Uncategorized
Aline Kominsky-Crumb, who transformed comics first as a muse and then as a feminist artist, dies at 74
(JTA) — Robert Crumb put the “x” in comix by setting to paper his basest sexual longings, including strong-legged Jewish women who were cowgirls and who went by the name Honeybunch Kaminski.
So when an actual strong-legged Jewish cowgirl named Aline Kominsky walked into his life, it was love at first sight, and never wavered.
Aline Kominsky-Crumb, who died Wednesday at 74 in France of pancreatic cancer, was late to the revolution her husband launched in comics a few years before they met, with his Zap Comix. The “x” was a signifier of what was then known as “underground” comics and referred to the unfiltered treatment of humanity that censorious publishers, politicians and public figures had all but washed out of the art.
She soon fully embraced the art form and then helped transform it.
Working with her husband and then on her own, Kominsky-Crumb brought to comics raw self-lacerating accountability and subverted crude stereotypes about Jewish women — including those peddled by her husband — by taking possession of them.
She started out as a self-acknowledged sex object reviled by second-wave feminists and became a hero of younger feminists for modeling unfettered sexual expression. She was the brassy Jewish stereotype who became the muse who guided her husband to a deeper consideration of Judaism.
Kominsky-Crumb, born Aline Ricky Goldsmith in 1948 in the Five Towns, a Jewish enclave on Long Island, had a Jewish upbringing that was in many ways conventional, horrifying and both at the same time. She wrote about the warmth of her grandparents’ home and how she sought in it succor and about the pressures her materialistic parents placed on her. She said she was named for a Five Towns clothing store, Aline Ricky, that sold French fashion knockoffs. She resisted her mother’s pressure to get a nose job.
In one autobiographical comic, she recalls seeing one Jewish girl after another coming into school after plastic surgery. “Me ‘n’ my friends developed a ‘big nose pride,’” she writes, and one of the characters says, “I could not stand to look like a carbon copy!”
She told fellow Jewish cartoonist Sarah Lightman about the ordeal. “Like, I kept my nose, but it was really a close call, because my mother had me in Doctor Diamond’s office and he measured my nose. I remember that. They took an instrument and measured your nose. And then he took a piece of paper and he said,’ look, we can make it look like this.’ And I said, ‘Oh my God.’ My mother said, ‘Oh, it’s gorgeous, gorgeous.’”
In her teens, Kominsky-Crumb fled the suburbs for Manhattan. She studied at Cooper Union, an art school, and lived on the Lower East Side, earning plaudits from her instructors for her painting, but getting bored. She had a baby and gave it up for adoption to a Jewish agency, an experience that scarred her, and later led her to become outspoken in advocating for abortion rights.
After she married Carl Kominsky, they moved to Tucson, Arizona, which she called “hippie heaven.” There, she left her husband for a cowboy who lived with two brothers and his father in what she said was “the middle of nowhere” where she helped out on horseback, albeit under the influence of hallucinogens. (She said her beau was killed in a shootout with a romantic rival after she left.)
In Tucson, she met two pioneers of underground comics, Kim Deitch and Spain Rodriguez. They encouraged her to move to San Francisco, which was the scene of the burgeoning movement.
She did and met Crumb at a party in 1971, within three years of his having created “Honeybunch Kaminski, the drug-crazed runaway” (1968) and “Dale Steinberger, the Jewish Cowgirl.” Kominsky-Crumb, who had kept her first husband’s last name because it sounded more “ethnic” than Goldsmith, was so taken with the her husband’s lustful Jewish imaginings, and how closely she physically resembled them, that when she started creating her own, she named her avatar “Bunch,” a shortened version of the character whose name most closely matched her own.
It was kismet, except it wasn’t at first. Crumb and Kominsky-Crumb got together, but maintained open relationships. Crumb endured Kominsky-Crumb’s dalliances with other men for decades, but Kominsky-Crumb was not as able (or willing) to reciprocate. When one of Crumb’s exes arrived at their commune in Mendocino, she told The Comics Journal in 1990, she was furious. “I had a total s— fit,” she said, “I was wearing these giant platform shoes. I ran out the door and I fell and broke my foot in six places.”
Crumb sent the ex on her way and entertained the recovering Kominsky with a pastime he and his brother worked out as children: They would co-create a comic.
That process drew the couple closer, and also became a decades-long unflinching chronicle of a relationship. A culmination, “Drawn Together,” was critically acclaimed when it came out in 2012.
In one passage in the 2012 book, she gently chides her husband for resorting to antisemitic tropes — although it was tropes about loud, slightly unhinged, sexually voracious Jewish women that drew them together.
One page depicts the couple in bed. Crumb is stung by an accusation of antisemitism from Art Spiegelman. (Spiegelman joined with Crumb to launch the underground comics scene in the 1960s, but they grew apart as Spiegelman, who would author the Holocaust chronicle “Maus,” sought to attach an overarching philosophy to the genre, while Crumb continued to crave crude authenticity.)
Crumb says that Spiegelman “seems to be taking my ruminations about the Jews as antisemitism … I certainly didn’t mean it as such.” Kominsky-Crumb draws herself into the panel, listening to her husband, as a little girl wearing tefillin, a T-shirt with “kosher” in Hebrew and a Star of David pendant. In the next panel, once again appearing as a grown woman in a negligee, she makes clear to Crumb why she feels vulnerable as a Jew in the marriage.
“Dahling, you do call the Jewish religion ‘Brand X’,” she says.. “Now I might even think that’s true in some ways … and I’m one o’ them … I’m allowed to say that!”
Crumb draws himself as wounded but also awakened. “Oh, I see … ulp.” Crumb dedicated his masterwork, “The Book of Genesis,” a searing illustrated narrative of the Bible’s first book, to Aline.
The Crumbs’ collaborative work was celebrated among aficionados, but it wasn’t until 1994’s “Crumb,” a documentary directed by Crumb’s close Jewish friend, Terry Zwigoff, that she emerged into the broader culture. A vibrant, peripatetic Kominsky-Crumb cares for their daughter, Sophie, and revels in their life in a small French village, where they had moved a few years earlier, while Crumb continues to hold back, playing the wounded, misunderstood artist.
It was an arrival of sorts for Kominsky-Crumb. She had for a time been marginalized even on the underground scene, her deceptively simple art derided as sloppy. She helped found the Wimmen’s Comix collective in 1972, and wrote about her Jewish upbringing in the first issue, a piece entitled “Goldie: A Neurotic Woman.” But she was soon frozen out because some of her colleagues thought her musings about longing to be dominated (and her tendency to dress that way to please Crumb) were denigrating to women. “The Yoko Ono of Comics,” is how the New York Times described her early years.
She left the collective and joined another Jewish woman artist, Diane Noomin, in launching “Twisted Sisters” in 1976. Its cover depicts hers seated on a toilet wondering “How many calories in a cheese enchilada.” The message to her erstwhile colleagues, who depicted women heroically, was clear: Kominsky-Crumb would indulge her full unvarnished self.
It would take decades, but a later generation of feminists would come to understand her autobiographical “Bunch” not as a self-loathing caricature but as a means of understanding ones whole self. In 2020, Lightman launched an interview with Kominsky-Crumb by reviewing a 1975 cartoon, “Bunch plays with herself” that shocked even the underground scene at the time with its graphic depictions of a woman exploring every corner of her body.
“I didn’t do it to be disgusting but it’s, like, about every horrible and fun thing you can do with your body,” Kominsky-Crumb told Lightman. “I think it’s an amazing piece of feminist art,” Lightman said in the interview, “because women are drawn to be gazed at, and [here we see] their bodily juices, and everything. … The last panel is the best. ‘My body is an endless source of entertainment’.”
In 2007, she and Crumb created a cover for the Jewish counterculture magazine Heeb, where she is cradling him in her arms. “”I feel so safe in the arms of this powerful Jewish woman!” Crumb says.
By 2018, she was scrolling through her phone to show a New York Times reporter pictures of Crumb cavorting with the grandkids. (Daughter Sophie in adulthood also is a comics artist.) The photos then transition to photos of women’s behinds, taken in Miami.
“I’m enabling his big butt fixation,” she said. “Well I don’t have a big butt anymore so I have to offer him something.”
“It was her energy that transformed the American Crumb family into a Southern French one, with her daughter Sophie living, marrying and having three French children there,” the official Crumb website said in announcing her death. “She will be dearly missed within that family, by the international cartooning community, but especially by Robert, who shared the last 50 years of his life with her.”
—
The post Aline Kominsky-Crumb, who transformed comics first as a muse and then as a feminist artist, dies at 74 appeared first on Jewish Telegraphic Agency.
Uncategorized
Western Countries Crack Down on Hamas Terror Threat in Europe
A flag is flown during a protest in support of Palestinians in Gaza, amid the ongoing conflict between Israel and Hamas, outside the European Parliament, in Strasbourg, France, Nov. 27, 2024. Photo: REUTERS/Yves Herman
Western authorities are intensifying efforts to curb Hamas’s terror threat in Europe, arresting suspected operatives in Germany and imposing US sanctions on key Hamas-linked figures and organizations.
On Friday, German authorities arrested a 36-year-old man, identified as Mohammad S., at Berlin Brandenburg Airport, who is suspected of belonging to a terrorist cell that plotted attacks on Israeli and Jewish targets across the country
According to local media, he is the fourth member of a cell – three of whose members were arrested last year – with links to Hamas, and he is accused of supplying the Palestinian terrorist group with weapons.
The German federal prosecutor’s office ordered the arrest of Mohammad S. upon his return from Lebanon, after investigators found that he acquired 300 rounds of ammunition in August 2025 in preparation for potential Hamas attacks on Israeli and Jewish institutions in Germany and across Europe.
Last year, local police arrested Lebanese-born Borhan El-K, a suspected Hamas operative, after he crossed into Germany from the Czech Republic — part of an ongoing probe into the Islamist group’s network and operations across the continent.
German authorities confirmed the suspect had obtained an automatic rifle, eight Glock pistols, and more than 600 rounds of ammunition in the country before handing the weapons to Wael FM, another suspected member of the terrorist group, in Berlin.
Local law enforcement also arrested Lebanese-born Wael FM, along with two other German citizens, Adeb Al G and Ahmad I, who prosecutors say are foreign operatives for Hamas.
As part of an internationally coordinated investigation into a global terrorist network linked to the Islamist group, German authorities uncovered evidence that it had smuggled weapons into the country for potential attacks in Europe.
The United States is also stepping up efforts to counter the threat of Hamas-linked terrorism in Europe, including imposing renewed sanctions on the group and its operatives.
Last week, the US Treasury’s Office of Foreign Assets Control (OFAC) designated UK-based pro-Palestinian activist Zaher Birawi, an alleged senior Hamas member, as a supporter of a Hamas-linked group, freezing his US assets and barring Americans from doing business with him.
The US government also sanctioned Birawi’s organization, the Popular Conference for Palestinians Abroad (PCPA), identifying him as one of its founding members and a senior official.
According to the Treasury Department, the PCPA “does not only work with, and in support of, Hamas — it operates at Hamas’s behest.”
Birawi also runs the Palestinian Forum in Britain (PFB) and holds leadership positions in the Hamas-affiliated European Palestinians Conference (EPC), organizing anti-Israel protests, flotillas, and campaigns.
Birawi drew international attention in 2025 as a key organizer of the Gaza-bound aid flotilla.
Israel, which designated Birawi as a key Hamas operative in Europe in 2013, uncovered documents last year in Gaza revealing the terrorist group’s direct role in organizing and funding the flotilla.
Among those documents was a detailed list of PCPA activists involved in the flotilla, identifying Birawi as the head of the PCPA’s Hamas sector in Britain.
According to a 2024 report on Hamas civilian fronts in the UK and Europe, Birawi was identified as “one of the most prominent Hamas- and Muslim Brotherhood-affiliated operatives in the UK.”
The OFAC also sanctioned six Gaza-based charitable organizations — Waed Society, Al-Nur, Qawafil, Al-Falah, Merciful Hands, and Al-Salameh — for supporting Hamas’s military wing.
Uncategorized
Iran’s Rising Death Toll Ramps Up Pressure on Trump to Respond
Protesters gathered on Jan. 24, 2026, at Joachimsthaler Platz in western Berlin, Germany, to rally in support of anti-regime demonstrations in Iran, calling for US military intervention. Photo: Michael Kuenne/PRESSCOV via ZUMA Press Wire via Reuters Connect
More than 30,000 people may have been killed by Iranian security forces during a brutal crackdown on widespread anti-government protests earlier this month, according to new estimates that far exceed earlier death tolls.
The new figures have intensified pressure on the international community to respond to the Iranian regime’s shocking scale of violence, especially amid a US military buildup in the region following President Donald Trump’s repeated warnings to Iran and calls to help the protesters.
Two senior Iranian Ministry of Health officials told TIME that the scale of the killings and executions has overwhelmed the state’s capacity to dispose of the dead, as anti-regime protests erupted across more than 400 cities and towns, with over 4,000 clashes reported nationwide. According to the officials, as many as 30,000 people could have been killed in the streets of Iran on Jan. 8 and 9 alone.
The Iranian regime has reported an official death toll of 3,117. But new evidence suggests the true number is far higher, raising fears among activists and world leaders of crimes against humanity.
The US-based Human Rights Activists News Agency (HRANA), which tracks deaths by name and location, has confirmed 5,937 deaths, including 214 security personnel. Nearly 20,000 potential deaths are still under investigation, and tens of thousands of additional Iranians have been arrested amid the crackdown.
According to Dr. Amir Parasta, a German-Iranian physician, the latest figures do not include protest-related deaths recorded at military hospitals or in regions the investigation never reached, suggesting the toll is likely to keep rising.
More than 30,000 fatalities have been registered so far. With the support of my dedicated colleagues in Iran, we have been able to submit verified figures on deaths, injuries, and executions to the United Nations and to governments, and we will continue to update these data.
— Prof. Dr. Amir-Mobarez Parasta (@ProfParasta) January 25, 2026
Aligned with the Ministry of Health’s new figures, Iran International reported that security forces killed over 36,500 Iranians during the Jan. 8–9 nationwide crackdown, marking the deadliest two-day protest massacre in modern history. Thew news outlet cited newly obtained classified documents, field reports, and accounts from medical staff, witnesses, and victims’ families.
Iran International also noted the prevalence of extrajudicial execution of a number of detainees.
“Images released from morgues leave little doubt that some wounded citizens were shot in the head while hospitalized and undergoing medical treatment. It is evident that, had these individuals sustained fatal head wounds on the streets, there would have been no reason to admit them to hospital or begin treatment in the first place,” the outlet reported. “The images also show that in some cases, medical tubes and patient-monitoring equipment remained attached to the bodies. In other cases, cardiac monitoring electrodes are visible on the chest, suggesting these individuals were under medical care before being shot in the head. A number of doctors and nurses have also told Iran International that so-called ‘finishing shots’ were fired at wounded patients.”
Some families of protesters who were killed have reportedly been told they must pay up to $20,000 to bury their loved ones, while others were forced to sign papers falsely claiming their relatives had served in the security forces instead of participating in the protests.
According to Mahmood Amiry-Moghaddam, director of Norway-based Iran Human Rights, the Islamist regime is using this technique to conflate the number of security forces killed and downplay the death toll among protesters.
“One reason for this practice is that the regime seeks to avoid international pressure for killing protesters,” Amiry-Moghaddam said. “Another motive is to prepare the ground for future executions of protesters.”
Iranian judicial officials have previously dismissed US President Donald Trump’s claims about halting execution sentences for protesters as “useless and baseless nonsense,” warning that the government’s response to the unrest will be “decisive, deterrent, and swift.”
With Iranian authorities now maintaining an internet blackout for nearly three weeks, the actual number of casualties remains difficult to verify. Activists fear the internet shutdown is being used to conceal the full extent of the crackdown on anti-regime protests.
Iranian officials told The New York Times that Supreme Leader Ayatollah Ali Khamenei ordered security forces to suppress protesters “by any means necessary,” with explicit instructions to “shoot to kill and show no mercy.”
The latest figures, double previous estimates, come as the United States and the broader international community face growing pressure to act against the regime’s ongoing violence. For its part, the Iranian government has warned that any attack will be treated “as an all-out war.”
As regional tensions mount over the regime’s brutal crackdown on anti-government protests, Washington has increased its military presence in the region, moving a range of assets into the area — including the USS Abraham Lincoln and its strike group.
On Sunday, the US Air Force said it was set to begin a multi-day readiness exercise across the Middle East “to demonstrate the ability to deploy, disperse, and sustain combat airpower” in the region.
The UK Ministry of Defense announced last week it had also deployed Typhoon fighter jets to Qatar “in a defensive capacity.”
In the last few weeks, Trump has repeatedly warned that he may take “decisive” military action against Iran if the regime continues killing protesters.
“We’re watching Iran,” Trump said on his way back from the World Economic Forum in Davos. “I’d rather not see anything happen but we’re watching them very closely.”
With pressure mounting for Iran at home and abroad, experts say it remains unclear how Tehran will respond — whether by escalating militarily beyond its borders or by offering limited concessions to ease sanctions and mend ties with the West.
The nationwide protests, which began with a shopkeepers’ strike in Tehran on Dec. 28, initially reflected public anger over the soaring cost of living, a deepening economic crisis, and the rial — Iran’s currency — plummeting to record lows amid renewed economic sanctions, with annual inflation near 40 percent.
However, the demonstrations quickly swelled into a broader anti-government movement calling for the fall of Khamenei and Iranian President Masoud Pezeshkian and even a broader collapse of the country’s Islamist, authoritarian system.
Uncategorized
Jewish Cemetery Desecrated in Barcelona, More Than 20 Graves Vandalized
Photo of vandalized tombstones in Barcelona via Federation of Jewish Community of Barcelona (CJB).
Vandals on Sunday targeted the Jewish cemetery in Barcelona, desecrating more than 20 graves and smashing tombstones.
The crime comes amid a sharp rise in antisemitic incidents and anti-Israel sentiment across Spain, whose Jewish community has expressed alarm over the increasingly hostile environment.
“We have seen how, at demonstrations, online and on the street, hate speech against Jews became routine. Then signs appeared across the city. Later, posters were hung on public buildings with slogans,” the Jewish Community of Barcelona said in a statement. “After that, a map was published marking Jewish targets, including a school. And now, the desecration of graves. This is not random. This is an escalation. From slogans to marking. From marking to threats. And from threats to action.”
The statement referred to an online platform mapping Jewish-owned businesses, schools, and Israeli-linked companies in Catalonia, a region in northeastern Spain.
A spokesperson for the Catalan police told Agence France Presse that “we are aware of the [cemetery] incident and have opened an investigation,”
The European Jewish Congress (EJC) condemned the vandalism on X.
“What we are seeing is not isolated. It is part of a wider escalation that begins with words, continues with targeting and intimidation and ends in acts like this,” the EJC said. “When hate is normalized in public discourse, the step to physical action becomes smaller.”
Israel’s Foreign Ministry also released a statement with photos of the crime, saying, “We condemn the vandalism of the Jewish cemetery in Barcelona. This despicable act is a result of the anti-Israel campaign by the Sánchez government. We stand with Spain’s Jewish community. Antisemitism must never be normalized and must be firmly rejected in all societies.”
In September, Lorenzo Rodríguez, mayor of Castrillo Mota de Judíos in northern Spain, warned that Spanish Prime Minister Pedro Sánchez had fueled antisemitic sentiment.
“The government is fostering antisemitism that will prove deeply damaging for Spain,” Rodríguez said. “Sánchez’s moves are less about serious foreign policy and more about deflecting attention from his trials and failures in governance.”
Rodríguez described his view that Spain “isn’t leading anything — it’s merely whitewashing Hamas and other terrorist groups.”
Sánchez had told members of his Socialist Workers’ Party that month that Israel should not be allowed to participate in international sports and that the Jewish state “cannot continue to use any international platform to whitewash its image.”
Spain’s Culture Minister Ernest Urtasun has expressed similar calls for boycotting Israel, saying, “We have to make sure that Israel does not take part in the next Eurovision,” referring to the international song contest.
Madrid has been one of the West’s fiercest critics of Israel’s defensive military campaign in Gaza following Hamas’s Oct. 7, 2023, invasion of and massacre across southern Israel.
“What [Israeli] Prime Minister [Benjamin] Netanyahu presented in October 2023 as a military operation in response to the horrific terrorist attacks has ended up becoming a new wave of illegal occupations and an unjustifiable attack against the Palestinian civilian population – an attack that the UN special rapporteur and the majority of experts already describe as a genocide,” Sánchez said in a televised speech last year.
The diplomatic tension between the two nations reached a boiling point in September, when Madrid recalled its ambassador.
The American Jewish Committee (AJC) describes Barcelona as notable for its anti-Israel sentiment, characterizing its position as an “outlier status.”
The AJC wrote in May 2023 that in February of that year, “Barcelona Mayor Ada Colau announced that Spain’s second-largest city would sever ties with its twin city Tel Aviv. The move answered the demands of anti-Israel activists who in January had petitioned the city council to condemn Israel.”
The Anti-Defamation League’s Global 100 report names Spain as one of the most antisemitic countries in Europe (ranked 15 out of 18 in the region), with 26 percent of adults — 10.4 million people — expressing belief in six or more bigoted tropes against Jews.
The Spanish Jewish community recently filed complaints over an online platform that targeted Jewish establishments.
First reported by the local Jewish outlet Enfoque Judío, the interactive map — known as Barcelonaz — was launched by an unidentified group claiming to be “journalists, professors, and students” on the French-hosted mapping platform GoGoCarto.
As a publicly accessible and collaboratively created online platform, the map marked over 150 schools, Jewish-owned businesses — including kosher food shops — and Israeli-linked as well as Spanish and international companies operating in Israel, labeling them as “Zionist.”
Jewish leaders in Spain strongly denounced the BarcelonaZ initiative, warning that it fostered further discrimination and hatred against the community amid an increasingly hostile environment in which Jews and Israelis continue to be targeted.
Amid the backlash, GoGoCarto announced it had removed the BarcelonaZ project from its website after local groups denounced the initiative as blatantly antisemitic and dangerous.