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Aline Kominsky-Crumb, who transformed comics first as a muse and then as a feminist artist, dies at 74
(JTA) — Robert Crumb put the “x” in comix by setting to paper his basest sexual longings, including strong-legged Jewish women who were cowgirls and who went by the name Honeybunch Kaminski.
So when an actual strong-legged Jewish cowgirl named Aline Kominsky walked into his life, it was love at first sight, and never wavered.
Aline Kominsky-Crumb, who died Wednesday at 74 in France of pancreatic cancer, was late to the revolution her husband launched in comics a few years before they met, with his Zap Comix. The “x” was a signifier of what was then known as “underground” comics and referred to the unfiltered treatment of humanity that censorious publishers, politicians and public figures had all but washed out of the art.
She soon fully embraced the art form and then helped transform it.
Working with her husband and then on her own, Kominsky-Crumb brought to comics raw self-lacerating accountability and subverted crude stereotypes about Jewish women — including those peddled by her husband — by taking possession of them.
She started out as a self-acknowledged sex object reviled by second-wave feminists and became a hero of younger feminists for modeling unfettered sexual expression. She was the brassy Jewish stereotype who became the muse who guided her husband to a deeper consideration of Judaism.
Kominsky-Crumb, born Aline Ricky Goldsmith in 1948 in the Five Towns, a Jewish enclave on Long Island, had a Jewish upbringing that was in many ways conventional, horrifying and both at the same time. She wrote about the warmth of her grandparents’ home and how she sought in it succor and about the pressures her materialistic parents placed on her. She said she was named for a Five Towns clothing store, Aline Ricky, that sold French fashion knockoffs. She resisted her mother’s pressure to get a nose job.
In one autobiographical comic, she recalls seeing one Jewish girl after another coming into school after plastic surgery. “Me ‘n’ my friends developed a ‘big nose pride,’” she writes, and one of the characters says, “I could not stand to look like a carbon copy!”
She told fellow Jewish cartoonist Sarah Lightman about the ordeal. “Like, I kept my nose, but it was really a close call, because my mother had me in Doctor Diamond’s office and he measured my nose. I remember that. They took an instrument and measured your nose. And then he took a piece of paper and he said,’ look, we can make it look like this.’ And I said, ‘Oh my God.’ My mother said, ‘Oh, it’s gorgeous, gorgeous.’”
In her teens, Kominsky-Crumb fled the suburbs for Manhattan. She studied at Cooper Union, an art school, and lived on the Lower East Side, earning plaudits from her instructors for her painting, but getting bored. She had a baby and gave it up for adoption to a Jewish agency, an experience that scarred her, and later led her to become outspoken in advocating for abortion rights.
After she married Carl Kominsky, they moved to Tucson, Arizona, which she called “hippie heaven.” There, she left her husband for a cowboy who lived with two brothers and his father in what she said was “the middle of nowhere” where she helped out on horseback, albeit under the influence of hallucinogens. (She said her beau was killed in a shootout with a romantic rival after she left.)
In Tucson, she met two pioneers of underground comics, Kim Deitch and Spain Rodriguez. They encouraged her to move to San Francisco, which was the scene of the burgeoning movement.
She did and met Crumb at a party in 1971, within three years of his having created “Honeybunch Kaminski, the drug-crazed runaway” (1968) and “Dale Steinberger, the Jewish Cowgirl.” Kominsky-Crumb, who had kept her first husband’s last name because it sounded more “ethnic” than Goldsmith, was so taken with the her husband’s lustful Jewish imaginings, and how closely she physically resembled them, that when she started creating her own, she named her avatar “Bunch,” a shortened version of the character whose name most closely matched her own.
It was kismet, except it wasn’t at first. Crumb and Kominsky-Crumb got together, but maintained open relationships. Crumb endured Kominsky-Crumb’s dalliances with other men for decades, but Kominsky-Crumb was not as able (or willing) to reciprocate. When one of Crumb’s exes arrived at their commune in Mendocino, she told The Comics Journal in 1990, she was furious. “I had a total s— fit,” she said, “I was wearing these giant platform shoes. I ran out the door and I fell and broke my foot in six places.”
Crumb sent the ex on her way and entertained the recovering Kominsky with a pastime he and his brother worked out as children: They would co-create a comic.
That process drew the couple closer, and also became a decades-long unflinching chronicle of a relationship. A culmination, “Drawn Together,” was critically acclaimed when it came out in 2012.
In one passage in the 2012 book, she gently chides her husband for resorting to antisemitic tropes — although it was tropes about loud, slightly unhinged, sexually voracious Jewish women that drew them together.
One page depicts the couple in bed. Crumb is stung by an accusation of antisemitism from Art Spiegelman. (Spiegelman joined with Crumb to launch the underground comics scene in the 1960s, but they grew apart as Spiegelman, who would author the Holocaust chronicle “Maus,” sought to attach an overarching philosophy to the genre, while Crumb continued to crave crude authenticity.)
Crumb says that Spiegelman “seems to be taking my ruminations about the Jews as antisemitism … I certainly didn’t mean it as such.” Kominsky-Crumb draws herself into the panel, listening to her husband, as a little girl wearing tefillin, a T-shirt with “kosher” in Hebrew and a Star of David pendant. In the next panel, once again appearing as a grown woman in a negligee, she makes clear to Crumb why she feels vulnerable as a Jew in the marriage.
“Dahling, you do call the Jewish religion ‘Brand X’,” she says.. “Now I might even think that’s true in some ways … and I’m one o’ them … I’m allowed to say that!”
Crumb draws himself as wounded but also awakened. “Oh, I see … ulp.” Crumb dedicated his masterwork, “The Book of Genesis,” a searing illustrated narrative of the Bible’s first book, to Aline.
The Crumbs’ collaborative work was celebrated among aficionados, but it wasn’t until 1994’s “Crumb,” a documentary directed by Crumb’s close Jewish friend, Terry Zwigoff, that she emerged into the broader culture. A vibrant, peripatetic Kominsky-Crumb cares for their daughter, Sophie, and revels in their life in a small French village, where they had moved a few years earlier, while Crumb continues to hold back, playing the wounded, misunderstood artist.
It was an arrival of sorts for Kominsky-Crumb. She had for a time been marginalized even on the underground scene, her deceptively simple art derided as sloppy. She helped found the Wimmen’s Comix collective in 1972, and wrote about her Jewish upbringing in the first issue, a piece entitled “Goldie: A Neurotic Woman.” But she was soon frozen out because some of her colleagues thought her musings about longing to be dominated (and her tendency to dress that way to please Crumb) were denigrating to women. “The Yoko Ono of Comics,” is how the New York Times described her early years.
She left the collective and joined another Jewish woman artist, Diane Noomin, in launching “Twisted Sisters” in 1976. Its cover depicts hers seated on a toilet wondering “How many calories in a cheese enchilada.” The message to her erstwhile colleagues, who depicted women heroically, was clear: Kominsky-Crumb would indulge her full unvarnished self.
It would take decades, but a later generation of feminists would come to understand her autobiographical “Bunch” not as a self-loathing caricature but as a means of understanding ones whole self. In 2020, Lightman launched an interview with Kominsky-Crumb by reviewing a 1975 cartoon, “Bunch plays with herself” that shocked even the underground scene at the time with its graphic depictions of a woman exploring every corner of her body.
“I didn’t do it to be disgusting but it’s, like, about every horrible and fun thing you can do with your body,” Kominsky-Crumb told Lightman. “I think it’s an amazing piece of feminist art,” Lightman said in the interview, “because women are drawn to be gazed at, and [here we see] their bodily juices, and everything. … The last panel is the best. ‘My body is an endless source of entertainment’.”
In 2007, she and Crumb created a cover for the Jewish counterculture magazine Heeb, where she is cradling him in her arms. “”I feel so safe in the arms of this powerful Jewish woman!” Crumb says.
By 2018, she was scrolling through her phone to show a New York Times reporter pictures of Crumb cavorting with the grandkids. (Daughter Sophie in adulthood also is a comics artist.) The photos then transition to photos of women’s behinds, taken in Miami.
“I’m enabling his big butt fixation,” she said. “Well I don’t have a big butt anymore so I have to offer him something.”
“It was her energy that transformed the American Crumb family into a Southern French one, with her daughter Sophie living, marrying and having three French children there,” the official Crumb website said in announcing her death. “She will be dearly missed within that family, by the international cartooning community, but especially by Robert, who shared the last 50 years of his life with her.”
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Tu B’Shvat, Conscious Eating, and the Jewish Call to Return
Orange trees in Israel’s northern Galilee region. Photo: פואד מועדי / Wikimedia Commons
Tu B’Shvat, the Jewish New Year for the Trees, is often celebrated simply: fruit on the table, blessings over figs and dates, and a nod to nature in the middle of winter. For those who do things a bit more lavishly, a ceremony or seder is conducted.
But at its core, the holiday of Tu B’Shvat is far more than a seasonal celebration. It is a day that offers a profound Jewish teaching about food, responsibility, and the possibility of return.
To understand that teaching, we have to go back to the very first act of eating in the Torah.
In the Garden of Eden, God gives Adam and Eve permission to eat freely from nearly everything around them. Only one boundary is set: there is one tree that is off limits. When Adam and Eve cross that boundary, the result is a rupture of faith between humans and God, which results in a series of other ruptures between humans and the earth — and humans and themselves.
One of the great Chassidic masters, Rabbi Tzadok HaKohen (1823-1900), suggested that the problem was not simply what they ate, but how they ate: without awareness, without restraint, and without consciousness. They consumed, rather than received.
Five hundred years ago, the kabbalists of Tzfat transformed Tu B’Shvat from a technical agricultural date into a spiritual opportunity. They taught that the world is filled with sparks of holiness, and that our everyday actions, especially eating, can either elevate those sparks or bury them further. This lesson has recently been discussed by the Jerusalem-based educator Sarah Yehuit Schneider.
Eating, in Jewish thought, is never neutral.
When we eat with intention and gratitude, we participate in tikkun olam, repairing the world. When we eat mindlessly, we reenact the mistake of Eve and Adam from the Garden of Eden.
The holiday of Tu B’Shvat invites us to try again.
There is another detail worth noting. The Torah’s first description of the human diet is explicitly plant-based: “I have given you every seed-bearing plant and every fruit-bearing tree; it shall be yours for food.” That diet, which was given in Eden, does not end with humanity’s exile from paradise. For generations to come, until after the great flood in the time of Noah, that diet continued in a world already marked by moral compromise.
On Tu B’Shvat, when Jews sit down to a table of fruit, we are quietly returning to that original vision of eating plant-based food that sustains life without taking it, nourishment that reflects restraint rather than domination.
That idea feels especially urgent today.
Our food choices now affect far more than our own bodies. They shape the treatment of animals, the health of the planet, and the sustainability of our food systems. Eating “without knowing” is something that carries grave consequences, which are all too visible in our society.
To observe conscious eating today means asking hard questions: Who is harmed by this choice? What systems does it support? What kind of world does it help create?
In my work as a rabbi and educator with Jewish Vegan Life, I encounter many Jews grappling with these questions, most of whom possess a desire to align their daily choices with enduring Jewish values of compassion, responsibility, and reverence for life.
Tu B’Shvat reminds us that Judaism does not demand perfection, but it does demand awareness. It teaches that repair is possible, not only through grand gestures, but through daily choices repeated with intention.
Redemption begins when a person makes a choice to eat their meal consciously. This is what the seder on Passover is for and what it reminds us of, and the same holds true for the seder on Tu B’Shvat.
The custom to eat fruits on Tu B’Shvat, the choice to have a seder or ceremony, reminds us of the consciousness that we must approach all of our meals with. On Tu B’Shvat, we are being asked to reconsider how we eat, how we live, and how we might take one small step closer to the world as it was meant to be. It is, after all, according to the Mishna in tractate Rosh Hashanah, one of the four New Years of the Jewish calendar.
Rabbi Akiva Gersh, originally from New York, has been working in the field of Jewish and Israel education for more than 20 years. He lives with his wife, Tamar, and their four kids in Pardes Hanna. He is the Senior Rabbinic Educator at Jewish Vegan Life. https://jewishveganlife.
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Jewish Survival Depends on the Existence of a Jewish State
People with Israeli flags attend the International March of the Living at the former Auschwitz Nazi German death camp, in Brzezinka near Oswiecim, Poland, May 6, 2024. Photo: REUTERS/Kuba Stezycki
“The past is never dead, it is not even past,” a quotation from William Faulkner’s novel, Requiem for a Nun, is frighteningly apt today in relation to antisemitism.
Many of us are wondering if the antisemitism we are witnessing now is comparable to the antisemitism our parents or grandparents experienced during the 1930s, almost 100 years ago.
The parallels are obvious — the hatred and demonization of Jews/Israelis (especially on social media), boycotts of Jewish and Israeli businesses and products, and the aggressive public protests that include genocidal language and target Jewish neighborhoods and houses of worship.
There are also the increasingly common violent physical attacks on Jews, including murder, often carried out to coincide with Jewish festivals and religious observances.
There are also differences, of course.
Nothing like the 1935 Nuremberg Laws stripping German Jews of their rights, and designed to separate Jews from German society, have been enacted anywhere. But this point may not be as comforting as it sounds, because today, the most antisemitic countries in the world are not in Europe. They are in North Africa and the Middle East and, with the exception of a few thousand Jews remaining in Iran, these countries have virtually no Jews left to threaten. A majority of those Jews who once resided in that part of the world, and their descendants, are safe in Israel.
The existence of a Jewish State is the primary difference between the Jewish predicament today, and the situation that existed in the 1930s.
An episode such as that of the S.S. St. Louis, when 937 Jews fleeing Europe before the outbreak of World War II were denied sanctuary and sent back to almost certain death, would never happen today.
The Évian Conference is another example of Jewish powerlessness during the 1930s. Held from July 6 to July 15, 1938, representatives of 32 countries met in the French spa town of Évian-les-Bains to search for a solution to the Jewish refugee crisis precipitated by the intense antisemitism unleashed by the Nazis.
The conference achieved very little, and today the Évian conference is widely believed to have been a cynical ploy to deflect attention away from the refusal to raise US immigration quotas, or even fill existing quotas, to save Jews.
With the exception of the Dominican Republic (in the end, only a little more than 700 Jewish refugees found sanctuary there), no country agreed to accept Jewish refugees.
In a shocking example of indifference to Jewish concerns, representatives of a number of non-governmental organizations, including several Jewish ones, could observe but not participate in the proceedings. Golda Meir, an observer representing the Jewish Agency in Palestine at the Évian Conference is quoted as saying, “I don’t think anyone who didn’t live through it, can understand what I felt at Evian — a mixture of sorrow, rage, frustration and horror.”
In April 1943, American and British representatives met in Bermuda to discuss what to do with the Jewish refugees, both those liberated by the Allies as the war progressed, and those who might still be alive in Nazi-occupied Europe. The venue, Bermuda, a remote location in the midst of World War II, was chosen to minimize press coverage.
As in the case of Évian, no Jewish organization was allowed to participate. At the time the conference was held, there was no doubt about the full extent of the Nazi effort to exterminate the Jews of Europe. Yet, once again, nothing was achieved. As in the case of the Évian Conference, the Bermuda Conference was a public relations event, and not an actual effort to protect Jewish lives.
All of these events — and hundreds more throughout history — emphasize the importance of a sovereign Jewish state for Jewish safety and survival. But what really makes this point stand out is a history that is often overlooked; the role that Mandatory Palestine played in saving Jews from the Holocaust.
Aliyah numbers show that despite restrictions limiting Jewish immigration imposed by British officials, and widespread opposition to Jewish immigration by Palestinian Arabs, approximately 200,000 to 250,000 Jews, mainly from Germany and Eastern Europe, were able to find sanctuary in the Mandate during the 1930s. How many more would have been saved had there been an independent Jewish state?
Jacob Sivak, a Fellow of the Royal Society of Canada, is a retired professor, University of Waterloo.
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Did the Bondi Attack Actually Change Australia?
Grandparents of 10-year-old Matilda, who was killed during a mass shooting targeting a Hanukkah celebration on Sunday, grieve at the floral memorial to honor the victims of the mass shooting at Bondi Beach, in Sydney, Australia, Dec. 16, 2025. Photo: REUTERS/Jeremy Piper
The Bondi terrorist attack on December 14, 2025, changed Australia.
But in many ways, it also didn’t.
The shock of watching a murderous rampage unfold at one of our most iconic sites, in what Australians long believed was a safe, peaceful country, shook the nation to its core.
Fifteen innocent people being murdered at a peaceful Hanukkah event is something so foreign to the experience of Australians, that it shattered the country’s sense of security overnight. Most Australians believed this kind of hatred was something that occurred elsewhere, not here.
Such trauma can prompt genuine reflection — which in turn may lead to genuine change.
In the aftermath of the attack, Prime Minister Anthony Albanese struck a markedly different tone than he had previously, showing an empathy with Australia’s Jewish community that many of us felt was often sorely missing in the months following October 7, 2023.
On January 22, 2026, Albanese initiated a National Day of Mourning, observed across the country. Fifteen sites were illuminated to commemorate the 15 victims, Australians were encouraged to light candles in their windows, and — strikingly — the government even urged citizens to perform a mitzvah — yes, it used that word — in the victims’ memory, publishing a list of 15 suggested acts of kindness.
In a nationally televised address at the Sydney Opera House — the very site where, on October 9, 2023, crowds had gathered to celebrate the Hamas massacre in Israel — the Prime Minister offered a direct apology to the Jewish community, acknowledging that “we could not protect your loved ones from this evil.”
Five days later, on International Holocaust Remembrance Day, Albanese released a statement commemorating the six million Jews murdered in the Holocaust, describing “the immense multitudes of Jewish lives and futures stolen with a pitiless cruelty that remains scarcely fathomable in its evil.” To be fair, he issued a similar statement on the same day last year.
This moral clarity contrasted starkly with the BBC and US Vice President JD Vance, who both failed to even mention the word “Jew” in their statements marking Holocaust Remembrance Day.
Albanese’s apology for the Bondi massacre was a sharp departure from what had often been a strained and acrimonious relationship between his government and the Jewish community, driven by persistent and often disproportionate criticism of Israel during its war against Hamas and other terrorist groups, alongside a series of concrete policy decisions widely perceived as hostile toward a longstanding democratic ally.
In the weeks following Bondi, the government moved swiftly to legislate, recalling parliament early in order to pass a package of new federal hate and extremism laws, including the Combatting Antisemitism, Hate and Extremism Bill. These measures criminalize participation in designated hate groups, impose penalties of up to 15 years in prison for directing such organizations, expand visa-cancellation powers for individuals promoting hate, and tighten controls on extremist symbols and propaganda. A provision to criminalize extreme racial vilification was dropped in the face of the Opposition’s objections to it.
New South Wales, where the attack occurred, also introduced state-level laws granting police broader powers around protests linked to declared terrorist events.
A Royal Commission has also been commissioned to investigate antisemitism in Australia in the lead-up to the Bondi attack, following pressure from broad sections of the community after Albanese was initially opposed to holding one.
These steps were welcomed by the Jewish community, yet it remains far too early to declare them transformative. After all, hate-speech laws already existed across Australian jurisdictions, but were only rarely used.
History therefore suggests that legislation alone is rarely enough; the true test is whether authorities are willing to enforce the laws consistently, especially when doing so becomes politically uncomfortable.
And that discomfort may arrive very soon.
The upcoming visit of Israeli President Isaac Herzog in early February, at Prime Minister Albanese’s invitation, will serve as a critical test of whether the empathy shown after Bondi represents a lasting shift or a fleeting political moment.
Already, Labor Friends of Palestine have called for President Herzog to be blocked from coming and investigated for alleged incitement and complicity in war crimes. Multiculturalism Minister Dr. Anne Aly initially declined to confirm whether she would welcome the Israeli President on his state visit, before later offering a notably lukewarm endorsement. There are also mass protests planned against his visit by anti-Israel groups. How the government deals with this will be telling.
These are the same kind of groups that supported Hamas after Oct. 7, and appeared on Australia Day, the national celebration of identity and unity, with calls for “intifada.”
Australia is currently at a crossroads in its relationship with Israel and also the Jewish community here. How it navigates that relationship could well determine the future of Jewish life in Australia. Hopefully the solidarity now being shown will be maintained and enhanced. But if it proves to be temporary, and the hostility being drummed up by the local anti-Zionist movement resurges, then the long-term feelings of belonging and security that underpin Australia’s long thriving Jewish community will likely erode further.
That, tragically, could echo the same sad and tragic path of many past Jewish communities throughout history.
Justin Amler is a policy analyst at the Australia/Israel & Jewish Affairs Council (AIJAC).