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A new musical spotlights the Nazi persecution of LGBTQ+ people
(New York Jewish Week) — Some 50,000 gay men and women were imprisoned by Nazis during the Holocaust. Of them, approximately 10,000 to 15,000 were held in concentration camps, and nearly all of those who were sent to the camps died there.
And yet, many stories of LGBTQ+ people who died in Nazi prisons are left untold. The numbers, while huge, shrink in comparison to the millions of Jewish people who died and were tortured at the hands of the Nazis.
This dynamic is why writer, director and actor Alan Palmer first learned about Nazi persecution of homosexuals completely by chance. In August 2016, Palmer — who is best known for his off-Broadway show “Fabulous Divas of Broadway” and his role on the “Mighty Morphin Power Rangers” — was performing at Edinburgh Fringe Festival when he stumbled upon an article about the specific targeting of gay men and women under Hitler. He found himself falling into a world of ever-deepening research, consumed by the idea that there were so many lost stories of LGBTQ+ people who died in concentration camps.
Inspired, Palmer decided to travel to Germany. There, he visited some concentration camps and saw pictures of the gay men who were imprisoned there. “I found these beautiful photos of these people who were Jewish and trans” and gay], Palmer said. “Being a writer of musicals by trade, the pictures started me on a journey of writing this new piece.”
This “new piece” is Palmer’s one-man play, “Chanteuse: A Survival Musical,” which he’s currently performing at Here Arts Center (145 Sixth Ave.). The play relates the story of Werner, a gay man in 1930s Berlin who assumes the identity of his landlady, a German woman who had died unexpectedly, in order to avoid persecution and imprisonment. A performer by trade, Werner reinvents himself as a chanteuse and begins singing for his supper, and survival, in the clubs of Berlin. “It’s fictional, in a way, because there’s no [single] person who had this experience,” Palmer told the New York Jewish Week. “However, each one of the pieces [in the play] is true.”
The play explores the precarity of survival and how intersecting identities complicate ideas about oppression and freedom. “There are heart-wrenching stories of Jewish families whose relatives were killed during these times. And some of those people were gay — but you don’t hear about them much,” Palmer said. “The reason is families didn’t talk about it back then. If Uncle So-and-so was sent away [before the round-ups of Jews intensified], no one talked about why. So all of these records of people who existed are just gone.”
Palmer plays Werner, a gay man in 1930s Berlin who assumes the identity of his landlady to escape Nazi persecution. (Russ Rowland)
Despite being raised in a Mormon community in Salt Lake City, Palmer said he’s long felt a kinship with Jews. “As soon as I left [home] I began to make lifelong friendships with Jewish people, mostly because of theater. You can’t have theater without Jewish people or gay people!” he said. “When I see the rise of antisemitism today I just think: ‘For gosh sakes, how can people keep attacking this group of people?’”
As “Chanteuse” unfolds, Werner, like so many gay men during that time, isn’t able to escape the long arm of the Nazi regime for long. He is eventually outed and imprisoned in a concentration camp, where he both experiences and witnesses brutal violence and dehumanization. “Even though the Jewish people are in another camp on the other side of the wall, there are still a small number of gay Jews on this side. On Friday evenings, the gay Jewish men pray,” he relates, in a touching monologue toward the end of the scene.
“Chanteuse,” written and performed by Palmer and directed by Dorothy Danner, is about memorializing those whose stories were lost. Throughout the play, Werner relates stories of LGBTQ+ prisoners as well as Romani people, people with mental and physical disabilities, and, of course, Jewish people he meets throughout his calamitous journey. It is also, however, about creating connections to the rise in anti-LGBTQ+ legislation and antisemitism in the current age.
To that end, Palmer curated a mini pop-up museum, displayed in the atrium outside the theater, that presents information about what happened to members of the LGBTQ+ community in Europe during World War II. “I envisioned people engaging before the performance and having the information sink in during the play,” Palmer said. “But it’s interesting to see how many people walk past all of these panels, and after the show they went out to the museum and actually spent time reading and viewing the history.”
According to the United States Holocaust Memorial Museum, gay men were “often subjected to physical and sexual abuse by camp guards and fellow inmates,” and some were “beaten and publicly humiliated.” Some of these prisoners were also subject to inhumane medical experiments or forced castration, according to the USHMM. These “pink triangle prisoners,” named for the badge they were forced to wear in the camps, were arrested for breaking an existing German law that made same-sex relations illegal in the country.
The exhibit draws direct connections between the use of the legal system and false medical science by the Nazis and the current rise in vitriol directed towards the LGBTQ+ community in America and around the world. While our government isn’t conducting forced castrations of gay men and women like the Nazis did, given the veritable flood of anti-LGBTQ+ (and particularly anti-trans) laws being passed by state governments across the United States, Palmer believes we should be paying very close attention to these legislative moves before it’s too late.
“History cannot repeat itself,” Palmer said. “People are being silenced. They’re being forced to hide. I’ve never lived in a closet, I’ve always been myself. My truth was always out there. The idea that people like me are being told they can’t live their whole truth is frightening to me.”
But bringing historical documentation into the experience isn’t the only way in which “Chanteuse” is a multimedia project — it’s also musical, with a score written by award-winning composer and arranger David Legg. “The music serves almost as a spoonful of sugar: It helps the information go down easier,” Palmer said.
Stylistically, the score implements melodic and harmonic elements of both early-‘30s-era jazz and traditional European Jewish music. The instrumentation (piano, tenor saxophone, percussion and upright bass) was chosen by Legg in order to facilitate this evocative musical landscape. “We ended up putting an underscore through the entire piece,” Palmer said. “It created a continuity, so you never feel it’s disjointed — dialogue, song, dialogue, song — the audience is never shocked out of the world we’re creating.”
And yet, Palmer insists that his created world is very relevant to the one we’re living in today. While it may seem unimaginable for something as horrifying as the Holocaust to repeat itself, Palmer said he and his co-creators want to remind audiences of the current trends towards authoritarianism around the world as they watch Werner navigate the terror of being gay in 1930s Berlin.
“Around the United States, we’re seeing more and more bans of drag performance, of gay media,” Palmer said. “And I think drag, like any other art form, is a way of storytelling. It isn’t anything people should be afraid of.”
“This is a moment in which it’s important to say, ‘We all need to work together,’” he added. “You know, if every persecuted group stood strong together, we’d be surprised at how quickly things would turn around in a positive way.”
“Chanteuse” is being performed at Here Arts Center (145 Sixth Ave.) on Tuesdays through Saturdays through July 30. For tickets and additional info, click here. In order to allow broader access to the musical, 10 tickets priced at $10 are available for each performance on a first come, first served basis.
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‘We Are Being Held Hostage’: Lebanese TV Host Says Hezbollah Taking Lebanon Toward War, ‘Certain Death’
Lebanon’s Hezbollah leader Sayyed Hassan Nasrallah addresses his supporters through a screen during a rally commemorating the annual Hezbollah Martyrs’ Day, in Beirut’s southern suburbs. Photo: Reuters/Aziz Taher
A Lebanese TV host said last week that Hezbollah has essentially taken Lebanon hostage, comparing what the Iran-backed terrorist organization has done to the country to the hijackers who carried out the 9/11 attacks in the US.
Dima Sadek, who hosts a show in Lebanon on MTV, expressed her fear and outrage over what Hezbollah is doing to Lebanon and the path of near-certain war it is taking, according to a report and translation from the Middle East Media Research Institute (MEMRI).
Hezbollah, which wields significant political influence across Lebanon, boasts significant military capabilities much greater than those of other terrorist organizations in the region such as Hamas. The Lebanese Islamist group has long declared it seeks to destroy Israel.
“We are in danger of a hellish, existential war,” Sadek said on June 24 regarding the threats Hezbollah has made to countries such as Cyprus, which is in the European Union. “We are being held hostage. We have been hijacked by a group that has no clue of what is going on in this planet.”
She pointed out that “[Russian President Vladimir] Putin, who was the only one who managed to save your axis in the Syrian war, cannot overcome Europe, so how come you are threatening Europe with such confidence?”
Regarding the fear and helplessness she and some other Lebanese feel over the direction Hezbollah is taking, she asked, “Do you know who we resemble? The passengers on the 9/11 airplanes. We are like airplane passengers who do not see what is happening around them. We are being led by one person, and we have no idea where we are heading.”
She added, “The only thing that we know for sure is that this person is taking us to a catastrophe and certain death.”
#ICYMI: Lebanese TV Host Dima Sadek: There Is Nothing Left of This Country Besides Hizbullah and Its Weapons; They Are Holding Us Hostage; We Are Like the Passengers on a Hijacked Plane on 9/11 Heading Towards Certain Death #Lebanon #Hizbullah @DimaSadek pic.twitter.com/v7WDtIQqEV
— MEMRI (@MEMRIReports) June 30, 2024
Hezbollah terrorists have been firing drones, rockets, and missiles at northern Israel daily from southern Lebanon since Hamas’ Oct. 7 massacre, leading Israeli forces to strike back. Tensions have been escalating between both sides, fueling concerns that the conflict in Gaza — the Palestinian enclave ruled by Hamas to Israel’s south — could escalate into a regional conflict.
More than 80,000 Israelis have evacuated Israel’s north and been unable to return to their homes. The majority of those spent the past nine months residing in hotels in safer areas of the country.
Meanwhile, Hezbollah has also stepped up its threats against the rest of the world, including Cyprus.
Last month, Hezbollah leader Hassan Nasrallah made a speech in which he said an “all-out war” with Israel was “getting very close.” He added that if Cyprus, a European Union member, were to help Israel in some way during that war, then “Cyprus will be part of this war too.”
Israeli officials have said that, while they seek a diplomatic resolution to the current situation along the border with Lebanon, they are prepared to escalate military action against Hezbollah to push the terrorist group back in order to allow displaced Israelis to return to their homes.
Hezbollah, like Hamas, has been accused of using civilians as “human shields” when fighting Israel.
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Hezbollah Launches Big Attack on Israel, Sonic Booms Rattle Beirut
Rockets launched from Lebanon to Israel over the border are intercepted, amid the ongoing cross-border hostilities between Hezbollah and Israeli forces, in Israel, near the border with Lebanon, July 3, 2024. Photo: REUTERS/Ayal Margolin
Lebanon’s Hezbollah launched a big rocket and drone attack at Israel on Thursday and threatened to hit new targets in retaliation for the killing of a top commander, in the latest surge of violence in the steadily worsening conflict across the border.
Sparked by the Gaza war, the conflict between the Iran-backed terrorist organization Hezbollah and Israel has been gradually intensifying for months, raising fears of a full-scale war, which both sides have indicated they want to avoid and diplomats are working to prevent.
As the latest violence played out in areas at or near the frontier — in keeping with the pattern of the last nine months — the sound of sonic booms rattled nerves for the second successive day in Beirut and other parts of Lebanon.
Israeli jets broke the sound barrier over several areas of the country, Lebanon’s National News Agency reported.
Hezbollah said it launched more than 200 rockets and a swarm of drones at 10 Israeli military sites in retaliation for Israel‘s killing of Hezbollah commander Mohammed Nasser in the south on Wednesday. Nasser is one of the most senior Hezbollah commanders to be killed by Israel during the conflict.
The Israeli military said around “200 projectiles and over 20 suspicious aerial targets were identified crossing from Lebanon into Israeli territory,” a number of which were intercepted by Israeli air defenses and fighter jets.
Israel‘s ambulance service said no casualties were reported. The Israeli military said some of the drones and interceptor shrapnel set off fires.
The Israeli air force “struck Hezbollah military structures” in the areas of Ramyeh and Houla,” it said, referring to two villages in south Lebanon.
Senior Hezbollah official Hashem Safieddine, speaking at an event in Beirut commemorating Nasser, indicated his group would widen its targeting.
“The series of responses continues in succession, and this series will continue to target new sites that the enemy did not imagine would be hit,” Safieddine said.
DIPLOMATIC PUSH
The United States has been leading diplomatic efforts to deescalate the fighting. Hezbollah has said it will not cease fire as long as Israel continues its offensive in the Gaza Strip.
The hostilities have inflicted a heavy toll on both sides of the frontier, forcing tens of thousands of people to flee their homes.
Amos Hochstein, a senior US official at the heart of the diplomacy, discussed French and American efforts to restore calm in meetings with French officials on Wednesday, a White House official said.
“France and the United States share the goal of resolving the current conflict across the Blue Line by diplomatic means, allowing Israeli and Lebanese civilians to return home with long-term assurances of safety and security,” the official said, referring to the demarcation line between the two neighbors.
Israeli Defense Minister Yoav Gallant said on Wednesday that Israeli forces were hitting Hezbollah “very hard every day” and will be ready to take any action necessary against the group, though the preference is to reach a negotiated arrangement.
Hezbollah also launched rockets at Israel on Wednesday in retaliation for Nasser’s killing.
Hezbollah began firing at Israeli targets along the border with Lebanon after its Palestinian terrorist ally Hams launched an attack on Israel on Oct. 7, declaring its support for the Palestinians.
Israeli attacks in Lebanon have killed more than 300 Hezbollah fighters and some 90 civilians, according to Reuters tallies. Israel says fire from Lebanon has killed 18 soldiers and 10 civilians.
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Drexel University Professor Stole Signs From Synagogue, Police Say
Illustrative: People pass a cluster of signs outside a pro-Hamas encampment at Northwestern University in Evanston, Ill. on April 28, 2024. Photo: Max Herman via Reuters Connect
A Drexel University professor allegedly participated in a mass theft of items from a synagogue in a suburb outside Philadelphia, a local NBC affiliate reported on Tuesday.
Mariana Chilton, 56, a professor of health management and policy at Drexel, has been accused of stealing pro-Israel signs from the Main Line Reform Temple in Lower Merion Township, traveling there from her neighborhood of residency, Wynnewood, Pennsylvania. Chilton allegedly drove the getaway car while two other accomplices, Sarah Prickett and Sam Penn — who is from New York — trespassed the synagogue and absconded with the loot.
“We are just taking them because we feel like it is a representative of genocide,” Chilton told law enforcement after being caught in the act, the report stated. She then, after offering to “just put them back,” refused to identify herself and comply with other lawful orders.
Video evidence provided by a local resident placed Chilton and her accomplices at the scene of the crime, and a Main Line Reform Temple official identified the signs recovered from her car as the temple’s property. That was enough for law enforcement to charge her with several offenses, including conspiracy and theft. She is also charged with driving without a license and not registering her vehicle.
Drexel University has not responded to The Algemeiner‘s request for comment for this story.
Experts have told The Algemeiner in the past academic year that while the conduct of anti-Zionist students should be reported on, the role of faculty in fostering and engaging in antisemitic acts should be closely scrutinized. Last semester, anti-Zionist faculty attached themselves to anti-Israel, pro-Hamas demonstrations, sometimes breaking the law by preventing officers from dispersing unauthorized demonstrations and detaining lawbreakers.
At Northeastern University in Boston, professors formed a human barrier around a student encampment to stop its dismantling by officers, and at Columbia University, anti-Zionist faculty at the school, as well its affiliate Barnard College, staged a walkout in support of the demonstrations and demanded the abeyance of disciplinary sanctions against anti-Zionist students — dozens of whom cheered Hamas and threatened more massacres of Jews similar to Oct. 7 — who violated school rules.
Chilton’s case is unlike any other reported in the past year, however. While dozens of professors have been accused of abusing their Jewish students and encouraging their classmates to bully and shame them, none are alleged to have resorted to stealing from a Jewish house of worship to make their point.
Mass participation of faculty in pro-Hamas demonstrations marks an inflection point in American history, Asaf Romirowsky, an expert on the Middle East and executive director of Scholars for Peace in the Middle East, told The Algemeiner in April.
Since the 1960s, he explained, far-left “scholar activists” have gradually seized control of the higher education system, tailoring admissions processes and the curricula to foster ideological radicalism and conformity, which students then carry with them into careers in government, law, corporate America, and education. This system, he concluded, must be challenged.
“The cost of trading scholarship for political propagandizing has been a zeal and pride among faculty who esteem and cheer terrorism, a historical development which is quite telling and indicative of the evolution of the Marxist ideology which has been seeping into the academy since the 1960s,” Romirowsky said. “The message is very clear to all of us who are looking on from the outside at this, and institutions have to begin drawing a red line. The protests are not about free speech. They are about supporting terrorism, about calling for a genocide of Jews.”
Follow Dion J. Pierre @DionJPierre.
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