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ADL reports massive increase in antisemitic incidents in 2022
(JTA) – From Neo-Nazi propaganda campaigns to attacks against Orthodox Jews to threats directed at synagogues, the number of antisemitic incidents in the United States saw a dramatic increase in 2022, according to an annual audit published by the Anti-Defamation League.
The ADL counted 3,697 incidents of harassment, vandalism and assault targeting Jews last year — a 36% increase from the 2,717 recorded in 2021 and by far the highest total since the organization began tallying the data in 1979. The incidents include one fatality — the killing in October of Thomas Meixner, a professor at the University of Arizona who was shot allegedly by a student, in part because the student believed Meixner was Jewish. The tally also includes the hostage situation at a Texas synagogue early in 2022.
The ADL’s audit is the most widely cited and comprehensive source of data on antisemitic incidents in the United States, and its conclusion tracks with a recent report by the FBI showing an increase in hate crimes.
“This data confirms what Jewish communities across the country have felt and seen firsthand – and corresponds with the rise in antisemitic attitudes,” ADL CEO Jonathan Greenblatt said in a statement.
The ADL found that there were increases in several different forms of antisemitism, from incidents at schools and college campuses to antisemitism targeting Orthodox Jews to bomb threats against Jewish institutions.
There was a particularly large spike in propaganda distribution by white supremacist groups. One such group, the Florida-based Goyim Defense League, alone was responsible for at least 492 incidents of propaganda in 2022, 13.3% of the total number of antisemitic incidents tallied in the report. This year, a man accused of shooting two Jews in Los Angeles said he was inspired by a propaganda flier of the type distributed by the group.
One category that saw a decline was antisemitism that involved references to Israel or Zionism. There were 241 incidents of that kind in 2022, a decrease from the 345 recorded in 2021, when a conflict that May between Israel and Hamas in Gaza was accompanied by a spike in attacks on Jews. Incidents revolving around Israel or Zionism represented 6.5% of last year’s total.
The stream of antisemitic comments last fall by the rapper Kanye West, who goes by Ye, also inspired a portion of last year’s antisemitism. Nearly 60 incidents involved direct references to Ye.
A team at the ADL gathered reports from the organization’s regional offices, individual victims, law enforcement, a range of partner organizations and other sources, and then vetted each incident to eliminate duplicates and ensure it matched the organization’s criteria for what constitutes an antisemitic incident, according to Aryeh Tuchman, a senior associate director at the ADL’s Center on Extremism.
The report’s methodology section says it includes incidents in which “circumstances indicate anti-Jewish animus on the part of the perpetrator” or “a reasonable person could plausibly conclude they were being victimized due to their Jewish identity,” as well as incidents involving swastikas. Vandalism of Jewish institutions, and some online antisemitism, could also be included.
“We spend a great deal of time deduplicating, manually reviewing and trying to get as much information as we can about all of the incidents,” Tuchman said.
Tuchman added that the ADL can’t possibly capture every incident that has occurred. He also acknowledged that some of the increase in the number of antisemitic incidents recorded is likely due to the ADL’s ongoing effort to expand its sources of information, which include multiple Jewish religious organizations and security agencies. But he said that any effect of adding new sources is marginal, and that there is overwhelming evidence that antisemitism is sharply on the rise.
“It’s a question that we look at every year: Is there an actual rise in the number of incidents or are we just finding more incidents because we’re looking in more places?” he said. “We’re not getting a huge number of incidents as a result of new data sources — maybe some, but especially with the most serious incidents, there are only a limited number of incidents of synagogues that are vandalized every year.”
Tuchman added, “Where we know we are always undercounting is harassment,” which people are less likely to report.
There were 111 cases of antisemitic assault tallied in the audit, a 26% increase from 2021. Instances of harassment were up 29%, reaching 2,298 last year, and the 1,288 vandalism incidents logged in 2022 represent a 51% increase.
The hostage crisis in Colleyville, Texas, in January 2022 was registered among 589 incidents targeting Jewish institutions last year. Of those, 91 were bomb threats, the highest number since 2017, when synagogues received more than 100 bomb threats, most of which came from a teenager in Israel.
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The post ADL reports massive increase in antisemitic incidents in 2022 appeared first on Jewish Telegraphic Agency.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
