Corps, Hamas, and Hezbollah as terrorist organizations.
Iran is the world’s leading exporter of terrorism and extremism, and together with its terror proxies, it threatens… https://t.co/OzWACbWcno— Gideon Sa’ar | גדעון סער (@gidonsaar) April 24, 2025
On Thursday, Peña issued an executive order designating the IRGC as a terrorist organization “for its systematic violations of peace, human rights, and the security of the international community.”
The executive order also expanded Paraguay’s 2019 proscription of the armed wings of the Palestinian terrorist group Hamas, the al-Qassam Brigades, and Hezbollah, the Iran-backed terrorist group in Lebanon, to encompass the entirety of both organizations, including their political wings.
“With this decision, Paraguay reaffirms its unwavering commitment to peace, international security, and the unconditional respect for human rights, solidifying its position within the international community as a country firmly opposed to all forms of terrorism and strengthening its relations with allied nations in this fight,” Peña wrote in a post on X, emphasizing the country’s strategic relationship with the United States and Israel.
Iran is the chief international backer of Hamas and Hezbollah, providing the Islamist terror groups with weapons, funding, and training. According to media reports based on documents seized by the Israeli military in Gaza last year, Iran had been informed about Hamas’s plan to launch the Oct. 7 attack months in advance.
Last year, Peña reopened Paraguay’s embassy in Jerusalem, making it the sixth nation — after the US, Guatemala, Honduras, Kosovo, and Papua New Guinea — to establish its embassy in the Israeli capital. During the same visit, he condemned the Hamas-led massacre across southern Israel on Oct. 7, 2023, calling the perpetrators “criminals” in a speech at the Knesset, the Israeli parliament.
The Trump administration also praised Paraguay’s decision to officially label the IRGC as a terrorist organization, describing it as a major blow to Iran’s terror network in the Western Hemisphere.
“Iran remains the leading state sponsor of terrorism in the world and has financed and directed numerous terrorist attacks and activities globally, through its IRGC-Qods Force and proxies such as Hezbollah and Hamas,” US State Department spokesperson Tammy Bruce said in a statement.
The US official said Paraguay’s action will help disrupt Iran’s ability to finance terrorism and operate in Latin America — particularly in the Tri-Border Area, where Paraguay borders Argentina and Brazil, a region long regarded as a financial hub for Hezbollah-linked operatives.
“The important steps Paraguay has taken will help cut off the ability of the Iranian regime and its proxies to plot terrorist attacks and raise money for its malignant and destabilizing activity,” the statement read.
“The United States will continue to work with partners such as Paraguay to confront global security threats,” Bruce added. “We call on all countries to hold the Iranian regime accountable and prevent its operatives, recruiters, financiers, and proxies from operating in their territories.”
During his first administration, Trump designated the IRGC as a foreign terrorist organization (FTO), citing the Iranian regime’s use of the IRGC to “engage in terrorist activities since its inception 40 years ago.”
At the time, Trump said this designation “recognizes the reality that Iran is not only a state sponsor of terrorism, but that the IRGC actively participates in, finances, and promotes terrorism as a tool of statecraft.”
“The IRGC is the Iranian government’s primary means of directing and implementing its global terrorist campaign,” he continued.
The post Israeli FM Praises Paraguay Decision to Label Iran’s IRGC, Proxies Hamas and Hezbollah as Terrorist Organizations first appeared on Algemeiner.com.
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Yale’s Silence Is Allowing Blatant Campus Antisemitism — and Betraying the Promise of ‘Never Again’
Yale University students at the corner of Grove and College Streets in New Haven, Connecticut, U.S., April 22, 2024. Photo: Melanie Stengel via Reuters Connect.
As darkness fell over Yale University on Wednesday evening, Jewish students faced intimidation that echoed history’s darkest chapters. The following day, as the sun rose on Holocaust Remembrance Day, the world solemnly reflected on the devastating consequences of unchecked hatred.
Yet, disturbingly, at Yale, the shadows of that same hatred linger once again.
For several nights now, radical anti-Israel activists, primarily organized by “Yalies for Palestine,” an anti-Israel hate group, have targeted Jewish students at Yale — in many cases, based solely on their outwardly Jewish appearance.
On Wednesday, protestors blocked walkways, physically intimidated Jewish students, and hurled bottles and sprayed liquids at them — all while campus police stood by and did nothing.
One Jewish student described her chilling encounter with the protesters the night before, on Tuesday: “When I tried to get through, they blocked me, ignored my requests to pass, and handed out masks to those obstructing me. Yale security told me they couldn’t help.”
The immediate trigger for this harassment is the invitation extended by Shabtai, a Yale Jewish society, to Itamar Ben-Gvir, an Israeli government minister. Whether one supports or opposes Ben-Gvir’s politics is beside the point. Notably, Naftali Bennett, a former Israeli prime minister, was also protested and disrupted during a separate campus event in February, underscoring a broader trend of hostility toward Israeli speakers regardless of their political affiliation.
These events signal more than isolated protests; they constitute a redux of hatred that historically escalates when met with institutional silence or indifference.
Yale’s administration, under President Maurie McInnis and Dean Pericles Lewis, has failed to adequately respond. Though Yale revoked official recognition from Yalies for Palestine, its tepid actions have not halted the dangerous slide toward overt hostility. The silence — from both the university and the Slifka Center, Yale’s center for Jewish life — is deafening.
This isn’t the first troubling instance at Yale. A year ago, similar demonstrators disrupted campus life with vitriolic anti-Israel rhetoric, silencing dialogue and fostering an atmosphere hostile to Jewish students.
Earlier this year, CAMERA on Campus documented Yale’s Slifka Center pressuring students to erase evidence of anti-Jewish harassment during a pro-Israel event, effectively whitewashing antisemitism and emboldening extremists.
As CAMERA’s Ricki Hollander has powerfully documented, the rhetoric of anti-Zionism today often revives the antisemitic patterns of the past, particularly those propagated by the Nazi regime in the 1930s. These tactics, she explains, echo Nazi-era propaganda that portrayed Jews as subhuman, sinister, and uniquely malevolent — a narrative used to justify marginalization and, ultimately, genocide.
These dynamics — scapegoating, dehumanizing, and ostracizing Jews under the guise of “anti-Zionism” — are not relics of history. They are alive and active across elite American campuses. And now, unmistakably, they have taken root at Yale.
McInnis must break the silence and condemn the open harassment and assault of Jewish students. She must also hold the perpetrators of the heinous actions and those responsible for the safety of students accountable for their inaction.
This week has revealed a grave failure of moral and institutional duty on many fronts. When law enforcement stands by as Jewish students face intimidation and assault, it sends a chilling message: their safety matters less.
We must demand a full investigation and real accountability. Condemnations of antisemitism are not enough. Policies must be changed to ensure Jewish students and organizations can freely exercise their right to free expression without being subject to harassment and assault. Anything less would betray Yale’s stated values — and the promise of “never again.”
Douglas Sandoval is the Managing Director for CAMERA on Campus.
The post Yale’s Silence Is Allowing Blatant Campus Antisemitism — and Betraying the Promise of ‘Never Again’ first appeared on Algemeiner.com.
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