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A new musical spotlights the Nazi persecution of LGBTQ+ people
(New York Jewish Week) — Some 50,000 gay men and women were imprisoned by Nazis during the Holocaust. Of them, approximately 10,000 to 15,000 were held in concentration camps, and nearly all of those who were sent to the camps died there.
And yet, many stories of LGBTQ+ people who died in Nazi prisons are left untold. The numbers, while huge, shrink in comparison to the millions of Jewish people who died and were tortured at the hands of the Nazis.
This dynamic is why writer, director and actor Alan Palmer first learned about Nazi persecution of homosexuals completely by chance. In August 2016, Palmer — who is best known for his off-Broadway show “Fabulous Divas of Broadway” and his role on the “Mighty Morphin Power Rangers” — was performing at Edinburgh Fringe Festival when he stumbled upon an article about the specific targeting of gay men and women under Hitler. He found himself falling into a world of ever-deepening research, consumed by the idea that there were so many lost stories of LGBTQ+ people who died in concentration camps.
Inspired, Palmer decided to travel to Germany. There, he visited some concentration camps and saw pictures of the gay men who were imprisoned there. “I found these beautiful photos of these people who were Jewish and trans” and gay], Palmer said. “Being a writer of musicals by trade, the pictures started me on a journey of writing this new piece.”
This “new piece” is Palmer’s one-man play, “Chanteuse: A Survival Musical,” which he’s currently performing at Here Arts Center (145 Sixth Ave.). The play relates the story of Werner, a gay man in 1930s Berlin who assumes the identity of his landlady, a German woman who had died unexpectedly, in order to avoid persecution and imprisonment. A performer by trade, Werner reinvents himself as a chanteuse and begins singing for his supper, and survival, in the clubs of Berlin. “It’s fictional, in a way, because there’s no [single] person who had this experience,” Palmer told the New York Jewish Week. “However, each one of the pieces [in the play] is true.”
The play explores the precarity of survival and how intersecting identities complicate ideas about oppression and freedom. “There are heart-wrenching stories of Jewish families whose relatives were killed during these times. And some of those people were gay — but you don’t hear about them much,” Palmer said. “The reason is families didn’t talk about it back then. If Uncle So-and-so was sent away [before the round-ups of Jews intensified], no one talked about why. So all of these records of people who existed are just gone.”
Despite being raised in a Mormon community in Salt Lake City, Palmer said he’s long felt a kinship with Jews. “As soon as I left [home] I began to make lifelong friendships with Jewish people, mostly because of theater. You can’t have theater without Jewish people or gay people!” he said. “When I see the rise of antisemitism today I just think: ‘For gosh sakes, how can people keep attacking this group of people?’”
As “Chanteuse” unfolds, Werner, like so many gay men during that time, isn’t able to escape the long arm of the Nazi regime for long. He is eventually outed and imprisoned in a concentration camp, where he both experiences and witnesses brutal violence and dehumanization. “Even though the Jewish people are in another camp on the other side of the wall, there are still a small number of gay Jews on this side. On Friday evenings, the gay Jewish men pray,” he relates, in a touching monologue toward the end of the scene.
“Chanteuse,” written and performed by Palmer and directed by Dorothy Danner, is about memorializing those whose stories were lost. Throughout the play, Werner relates stories of LGBTQ+ prisoners as well as Romani people, people with mental and physical disabilities, and, of course, Jewish people he meets throughout his calamitous journey. It is also, however, about creating connections to the rise in anti-LGBTQ+ legislation and antisemitism in the current age.
To that end, Palmer curated a mini pop-up museum, displayed in the atrium outside the theater, that presents information about what happened to members of the LGBTQ+ community in Europe during World War II. “I envisioned people engaging before the performance and having the information sink in during the play,” Palmer said. “But it’s interesting to see how many people walk past all of these panels, and after the show they went out to the museum and actually spent time reading and viewing the history.”
According to the United States Holocaust Memorial Museum, gay men were “often subjected to physical and sexual abuse by camp guards and fellow inmates,” and some were “beaten and publicly humiliated.” Some of these prisoners were also subject to inhumane medical experiments or forced castration, according to the USHMM. These “pink triangle prisoners,” named for the badge they were forced to wear in the camps, were arrested for breaking an existing German law that made same-sex relations illegal in the country.
The exhibit draws direct connections between the use of the legal system and false medical science by the Nazis and the current rise in vitriol directed towards the LGBTQ+ community in America and around the world. While our government isn’t conducting forced castrations of gay men and women like the Nazis did, given the veritable flood of anti-LGBTQ+ (and particularly anti-trans) laws being passed by state governments across the United States, Palmer believes we should be paying very close attention to these legislative moves before it’s too late.
“History cannot repeat itself,” Palmer said. “People are being silenced. They’re being forced to hide. I’ve never lived in a closet, I’ve always been myself. My truth was always out there. The idea that people like me are being told they can’t live their whole truth is frightening to me.”
But bringing historical documentation into the experience isn’t the only way in which “Chanteuse” is a multimedia project — it’s also musical, with a score written by award-winning composer and arranger David Legg. “The music serves almost as a spoonful of sugar: It helps the information go down easier,” Palmer said.
Stylistically, the score implements melodic and harmonic elements of both early-‘30s-era jazz and traditional European Jewish music. The instrumentation (piano, tenor saxophone, percussion and upright bass) was chosen by Legg in order to facilitate this evocative musical landscape. “We ended up putting an underscore through the entire piece,” Palmer said. “It created a continuity, so you never feel it’s disjointed — dialogue, song, dialogue, song — the audience is never shocked out of the world we’re creating.”
And yet, Palmer insists that his created world is very relevant to the one we’re living in today. While it may seem unimaginable for something as horrifying as the Holocaust to repeat itself, Palmer said he and his co-creators want to remind audiences of the current trends towards authoritarianism around the world as they watch Werner navigate the terror of being gay in 1930s Berlin.
“Around the United States, we’re seeing more and more bans of drag performance, of gay media,” Palmer said. “And I think drag, like any other art form, is a way of storytelling. It isn’t anything people should be afraid of.”
“This is a moment in which it’s important to say, ‘We all need to work together,’” he added. “You know, if every persecuted group stood strong together, we’d be surprised at how quickly things would turn around in a positive way.”
“Chanteuse” is being performed at Here Arts Center (145 Sixth Ave.) on Tuesdays through Saturdays through July 30. For tickets and additional info, click here. In order to allow broader access to the musical, 10 tickets priced at $10 are available for each performance on a first come, first served basis.
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The post A new musical spotlights the Nazi persecution of LGBTQ+ people appeared first on Jewish Telegraphic Agency.
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Syria to Include All Sectors in New Government, Foreign Minister Says
Syria‘s foreign minister has told Saudi Arabian officials that the new leadership in Damascus wants to set up a government involving all parts of Syrian society following the overthrow of Bashar Al-Assad last month.
Minister Asaad Hassan Al-Shibani was making the first foreign trip by a member of Syria‘s new administration as Western and regional powers seek signs on whether it will impose strict Islamic rule or show inclusivity in government.
Al-Shibani and Syria‘s defense minister met with Saudi Defense Minister Prince Khalid bin Salman in Riyadh on Thursday.
“Through our visit, we conveyed our national vision of establishing a government based on partnership and efficiency that includes all Syrian components, and working to launch an economic development plan that opens the way for investment, establishes strategic partnerships, and improves living and service conditions,” Al-Shibani said in a post on X.
Since ousting Assad on Dec. 8, Islamist rebels led by Hayat Tahrir al-Sham (HTS) have sought to reassure Arab countries and the international community that they will govern on behalf of all Syrians and not export Islamist revolution.
HTS was al Qaeda’s Syrian affiliate until it broke off ties in 2016.
Saudi Arabia backed the rebels who fought Assad at the onset of the Syrian civil war.
More recently, Riyadh had embarked on a path of normalizing ties with the Assad government, paving the way for Syria to return to the Arab League in 2023, in an effort to reduce Iranian influence in the country and to stem the flow of drugs including the methamphetamine captagon.
A Saudi source close to the government told Reuters the kingdom was committed to safeguarding the peace in Syria and that fostering stability was a top priority.
“At this critical juncture, our focus is on delivering essential humanitarian aid to the people of Syria, and we are exploring opportunities for expanded assistance in collaboration with regional partners,” the source added.
The post Syria to Include All Sectors in New Government, Foreign Minister Says first appeared on Algemeiner.com.
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IDF Downs Houthi Missile Fired From Yemen
JNS.org — The Israeli military overnight Thursday downed a missile fired by Houthi terrorists in Yemen that triggered air-raid sirens in central Israel, including in Jerusalem, the greater Tel Aviv area, and parts of Judea.
The missile was intercepted in Israeli airspace, according to the Israel Defense Forces, which was probing reports of debris falling in the city of Modi’in, located between Jerusalem and Tel Aviv.
There were no immediate reports of direct injuries or damage.
However, Magen David Adom emergency medics treated numerous people who were hurt while rushing to shelter, as well as others suffering from acute anxiety.
Flights in and out of Ben-Gurion International Airport were halted for about 30 minutes due to the Houthi attack, with two planes diverting to Larnaca in Cyprus.
Hours later, the military said that the Air Force had intercepted a drone launched from Yemen.
The unmanned aerial vehicle was downed before crossing into Israeli territory; thus no alerts were activated in accordance with policy.
On Monday night, the Israeli Air Force intercepted a missile fired by Houthi terrorists in Yemen at central Israel, in what was the seventh such nighttime attack over the past two weeks.
The missile was downed before crossing into Israeli territory, according to the military. Air-raid sirens were nevertheless activated due to fears of falling fragments from the interception.
Last Friday night, the IDF intercepted a Houthi missile that triggered air-raid sirens across the Jerusalem, Judea and Dead Sea areas. It was the first time sirens sounded in the capital since the Iranian attack on Oct. 1.
The previous night, sirens blared in the greater Tel Aviv area as the IDF intercepted another Houthi missile fired from Yemen. A US THAAD anti-missile battery assisted in the interception, in the first such instance since the system was deployed to Israel in October.
Houthi terrorists have launched more than 200 missiles and 170 drones at Israel in support of Hamas since the terrorist invasion of the northwestern Negev on Oct. 7, 2023.
On Dec. 26, the Israeli Air Force conducted strikes on the western coast of and deep inside Yemen, including at Sanaa International Airport in the Houthi-controlled capital. The targets included the Hezyaz and Ras Kanatib power stations, in addition to terrorist infrastructure in the Hodeidah, Salif and Ras Kanatib ports.
“These military targets were used by the Houthi terrorist regime to smuggle Iranian weapons into the region and for the entry of senior Iranian officials. This is a further example of the Houthis’ exploitation of civilian infrastructure for military purposes,” the IDF said.
Speaking from IAF headquarters after the strike on the second night of Chanukah, Prime Minister Benjamin Netanyahu said Israel is engaged in a modern-day Maccabean struggle.
“We are determined to cut off this terrorist arm of Iran’s axis of evil,” the prime minister said. “We will persist in this until we complete the task.”
The post IDF Downs Houthi Missile Fired From Yemen first appeared on Algemeiner.com.
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Experts, Lawmakers Suggest Same Hateful Ideology That Motivated New Orleans Attack Also Behind Pro-Hamas NYC March
Some experts and lawmakers are drawing a link between the Islamist ideology that seemingly motivated the New Year’s Day terrorist attack in New Orleans and the pro-Hamas demonstration in New York City that took place hours later.
On Wednesday, hours after a US Army veteran who pledged allegiance to Islamic State (ISIS) drove a truck into a crowd of New Year’s Day revelers in New Orleans and killed at least 14 people, protesters marched through New York City, chanting slogans condemning both America and Israel.
Hundreds of anti-Israel demonstrators descended upon the streets of Manhattan, sporting signs calling to “End Zionism,” “End all US aid to Israel,” and for “No War With Iran.” Many of these activists also carried Palestinian flags and bellowed slogans such as “intifada revolution!” — a slogan that many consider to be a call for violence against Israelis, Jews, and Westerners more broadly.
“We’re sending you back to Europe, you white b–ches,” a protester yelled at participants of a pro-Israel counter-demonstration. “Go back to Europe! Go back to Europe!”
The demonstration was organized by the Palestinian Youth Movement (PYM), a group that plans anti-Israel demonstrations across the United States. PYM has repeatedly praised Hamas’s invasion of and massacre across southern Israel last Oct. 7.
US lawmakers were quick to slam the anti-Israel demonstrations, accusing them of fomenting unwarranted hatred toward the United States and the Jewish state.
“These protesters in New York City are marching not to condemn the ISIS terrorist attack against their own country but to falsely accuse their own country, as well as Israel, of terrorism,” wrote Rep. Ritchie Torres (D-NY), one of the most strident allies of Israel in the US Congress.
“The hatred for America and Israel far exceeds the hatred for actual terror, apartheid, and genocide in the world,” Torres continued. “For an ideologue, ideology has more reality than reality itself.”
Rep. Mike Lawler (R-NY), another stalwart ally of Israel, also linked the New Orleans terror attack to the New York City demonstrations, saying that “hours after a jihadist sympathizer killed 10 Americans, pro-Hamas agitators are marching through New York City calling for a global intifada.”
“The governor and the mayor must put an end to this nonsense — now,” Lawler added. “Silence is not an option.”
Israeli diplomat Yaki Lopez similarly linked the two incidents, posting on social media that “pro-Hamas demonstrators chanted ‘intifada revolution’ in New York City while jihadist terrorists carried out a deadly attack in New Orleans, killing over a dozen Americans.”
“There’s little distinction between the actions of [the suspect in] New Orleans, who used a truck as a weapon and terrorist attacks in the West Bank where cars are used to run over Israelis,” added Joe Truzman, a senior research analyst at the Foundation for Defense of Democracies and editor of its Long War Journal. “It’s terrorism, yet there are people in this country who support ‘resistance’ and ‘intifada.’”
US federal agencies have established a link between domestic anti-Israel protests and foreign actors. Director of National Intelligence Avril Haines said in July that the Iranian regime has organized “influence efforts” to undermine trust in American institutions, adding that “actors tied to Iran’s government” have encouraged and provided financial support to rampant anti-Israel demonstrations. Haines also said that Iran has weaponized social media against the Jewish state and America, spreading misleading propaganda regarding the ongoing war in Gaza.
Meanwhile, experts have warned of a rising global terror threat in the year following Hamas’s Oct. 7 atrocities. Last May, experts explained to The Algemeiner that “lone wolf” terrorists inspired by ISIS and al Qaeda could carry out attacks on US soil, incensed by the ongoing war in Gaza and inspired by terrorist violence abroad.
“As I look back over my career in law enforcement, I’m hard-pressed to come up with a time when I’ve seen so many different threats, all elevated, all at the same time,” FBI Director Christopher Wray said in April.
The post Experts, Lawmakers Suggest Same Hateful Ideology That Motivated New Orleans Attack Also Behind Pro-Hamas NYC March first appeared on Algemeiner.com.
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