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Aline Kominsky-Crumb, who transformed comics first as a muse and then as a feminist artist, dies at 74
(JTA) — Robert Crumb put the “x” in comix by setting to paper his basest sexual longings, including strong-legged Jewish women who were cowgirls and who went by the name Honeybunch Kaminski.
So when an actual strong-legged Jewish cowgirl named Aline Kominsky walked into his life, it was love at first sight, and never wavered.
Aline Kominsky-Crumb, who died Wednesday at 74 in France of pancreatic cancer, was late to the revolution her husband launched in comics a few years before they met, with his Zap Comix. The “x” was a signifier of what was then known as “underground” comics and referred to the unfiltered treatment of humanity that censorious publishers, politicians and public figures had all but washed out of the art.
She soon fully embraced the art form and then helped transform it.
Working with her husband and then on her own, Kominsky-Crumb brought to comics raw self-lacerating accountability and subverted crude stereotypes about Jewish women — including those peddled by her husband — by taking possession of them.
She started out as a self-acknowledged sex object reviled by second-wave feminists and became a hero of younger feminists for modeling unfettered sexual expression. She was the brassy Jewish stereotype who became the muse who guided her husband to a deeper consideration of Judaism.
Kominsky-Crumb, born Aline Ricky Goldsmith in 1948 in the Five Towns, a Jewish enclave on Long Island, had a Jewish upbringing that was in many ways conventional, horrifying and both at the same time. She wrote about the warmth of her grandparents’ home and how she sought in it succor and about the pressures her materialistic parents placed on her. She said she was named for a Five Towns clothing store, Aline Ricky, that sold French fashion knockoffs. She resisted her mother’s pressure to get a nose job.
In one autobiographical comic, she recalls seeing one Jewish girl after another coming into school after plastic surgery. “Me ‘n’ my friends developed a ‘big nose pride,’” she writes, and one of the characters says, “I could not stand to look like a carbon copy!”
She told fellow Jewish cartoonist Sarah Lightman about the ordeal. “Like, I kept my nose, but it was really a close call, because my mother had me in Doctor Diamond’s office and he measured my nose. I remember that. They took an instrument and measured your nose. And then he took a piece of paper and he said,’ look, we can make it look like this.’ And I said, ‘Oh my God.’ My mother said, ‘Oh, it’s gorgeous, gorgeous.’”
In her teens, Kominsky-Crumb fled the suburbs for Manhattan. She studied at Cooper Union, an art school, and lived on the Lower East Side, earning plaudits from her instructors for her painting, but getting bored. She had a baby and gave it up for adoption to a Jewish agency, an experience that scarred her, and later led her to become outspoken in advocating for abortion rights.
After she married Carl Kominsky, they moved to Tucson, Arizona, which she called “hippie heaven.” There, she left her husband for a cowboy who lived with two brothers and his father in what she said was “the middle of nowhere” where she helped out on horseback, albeit under the influence of hallucinogens. (She said her beau was killed in a shootout with a romantic rival after she left.)
In Tucson, she met two pioneers of underground comics, Kim Deitch and Spain Rodriguez. They encouraged her to move to San Francisco, which was the scene of the burgeoning movement.
She did and met Crumb at a party in 1971, within three years of his having created “Honeybunch Kaminski, the drug-crazed runaway” (1968) and “Dale Steinberger, the Jewish Cowgirl.” Kominsky-Crumb, who had kept her first husband’s last name because it sounded more “ethnic” than Goldsmith, was so taken with the her husband’s lustful Jewish imaginings, and how closely she physically resembled them, that when she started creating her own, she named her avatar “Bunch,” a shortened version of the character whose name most closely matched her own.
It was kismet, except it wasn’t at first. Crumb and Kominsky-Crumb got together, but maintained open relationships. Crumb endured Kominsky-Crumb’s dalliances with other men for decades, but Kominsky-Crumb was not as able (or willing) to reciprocate. When one of Crumb’s exes arrived at their commune in Mendocino, she told The Comics Journal in 1990, she was furious. “I had a total s— fit,” she said, “I was wearing these giant platform shoes. I ran out the door and I fell and broke my foot in six places.”
Crumb sent the ex on her way and entertained the recovering Kominsky with a pastime he and his brother worked out as children: They would co-create a comic.
That process drew the couple closer, and also became a decades-long unflinching chronicle of a relationship. A culmination, “Drawn Together,” was critically acclaimed when it came out in 2012.
In one passage in the 2012 book, she gently chides her husband for resorting to antisemitic tropes — although it was tropes about loud, slightly unhinged, sexually voracious Jewish women that drew them together.
One page depicts the couple in bed. Crumb is stung by an accusation of antisemitism from Art Spiegelman. (Spiegelman joined with Crumb to launch the underground comics scene in the 1960s, but they grew apart as Spiegelman, who would author the Holocaust chronicle “Maus,” sought to attach an overarching philosophy to the genre, while Crumb continued to crave crude authenticity.)
Crumb says that Spiegelman “seems to be taking my ruminations about the Jews as antisemitism … I certainly didn’t mean it as such.” Kominsky-Crumb draws herself into the panel, listening to her husband, as a little girl wearing tefillin, a T-shirt with “kosher” in Hebrew and a Star of David pendant. In the next panel, once again appearing as a grown woman in a negligee, she makes clear to Crumb why she feels vulnerable as a Jew in the marriage.
“Dahling, you do call the Jewish religion ‘Brand X’,” she says.. “Now I might even think that’s true in some ways … and I’m one o’ them … I’m allowed to say that!”
Crumb draws himself as wounded but also awakened. “Oh, I see … ulp.” Crumb dedicated his masterwork, “The Book of Genesis,” a searing illustrated narrative of the Bible’s first book, to Aline.
The Crumbs’ collaborative work was celebrated among aficionados, but it wasn’t until 1994’s “Crumb,” a documentary directed by Crumb’s close Jewish friend, Terry Zwigoff, that she emerged into the broader culture. A vibrant, peripatetic Kominsky-Crumb cares for their daughter, Sophie, and revels in their life in a small French village, where they had moved a few years earlier, while Crumb continues to hold back, playing the wounded, misunderstood artist.
It was an arrival of sorts for Kominsky-Crumb. She had for a time been marginalized even on the underground scene, her deceptively simple art derided as sloppy. She helped found the Wimmen’s Comix collective in 1972, and wrote about her Jewish upbringing in the first issue, a piece entitled “Goldie: A Neurotic Woman.” But she was soon frozen out because some of her colleagues thought her musings about longing to be dominated (and her tendency to dress that way to please Crumb) were denigrating to women. “The Yoko Ono of Comics,” is how the New York Times described her early years.
She left the collective and joined another Jewish woman artist, Diane Noomin, in launching “Twisted Sisters” in 1976. Its cover depicts hers seated on a toilet wondering “How many calories in a cheese enchilada.” The message to her erstwhile colleagues, who depicted women heroically, was clear: Kominsky-Crumb would indulge her full unvarnished self.
It would take decades, but a later generation of feminists would come to understand her autobiographical “Bunch” not as a self-loathing caricature but as a means of understanding ones whole self. In 2020, Lightman launched an interview with Kominsky-Crumb by reviewing a 1975 cartoon, “Bunch plays with herself” that shocked even the underground scene at the time with its graphic depictions of a woman exploring every corner of her body.
“I didn’t do it to be disgusting but it’s, like, about every horrible and fun thing you can do with your body,” Kominsky-Crumb told Lightman. “I think it’s an amazing piece of feminist art,” Lightman said in the interview, “because women are drawn to be gazed at, and [here we see] their bodily juices, and everything. … The last panel is the best. ‘My body is an endless source of entertainment’.”
In 2007, she and Crumb created a cover for the Jewish counterculture magazine Heeb, where she is cradling him in her arms. “”I feel so safe in the arms of this powerful Jewish woman!” Crumb says.
By 2018, she was scrolling through her phone to show a New York Times reporter pictures of Crumb cavorting with the grandkids. (Daughter Sophie in adulthood also is a comics artist.) The photos then transition to photos of women’s behinds, taken in Miami.
“I’m enabling his big butt fixation,” she said. “Well I don’t have a big butt anymore so I have to offer him something.”
“It was her energy that transformed the American Crumb family into a Southern French one, with her daughter Sophie living, marrying and having three French children there,” the official Crumb website said in announcing her death. “She will be dearly missed within that family, by the international cartooning community, but especially by Robert, who shared the last 50 years of his life with her.”
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‘Have a problem, call the PM,’ says Netanyahu as he gives out his number in campaign video
(JTA) — TEL AVIV – Prime Minister Benjamin Netanyahu on Sunday posted what he described as his personal phone number and invited Israelis to contact him with their questions and problems.
It was an election-season stunt that drew such a flood of responses that the number’s WhatsApp account was blocked within minutes and those calling received a busy signal.
It also drew suspicions that it was a ploy to collect voter data.
In a video posted to social media, Netanyahu is seen with longtime adviser Topaz Luk, who asks the prime minister whether he can publish his phone number. Netanyahu initially reacts with disbelief, saying, “Topaz, have you gone crazy?” before agreeing.
“I want to hear from you. Your suggestions, your questions, your problems. I want to hear, so leave me a message,” Netanyahu said. He added that he could not promise to answer everyone but would respond to as many people as possible.
Hundreds of messages and calls arrived within minutes and the WhatsApp account associated with the number was blocked. Luk later posted on X that the account had been disabled because of the volume of calls and said Netanyahu’s team was working to restore it, directing people to Telegram in the meantime.
Kan political correspondent Michael Shemesh questioned whether the number belonged to Netanyahu at all and suggested on X that the exercise was “probably designed to harvest the phone numbers of potential voters.”
Other users pointed to another clue that the handset seen in the video was unlikely to be Netanyahu’s personal phone. One of the WhatsApp groups visible in Luk’s video was a synagogue updates group whose latest message appeared to back political rival Naftali Bennett, the former prime minister who now heads the Beyachad party.
“Something tells me that Bibi isn’t signed up to the ‘Menachem’s House Main Shul Updates’ group,” one X user wrote, “especially not when the latest message there is ‘yalla, it’s time for Bennett.’”
The Likud spokesperson had not responded to a request for comment on the accusations by the time of publication.
It was not the first time Netanyahu handed out what he presented as his personal number during an election campaign. In August 2022, little more than two months before the vote that returned him to power, the then-opposition leader published another number and invited Israelis to video call him.
“Why should only some people have my phone number? Everyone should have it,” Netanyahu said at the time, joking that the move was a “dramatic, world-changing decision.” He told supporters who sent proof they had joined his Telegram channel that they would have a better chance of receiving a video call from him.
The response was similarly intense. Likud said Netanyahu received 9,420 calls within the first 30 minutes, while follow-up videos showed calls and messages flooding the phone.
Netanyahu’s rivals mocked the stunt. Then-Finance Minister Avigdor Liberman released a parody video saying Netanyahu “has not picked up the phone in 12 years,” while Yair Lapid’s Yesh Atid dismissed it as a “fictional phone operated by Netanyahu’s aides.”
The episode comes as Netanyahu faces a difficult reelection campaign, with roughly 20% of voters remaining undecided, many of whom are disillusioned Likud voters, according to pollsters and researchers cited by Reuters.
A Channel 13 poll released earlier this month put Gadi Eisenkot’s Yashar party at 23 seats, ahead of Likud with 21, and Netanyahu’s current coalition projected to win just 49 of the Knesset’s 120 seats. Eisenkot also led Netanyahu 47% to 34% when respondents were asked who was better suited to serve as prime minister.
The phone-number appeal is the latest in a series of efforts to put Netanyahu directly in front of voters, including a blitz of highly publicized appearances. Last week, the prime minister visited a restaurant in Hadera, a Likud stronghold, where owner Simo Shtivi said his arrival was “like hoisting the World Cup,” as diners lined up for photos and a chance to speak with him.
Netanyahu also made a surprise appearance with his wife Sara at a concert by Israeli pop star Eden Ben Zaken. A few days earlier, he filmed a campaign video at Jerusalem’s Malha Mall meeting shoppers, including children. The Central Elections Committee later ordered the video removed because election law bars the use of children in campaign propaganda.
Likud also rolled out billboards showing New York City Mayor Zohran Mamdani alongside the leaders of Iran, Turkey and Hezbollah under the slogan, “They want Netanyahu to lose. Don’t let them win.”
This article originally appeared on JTA.org.
The post ‘Have a problem, call the PM,’ says Netanyahu as he gives out his number in campaign video appeared first on The Forward.
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Providence voters to put Israel boycott movement to major test at the ballot box
(JTA) — As pro-Palestinian progressives find some success at the 2026 ballot box, the long-gestating Israel divestment campaign is looking to capitalize in Rhode Island.
Voters in Providence, the state capital, will vote on a referendum this November saying the city should refrain from investing in “foreign countries conducting ethnic cleansing, apartheid, illegal military occupation, or genocide.”
The language of the actual ballot petition does not mention Israel, nor any other country, by name. But the signature campaign was led by Providence for Palestine, a local activist coalition, and both its proponents and opponents have framed the measure as a referendum on Israel and the global Boycott, Divestment and Sanctions movement.
With the referendum’s ballot placement secured, Providence has become the largest American municipality ever to place divestment before the voting public.
“We’re in this moment when the general public at large, and particularly Democratic voters, very much understand what’s going on in Gaza and Palestine as genocide, as apartheid, and want their leaders to take action on it,” Zack Kliger, a lead organizer of the ballot initiative and member of the Rhode Island chapter of the anti-Zionist group Jewish Voice for Peace, told the Jewish Telegraphic Agency.
Kliger described the current divestment campaign as having “definitely been led disproportionately by Jewish organizers.”
To determine which countries are “conducting” any of its list of human rights abuses, the referendum would rely on “resolutions” from various bodies, including the United Nations Security Council, International Court of Justice and “any” U.S. court ruling or U.N. body. Some, though not all, of those bodies have reached conclusions that would implicate Israel in the ballot language’s divestment campaign.
Both Israel and the Trump administration have strongly rejected all genocide accusations leveled against the country. “Apartheid” can be considered an independent crime under international law, while “ethnic cleansing” has no formal legal definition.
Divestment from Israel has seen some success on the municipal level since the Oct. 7, 2023 attacks and Israel’s military response in Gaza, which has sunk the country’s popularity across the American electorate. Last year a non-binding divestment resolution in Somerville, Massachusetts, a Boston suburb with less than half of Providence’s population, became the first such initiative to win at the ballot box. Over objections from Jewish groups, the city this summer began exploring the question of how to enact the measure into law.
Critics of divestment measures argue that they force local governments to put undue focus on international issues; could prompt division and backlash against local Jewish communities, and jeopardize public pension programs. The Providence campaign’s decision to avoid mentioning Israel in the ballot language sets it apart from similar initiatives, while also neutralizing claims, made against other resolutions, that such measures unfairly single out Israel.
Yet local Jewish groups say the risk to the community remains.
“All this will do [is] stoke more division in our community, and potentially make Jewish people here feel more unsafe,” Stephanie Hague, chief strategy officer of the Jewish Alliance of Greater Rhode Island, told JTA.
Hague noted that the ballot language, as written, prompts questions about the authority of the international bodies making judgments about what constitutes genocide, ethnic cleansing and other terms in in the initiative. She said that the Alliance would campaign against the ballot measure and, if it passes, explore legal options for putting up roadblocks to it.
A 2024 proposal to the city council urged Providence, whose approximately 15,000 Jews make up around 7% of the population, not to invest in Israel bonds. The measure failed to make it out of committee. Likewise, the board of Brown University, the Ivy League school located in Providence, voted on a divestment resolution as part of the demands of the school’s pro-Palestinian encampment movement in 2024. It failed.
Activists are more confident this time, citing the success in Somerville — where, unlike in Providence, Israel was mentioned by name as the target of the winning ballot measure. Also unlike Somerville, whose measure was non-binding, Providence’s initiative would mandate city action.
Supporters also note that Providence joined a 2006 divestment initiative against Sudan to protest ethnic cleansing in Darfur, a divestment campaign that was spearheaded by American Jewish groups.
“We’re really proud of the legacy of the American Jewish community and standing up on social issues,” Kliger, who grew up in the Conservative movement, attended a Jewish day school in Brooklyn and has family in Israel, told JTA.
Unlike in Pittsburgh, where a similar 2024 initiative was undone before the election following legal challenges to the signatures, the Providence activists were able to collect and verify more than enough signatures to qualify for the ballot. The initiative’s supporters said they had identified around $2.5 million in city funds that would be affected by a divestment order. They cited American companies frequently targeted by pro-Palestinian activists, such as construction equipment manufacturer Caterpillar and weapons firm Axon Enterprise.
The city council of Portland, Maine, also passed a divestment proposal in 2024, though that city’s mayor, after initially endorsing the plan, later said he regretted having done so because of the divisiveness it spurred.
Some progressive Jewish professionals in Providence say the initiative is in keeping with their values.
“I know there are others out there who think that this is a situation where one would need to choose between their Jewish principles and other principles. I don’t perceive it that way,” Lex Rofeberg, senior Jewish educator with the alternative Jewish engagement network Judaism Unbound, told JTA about his support for the ballot campaign.
Rofeberg, a Providence resident, said it would be wrong for non-Jews to conclude that “it is a Jewish value to support human rights violations.”
“For those who see a ballot initiative that does not name Israel at all, but simply says we should not invest our dollars in atrocities — for people who see that as somehow threatening to Judaism, why would they think that?” he asked.
Hague, the Jewish Alliance staffer opposing the initiative, sees just such a threat to Jewish interests. She acknowledged that it can be hard to communicate to non-Jews, who would understandably oppose genocide and apartheid, the ways in which her group sees the BDS movement as “a calling card for antisemitism.”
She outlined what she saw as her group’s mission: “We have to do so much education in a short period of time, and helping people understand the Jewish community’s relationship to Israel, and then understanding this initiative’s relationship to the BDS movement and how those things are connected, and the real fear and isolation many Jewish Americans are already feeling, particularly after Oct. 7.”
The political environment, though, may be unfriendly to such efforts. Following broader national trends, the city’s Democratic mayoral primary, set for Sept. 9, is also pivoting to a large degree around Israel.
Incumbent Mayor Brett Smiley, who converted to Judaism and held a bar mitzvah while in office, is a vocal Israel supporter who opposes the ballot initiative. His progressive challenger, state Rep. David Morales, has backed the ballot initiative.
So too have some local elected officials with Jewish heritage. “For any community that we are identified with, and for the sake of our soul and our humanity, we have to be able to say, ‘This is not OK,’” Rachel Miller, city council president, told JTA.
Miller, who has a Jewish father and Catholic mother, said she considers herself “culturally” Jewish and objected to the idea that there is a single Jewish voice on the issue. She believes, she said, in “disconnecting the actions of a state against a group of people from my personal Jewish heritage, from my personal Jewish identity.”
Even if passed, it’s possible the ballot initiative could run afoul of a statewide ban on working with government contractors who openly boycott Israel — a so-called “anti-BDS law,” one of many such measures enacted in a range of states.
Those laws themselves have been debated for years. This fall a ballot initiative in Oak Park, Illinois, a liberal Chicago suburb, will ask voters to register a formal objection to that state’s anti-boycott law. The initiative, which is opposed by local Jewish groups, survived a legal challenge on Monday.
Hague acknowledged current Jewish divisions on Israel, and the difficult political climate for pro-Israel Jewish groups. Facing down a ballot initiative like this, she said, takes work.
“I think we know public opinion is not supportive of Israel right now. I think it’s not an issue that people understand implicitly when they just read a ballot question,” she said. “So yes, of course, there’s reason for concern, and I think no matter what happens at the ballot, I still think it’s an important moment.”
This article originally appeared on JTA.org.
The post Providence voters to put Israel boycott movement to major test at the ballot box appeared first on The Forward.
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Dutch broadcaster pulls out of Eurovision over Israel’s participation
(JTA) — The Dutch public broadcaster Avrotros has pulled out of the next Eurovision Song Contest, saying that Israel’s participation undermined the event’s neutrality.
Avrotros announced on Monday that it was withdrawing from the world’s largest music event next year because it “can no longer be considered neutral, with a participating country still involved in a large-scale military conflict.”
Eurovision included 35 countries in 2026, all of them in Europe except for Israel and Australia. Avrotros said the contest’s independence was compromised by divisions surrounding “the severe humanitarian suffering in Gaza and the ongoing restrictions on press freedom.”
Avrotros’ withdrawal does not necessarily mean that the Netherlands won’t be part of the 2027 competition in Burgas, Bulgaria. Public-service broadcasters serve as the technical sponsors of competing artists, and Avrotros said it returned responsibility for Dutch participation in Eurovision to the Nederlandse Publieke Omroep, or NPO, the coordinating body for public broadcasters in the Netherlands. NPO could hand it off to a different broadcaster.
The Netherlands was absent from Eurovision in 2026, when Avrotros pulled out for the first time over Israel’s participation and NPO ruled out identifying another broadcaster.
Eurovision has become a focal point in European backlash against Israel’s actions in Gaza. The Netherlands was joined last year by boycotts from Spain, Ireland, Iceland and Slovenia, a bloc representing Israel’s strongest critics in Europe. The competition was viewed by 131 million people, down 35 million from the previous year.
The 2026 event in Vienna also saw thousands of protesters, while over 1,000 artists signed an open letter calling for a boycott of Eurovision. Boycotters have accused the European Broadcasting Union, which owns the contest, of a double standard for allowing Israel to remain while banning Russia after its 2022 invasion of Ukraine. Swiss singer Nemo, who won in 2024, returned their trophy last year in protest against Israel’s inclusion.
Earlier this month, Eurovision organizers announced new rules that bar countries involved in armed conflict from hosting the competition. But the changes did not sufficiently prove that Eurovision would remain “independent and neutral,” according to Avrotros.
“It is undeniable that international conflicts are increasingly affecting the Contest, undermining its neutral character,” Avrotros Director-General Taco Zimmerman said in a statement. “The Eurovision Song Contest has therefore become a platform for division.”
Martin Green, the director of the Eurovision Song Contest, said in a statement that organizers “regret” Avrotros’ decision but will continue to coordinate with NPO about opportunities for another broadcaster to take its place.
“We very much hope that audiences and artists in the Netherlands can continue to be represented in the Eurovision Song Contest,” said Green.
This article originally appeared on JTA.org.
The post Dutch broadcaster pulls out of Eurovision over Israel’s participation appeared first on The Forward.
