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A new musical spotlights the Nazi persecution of LGBTQ+ people

(New York Jewish Week) — Some 50,000 gay men and women were imprisoned by Nazis during the Holocaust. Of them, approximately 10,000 to 15,000 were held in concentration camps, and nearly all of those who were sent to the camps died there.

And yet, many stories of LGBTQ+ people who died in Nazi prisons are left untold. The numbers, while huge, shrink in comparison to the millions of Jewish people who died and were tortured at the hands of the Nazis.

This dynamic is why writer, director and actor Alan Palmer first learned about Nazi persecution of homosexuals completely by chance. In August 2016, Palmer — who is best known for his off-Broadway show “Fabulous Divas of Broadway” and his role on the “Mighty Morphin Power Rangers” — was performing at Edinburgh Fringe Festival when he stumbled upon an article about the specific targeting of gay men and women under Hitler. He found himself falling into a world of ever-deepening research, consumed by the idea that there were so many lost stories of LGBTQ+ people who died in concentration camps.

Inspired, Palmer decided to travel to Germany. There, he visited some concentration camps and saw pictures of the gay men who were imprisoned there. “I found these beautiful photos of these people who were Jewish and trans” and gay], Palmer said. “Being a writer of musicals by trade, the pictures started me on a journey of writing this new piece.”

This “new piece” is Palmer’s one-man play, “Chanteuse: A Survival Musical,” which he’s currently performing at Here Arts Center (145 Sixth Ave.). The play relates the story of Werner, a gay man in 1930s Berlin who assumes the identity of his landlady, a German woman who had died unexpectedly, in order to avoid persecution and imprisonment. A performer by trade, Werner reinvents himself as a chanteuse and begins singing for his supper, and survival, in the clubs of Berlin. “It’s fictional, in a way, because there’s no [single] person who had this experience,” Palmer told the New York Jewish Week. “However, each one of the pieces [in the play] is true.”

The play explores the precarity of survival and how intersecting identities complicate ideas about oppression and freedom. “There are heart-wrenching stories of Jewish families whose relatives were killed during these times. And some of those people were gay — but you don’t hear about them much,” Palmer said. “The reason is families didn’t talk about it back then. If Uncle So-and-so was sent away [before the round-ups of Jews intensified], no one talked about why. So all of these records of people who existed are just gone.”

Palmer plays Werner, a gay man in 1930s Berlin who assumes the identity of his landlady to escape Nazi persecution. (Russ Rowland)

Despite being raised in a Mormon community in Salt Lake City, Palmer said he’s long felt a kinship with Jews. “As soon as I left [home] I began to make lifelong friendships with Jewish people, mostly because of theater. You can’t have theater without Jewish people or gay people!” he said. “When I see the rise of antisemitism today I just think: ‘For gosh sakes, how can people keep attacking this group of people?’”

As “Chanteuse” unfolds, Werner, like so many gay men during that time, isn’t able to escape the long arm of the Nazi regime for long. He is eventually outed and imprisoned in a concentration camp, where he both experiences and witnesses brutal violence and dehumanization. “Even though the Jewish people are in another camp on the other side of the wall, there are still a small number of gay Jews on this side. On Friday evenings, the gay Jewish men pray,” he relates, in a touching monologue toward the end of the scene.

“Chanteuse,” written and performed by Palmer and directed by Dorothy Danner, is about memorializing those whose stories were lost. Throughout the play, Werner relates stories of LGBTQ+ prisoners as well as Romani people, people with mental and physical disabilities, and, of course, Jewish people he meets throughout his calamitous journey. It is also, however, about creating connections to the rise in anti-LGBTQ+ legislation and antisemitism in the current age.

To that end, Palmer curated a mini pop-up museum, displayed in the atrium outside the theater, that presents information about what happened to members of the LGBTQ+ community in Europe during World War II. “I envisioned people engaging before the performance and having the information sink in during the play,” Palmer said. “But it’s interesting to see how many people walk past all of these panels, and after the show they went out to the museum and actually spent time reading and viewing the history.”

According to the United States Holocaust Memorial Museum, gay men were “often subjected to physical and sexual abuse by camp guards and fellow inmates,” and some were “beaten and publicly humiliated.” Some of these prisoners were also subject to inhumane medical experiments or forced castration, according to the USHMM. These “pink triangle prisoners,” named for the badge they were forced to wear in the camps, were arrested for breaking an existing German law that made same-sex relations illegal in the country.

The exhibit draws direct connections between the use of the legal system and false medical science by the Nazis and the current rise in vitriol directed towards the LGBTQ+ community in America and around the world. While our government isn’t conducting forced castrations of gay men and women like the Nazis did, given the veritable flood of anti-LGBTQ+ (and particularly anti-trans) laws being passed by state governments across the United States, Palmer believes we should be paying very close attention to these legislative moves before it’s too late.

“History cannot repeat itself,” Palmer said. “People are being silenced. They’re being forced to hide. I’ve never lived in a closet, I’ve always been myself. My truth was always out there. The idea that people like me are being told they can’t live their whole truth is frightening to me.”

But bringing historical documentation into the experience isn’t the only way in which “Chanteuse” is a multimedia project — it’s also musical, with a score written by award-winning composer and arranger David Legg. “The music serves almost as a spoonful of sugar: It helps the information go down easier,” Palmer said.

Stylistically, the score implements melodic and harmonic elements of both early-‘30s-era jazz and traditional European Jewish music. The instrumentation (piano, tenor saxophone, percussion and upright bass) was chosen by Legg in order to facilitate this evocative musical landscape. “We ended up putting an underscore through the entire piece,” Palmer said. “It created a continuity, so you never feel it’s disjointed — dialogue, song, dialogue, song — the audience is never shocked out of the world we’re creating.”

And yet, Palmer insists that his created world is very relevant to the one we’re living in today. While it may seem unimaginable for something as horrifying as the Holocaust to repeat itself, Palmer said he and his co-creators want to remind audiences of the current trends towards authoritarianism around the world as they watch Werner navigate the terror of being gay in 1930s Berlin.

“Around the United States, we’re seeing more and more bans of drag performance, of gay media,” Palmer said.  “And I think drag, like any other art form, is a way of storytelling. It isn’t anything people should be afraid of.”

“This is a moment in which it’s important to say, ‘We all need to work together,’” he added. “You know, if every persecuted group stood strong together, we’d be surprised at how quickly things would turn around in a positive way.”

“Chanteuse” is being performed at Here Arts Center (145 Sixth Ave.) on Tuesdays through Saturdays through July 30. For tickets and additional info, click here. In order to allow broader access to the musical, 10 tickets priced at $10 are available for each performance on a first come, first served basis.


The post A new musical spotlights the Nazi persecution of LGBTQ+ people appeared first on Jewish Telegraphic Agency.

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Sen. Kirsten Gillibrand Slams Mamdani For Defense of ‘Globalize the Intifada’ Slogan as Pressure Mounts on Presumptive Mayoral Nominee

Senator Kirsten Gillibrand speaks during the second night of the first Democratic presidential candidates debate in Miami, Florida, US Photo: June 27, 2019. REUTERS/Mike Segar.

Senator Kirsten Gillibrand (D-NY) has condemned presumptive New York City Democratic mayoral nominee Zohran Mamdani for his defense of the controversial phrase “globalize the intifada.”

During a Thursday appearance on Brian Lehrer’s WNYC radio show, Gillibrand called on Mamdani to distance himself from the phase, arguing that it endangers Jewish citizens of New York City. Gillibrand added that many of her Jewish constituents are “alarmed” at Mamdani’s defense of the slogan.

“As a leader of a city as diverse as New York City, with 8 million people, as the largest Jewish population in the country, he should denounce it,” she said. “That’s it. Period. You can’t celebrate it. You can’t value it. You can’t lift it up. That is the challenge that Jewish New Yorkers have had certainly since … Oct. 7. It is exactly what they have felt.”

Jonathan Greenblatt, CEO of The Anti-Defamation League (ADL) , issued a statement urging all participant in the Big Apple’s mayoral race to forcefully condemn antisemitism and anti-Jewish rhetoric.

“At this time of record antisemitism, our country needs leaders at all levels who are unequivocal in condemning this oldest of hatreds,” Greenblatt said in a news release. “We call on all candidates not only to condemn and avoid using language that is harmful to the Jewish community, but also to disassociate themselves and publicly disavow it.”

Greenblatt stressed that the ADL will be “forthright in calling out antisemitism during this campaign season, whatever the source,” and called on candidates to lay out specific plans to support New York’s Jewish community.

New York City, home to the largest Jewish population outside of Israel, experienced a surge of incidents in 2024 alone, more than any other U.S. metropolitan area, according to ADL’s annual audit.

The organization pointed to phrases like “globalize the Intifada,” the “Boycott, Divestment, and Sanctions (BDS)” movement, and the slogan “From the River to the Sea” as examples of rhetoric that undermines Jewish safety and legitimacy. According to the ADL, such language invokes a decades-old history of attacks on Jews, denies the Jewish right to self-determination, and often serves to incite violence.

In addition to calling out antisemitic speech, the ADL is pressing candidates to explain how they will ensure the safety and security of the Jewish community while upholding their constitutional rights. This includes protecting the ability of Jewish New Yorkers to live, worship, work, and gather without fear of harassment, and to guard against the demonization of Jews, including Israelis.

“Antisemitic rhetoric should have no place in our electoral discourse,” Greenblatt said. “We need to know the specific plans of candidates to support the Jewish community. This is an issue for all candidates to explain in detail where they stand.”

Mamdani, a progressive representative in the New York State Assembly, has also sparked outrage after engaging in a series of provocative actions, such as appearing on the podcast of anti-Israel, pro-Hamas influencer Hasan Piker and vowing to arrest Israeli Prime Minister Benjamin Netanyahu if he visits New York.

During an event hosted by the UJA-Federation of New York last month, Mamdani also declined to recognize Israel’s right to exist as a Jewish state.

“I believe that Israel has a right to exist with equal rights for all,” Mamdani said in a carefully worded response when asked, sidestepping the issue of Israel’s existence specifically as a “Jewish state” and seemingly suggesting Israeli citizens do not enjoy equal rights.

Then during a New York City Democratic mayoral debate, he once again refused to acknowledge Israel’s right to exist as a Jewish state, sparking immediate backlash among the other candidates.

In 2023, while speaking at a Democratic Socialists of America convention in New York, Mamdani encouraged the audience to applaud for Palestinian American community activist Khader El-Yateem, saying “If you don’t clap for El-Yateem, you’re a Zionist.”

High-profile Democratic leaders in New York such as Sen. Chuck Schumer, Gov. Kathy Hochul, and Rep. Hakeem Jeffries have congratulated and complemented Mamdani, but have not yet issued an explicit endorsement. Each lawmaker has indicated interest in meeting with the presumptive Democratic mayoral nominee prior to making a decision on a formal endorsement.

The post Sen. Kirsten Gillibrand Slams Mamdani For Defense of ‘Globalize the Intifada’ Slogan as Pressure Mounts on Presumptive Mayoral Nominee first appeared on Algemeiner.com.

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Iran Rejects US Talks, Signals It May Block UN From Nuclear Sites as Trump Leaves Door Open to Future Bombings

Iran’s Foreign Minister Abbas Araghchi addresses a special session of the Human Rights Council at the United Nations in Geneva, Switzerland, June 20, 2025. REUTERS/Denis Balibouse

Iran announced Friday that it will not engage in nuclear talks with the United States, rejecting a two-week deadline set by US President Donald Trump for renewed negotiations aimed at resolving the ongoing standoff over Tehran’s nuclear program.

In a televised speech, Iranian Foreign Minister Abbas Araghchi condemned what he described as Washington’s “complicity in the Israeli regime’s war of aggression against Iran,” and slammed recent US military strikes as a betrayal of diplomacy and a blow to any prospects for dialogue.

“Americans want to negotiate and have sent messages several times, but we clearly said that as long as [the Israeli] aggression doesn’t stop, there’s no place for dialogue,” the top Iranian diplomat said in an address on state television.

“No agreement has been made on the restart of negotiations. There has not even been any talk of negotiations,” Araghchi continued. “The subject of negotiations is out of question at present.”

However, he reassured that Tehran remains committed to diplomacy, but the decision to resume negotiations with Washington must be carefully evaluated.

“It is still early to say that the conditions are right for negotiations,” Araghchi said.

Meanwhile, Trump said he would consider carrying out further strikes on Iran if US intelligence reveals new concerns about the country’s uranium enrichment program.

“Sure, without question, absolutely,” Trump said Friday during a press briefing when asked if a second wave of bombings was possible.

During his speech, he also addressed the recent American and Israeli strikes on Iran’s nuclear facilities, acknowledging that the damage was significant but adding that the regime is still assessing its full extent.

For its part, US intelligence officials have reported that Tehran’s nuclear sites were “severely damaged” during the American airstrikes last weekend.

Araghchi’s comments came as he met on Friday with his counterparts from Britain, France, Germany, and the European Union’s Foreign Policy Chief Kaja Kallas in Geneva — marking their first meeting since the Iran-Israel war began.

Europe is actively urging Iran to reengage in talks with the White House in an effort to avert any further escalation of tensions.

In a post on X, Araghchi also announced that Iran may reject any requests by the International Atomic Energy Agency (IAEA), the UN nuclear watchdog, to visit the country’s nuclear sites.

He said this latest decision was “a direct result of [IAEA Director-General, Rafael Grossi]’s regrettable role in obfuscating the fact that the Agency — a full decade ago — already closed all past issues.”

“Through this malign action, he directly facilitated the adoption of a politically-motivated resolution against Iran by the IAEA BoG [Board of Governors] as well as the unlawful Israeli and US bombings of Iranian nuclear sites,” the Iranian top diplomas said in a post on X.

“In an astounding betrayal of his duties, Grossi has additionally failed to explicitly condemn such blatant violations of IAEA safeguards and its Statute,” Araghchi continued.

Iran’s critique of Grossi comes as the Iranian parliament voted this week to suspend cooperation with the IAEA “until the safety and security of [the country’s] nuclear activities can be guaranteed.”

“The IAEA and its Director-General are fully responsible for this sordid state of affairs,” Araghchi wrote in his post on X.

The post Iran Rejects US Talks, Signals It May Block UN From Nuclear Sites as Trump Leaves Door Open to Future Bombings first appeared on Algemeiner.com.

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Argentina to Try Iranian, Lebanese Suspects in Absentia Over 1994 AMIA Bombing in Historic Legal Shift

People hold images of the victims of the 1994 bombing attack on the Argentine Israeli Mutual Association (AMIA) community center, marking the 30th anniversary of the attack, in Buenos Aires, Argentina, July 18, 2024. Photo: REUTERS/Irina Dambrauskas

A federal judge in Argentina has ordered the trial in absentia of ten Iranian and Lebanese nationals suspected of orchestrating the 1994 bombing of the Argentine Israelite Mutual Association (AMIA) Jewish community center in Buenos Aires.

The ten suspects set to stand trial include former Iranian and Lebanese ministers and diplomats, all of whom are subject to international arrest warrants issued by Argentina for their alleged roles in the country’s deadliest terrorist attack, which killed 85 people and wounded more than 300.

In April, lead prosecutor Sebastián Basso — who took over the case after the 2015 murder of his predecessor, Alberto Nisman — requested that federal Judge Daniel Rafecas issue national and international arrest warrants for Iran’s Supreme Leader Ayatollah Ali Khamenei over his alleged involvement in the attack.

This legal action marks a significant departure from Argentina’s previous stance in the case, under which the Iranian leader was regarded as having diplomatic immunity.

Since 2006, Argentine authorities have sought the arrest of eight Iranians — including former president Ali Akbar Hashemi Rafsanjani, who died in 2017 — yet more than three decades after the deadly bombing, all suspects remain still at large.

Thursday’s ruling marks the first time Argentina will try suspects in absentia, following a legal change in March that lifted the requirement for defendants to be physically present in court.

This latest legal move comes amid a renewed push for justice, with President Javier Milei vowing to hold those responsible for the attack accountable.

Among those accused of involvement in the terrorist attack are Ali Fallahijan, Iran’s intelligence and security minister from 1989 to 1997; Ali Akbar Velayati, former foreign minister; Mohsen Rezai, commander of Iran’s Islamic Revolutionary Guard Corps between 1993 and 1994; and Hadi Soleimanpour, former Iranian ambassador to Buenos Aires.

Also implicated are former Al Quds commander Ahmad Vahidi; Iranian diplomat Ahmad Reza Asghari; Mohsen Rabbani, the former cultural attaché at Iran’s embassy in Argentina; and Hezbollah operatives Salman Raouf Salman, Abdallah Salman, and Hussein Mounir Mouzannar.

According to Judge Rafecas, the defendants were declared in contempt of court years ago, remain fully informed of their legal standing, and have consistently disregarded multiple extradition requests.

He said that trying the suspects in absentia would give the courts a chance to “at least uncover the truth and piece together what happened.”

This latest decision acknowledges “the material impossibility of securing the defendants’ presence and the nature of the crime against humanity under investigation,” Rafecas said.

“It is essential to proceed … to prevent the perpetuation of impunity,” he continued.

Despite Argentina’s longstanding belief that Lebanon’s Shiite Hezbollah terrorist group carried out the devastating attack at Iran’s request, the 1994 bombing has never been claimed or officially solved.

Meanwhile, Tehran has consistently denied any involvement and has refused to arrest or extradite any suspects.

To this day, the decades-long investigation into the terror attack has been plagued by allegations of witness tampering, evidence manipulation, cover-ups, and annulled trials.

In 2006, former prosecutor Nisman formally charged Iran for orchestrating the attack and Hezbollah for carrying it out.

Nine years later, he accused former Argentine President Cristina Fernández de Kirchner — currently under house arrest on corruption charges — of attempting to cover up the crime and block efforts to extradite the suspects behind the AMIA atrocity in return for Iranian oil.

Nisman was killed later that year, and to this day, both his case and murder remain unresolved and under ongoing investigation.

The alleged cover-up was reportedly formalized through the memorandum of understanding signed in 2013 between Kirchner’s government and Iranian authorities, with the stated goal of cooperating to investigate the AMIA bombing.

Last year, Argentina’s second-highest court ruled that the 1994 attack in Buenos Aires was “organized, planned, financed, and executed under the direction of the authorities of the Islamic State of Iran, within the framework of Islamic Jihad.” The court also said that the bombing was carried out by Hezbollah terrorists responding to “a political and strategic design” by Iran.

The court additionally ruled that Iran was responsible for the 1992 truck bombing of the Israeli embassy in Buenos Aires, which killed 29 people and injured 200 others.

Judges determined that the bombing of the Israeli Embassy was likely carried out in retaliation for then-President Carlos Menem’s cancellation of three agreements with Iran involving nuclear equipment and technology.

The post Argentina to Try Iranian, Lebanese Suspects in Absentia Over 1994 AMIA Bombing in Historic Legal Shift first appeared on Algemeiner.com.

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